scholarly journals De la littérature dite sabir

Author(s):  
Alessandro Costantini

From the end of the 19th century, the French colonisation of Maghreb saw the birth of a cultural production deeply rooted in its historical-geographical context, characterised by a style and sometimes by contents that are essentially comic. These texts, which are often literary in nature, mostly illustrate the colonial world. They are written in Pataouète, the common language, the Patois of the Algerian French or, at least, they bear some resemblance to it. The remaining texts, which are the particular subject of this article, instead, consist of so-called ‘Sabir literature’, taking the form of texts describing the colonial Other, which is mainly Arabic. This ‘Sabir literature’ gives voice to the colonial Other in an idiom that is very different from French but that derives from it, also in its local form, although in what is, in essence, imprecise, sounding like caricature – the Sabir, being a French badly understood and badly spoken language by less-educated Arabic-speakers in their relationships with the French-speakers. This paper aims to give an account, as complete as possible, of these texts and of their essential features, while providing a general overview of the so-called literature in Sabir, which is a typical part of the Pieds-Noirs culture.

1984 ◽  
Vol 11 (1-2) ◽  
pp. 263-286
Author(s):  
Hernán Urrutia

Summary Andrés Bello (1781–1865) is the most important Spanish grammarian of the 19th century. In his work, he attempts to apply a scientific objectivity, free from any dogmatism, to the study of language and social reality with a view to improving man and his community: Social progress, and not simply individual progress, is one of the driving ideas of his work. In linguistics, the source of his inspiration was general grammar, both synchronic and pedagogical. His work reaches its crowning in his Grammar of the Castillian Language for the use of Spanish-Americans of 1847. In his conception, it is the goal of norms and of the respect of usage that they determine to continually remind the community of speakers of a particular behaviour in order to avoid the bad consequences of a cultural and linguistic disruption. It is in the light of earlier considerations that Andrés Bello brings to bear all his concern for the preservation of the Spanish cultural heritage, in particular the common language as an instrument of communication and integration, and as the repository capitalizing on the cultural language. In this way, he appears to us, apart from his eminent position of renewer of the study of Spanish grammar, as the initiator of the immense task which consists of the development of a socio-cultural and linguistic variant within the Spanish unity. He thus contributed, in a decisive manner, to the formation of an Spanish-American man who is conscious of his tradition and his historical place in the world.


Finisterra ◽  
2012 ◽  
Vol 33 (65) ◽  
Author(s):  
José Antonio Rodríguez-Esteban

The changes which took place in the balance of power in Europe in the last thirty years of the 19th century, together with the process of colonial expansion and partition, led Spanish geographers to see the need to combine the territorial projects and interests of Spain and Portugal with the aim of defending what remained of their colonial empires, coveted by English-speaking countries. This gave new life to a school of thought known as "Iberismo", which now extended to include France in the formula of a "triple alliance of the South" based on the common interests of Latin countries. The failure of both attempts at rapprochement gave rise to these ideas being transferred, by the beginning of the 20th century, to the Spanish-speaking countries of America. Iberismo was to become "Hispano-Americanismo", and the defence of strategic and material interests was to begin with a reaffirmation of the moral and spiritual qualities of peoples sharing common roots and a common language. Ideas and arguments along these lines were then developed on both sides of the Atlantic, crossing boundaries into other spheres of intellectual activity.


2004 ◽  
Vol 12 (4) ◽  
pp. 543-549 ◽  
Author(s):  
WILLEM J. M. LEVELT

During the second half of the 19th century, the psychology of language was invented as a discipline for the sole purpose of explaining the evolution of spoken language. These efforts culminated in Wilhelm Wundt's monumental Die Sprache of 1900, which outlined the psychological mechanisms involved in producing utterances and considered how these mechanisms could have evolved. Wundt assumes that articulatory movements were originally rather arbitrary concomitants of larger, meaningful expressive bodily gestures. The sounds such articulations happened to produce slowly acquired the meaning of the gesture as a whole, ultimately making the gesture superfluous. Over a century later, gestural theories of language origins still abound. I argue that such theories are unlikely and wasteful, given the biological, neurological and genetic evidence.


Author(s):  
Francesc Morales

Abstract: The palates of the nationalist authors of the 19th century found the common past exemplified by the Roman Empire to be too homogeneous a taste. Although this premise may be valid for all European nationalist movements of the 19th and early 20th centuries, the discussion here is limited to Spain’s problematic national construction during the 19th century and the group formed by Belgium, the Netherlands, and Luxembourg. Spain and ‘Benelux’ were chosen because they represent complex problems in the construction of a key dynamic of European nationalism: a political contemporary diversity linked to pre-Roman and post-Roman pasts. Despite these political and historical connections, the paths taken by these nationalisms are significantly different.Key words: Rome, Netherlands, Spain, nationalism, EuropeResumen: Un pasado común ejemplificado por el Imperio Romano pasa por ser demasiado homogéneo para el gusto de los autores nacionalistas en el siglo XIX. Esta premisa puede ser válida para todos los movimientos nacionalistas europeos, pero voy a limitarme a la problemática de la construcción nacional en España durante el siglo XIX y al grupo formado por Bélgica, los Países Bajos y Luxemburgo. Ambas regiones representan similares complejidades en la construcción de un nacionalismo europeo: una diversidad política contemporánea enlazada con un pasado prerromano y post-romano. A pesar de tener conexiones políticas e históricas, el camino de estos dos nacionalismos es significativamente diferente.Palabras clave: Roma, Países Bajos, España, nacionalismo, Europa  


2021 ◽  
pp. 56-65
Author(s):  
Maria MITSKOVA

The following article examines the accentual peculiarities in the Bulgarian vernacular from the second and third quarters of the 19th century as described in the dialectological publications from the same period. Bulgarian 19th-century writers go beyond the field area of recognizing and analyzing the phonetic nature of the Bulgarian dynamic accent and its effect on vowels and comment on a number of phonetic processes and phenomena, regarded as a result of the functioning of the word stress. They discuss the reduction of unstressed vowels in Eastern Bulgarian dialects, set out the Yat rule, and draw attention to the connection between Yat mutation and word stress. In their publications a number of accentual peculiarities are revealed, such as: the fixed secondary and tertiary stress in some Southwestern Bulgarian dialects, shifting the stress from the root syllable to the flexion in the definite forms of disyllabic words – a special phonetic feature in the mass of Southwestern and Rup Bulgarian dialects. In their attempts to present the diversity of the spoken language and to conceptualize it as a cultural value and a linguistic source, they present hundreds of examples which visualize the variety of local pronunciations, as well as the word-stock of the entire Bulgarian language. Their work is a valuable contribution both to the history of the Bulgarian vernacular and to the history of the Bulgarian dialectology from the 19th century.


Muzikologija ◽  
2015 ◽  
pp. 147-157
Author(s):  
Melita Milin

The common denominator in the careers of two contemporaries and great men, citizens of Austria-Hungary - Leos Jan?cek and Sigmund Freud - was that, in spite of their status as outsiders, they managed to achieve well-deserved recognition. Both non-Germans, they had to surmount a number of obstacles in order to attain their professional goals. The Slavophile Jan?cek dreamed for a long time of success in Prague, which came at last in 1916, two years before a triumph in Vienna. Freud had serious difficulties in his academic career because of the strengthening of racial prejudices and national hatred which were especially marked at the end of the 19th century. After the dissolution of the Empire things changed for the better for the composer, whose works got an excellent reception in Austria and Germany, whereas the psychiatrist had to leave Vienna after the Anschluss.


2021 ◽  
Vol 31 (1) ◽  
pp. 195-217

Among the various human attitudes toward a pandemic, along with fear, despair and anger, there is also an urge to praise the catastrophe or imbue it with some sort of hope. In 2020 such hopes were voiced in the stream of all the other COVID-19 reactions and interpretations in the form of predictions of imminent social, political or economic changes that may or must be brought on by the pandemic, or as calls to “rise above” the common human sentiment and see the pandemic as some sort of cruel-but-necessary bitter pill to cure human depravity or social disorganization. Is it really possible for a plague of any kind to be considered a relief? Or perhaps a just punishment? In order to assess the validity of such interpretations, this paper considers the artistic reactions to the pandemics of the past, specifically the images of the plague from Alexander Pushkin’s play Feast During the Plague, Antonin Artaud’s essay “The Theatre and the Plague” and Albert Camus’s novel The Plague. These works in different ways explore an attitude in which a plague can be praised in some respect. The plague can be a means of self-overcoming and purification for both an individual and for society. At the same time, Pushkin and Camus, each in his own way and by different means, show the illusory nature of that attitude. A mass catastrophe can reveal the resources already present in humankind, but it does not help either the individual or the society to progress.


Author(s):  
David Martens

Referring to the end of the 19th century, Fin de siècle not only represents a specific historical moment but also a part of the sensibility and of the cultural production of the period. It is particularly challenging to define fin de siècle within the artistic world, as it neither corresponds to a movement around a leading figure, nor to an amalgamation of shared and promulgated aesthetic principles (there is no manifesto laying claim to fin-de-sièclism). The term appears for the first time at the end of the 1880s. In its French form, it has imposed itself ever since on most Western-European languages (e.g., English, German). Fin de siècle crystalizes certain anxieties that are typical of this era: the period is characterized by a particular striving for modernity, while at the same time it is also perceived as an end. This explains why the fin de siècle mentality has often been closely related to decadence (or decadentism) to which it is, however, not limited: symbolism, aestheticism or even art nouveau all fall within fin de siècle. The fin de siècle mind-set is marked by an ensemble of shared features, in particular an ambivalent fear for the end.


Author(s):  
Jagabandhu Sarkar

Swami Vivekananda was the pioneer of the 19th century renaissance by religious revolution in India. He was one of the foremost leaders who were very much concerned about the poor and subjugated persons of the society. Vivekananda realized that there is need of reformation in society. Vivekananda wanted to revive the lost confidence of the common people in society. He visited extensively within the country to understand their problem. He wanted to eliminate all the social evils of the society which are major obstacles for the mankind. These social evils are poverty in general, untouchability, illiteracy, intolerance, religious superstitions etc. He always pleaded for the fraternity, humanity and harmony. He realized that the ultimate goal can be achieved through self-development of human values, not only by laws. In this short discourse, I would like to highlight Vivekanada’s philosophical realization towards the mankind and his ideo of Rerormation. KEYWORDS- Reformation, Untouchability, Self-realization, Harmony, Humanism, Brahman, Narayana, Brotherhood.


2021 ◽  
Vol 11 (2) ◽  
pp. 201-224
Author(s):  
Kari Kinn ◽  
Ida Larsson

This paper is concerned with pronominal demonstatives (referred to as psychologically distal demonstratives by Johannessen 2008a, b) in older Norwegian spoken language, and written Swedish from the 19th century and the present-day. We show that pronominal demonstratives can be attested in speakers born in different parts of Norway in the 19th century, and in Swedish texts from the same period. However, the pronominal forms do not seem to be used in precisely the same way in the two languages. In Swedish, han/hon ‘he/she’ do not seem to behave formally like demonstratives. Instead, we propose that they are syntactically reduced pronouns at the edge of the DP, above the position for demonstratives, and that they double features lower down in the noun phrase. In Norwegian, on the other hand, han/hun are used as demonstratives already in the 19th century, in the way described for present-day Norwegian by Johannessen (2008a, b).


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