scholarly journals MODERN UKRAINIAN PHOTO BOOK AS AN OBJECT OF CONCEPTUAL ART OF POSTMODERNISM

2021 ◽  
pp. 52-62
Author(s):  
A. V. Safronova
Keyword(s):  
Art History ◽  
Conceptual Art ◽  
Practical Significance ◽  
History Analysis ◽  
Postmodern Art ◽  
Characteristic Features ◽  
Historical Comparative ◽  
Textual Content ◽  
Photo Book ◽  
Design Techniques

Purpose. The purpose of the study is to identify the features of modern Ukrainian photo books, which have become a striking example of following the trends of postmodern art. Methodology. The study is based on the integrated use of historical, comparative methods, systems analysis, synthesis, generalization. Results. The modern Ukrainian photo book is considered as a work of conceptual art of postmodernism. Certain artistic and compositional features and design techniques of Ukranian photobooks are identified; originality of form; author's presentation of textual, content and visual components of the indoor unit: inclusion of ready-made images (ready-made) and photo manipulation, use of collages, photos of utilitarian objects, etc. Scientific novelty. On the example of art history analysis of a number of well-known Ukrainian photobooks, the characteristic features of the photobook as an object of modern conceptual art is determined, the features of figurative, stylistic, artistic and compositional design solutions are systematized. Practical significance. The artistic and compositional features and design techniques used by photographers in the implementation of creative ideas have been identified, the theoretical basis of modern conceptual art have been expanded that can be useful in future creative projects of photobooks that will have both artistic and commercial value.

scholarly journals ТЕНДЕНЦІЇ РОЗВИТКУ КОВАЛЬСЬКОГО МИСТЕЦТВА (ЗА ПІДСУМКАМИ МІЖНАРОДНОГО ФЕСТИВАЛЮ «СВЯТО КОВАЛІВ», М. ІВАНО-ФРАНКІВСЬК)

2020 ◽  
pp. 72-83
Author(s):  
І. Я. Матоліч
Keyword(s):  
Urban Environment ◽  
Art History ◽  
Large Scale ◽  
Practical Significance ◽  
Scientific Conference ◽  
Art Exhibition ◽  
Integrated Research ◽  
History Analysis ◽  
Historical Comparative ◽  
International Festival

The article defines and outlines the processes of artistic blacksmithing revival in Ivano-Frankivsk based on the results of the annual International Festival “Sviato Kovaliv” (Blacksmith Festival). The attention is riveted on the analysis of artistic features of forged sculptural compositions that complement the urban environment, and their art history analysis has been carried out. Methodology. The methodological background is the principle of system approach and integrated research. The historical, comparative and art history methods have been used for the study of the selected object of research. Results. It has been established that one of the biggest in Eastern Europe is the International Blacksmith Festival “Sviato Kovaliv” in Ivano-Frankivsk which began its activities in 2003. The purpose of this event is the revival of blacksmithing traditions forgotten in Ukraine in the Soviet times and popularization of the artistic metal as a craft and an art. It has been defined that in the space of a few years the event has developed from the amateur level into the large-scale international project which nowadays includes a complex of events: public demonstration of blacksmithing, performances, competitions, international scientific conference, and art exhibition of blacksmithing. It has been established that one of the results of festival is the production of joint blacksmith’s works, which nowadays complement the urban environment of Ivano-Frankivsk, and their artistic features have been analysed. It has been found out that metal artworks can be both functional and decorative, often with a deep idea. The scientific novelty lies in the study of important aspect of the modern artistic blacksmithing revival in Ukraine using the example of the International Festival “Sviato Kovaliv” (Blacksmith Festival) in Ivano-Frankivsk. The attention is focused on the artistic features of forged chased work. Practical significance. The research allows broadening your knowledge about the artistic blacksmithing development in Ivano-Frankivsk that contributes to the attraction of obtained information in the study of modern blacksmithing in Halychyna (Galicia).

scholarly journals NAIVE ART: FEATURES OF CREATIVE PERCEPTION

2021 ◽  
pp. 45-53
Author(s):  
O. V. Kolisnyk ◽  
M. O. Kovalenko
Keyword(s):  
System Analysis ◽  
Modern Society ◽  
Practical Significance ◽  
Distinctive Features ◽  
Art Form ◽  
History Analysis ◽  
Postmodern Art ◽  
Characteristic Features ◽  
Artistic Images ◽  
The Given

The purpose of the article is to define the specificity of the concept of "naive", to analyse the peculiarities of the works of art of this direction, their distinctive features on the basis of the visual works of Ukrainian naivists. Methodology. The research methodology is based on the art history analysis, the complex use of historical and comparative methods, system analysis, synthesis and eneralization. Results. The concept of naïve has been defined, its specificity in relation to the related, but not identical terms, such as "primitive art" and "outsider art" has been singled out, and the components of the development of the given tendency have been studied. On the example of Ukrainian naive art representatives, the characteristic features of the artists of this direction were defined. The urgency of the application of artistic images of naive in the realities of contemporary design is underlined. The scientific novelty. The category of artistic and compositional features of this kind of art in the works of Ukrainian naïve artists have been investigated, the characteristic visual techniques of this artistic direction, which are actual for the application in the modern design projects, have been determined. Practical significance. The identified features of the concept of naive, originality of creative implementation of this trend can contribute to the further research of this topical for the design of postmodern art form, and become a part of the discipline of art studies of students-designers to enhance their competitiveness in creating a visual culture of the modern society on the basis of images close to the national mentality.

scholarly journals The Azerbaijan Theme in the Works of Fedor Modorov: An Art History Analysis

2020 ◽  
Author(s):  
Х.А. Зейналов
Keyword(s):  
Art History ◽  
Comparative Method ◽  
Historical Significance ◽  
Industrial Landscape ◽  
The People ◽  
History Analysis ◽  
History Of ◽  
The Rich ◽  
Historical Comparative ◽  
Definition Of

Цель настоящей статьи – исследование азербайджанских мотивов в творчестве известного русского живописца, народного художника РСФСР Федора Модорова. В середине 20-х гг. прошлого века Модоров, побывав в Азербайджане, создал ряд работ, посвященных нефтяной индустрии республики, а также истории и культуре азербайджанского народа. Несмотря на то, что от момента создания этих полотен прошел почти век, они до сих пор не были предметом отдельных изысканий. Автор попытался восполнить этот пробел – им осуществлена классификация относящихся к данной теме произведений художника, проведен их краткий искусствоведческий анализ и впервые дана оценка в художественном и историческом аспектах. В ходе исследования также было отмечено, что в наше время, когда культурные связи между Азербайджаном и Россией вступили в новую фазу, освещение их истории приобретает особое значение, позволяя народам обеих стран глубже узнать и оценить общее историко-художественное наследие. The aim of the article is an art history analysis of the works on the theme of Azerbaijan by the outstanding Russian painter, people’s artist of the RSFSR Fedor Alexandrovich Modorov (1890–1967). This analysis involves the establishment and refinement of the history of these works’ creation, the classification and definition of their historical and artistic significance. In the study, the author used the historical-comparative method to analyze Modorov’s works and compare them with works of other Russian artists. The research materials were Modorov’s paintings, as well as historical, biographical, and art studies by Soviet, Russian, and Azerbaijani researchers. The problem is characterized by an extremely poor degree of elaboration: on its own, the theme of Azerbaijan was not even distinguished by researchers who studied the artist’s works. Meanwhile, over the years of his creative business trip to Azerbaijan at the initiative of the Association of Artists of Revolutionary Russia in the 1920s–1930s, Modorov painted about 20 paintings and watercolors directly related to Azerbaijani themes. During the study, most of the artist’s works on the theme of Azerbaijan were examined, their historical and artistic significance was determined and substantiated, features associated with national specifics were identified and shown. The history of some paintings is clarified, the works are systematized by genre and theme. Modorov’s works are compared with other artists’ paintings on the topic. Modorov’s Azerbaijani series is divided into four groups according to the thematic principle: historical and revolutionary theme; industrial landscape; city landscape; national theme. Common features were revealed in the ideological, aesthetic, and artistic solutions of the paintings: they all show industrial achievements, development of public life and activities; convey the rich national color and character, everyday characteristics of the people; reflect the panorama of Baku and its historical and architectural monuments. The artistic and historical significance of these works is emphasized, despite the fact that about a hundred years have passed since their creation. It is noted that, at present, when the cultural ties between Azerbaijan and Russia have entered a new phase, coverage of the history of mutual cultural ties is of particular importance as it allows the peoples of both countries to more deeply learn and appreciate the common historical and artistic heritage.

scholarly journals ГЕОМЕТРИЧНИЙ ОРНАМЕНТ В ІСЛАМСЬКОМУ МИСТЕЦТВІ: ТРАДИЦІЇ, ОСОБЛИВОСТІ, СКЛАДОВІ

2021 ◽  
pp. 51-59
Author(s):  
Алі Аззаарі
Keyword(s):  
Arab Countries ◽  
Practical Significance ◽  
Modern World ◽  
Structural Elements ◽  
Grid Pattern ◽  
Decorative Element ◽  
History Analysis ◽  
Historical Processes ◽  
General Scientific ◽  
Historical Comparative

Purpose of the article аnalyze the features of Islamic geometric ornament as a historical and at the same time modern artistic phenomenon, its formation, development, traditional structural elements. Methodology. General scientific research methods, chronological and historical ‒ comparative, figurative-stylistic, semantic, and theoretical-art history analysis are applied. Results. The features of the historical development of geometric ornament in the countries of Islam, its national, historical, mental, figurative, artistic features are analyzed. Recognized in the world as a unique work of art, Islamic geometric ornament is known for its compositional construction which consists of simple elements (circle, square, triangle). Then by connecting and repeating the shapes according to a certain grid pattern, a complex pattern (hexagon, octagon, star pattern) is created. The richness of the artistic culture of Islam is embodied in the range of its variants. It was found that the geometric ornament, which is the main decorative element on numerous objects, embodies a deep spiritual content. Geometric Islamic ornament embodies thousands of years of creative practice that has become traditional in the Arab East. At the same time, in the modern world, Muslim ornamental traditions remain relevant and reveal opportunities for introducing the acquired artistic experience of the Arab countries into new creative practices, including graphic design. Scientific novelty consists in determining the place and significance of Islamic geometric ornament in modern cultural and historical processes, taking into account its traditional aesthetic, substantial, structural and compositional content. Practical significance. The proposed research expands the understanding of the possibilities of using the traditions of Islamic ornament in modern creative practices. The results can be used in design practice.

scholarly journals PECULIARITIES OF THE ARTISTIC LANGUAGE OF THE UKRAINIAN ARTIST YEVHENIA GAPCHYNSKA

2021 ◽  
Vol 6 (42) ◽  
pp. 230
Author(s):  
L. Ametova
Keyword(s):  
Mass Culture ◽  
Art History ◽  
Art Gallery ◽  
Art And Design ◽  
History Analysis ◽  
Scope Of Application ◽  
Historical Comparative ◽  
One Year ◽  
The One ◽  
Modern Mass

The subject of the research is the developments of the modern Ukrainian artist Evgeniya Gapchinskaya, who is now successfully working in various fields of art and design, ranging from jewelry and book graphics to monumental mural art. The purpose of the work is to investigate the specifics of the artistic language of the named artist in the context of the development of modern mass culture. The methodology of the work is based on a combination of chronological and the principle of scientific comprehensiveness, art history, design and culturological approaches, ontological, axiological, hermeneutic, historical-comparative, cross-cultural and art history analysis methods. The results of the work allow us to understand the secrets of E. Gapchinskaya's success in the field of contemporary art and design. The scope of application of the results – artistic and design practices of the present, history, theory and criticism of art, teaching activities for students and graduate students of creative specialties. Findings. It was found that the artistic language of Yevhenia Gapchinskaya was formed under the influence of Ukrainian and German artistic traditions. Taking into account the one-year internship in Nuremberg at the beginning of the formation of the artistic language, the author was inspired in her artistic searches by the impulses of the high art of the Northern Renaissance and mannerism. In particular, the work of I. Bosch and P. P. Bruegel the Elder (Peasant), whose phantasmagoric language still has a significant impact on the work of young European artists. Also, the formation of the artistic originality of Evgenia Gapchinskaya's handwriting was significantly influenced by the Dutch and Flemish art of the 17th – 18th centuries, headed by Frans Halls and Rembrandt van Rijn, and individual searches for Baroque-Rococo artists from other European countries – J. B. Greuze and T. Gainsborough. In general, the specific artistic and figurative manner of E. Gapchinskaya was influenced by the artist's appeal to related areas of knowledge – nail design, creative work with plastic, environmental design, advertising, image-making, art gallery business, restoration, art management, marketing, logistics and the like.Key words: artistic manner of creativity, Evgeniya Gapchinskaya, Ukraine, the beginning of the XXI century.

GENRE OF LANDSCAPE IN THE WORK OF M. M. SHABANOV

2021 ◽  
pp. 94-100
Author(s):  
Zaripat Abdullaevna Akhmedova
Keyword(s):  
Art History ◽  
History Analysis

The article deals with the genre of landscape in the work of the People's Artist Magomed Magomedovich Sha-banov. The author gives a brief art history analysis of many works of the landscape genre. Comes to the con-clusion that the artist's landscapes changed depending on the era, time of creation.

HISTORIOGRAPHY OF HISTORY OF THE STAVROPOL COSSACKS: KEY ASPECTS OF STUDYING THE REGIONAL COSSACK GROUP’S PAST

2021 ◽  
pp. 50-62
Author(s):  
K.A. Ushmaeva ◽  
◽  
A.S. Goncharov
Keyword(s):  
Comparative Method ◽  
Educational Institution ◽  
Practical Significance ◽  
Pedagogical Tools ◽  
Ideal Types ◽  
History Of ◽  
Historical Comparative ◽  
State Archives ◽  
Key Aspects ◽  
Economic Ties

This study is devoted to the study of relevant works on the history of the Stavropol Cossacks, works in the field of education of the Stavropol Cossacks as an independent Cossack group, trade, cultural and economic ties in the Stavropol Territory, spiritual life, language, culture, traditions and customs of the Stavropol Cossacks. Among modern studies in the history of the Stavropol Cossacks, the following topics stand out: military life and everyday life, folklore and song traditions, the movement for the revival of the Cossacks, as well as the current state and prospects for the development of Cossack organizations. The prospect of the development of pedagogical technologies based on the Cossack traditions of educating young people in Stavropol is highlighted as a separate topical topic. The relevance of the study lies in the need for a private study of the historiography of the regional Cossack group of Stavropol Cossacks in order to expand the scientific and pedagogical tools in the field of «Cossack studies». The practical significance of the study is expressed in the possibility of using the data of the article in the search for supporting material for teaching the "History of the Cossacks" in a higher educational institution (taking into account the regional specifics). The scientific novelty of the research is expressed in a new view of the Stavropol Cossacks as an independent Cossack group formed at the end of the XVIII century. The source base is represented mainly by archival data from the State Archives of the Stavropol Territory, data banks on archaeological, cultural and linguistic expeditions, sources of personal origin, the works of contemporary historians and directly the works of historians, whose studies formed the basis of the historiography of the history of the Stavropol Cossacks. The research methodology is based on the principles of historiographic comparative studies and comparative analysis of sources. Within the framework of the sociocultural approach, we rely on the following methods. Special-historical: the narrative method, the historical-comparative method, the historical-systemic method, the retrospective method. Sociological: document analysis, method of generalizing characteristics, method of ideal types. Culturological: comparative method, cultural-systemic method. Pedagogical: pedagogical interviewing, a method of studying and generalizing pedagogical experience.

scholarly journals CONCEPT OF THE STUDY OF ART BY R.J. COLLINGWOOD AS AN OBJECT OF THEORETICAL ANALYSIS

2020 ◽  
pp. 36-40
Author(s):  
M. V. Ternova
Keyword(s):  
Theoretical Analysis ◽  
Art History ◽  
Art Criticism ◽  
The Other ◽  
Historical Period ◽  
Rudyard Kipling ◽  
Cultural Traditions ◽  
Avant Garde ◽  
History Analysis ◽  
The One

The article analyzed concept of the study of art by Robin George Collingwood (1889-1943), a well-known English neo-hegelian philosopher. His significant part of the theoretical heritage is connected with the explanation of the nature of art and with the consideration of its condition during the period of the changing Oscar Wilde era to the era of Rudyard Kipling. The circle of problem such as content and form, character, image, mimesis, reflection, emotion, art and "street man" identified. All of them in Collingwood's presentation and interpretation significantly expanded the space of research not only English, but also European art criticism. The concept of study of art is "built" on the basis of an active understanding of historical and cultural traditions accented. The concept of art criticism of R.G. Collingwood – a famous English philosopher of the XIX-XX centuries, on the one hand, has self-importance, and on the other, although based on the traditions of contemporary humanities, still expands art history analysis of aesthetics through aesthetics and psychology. Recognizing the exhaustion of the English model of romanticism, R.G. Collingwood tries to outline the prospects for the development of art in the logic of the movement "romanticism – realism – avant-garde", which leads to the actualization of the problem of "mimesis – reflection". At the same time, the theorist's attention is consciously concentrated around the concept of "subject", the understanding of which is radically changing at the turn of the XIX-XX centuries. Theoretical material in the presentation of R.G. Collingwood is based on the work of Shakespeare, Reynolds, Turner, Cezanne, whose experience allows us to focus on the problem of "artist and audience". It is emphasized that Collingwood's position is ahead of its time, stimulating scientific research in the European humanities. The existence of indicative tendencies, which are distinguished in the logic of European cultural creation of the historical period, is emphasized.

scholarly journals MEANS OF FORMING INFORMATION AND COMMUNICATION SYSTEMS IN THE DESIGN OF THE INCLUSIVE SPACE OF THE SCHOOL

2021 ◽  
Author(s):  
Ksenia Katrichenko ◽  
◽  
Svitlana Kryvuts ◽  
Olena Vasina ◽  
◽  
...  
Keyword(s):  
Secondary Schools ◽  
Inclusive Education ◽  
Communication Systems ◽  
Practical Significance ◽  
Inclusive Design ◽  
Analysis Of Means ◽  
Foreign Countries ◽  
Inclusive Approach ◽  
Information And Communication ◽  
Characteristic Features

The article is devoted to the analysis of means of formation of information and communication systems taking into account inclusive design. The constant development of innovative project developments in this direction indicates a change in conceptual approaches to their design and the urgency of changing the paradigm of inclusive education, which takes into account accessibility and safety for all students without exception. The system approach allowed to establish connections between the ergonomic component of the formation of the design of information and communication systems, their functionality and aesthetic expressiveness. The method of abstraction helped separate from certain properties and relations of the object and at the same time focus on those properties that are the direct object of scientific research; the method of generalization contributed to the logical completion of abstraction; the method of classification allowed to determine the specific characteristics in solving the problems of the best examples of project activities with the possibility of their theoretical justification. The social significance and relevance of the chosen research topic lies in the analysis and identification of fundamentally new design solutions for the educational space of secondary schools, which have been implemented in foreign countries. Characteristic features of their solution are taking into account the principles of universal (inclusive) design based on the use of technological innovations, availability of spatial planning, design and artistic solutions, which significantly improve the implementation of information and communication systems. Functional comfort, in this case, is considered as a generalized criterion for optimizing the system "human-object or process-environment". In addition, the inclusive approach takes into account the comfortable and aesthetic conditions of students' adaptation to the new modern standards of education and testifies to its practical significance. It is a special synthesis of ergonomics and design in the educational environment, and also allows you to create new "scenarios" of educational activities of modern students. Analysis of aspects of the developed design model of an inclusive approach in solving information and communication systems will help initiate its implementation in the educational space of secondary schools of Ukraine.

scholarly journals Musika viva en Beethovenianas Momentum 11: conciertos de música electrónica y ambientes en Casa de la Cultura, año 1970

2012 ◽  
Vol 9 ◽  
pp. 91
Author(s):  
María Mercedes Herrera
Keyword(s):  
New York ◽  
Technological Innovation ◽  
Art History ◽  
Electronic Music ◽  
Conceptual Art ◽  
Palabras Clave

Resumen:Beethovenianas Momentum 11 fue un evento de participación organizado por Musika viva en Bogotá, el cual tuvo como invitado a Musika Viva Ensemble de Nueva York. En este se dieron conciertos de música electrónica y ambientes escultóricos construidos de sonido, en medio de la utilización de innovaciones tecnológicas. Este artículo analizará Beethovenianas teniendo como fuentes documentales el programa de mano impreso tipo fanzine, las fotografías y los testimonios de algunos protagonistas. Con ello se apuntará a reconstruir este evento de participación en su relación con los movimientos artísticos internacionales, y con búsquedas escultóricas que se desarrollaron en Colombia.    Palabras clave: Musika viva, Musika viva ensemble, Beethovenianas, momentum, arte conceptual Colombia, historia del arte ColombiaResumo:Beethovenianas Momentum 11 foi um evento de participação organizado por Musika viva em Bogotá,  e que tive como convidado o Musika Viva Ensemble de Nova Iorque. Nesse evento foram oferecidos concertos de música eletrônica e ambientes escultóricos construídos de som, isso dentro da utilização de inovações tecnológicas. O presente artigo analisa Beethovenianas tendo como fontes documentais o programa de mão impresso tipo fanzine, as fotografias e as testemunhas de alguns protagonistas. Com isso tenta se reconstruir esse evento de participação na sua relação com os movimentos artísticos internacionais e com as buscas escultóricas desenvolvidas na Colômbia.  Palavras chave: Musika viva, Musika viva ensemble, Beethovenianas, momentum, arte conceitual Colômbia, história da arte Colômbia.Abstract:Beethovenianas Momentum 11 was an event organized by Musika Viva in Bogotá featured by Musika Viva Ensemble from New York. In this event concerts of electronic music and sculpturing environments made up with sound in the midst of technological innovation. This article will analyze Beethovenianas resourcing to the printed fanzine hand program, the photographs and the testimonials of some of the participants. With this we will aim at reconstructing that participatory event in its relation to the international artistic movements and their sculpturing endeavors developed in Colombia. Keywords: Musika viva; Musika viva ensemble; Beethovenianas; momentum; Colombian conceptual art; Colombian art history.

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