The Burial of the Dead: Displacement and Agency in Hamlet

POETICA ◽  
2020 ◽  
Vol 50 (1-2) ◽  
pp. 83-95
Author(s):  
Stephan Laqué
Keyword(s):  
The Dead ◽  

Abstract Hamlet tends to be regarded as a largely immobile man of the mind who fails to move in the material world of action. But right from the start, Hamlet is a play about displacement: the displacement of a dead king who walks the earth, of a corpse dragged around and hidden in the castle, of soldiers dying for a piece of land that cannot even offer them burial, of the bones of the dead thrown out of their graves. Hamlet gradually comes to recognize the extent to which he has to become an agent of the displacement of others and the master of his own displacement until, in the graveyard-scene, he can proclaim that he is “Hamlet the Dane”.

2013 ◽  
pp. 116-123
Author(s):  
Claire Bompaire-Evesque

This article is a inquiry about how Barrès (1862-1923) handles the religious rite of pilgrimage. Barrès stages in his writings three successive forms of pilgrimage, revealing what is sacred to him at different times. The pilgrimage to a museum or to the birthplace of an artist is typical for the egotism and the humanism of the young Barrès, expressed in the Cult of the Self (1888-1891). After his conversion to nationalism, Barrès tries to unite the sons of France and to instill in them a solemn reverence for “the earth and the dead” ; for that purpose he encourages in French Amities (1903) pilgrimages to historical places of national importance (battlefields; birthplace of Joan of Arc), building what Nora later called the Realms of Memory. The third stage of Barrès’ intellectual evolution is exemplified by The Sacred Hill (1913). In this book the writer celebrates the places where “the Spirit blows”, and proves open to a large scale of spiritual forces, reaching back to paganism and forward to integrative syncretism, which aims at unifying “the entire realm of the sacred”.


1975 ◽  
Vol 12 ◽  
pp. 303-356 ◽  
Author(s):  
Basil Hall

Think nowHistory has many cunning passages, contrived corridorsAnd issues, deceives with whispering ambitions,Guides us by vanities. Think nowShe gives when our attention is distractedAnd what she gives, gives with such supple confusionsThat the giving famishes the craving. Gives too lateWhat’s not believed in, or if still believed,In memory only, reconsidered passion.Historians no doubt have problems enough without setting before themselves that ‘memento mori’ from Eliot, who, though he was describing an old man seeking to understand his own past, leaves nevertheless an echo in the mind disturbing to those who practise the historian’s craft. We assume a confidence which in our heart of hearts we do not always, or should not always, possess. Eliot’s words not only demonstrate the difficulty of one man understanding his own past, but also the historian’s difficulty in understanding those whom they select for questioning from among the vast multitudes of the silent dead, whose deeds, artifacts, ideas, passions, hopes and memories have died with them. We dig into the past, obtain data from archives, brush off the objects found, collect statistics, annotate, arrange, describe, establish a chronology – but do we effectively understand the dead, especially since we are affected by our own beliefs, customs and ideologies? We are, of course, all aware of this: we silently scorn the lecturer who raises these diffident hesitations. For we know our duty: we examine all that we can, we describe our findings, we annotate them, we draw conclusions, or leave our demonstrations to speak for themselves. There are reasons, as I shall hope to show, that these considerations – Eliot’s ominous words and our determination not to be disquieted by them – bear upon the subject of this paper, the almost forgotten Alessandro Gavazzi.


Author(s):  
Thomas Owens

Chapter 1 explores the geometrical quality of Wordsworth’s and Coleridge’s imaginative commitments. Focusing principally on The Pedlar, the Guide to the Lakes, and Coleridge’s Notebooks, the chapter locates the origins of Wordsworth’s and Coleridge’s geometric visions in a divinely relational language of shapes which they intuited as children to describe the world about them and which moulded their shared Pedlar consciousness in the 1790s. It proposes that Wordsworth and Coleridge sustained the mathematical expressions of the Pedlar’s ethico-theological vision in their dealings with nature and the mind, perceiving in the material world a language of geometric forms which held it together.


2015 ◽  
Vol 71 (2) ◽  
Author(s):  
Gert Breed

It is shown in this article that the Gospel of John describes a battle between darkness and light, life and death, chaos and God’s new order. Although the certainty is given right at the beginning of the Gospel that the darkness will not overcome the light, God does not take the possibility of darkness away. Darkness in John is darkness of the mind, not seeing the light, not comprehending, not accepting and not believing the Word. The battle between light and darkness is described at two levels – the visible level that you can see with your eyes and the invisible level that only those who have been regenerated by the Spirit can see. Although it may seem that the contrary is true, God is in control of both levels. Jesus made the invisible visible with his words and deeds and, eventually, with his resurrection. The diakonoi (servants) of Jesus are called to follow him in his task to honour the father by speaking the words of the father and doing the work of the father. In doing this, they will make the invisible God visible by their diakonia (service). Real social change will take place in God’s time, and he will use the diakonia of his children to bring order in the chaos, like he did in the beginning when he created the heavens and the earth. The results of the research are used to suggest guidelines on social change in South Africa.


1888 ◽  
Vol 9 ◽  
pp. 282-322 ◽  
Author(s):  
J. Henry Middleton

In many respects Delphi and its varied cults possess an interest which is not to be rivalled by that of any other Hellenic site. The lofty precipices, the dark deeply-cleft ravines, the mysterious caves, and the bubbling springs of pure water, combine to give the place a romantic charm and a fearfulness of aspect which no description can adequately depict.Again Delphi stands alone in the catholic multiplicity of the different cults which were there combined.In primitive times it was the awfulness of Nature which impressed itself on the imaginations of the inhabitants.In an early stage of development the mind of man tends to gloomy forms of religion: his ignorance and comparative helplessness tend to fill his brain with spiritual terrors and forebodings. Thus at Delphi the primitive worship was that of the gloomy Earth and her children, the chasm-rending Poseidon, and the Chthonian Dionysus, who, like Osiris, was the victim of the evil powers of Nature. It was not till later times that the bright Phoebus Apollo came to Delphi to slay the earth-born Python, just as the rising sun dissipates the shadows in the depths of the Delphian ravines, or as in the Indian legend the god Indra kills with his bright arrows the great serpent Ahi—symbol of the black thunder-cloud.


1954 ◽  
Vol 1 (1) ◽  
pp. 17-28 ◽  
Author(s):  
G. H. C. MacGregor

I hope that no apology is necessary for the choice of a subject so closely akin to that of the Presidential Address by Professor William Manson last year.1 It was in fact that address which inspired the present paper. If any further justification is necessary for reverting to this theme I would remind you that a presidential address is by use and wont exempt from criticism, so that last year there was no opportunity for the discussion of a subject which should surely invite lively debate. Moreover, though Dr Manson in his address made occasional reference to Paul's thought, he deliberately confined himself in the main to the ‘Spiritual Background of the Work of Jesus in the Synoptic Gospels’. Such promising exploration deserves to be followed up, for it is only with Paul that this background is filled in, in all its tremendous cosmic grandeur. As Dr Manson put it, the spirit world in Paul's thought ‘has taken on new dimensions and acquired a cosmic range and character’. Or again, whereas last year we were meeting the demonic powers ‘in the form of malignant and ghoulish beings, on the earth-level of popular demonic belief’, this year we are confronted by Paul's ‘grandiose hierarchy of cosmic spirits’. But my best justification is the sheer importance of this subject for the understanding of Paul's thought. As Professor J. S. Stewart has remarked in a notable article in the Scottish Journal of Theology (vol. IV, no. 3), we shall never get inside the mind of Paul until we take seriously what has in fact been ‘a neglected emphasis in New Testament Theology’, and cease to treat ‘as secondary and extraneous elements in the primitive Christian proclamation what in fact are integral and basic components of the Gospel’.


1990 ◽  
Vol 110 ◽  
pp. 76-90 ◽  
Author(s):  
Richard Seaford

In Kreon's famous edict in Sophokles' Antigone the punishment for attending to the dead Polyneikes is death by public stoning (36). In the event,at the climax of his bitter argument with his son Haimon, who is betrothed to Antigone, Kreon threatens to have Antigone killed in front of Haimon's eyes (760–1). But when Haimon then angrily departs, Kreon orders Antigone to be imprisoned in a deserted place, underground in the rock, with a little food (773–5). Various motives have been suggested for this change of penalty, e.g. that the city may not want to cooperate in the stoning of Antigone. But the main factor must be the aptness of imprisonment underground for the specific case of Antigone. As Kreon himself ironically puts it, ‘there she can ask Hades to save her from death, Hades who is the only god she reveres’ (777–8). Imprisonment underground, in what is described as a tomb, suits the crime of one who has seemed too devoted to Hades, and produces the complementary inversions described by Teiresias (1068–71): the dead Polyneikes is above the earth, while the living Antigone is below, in a tomb.


1957 ◽  
Vol 4 (1) ◽  
pp. 65-71
Author(s):  
L. E. Toombs

The vigorous discussion to which the discovery of the Dead Sea Scrolls has given rise has usually proceeded on the assumption that documents such as the Manual of Discipline and the War Scroll represent specific nd distinctive teachings of the Qumrân Community. If this is so, we are in possession of an important witness to the life and thought of one relatively small segment of first-century Judaism. But is the horizon of the scrolls necessarily so limited? There are at least two alternatives. (a) Assuming that the Qumrân Community were Essenes, Essenism may still be regarded, even after Qumrân, as a widespread phenomenon with many varied modes of expression, of which the Community at Qumrân was but one. Its library then lets us look at an Essenism which did not come into existence when the buildings at Qumrân were erected, nor perish with their destruction. (b) Even though the documents themselves are sectarian and Essene, many of the ideas contained in them may well have been the objects of common belief outside the sect and outside the wider areas of Essenism. If the type of thought which the Dead Sea Scrolls represent was widely diffused among the general population, we have in these parchments an entry, not into the mind of a small company of recluses alone, but into an important phase of religious thought in the Judaism of the Graeco-Roman period. Should this prove to be true, we shall be able with more confidence to get behind the transforming effect of two unsuccessful revolts against Roman rule, and to see more clearly the true features of popular religion before the wars.


2021 ◽  
Vol 2 (2) ◽  
pp. 48-53
Author(s):  
I Gusti Bagus Suryawan ◽  
I Made Jaya Senastri ◽  
I Nyoman Sutama

Philosophically, the river is the source of life, is the lifeblood of the earth, therefore the water flowing in the river must be kept pure and clean. The Tukad Mati River stretches from north to south in the middle of the village of Padangsambian Kaja, so that its position is squeezed between settlements and residents' housing, therefore the cleanliness of the water in Tukad Mati is strongly influenced by waste management from residential and residential areas. To help realize and maintain the cleanliness of the dead body, the team, with the permission of the Community Service Institute, UNWAR collaborated with partners (Padangsambian Kaja Village) through a community partnership program with outreach activities and location planning to build public awareness that rivers are not a dumping ground for all kinds of waste, for that it is necessary carried out: sorting waste from households to reduce waste to rivers, forming a community that cares about rivers and waste banks, doing mutual cooperation on a regular basis, carrying out supervision by related parties so that the rules run effectively, structuring the dead river so that it can be used as a tourist spot and fishing place.  


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