scholarly journals From the History of Turkestan Emigration: «Turkestan Charity Society» in Cairo

2020 ◽  
Vol 13 (4) ◽  
pp. 824-844
Author(s):  
A. G. Khairutdinov

The article introduces the content of a previously unknown document related to the history of Turkestan emigration in Egyptin the 40s of the twentieth century. We mean the Charter of Turkestan Charity Society (Turkestan Jamiyat-i Khayriyesi), created inCairo in 1944 by a group of eminent people from the Bolshevik Central Asia political refugees. The document is written in two languages: Arabic and Turkish. Not only the main part of the document is of particular interest, but it also makes it possible to identify the names of prominent representatives of theTurkestan emigrant community who participated in the creation of the society. The relevance of the proposed material is caused by the fact that the information about the very process of creation and its initiators is not available neither in domestic nor in foreign theses published recently on the history ofTurkestan emigration. In addition, the article reveals some fresh evidence about a group of people who were in close relationship with one of the brightest representatives ofTurkestan emigration, a Tatar theologian, Musa Bigiev (1875–1949). Here we mean HH Princess Khadija Abbas Hilmi (1879–1951), a representative of the Muhammad Ali dynasty, as well as Musa Bigiev’s students Yusuf Uralgiray (1915–1976) and Muhammad Turkistani (1904–1991).

Author(s):  
Shakhnoza Akramjanovna Azimbayeva ◽  

This article examines the role and place of British think tanks in the design and development of the country’s foreign policy towards the Central Asian region. This issue is studied in combination with an analysis of the history of the formation of British think tanks, the positions of these centers in relation to Central Asia in the early 90s of the twentieth century after the collapse of the USSR and the state of modern think tanks that study Central Asia and their influence on the decision-making process in Great Britain.


2021 ◽  
pp. 209-219
Author(s):  
Chunming Wu

AbstractAncient “Bai Yue” (百越) and “Austronesian” are indigenous peoples with very close relationship, distributing from south China, Southeast Asia, and the Pacific Islands. The relationship between Bai Yue and Proto-Austronesian has long been studied in both Chinese and Euro-American academies. During most of the twentieth century, Chinese historians and archaeologists mainly discussed the origins of Malay ethnics as one branch of Austronesian within the academic framework of the ethno-history of Bai Yue centering on the southeast coast of China, while western academic peers mainly based on the linguistic investigation of modern Austronesian and carried out multi-disciplines’ research on the origin of Proto-Austronesian.


Author(s):  
Tolibov Nurbek

From ancient times the scientists of Central Asia have made a great contribution to the development of geography. In the twentieth century, Uzbekistan experienced its own stage of development. This article analyzes the most important research conducted in the twentieth century for the development of geography in Uzbekistan, the work on the creation of geographical atlases and maps, as well as geographical dictionaries in the country.


2021 ◽  
pp. 109-117
Author(s):  
И.В. Краснова

В статье обосновывается необходимость создания виртуального каталога слобожанских икон и ставится цель разработки основных характеристик проектируемой электронной коллекции. Проведен анализ документальных источников, использованы результаты исследований российских и украинских ученых. Исследована история музеев Слободской Украины, собиравших произведения иконописи, изучено влияние событий ХХ в. на иконописное наследие Слобожанщины, которое вследствие атеистической кампании 1930-х гг. и действий оккупантов в период Великой Отечественной войны утратило единство и оказалось раздробленным между многочисленными музейными и частными коллекциями. Данный фактор, а также несомненная уникальность региональной иконописной традиции стали предпосылками к разработке концепции электронного каталога, который призван объединить все сохранившиеся на сегодняшний день произведения слобожанской иконописи. The article substantiates the need to create a virtual catalogue of Slobozhanshchina (Sloboda Ukraine) icons and sets the aim of developing the main characteristics of the projected electronic collection. Based on the use of systemic-historical and historical-genetic methods, documentary sources were analysed, the results of research of Russian and Ukrainian historians and culture scientists were studied. The history of museums in Sloboda Ukraine, which collected works of icon painting, is considered; special attention is paid to the Historical and Church Museum. Until the revolutionary events of 1917, this museum’s collections were constantly replenished with new exhibits. The history of the creation of the Museum of Ukrainian Art and the Central Art and History Museum named after Gregory Skovoroda (Museum of Sloboda Ukraine) is analysed. The influence of the events of the twentieth century on the icon-painting heritage of Sloboda Ukraine is considered. This heritage, as a result of the atheistic campaign of the 1930s and the actions of the occupiers during the Great Patriotic War, lost unity and was fragmented between numerous museum and private collections. The consequences of the German fascist invaders’ plunder of the museums of Sloboda Ukraine were especially grave: hundreds of thousands of exhibits were destroyed or taken out of the country. The fact of huge and often irreparable losses in the cultural heritage of Sloboda Ukraine by the middle of the twentieth century is stated. At present, the museums of Sloboda Ukraine have already collected a significant part of icon-painting works (about 500), but this number is not comparable with the richest heritage of Sloboda Ukraine of the beginning of the twentieth century. The author emphasises that a certain number of Slobozhanshchina icons continue to remain in churches and private collections in both Ukraine and Russia. Information about icons received from individuals is insufficient for attribution and museum documentation compilation, so many of the icons have not yet been fully introduced into museum circulation. The way out of this situation, according to the author, is to create an electronic catalogue of Slobozhanshchina icons, which will be a database of icon-painting works from museum and private collections with texts and images. The concept of the electronic catalogue has been developed. The catalogue is designed to unite all the works of Slobozhanshchina icon painting that have survived to date.


Globus ◽  
2021 ◽  
Vol 7 (2(59)) ◽  
pp. 15-18
Author(s):  
Yuri Serov

The article is devoted to the history of the creation and music score of the ballet Twelve based on the poem by A. Blok by the outstanding Russian composer of the second half of the twentieth century Boris Ivanovich Tishchenko. The ballet was staged by the famous Soviet choreographer Leonid Jacobson back in 1964 and became, in fact, the first avant-garde ballet in the Soviet Union. Critics noted Tishchenko’s bright modern symphonic music and Jacobson’s free plastics, which “became a breath of clean air in the rarefied atmosphere of classical epigonism”.


Istoriya ◽  
2021 ◽  
Vol 12 (10 (108)) ◽  
pp. 0
Author(s):  
Maria Fyodorova

The main subject of the article is progress as a concept and as a political practice. Starting from the idea of a close relationship between the historical and political sections of the social consciousness of the era, the author shows how the emergence and evolution of the concept of progress in the modern era influenced the formation of political practices in the era of modernity through the creation of political projects within the framework of various ideologies. It is shown that changes in the perception of historical time in the second half of the twentieth century led to a significant transformation in the understanding of progress and its transformation from one of the central categories into “myth”, “utopia”, etc. and, accordingly, to the modification of political practices. Today's progressivism is a very complex interweaving of political concepts and practices that are gradually losing their historical optimism and are turned rather not to creating a utopian project for a bright future, but to developing specific programs to minimize the risks of modern civilization.


2021 ◽  
Vol 21 (1) ◽  
pp. 227-237
Author(s):  
Elchin Ibrahimov ◽  

The history of the language policy of the Turks begins with the work Divanu lugat at-turk, written by Mahmud Kashgari in the 11th century. Despite the fact that the XI-XVII centuries were a mixed period for the language policy of the Turkic states and communities, it contained many guiding and important questions for subsequent stages. Issues of language policy, originating from the work of Kashgari, continued with the publication in 1277 of the first order in the Turkic language by Mehmet-bey Karamanoglu, who is one of the most prominent figures in Anatolian Turkic history, and culminated in the creation of the impeccable work Divan in the Turkic language by the great Azerbaijani poet Imadaddin Nasimi who lived in the late XIV - early XV centuries. Later, the great Uzbek poet of the 15th century, Alisher Navoi, improved the Turkic language both culturally and literally, putting it on a par with the two most influential languages of that time, Arabic and Persian. The appeal to the Turkic language and the revival of the Turkic language in literature before Alisher Navoi, the emergence of the Turkic language, both in Azerbaijan and in Anatolia and Central Asia, as well as in the works of I. Nasimi, G. Burkhanaddin, Y. Emre, Mevlana, made this the language of the common literary language of the Turkic tribes: Uzbeks, Kazakhs-Kyrgyz, Turkmens of Central Asia, Idil-Ural Turks, Uighurs, Karakhanids, Khorezmians and Kashgharts. This situation continued until the 19th century. This article highlights the history of the language policy of the Turkic states and communities.


2021 ◽  
pp. 209-259
Author(s):  
Francesca Brooks

Chapter 5 asks how Jones’s vision of an early medieval culture in which Welsh and English tradition are equally dominant resonates throughout the poem’s eight poetic sequences in the image of the cross. The chapter traces a history of Jones’s encounters with The Dream of the Rood, the Ruthwell monument, and the history of early medieval Northumbria during the 1930s, and explores how this experience of the landscape and history of Northumberland informed his reading of the Old English Dream of the Rood tradition. Jones’s visual and verbal engagement with the Ruthwell monument at the climax of The Anathemata in ‘Sherthursdaye and Venus Day’ allows for the creation of a new sign of the cross for the twentieth century, a sign which draws together the English and Welsh traditions that have informed the institution of the Catholic Church in England and Wales, as well as the poet’s own Catholicism.


Author(s):  
Kirsten Leng

The Introduction makes a case for gendering the history of sexology; specifically it argues that focusing on women’s ideas facilitates a more complex understanding of sexology as a form of knowledge and power. It begins by introducing the key figures and exploring the kinds of political promise they saw in scientific knowledge. It then challenges the limits of Foucault’s highly influential analysis of sexology by contextualizing sexology’s emergence within the rise of the women’s movement in the later nineteenth and early twentieth century. Moreover, the Introduction draws on the sociology of science to reframe sexology as a field, and thus to argue that sexology was built and animated by a diverse range of actors with disparate investments in the creation of this knowledge. Finally, it discusses the limitations of women’s sexual scientific work and the ambivalent legacy it bequeathed.


2013 ◽  
Vol 29 (2) ◽  
Author(s):  
Stefania Travagnin

Yinshun (1906–2005) is regarded as one of the most eminent monks in twentieth-century Chinese Buddhism. Previous research has argued that Yinshun especially undertook the mission of writing new commentaries on Madhyamaka texts. His efforts provoked a revival of interest towards the Madhyamaka school among contemporary Chinese Buddhists, and a re-assessment of the position of the writings of N?g?rjuna within the history of Chinese Buddhism. This article focuses on Yinshun’s restatement of the nature of the M?lamadhyamakak?rik?, a text that has always been regarded as fundamental in the Madhyamaka/San-lun tradition in China. The first part analyzes Yinshun’s textual study of the M?lamadhyamakak?rik?, examining his approach to the text, and how he came to terms with previous Chinese traditional textual scholarship and canonical scriptures. The second part discusses Yinshun’s interpretation of the text by moving away from the micro-context of Chinese San-lun scholarship, and addressing the macro-context of the modern Chinese understanding of the Mah?y?na.


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