Past pandemics and their parallel situation in Nepal

2020 ◽  
Vol 1 (1) ◽  
pp. 136-141
Author(s):  
Jiba Raj Pokharel

Pandemics have been occurring in the world since time immemorial. It is difficult in the case of the ancient pandemics but pandemics of later origin have conveyed some messages or the other. These are valuable lessons which should be accepted wholeheartedly for facing more competently in the following pandemics. This article deals with the pandemics that have hit the world since early times. It also portrays the situation that was prevailing in Nepal during the time of the pandemic. It has been found that Nepal did not have connectivity with the pandemics in the past. It is only in the Corona pandemic that Nepal has also been a part of the whole globe. Nepali people considered the diseases were thrown upon people by God because of the grave mistakes committed by them due to lust and greed. So, people worshipped God instead of making a scientific inquiry in this field. Even though, Ayurvedic medicines based on local herbs and the likes were produced and used in the case of the pandemics.

1979 ◽  
Vol 3 (3-4) ◽  
pp. 242-244 ◽  
Author(s):  
Bruce Kuklick

Despite differences in coloration Miller and Benson are birds of a feather. Although he is no Pollyanna, Miller believes that there has been a modest and decent series of advances in the social sciences and that the most conscientious, diligent, and intelligent researchers will continue to add to this stock of knowledge. Benson is much more pessimistic about the achievements of yesterday and today but, in turn, offers us the hope of a far brighter tomorrow. Miller explains Benson’s hyperbolic views about the past and future by distinguishing between pure and applied science and by pointing out Benson’s naivete about politics: the itch to understand the world is different from the one to make it better; and, Miller says, because Benson sees that we have not made things better, he should not assume we do not know more about them; Benson ought to realize, Miller adds, that the way politicians translate basic social knowledge into social policy need not bring about rational or desirable results. On the other side, Benson sees more clearly than Miller that the development of science has always been intimately intertwined with the control of the environment and the amelioration of the human estate.


PMLA ◽  
1967 ◽  
Vol 82 (1) ◽  
pp. 14-27
Author(s):  
Leon F. Seltzer

In recent years, The Confidence-Man: His Masquerade, a difficult work and for long an unjustly neglected one, has begun to command increasingly greater critical attention and esteem. As more than one contemporary writer has noted, the verdict of the late Richard Chase in 1949, that the novel represents Melville's “second best achievement,” has served to prompt many to undertake a second reading (or at least a first) of the book. Before this time, the novel had traditionally been the one Melville readers have shied away from—as overly discursive, too rambling altogether, on the one hand, or as an unfortunate outgrowth of the author's morbidity on the other. Elizabeth Foster, in the admirably comprehensive introduction to her valuable edition of The Confidence-Man (1954), systematically traces the history of the book's reputation and observes that even with the Melville renaissance of the twenties, the work stands as the last piece of the author's fiction to be redeemed. Only lately, she comments, has it ceased to be regarded as “the ugly duckling” of Melville's creations. But recognition does not imply agreement, and it should not be thought that in the past fifteen years critics have reached any sort of unanimity on the novel's content. Since Mr. Chase's study, which approached the puzzling work as a satire on the American spirit—or, more specifically, as an attack on the liberalism of the day—and which speculated upon the novel's controlling folk and mythic figures, other critics, by now ready to assume that the book repaid careful analysis, have read the work in a variety of ways. It has been treated, among other things, as a religious allegory, as a philosophic satire on optimism, and as a Shandian comedy. One critic has conveniently summarized the prevailing situation by remarking that “the literary, philosophical, and cultural materials in this book are fused in so enigmatic a fashion that its interpreters have differed as to what the book is really about.”


Author(s):  
Brian L. Keeley

Where does entertaining (or promoting) conspiracy theories stand with respect to rational inquiry? According to one view, conspiracy theorists are open-minded skeptics, being careful not to accept uncritically common wisdom, exploring alternative explanations of events no matter how unlikely they might seem at first glance. Seen this way, they are akin to scientists attempting to explain the social world. On the other hand, they are also sometimes seen as overly credulous, believing everything they read on the Internet, say. In addition to conspiracy theorists and scientists, another significant form of explanation of the events of the world can be found in religious contexts, such as when a disaster is explained as being an “act of God.” By comparing conspiratorial thinking with scientific and religious forms of explanation, features of all three are brought into clearer focus. For example, anomalies and a commitment to naturalist explanation are seen as important elements of scientific explanation, although the details are less clear. This paper uses conspiracy theories as a lens through which to investigate rational or scientific inquiry. In addition, a better understanding of the scientific method as it might be applied in the study of events of interest to conspiracy theorists can help understand their epistemic virtues and vices.


Arts ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 71
Author(s):  
Yael Munk

This article relates to the complex approach of Dina Zvi-Riklis’ film Three Mothers (2006) to immigration, an issue that is central to both the Jewish religion and Israeli identity. While for both, reaching the land of Israel means arriving in the promised land, they are quite dissimilar, in that one is a religious command, while the other is an ideological imperative. Both instruct the individual to opt for the obliteration of his past. However, this system does not apply to the protagonists of Three Mothers, a film which follows the extraordinary trajectory of triplet sisters, born to a rich Jewish family in Alexandria, who are forced to leave Egypt after King Farouk’s abdication and immigrate to Israel. This article will demonstrate that Three Mothers represents an outstanding achievement, because it dares to deal with its protagonists’ longing for the world left behind and the complexity of integrating the past into the present. Following Nicholas Bourriaud’s radicant theory, designating an organism that grows roots and adds new ones as it advances, this article will argue that, although the protagonists of Three Mothers never avow their longing for Egypt, the film’s narrative succeeds in revealing a subversive démarche, through which the sisters succeed in integrating Egypt into their present.


Arts ◽  
2020 ◽  
Vol 9 (4) ◽  
pp. 129
Author(s):  
Sigrún Alba Sigurðardóttir

The past 20 years have seen a shift in Icelandic photography from postmodern aesthetics towards a more phenomenological perspective that explores the relationship between subjective and affective truth on the one hand, and the outside world on the other hand. Rather than telling a story about the world as it is or as the photographer wants it to appear, the focus is on communicating with the world, and with the viewer. The photograph is seen as a creative medium that can be used to reflect how we experience and make sense of the world, or how we are and dwell in the world. In this paper, I introduce the theme of poetic storytelling in the context of contemporary photography in Iceland and other Nordic Countries. Poetic storytelling is a term I have been developing to describe a certain lyrical way to use a photograph as a narrative medium in reaction to the climate crisis and to a general lack of relation to oneself and to the world in times of increased acceleration in the society. In my article I analyze works by a few leading Icelandic photographers (Katrín Elvarsdóttir, Heiða Helgadóttir and Hallgerður Hallgrímsdóttir) and put them in context with works by artists from Denmark (Joakim Eskildsen, Christina Capetillo and Astrid Kruse Jensen), Sweden (Helene Schmitz) and Finland (Hertta Kiiski) artists within the frame of poetic storytelling. Poetic storytelling is about a way to use a photograph as a narrative medium in an attempt to grasp a reality which is neither fully objective nor subjective, but rather a bit of both.


2019 ◽  
pp. 7-19
Author(s):  
Katarzyna Wądolny-Tatar ◽  

Retroactivity of the Biography and Works of Antonina Domańska Retroactivity is the process of inscription, it is about updating the contextually interpreted past. Thus, retroactive reading is seen as a selective and affirmative attempt to internalise the world, imitating the personal system of existential and reading experiences. On the other hand, as a part of literary research, it counts as a description of the works and life of the creators from earlier eras, carried out with the use of modern ways to explore “signs of the past”, through the new scientific methods and concepts. For Szymon Wróbel, author of the monograph Lektury retroaktywne. Rodowody współczesnej myśli filozoficznej [Retroactive Reading. Origins of Contemporary Philosophical Thought], retroactive reading is “travelling in the vehicle of multiple narratives”. We invite you to such a journey in the collective monograph (Re)Construction of the Past in Antonina Domańska’s Prose, in which we propose a multilateral interpretation of the biography and works of Antonina Domańska, including her family connections, vision of literature for children and young people, ways of understanding history in the dynamics of memory and imagination, world of values (also spiritual) designed in her texts, biological and cultural construction of sexes (also from the perspective of socio-cultural roles of Domańska), finally – including the critical reception of the works of the author of Historia żółtej ciżemki in comparison with the works of other artists.


Antiquity ◽  
1947 ◽  
Vol 21 (83) ◽  
pp. 116-121
Author(s):  
M. E. L. Mallowan

IT is a pity that Hume, who carried the Cartesian system of philosophy to its logical conclusion, lived too early to contemplate the discoveries of the past century in Egypt and Babylonia, for he would readily have understood and assimilated the ancient processes of thought which arose at the dawn of history in Western Asia--‘ And no truth appears to me more evident ’, he said, ‘ than that beasts are endowed with thought and reason as well as man ’. The arguments are developed in section XVI of ‘ The Understanding ’, where there are many delightful passages of special relevance to the ancient concepts about life. Again, he said that a bird, that ‘chooses with such care and nicety the place and materials of the nest, and sits upon her eggs for a due time, and in a suitable season, with all the precaution that a chymist is capable of in the most delicate projection, furnishes us with a lively instance of animal sagacity’. Locke, on the other hand, in his discussion of animal rationale, had refused to be drawn so far. ‘ And if Balaam’s ass had, all his life, discussed as rationally as he did once with his master, I doubt yet whether any one would have thought him worthy the name ‘man’, or allowed him to be of the same species with himself ’. Of these two statements Hume’s approximates more closely to the earliest Asiatic view of life, and it is on these lines that Messrs. Frankfort, Wilson, and Jacobsen have approached their problem, which, briefly put is-how did the early thinkers of the Near East come to say what they did about creation, the state, and man ? Professor and Mrs Frankfort define the earliest mode of thought as an ‘ I-thou ’ relation-ship, by which they mean that the primitive Asiatic conceived of all creation in a reciprocal nexus wherein the material world was percipient as well as perceived, and Professor Wilson elaborates the same theme by saying that for the Egyptians the world was consubstantial, and that their view of life might be defined as monophysite. Pro-fessor Jacobsen’s contribution illustrates to what extent the Mesopotamian view of life conformed with this outlook, for example how salt and grain were conceived of as animate beings in a close relationship with man, responsible and responsive to him. Other ideas peculiar to the Mesopotamian mind are no less clearly stressed, and herein lies the fascination of the book, that we have a comparative examination of the Egyptian, Mesopotamian and Israelite approach to life, for Hebrew theology was cast out of a similar matrix. In a concluding chapter by the Frankforts, we see the dawn of a new intellectual era. The Greek physical philosophers, regardless of the data of experience, carried the old basic concepts of the Egyptians and Mesopotamians from a concrete to an abstract frame and worked them to a reductio ad absurdurn, much as Hume did for the concepts of Cartesian philosophy. Their prescience gave birth to science. Nor should we forget that Thales of Miletus prophesied an eclipse, thereby following in the wake of the Babylonian astronomers, who had made similar observations and recorded them centuries earlier.


Author(s):  
Giovanni Stanghellini

This chapter discusses how perspectivism is the device through which each one of us, who first and foremost sees the world from his point of view, is able to recognize that precisely as just one point of view, and thereby to change it. A healthy mental condition implies the ability to change one’s point of view and temporarily take the perspective of another person. The stronger the reciprocity of perspectives between my former and my present ego, and between my own vantage and the Other’s, the weaker the tendency to perceive my motivations as absolutely necessary. Perspectivism allows me to see myself as not strictly determined by the past and by the involuntary, and may restore a sense of agency. This explains why the reciprocity of perspectives is a therapeutic goal and perspectivism—the attempt to see things from the point of view of the Other—is a therapeutic device.


2017 ◽  
Vol 41 (S1) ◽  
pp. S717-S717
Author(s):  
D.F. Burgese ◽  
D.P. Bassitt ◽  
D. Ceron-Litvoc ◽  
G.B. Liberali

With the advent of new technologies, the man begins to experience a significant change in the perception of the other, time and space. The acceleration of time promoted by new technology does not allow the exercise of affection for the consolidation of ties, relations take narcissists hues seeking immediate gratification and the other is understood as a continuation of the self, the pursuit of pleasure. It is the acceleration of time, again, which leads man to present the need for immediate, always looking for the new – not new – in an attempt to fill an inner space that is emptied. The retention of concepts and pre-stressing of temporality are liquefied, become fleeting. We learn to live in the world and the relationship with the other in a frivolous and superficial way. The psychic structure, facing new phenomena experienced, loses temporalize capacity and expand its spatiality, it becomes pathological. Post-modern inability to retain the past, to analyze the information received and reflect, is one of the responsible for the mental illness of today's society. From a temporality range of proper functioning, the relationship processes with you and your peers will have the necessary support to become viable and healthy.Disclosure of interestThe authors have not supplied their declaration of competing interest.


Literator ◽  
2006 ◽  
Vol 27 (1) ◽  
pp. 97-106
Author(s):  
ZHU Ying

In this article the concept of liminality is understood in a broad sense to mean the incompleteness of historical representation and the restrained view of reality. The ensuing discussion of the theme will be divided into three parts; each incorporating parts of Paul Ricoeur’s analyses in “The reality of the historical past” (1984). Ricoeur investigates the reality of the historical past under three categories – the Same, the Other, and the Analogue. Under the sign of “the Same”, contesting liminality is first discussed as the re-enactment of the historical past. This re-enactment of the past, however, has differences in the present on account of imaginative reinterpretations and repatternings of documentary evidence. Under the sign of ”the Other”, the second part or the article discusses Naipaul’s strategy of taking distance to counteract liminality in rewriting the historical past from the vantage point of a writer-traveller. Finally, the analysis under the sign of “the Analogue” points out that the commitment to combat liminality implies an unending attempt at rectifying and reconfiguring the historical past in order to accomplish continuity and renewal.


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