scholarly journals The Impact of Capitalist Psychology of Mid Victorian Erain Charles Dickens’ Novel Great Expectations

2020 ◽  
Vol 3 (2) ◽  
pp. 18-30
Author(s):  
Muna Shrestha

My thesis argues that Charles Dickens reflects the capitalist psychology of mid Victorian London in his novel Great Expectations. It is fully narrated in the first person and a time conquering master piece of Charles Dickens. In this novel, he touches on expectations in the life of diverse characters, the greatest of which being the expectation of Pip, the central character of the novel and also his moves from childhood to adulthood. He portrays how difficult it is for a lower class person to become a gentleman. The life for the upper class is easy but the life for the lower class is hard and painful in Victorian England. He vividly represents the existing picture of the society working in the minds of various characters and their expectations. Dickens's themes include wealth and poverty, love and rejection and the eventual triumph of good over evil.The purpose of this study is to describe the writer’s view of capitalism and its consequences such as ending of family units, illness, mutual exploitation, human passions, expectations and selfishness through character and plot.

2018 ◽  
Vol 1 (2) ◽  
pp. p17
Author(s):  
Farhana Haque

Charles Dickens’ Great Expectation actually did reflect the Victorian society and therefore the morality of that era’s people inside of the novel. Since we know that Victorian era basically present some features such as virtue, strength, thrift, manners, cleanliness, honesty and chastity. These are the morals that Victorian people used to hold with high esteem. In this novel Great Expectations, Dickens has created some Victorian characters whom we have seen both in good working way or not at all. But the protagonist named Pip was dynamic and he went through some several changes and dealt with different and significant moral issues. Somehow Pip left behind all the values he was raised with. Because Miss Havisham and Estella have corrupted Pip with rich life. Greed, beauty and arrogance were his ingredient of immoral life. The other characters like Joe and Biddy were static characters throughout the entire novel and became noticeable to be the manifestation of what we call as ideal Victorians. The main heroin of this novel was Estella with whom Pip thought he had some love connection. Hence, Estella has been presented as a good in the sense of potentiality and turned morally bad. Miss Havisham, who was basically a corrupt woman and she engraved the center of the novel. Great Expectations did disclose how was the situation of Victorian society through some important features such as higher class, corrupted judicial system between rural and urban England. Here in this novel, Dickens was concern about the education system in Victorian era where the lower class people get less opportunities of getting proper education. From the beginning to the end of this novel, Dickens explored some significant issues regarding higher and lower class system of Victorian society which did fluctuate from the greatest woeful criminal named Magwitch to the needy people of the swamp country, where Joe and Biddy were the symbol of that regime. After that we can proceed to the middle class family where Pumblechook was the person to represent that regime. Last but not the least Miss Havisham symbolized and bear flag of very rich and sophisticated Victorian woman who has represented the higher class society in the novel Great Expectations. Hence we can say Great Expectations has talked and displayed the class system of Victorian England and the characters of this novel therefore also did uphold the true reflection of Victorian era.


2020 ◽  
Vol V (II) ◽  
pp. 54-61
Author(s):  
Arshad Ali ◽  
Athar Rashid ◽  
Ameer Sultan

The present work deals with the adjectives used by Charles Dickens to portray the social class in the novel Great Expectations. The study used a corpus linguistics methodology for data preparation, corpus development, and data analysis. The text of the novel was collected from online sources and used in the compilation of the corpus. The corpus was filtered of additional information and tagged using a part-of-speech tagger (POS tagger). The tagged data was analyzed using AntConc software. The findings of the study suggest that the use of adjectives plays a substantial role in the portrayal of the social class in the novel Great Expectations. The findings also show that there was a clear divide between upper and lower classes. The members of the lower class were humiliated and looked down upon by the members of the upper class.


2021 ◽  
Vol 20 (2) ◽  
pp. 123-134
Author(s):  
Damay Rahmawati ◽  
Ramadhani Ardianto Karsa Sunaryono ◽  
Mira Utami

This study aims to see racism in the novel Go Set a Watchman by Harper Lee as state of exception; a political philosophy of Agamben. Agamben's idea of ​​state of exception is used in this study as the theoretical framework. This research specifically reveals how racism becomes part of state of exception in American society around 1960s when the novel was written. The analysis focuses on issues of racism in American society as depicted in the novel. The issue of racism is taken with the aim of analyzing state of exception in USA, in dealing with racial discrimination. After analyzing the issues of racism and state of exception in the novel, this study reveals that racism in American society is politically structured. The finding of this study is the discrimination experienced by lower class citizens who are dominated by black people, as the impact of state of exception which affects their citizenship rights.


Author(s):  
Karin Kukkonen

The conclusion shows that several of the embodied aspects of writing fiction discussed for the eighteenth-century novel can be traced into the nineteenth century through an example from Charles Dickens’ Great Expectations. It is shown that, like the earlier authors in the case studies in this book, Dickens features shifting embodied stances and involves elements of the media ecology of his day rather than deploying the concrete particulars that “formal realism” considers central to the novel. Links to larger arguments about the role of the novel in literary history are then drawn in contrast with accounts, based on Adorno/Habermas and Benjamin, that argue that eighteenth-century fiction becomes rationalised and disembodied with the novel and its culture industry. Rather than impoverishing experience, it is argued that the novel as a lifeworld technology depends profoundly on readers’ embodied engagements and that 4E cognition is a critical perspective that affords such an alternative take.


Author(s):  
Rajaa Radwan Hilles Rajaa Radwan Hilles

This paper deals with the narrative order of time in Charles Dickens’s novel Great Expectations. Time is crucial in narratological structure as it establishes a logical relation for events in the narrative. Besides, a narrative develops its point of view through the voices in the narrative. This point of view is called focalization. This paper assumes that the sequence of events in Dickens’s Great Expectations does not follow a linear order and consequently, the point of focalization changes throughout the narrative. Accordingly, the current paper intends to investigate the order of narration in the novel. It intends to explore the ultimate thematic concern of the novel as well. The discussion will be in the light of Gerard Genette’s narratological structure and will be applied on Dickens’s Great Expectations. It is the 13th novel in his independent literary works. It has been published unillustrated in 36 weekly instalments in All the Year Round from 1860 through 1861. Then, it has been published in three volumes by Chapman & Hall in1861. The narrative voice has a great impact on the story’s timeline and on the readers because it is narrated in the first-person voice by the protagonist, Philip Pirrip. (Davis, 2007: P 126) The analysis is based on Genette’s theorization of time order in telling a story and communicating a broader point of view that the author intends to make throughout the whole narrative structure.


2016 ◽  
Vol 2 (2) ◽  
pp. 125
Author(s):  
Yohanes Eko Rubiyanto ◽  
Restu Arini

The writer conducts the research related to class conflict which is presented in Khaled Hosseini’s “The Kite Runner” novel. This qualitative research is written to analyze the conflicts that happen in Afghan society which is mainly caused by difference of social class. The research is conducted by using library research. The method used in this research is descriptive qualitative method as the data are described in the form of sentences. The steps of collecting the data in this research are reading both the novel and the supporting theories related, analyzing, organizing and displaying the data to allow conclusions to be drawn. The results show that the society in the twentieth is fundamentally separated by two large groups namely Pashtun and Hazara. They are inhabit Afghanistan as told in The Kite Runner. The Pashtuns act as the dominant upper class and the Hazaras fill the society of the lower class which fits the theory of Marxism.


2021 ◽  
Vol 6 (1) ◽  
pp. 84-93
Author(s):  
Badiuzzaman Shaikh

Aravind Adiga’s Last Man in Tower, published in 2011, is a trenchant critique on the effects of globalization, urbanization, privatization and capitalism in the post-colonial era in India. All these changes in the contemporary society have effectively bifurcated the entire country into two groups—the rich and the poor, the centre and the margin, the privileged upper class and the underprivileged lower class. In the novel Dharmen Shah, a real estate mogul represents the first group of people who are socio-politically and economically highly influential, whereas Yogesh A. Murthy, aka Masterji, is the embodiment of the marginalized class that are constantly dominated and exploited by the former group. My present paper aims to analyse in detail how far Masterji is able to resist the scabrous sufferings unleashed by the rich realtor Dharmen Shah, and how far Masterji’s resistance becomes an incarnation of the resilience of marginalized people in the contemporary society.


2020 ◽  
Author(s):  
Askar Nur

This research discusses about culture reproduction in the Charles Dickens’ novel “Great Expectations” and aims to find out the process of culture reproduction in the novel Great Expectations. The researcher used culture reproduction (habitus and field concept) theory of Pierre-Felix Bourdieu. This research focuses on culture reproduction occurred in Great Expectations. The data were analyzed using a descriptive qualitative method to identify, describe and analyze the data that found in the novel Great Expectations. The researcher used coding sheet as the instrument to find out the valid data. This research conducted to answer the problems that concerning how the culture reproduction occurred in the novel. The findings show that there are some phenomena which supported the process of culture reproduction occurred according to Bourdieu, as following the phenomena of culture reproduction in the old and new culture based on habitus and field concept and its dialectical relation. The researcher concludes that the dialectical relation between old and new habitus, the old and new arena (field) or between unwillingness to return to old life and also unwillingness to live in new life makes Pip get in a new phase of life by bringing his old culture and current culture.


2020 ◽  
Vol 10 (3) ◽  
pp. 292-310
Author(s):  
Michael Hollington

This essay begins with a survey of attitudes towards Charles Dickens in the extended Stephen family, as these were inherited by the modernist writer Virginia Woolf. On the one hand, there is the strongly negative view of her Uncle Fitzy (Sir James Fitzjames Stephen), and the lukewarm, rather condescending opinion of her father Leslie Stephen. On the other, there is the legacy of enthusiastic attention and appropriation from William Makepeace Thackeray's two daughters – her aunt Anne Thackeray Ritchie and (posthumously) Min, Leslie Stephen's first wife. In the second section I survey Woolf's critical writings on Dickens, adding a glance at the opinions of her husband Leonard. In both, there is an evolution towards greater attention and enthusiasm. Besides Woolf's familiar essay on David Copperfield (1849–50), I give prominence to lesser-known writings, in particular to her laudatory assessment and analysis of Bleak House (1852–3). The third and final part concerns signs of the influence of Dickens in Woolf's first novel, The Voyage Out (1915). The earlier, satiric part of the novel shows the impact both of Jane Austen and Dickens as ironists and humourists. During the tragic conclusion, influenced by a reading of Fyodor Dostoevsky, Jane Austen drops out, but Dickens is retained.


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