scholarly journals Struttura e narratore ne I Promessi Sposi di Alessandro Manzoni

2020 ◽  
Vol 17 ◽  
pp. 138-150
Author(s):  
Aseel Samir ◽  
Rabie Salama
Keyword(s):  
19Th Century ◽  
Historical Novel ◽  
Italian Literature ◽  
The Novel ◽  
Early 19Th Century ◽  
Alessandro Manzoni ◽  
Thematic Approach ◽  
I Promessi Sposi ◽  
Italian Novel

In the early 19th century, the Italian literature did not have a mature novel, as is known today. The Italian novelist, Manzoni, and his masterpiece The Betrothed, set a solid basis for the contemporary Italian novel; thanks to its’ narrative characteristics that helped the novelist in achieving different reformative goals, woven stupendously with fictional, historical and realistic threads. The main purpose of this study is to apply an analytical and thematic approach on the structure and narrator of the novel. Furthermore, the research aims to distinguish the main artistic characteristics adopted from the European historical novel. The study then focuses on analyzing the function of the anonymous author’s fictional frame and how it created a diversity in the narrative levels. The research also highlights the importance of the omniscient narrator, the strong relations between the narrator and the narratee, the different narrative perspectives, and finally the polyphony: techniques that enhanced the realistic dimension of the novel.

scholarly journals The evolution of the Italian novel (based on the works of Clorinda Di Fini), part 1

2017 ◽  
Vol 4 (1) ◽  
pp. 17-38
Author(s):  
A.A. Katorova ◽  
Y.S. Boronenkova
Keyword(s):  
Historical Novel ◽  
Historical Context ◽  
The Novel ◽  
Alessandro Manzoni ◽  
Giovanni Verga ◽  
Epic Poem ◽  
The Social ◽  
Social Novel ◽  
Italian Novel ◽  
Historical Periods

The article deals with the evolution of the Italian novel in different literary and historical periods, starting with the epic poem of Antiquity up to the historical novel (“The Betrothed” by Alessandro Manzoni) and the social novel (“The House by the Medlar-Tree” and “Mastro-don Gesualdo” by Giovanni Verga). Based on the works of Italian philologist Clorinda Di Fini, the article shows how the focus of narrative shifts from the fate of the upper classes to the lives of ordinary people in a larger historical context, as well as the author's position in the novel moves towards impersonality and objective reflection on social problems

scholarly journals The evolution of the Italian novel (based on the works of Clorinda Di Fini), part 2

2017 ◽  
Vol 4 (2) ◽  
pp. 14-31
Author(s):  
A.A. Katorova ◽  
Y.S. Boronenkova
Keyword(s):  
Historical Novel ◽  
Historical Context ◽  
The Novel ◽  
Alessandro Manzoni ◽  
Giovanni Verga ◽  
Epic Poem ◽  
The Social ◽  
Social Novel ◽  
Italian Novel ◽  
Historical Periods

The article deals with the evolution of the Italian novel in different literary and historical periods, starting with the epic poem of Antiquity up to the historical novel (“The Betrothed” by Alessandro Manzoni) and the social novel (“The House by the Medlar-Tree” and “Mastro-don Gesualdo” by Giovanni Verga). Based on the works of Italian philologist Clorinda Di Fini, the article shows how the focus of narrative shifts from the fate of the upper classes to the lives of ordinary people in a larger historical context, as well as the author's position in the novel moves towards impersonality and objective reflection on social problems.

scholarly journals Mother Behavior to Their Daughters As Seen in ''Pride and Prejudice" and "Little Women"

2019 ◽  
Vol 2 (4) ◽  
pp. 620-625
Author(s):  
Fitri Arniati ◽  
Muhammad Darwis ◽  
Nurhayati Rahman ◽  
Fathu Rahman
Keyword(s):  
19Th Century ◽  
Major Theme ◽  
The Novel ◽  
Pride And Prejudice ◽  
Late 19Th Century ◽  
Early 19Th Century ◽  
Little Women ◽  
Women's Role ◽  
The Right

This research is to study about the mother behavior to their daughters as seen in "Pride and Prejudice" and "Little Women". The mother behavior to their daughters show the different way of women as a mother in bringing up their children according to their social and condition at the time. The data were taken from two novels entitled "pride and prejudice" and "little women" is the topic of the study. The  women held in the early 19th century and the late 19th century was described as one that belonged in the home as a wife and mother, and that should marry a man who can support their family. Also throughout the novel women's role in society was described as one that is to be accomplished in household  chore and those of entertainment, such as singing  and playing music. The role of women in society was a major theme throughout the novel "Pride and Prejudice" and "Little Women" The method used in this research  is a study of comparative literature to analyze mother behavior especially for Mrs. Bennet, Lady Catherine de Bourgh, These women have similarities and different behavior in find the right mate for their daughters. This study shows that every woman has characteristics in caring for their children and paying attention to the survival of their children.

scholarly journals “I cannot act!”: Fanny’s “Inaction” in the Economic Ideology Driving Mansfield Park

2016 ◽  
Vol 5 (1) ◽  
Author(s):  
Morgan O'Neil
Keyword(s):  
19Th Century ◽  
The Novel ◽  
Early 19Th Century ◽  
Mansfield Park ◽  
Inherent Value ◽  
Economic Ideology ◽  
Profit Value ◽  
British Culture

In early 19th century British culture, an ideology founded on economics permeates one of society’s most private affairs marriage between two individuals. In Jane Austen’s Mansfield Park, the characters become a type of currency to be exchanged through marriage in order for others to gain power and wealth. Fanny Price, subjected to this objectification, comes to realize the inherent value that she possesses as a woman. Once she is given agency in the novel, she is able to live beyond the ideology of the novel. Her marriage allows her to recognize herself as being equal to her husband, Edmund Bertram, and join him in ownership of their property. Fanny and Edmund represent a new ideology that is founded on love and equality, rather than profit value. 

Women’s Fiction

2021 ◽  
Author(s):  
Kimiyo Ogawa
Keyword(s):  
19Th Century ◽  
Mary Wollstonecraft ◽  
Women's Fiction ◽  
The Novel ◽  
Charlotte Smith ◽  
Mary Robinson ◽  
Early 19Th Century ◽  
Charlotte Dacre ◽  
Susan Ferrier ◽  
Women's Novels

This essay gives an overview of women’s fiction published between the late 18th and early 19th century, focusing on their interest in sensibility, education, and marriage. Women’s novels during this period were very much influenced by the literary genre called the novel of sensibility, which celebrates emotional concepts such as sentiment, delicacy, and sensibility. In promoting education for women, many female novelists not only vindicated women’s capacity to reason, but also recommended moral feeling for others. Although Mary Wollstonecraft, Maria Edgeworth, and Susan Ferrier believed that women should embrace reason, they knew that domestic affections were necessary. Affectionate ties or compassion are key to understanding the novels of Charlotte Smith and Mary Robinson. Possessing neither was detrimental to the happiness of heroines of this period, and this is typically observed in Elizabeth Inchbald’s A Simple Story (1791) – pursuing one’s desire without restraint would lead to self-destruction. Jane Austen and Mary Shelley were writing their novels when the radical movement connected to Mary Wollstonecraft’s assertion about the need for women’s education had subsided: excessive indulgence of emotions and sexual appetite were cautioned against in their novels. Although in the early 19th-century sexual transgressions were condemned, some novelists such as Charlotte Dacre explored the theme of women’s sexual freedom.

scholarly journals THE IMPACT OF THE 19TH CENTURY EUROPEAN COLONIALISM IN AFRICA, IN THE NOVEL “THINGS FALL APART” BY CHINUA ACHEBE

2019 ◽  
Vol 8 (2) ◽  
pp. 109
Author(s):  
Afriliyani Piola ◽  
Happy Anastasia Usman
Keyword(s):  
19Th Century ◽  
Qualitative Method ◽  
Primary Data ◽  
Chinua Achebe ◽  
The Novel ◽  
Early 19Th Century ◽  
Things Fall Apart ◽  
European Colonialism ◽  
The 19Th Century ◽  
The Impact

Things Fall Apart is a novel potrays the background of traditional life and primitive culture Ibo tribe in Umuofia, Nigeria, Africa and also the impact of European colonialism towards Africans’ society in the early 19th century. The research applies the qualitative method and it supported by the sociology of literature approach. The primary data are taken from the novel Things Fall Apart by Chinua Achebe. Based on the analysis the researcher conducts, the impact of European colonialism in Africa which not only brings a positive impacts but also negative legacy. There are several points of the impact European colonialism in Africa : existence of christianity, existence of language, establishment regulation and contribution to development.

Porto, Gaia, and the Sant'Ana Arch

2022 ◽  
pp. 139-162
Author(s):  
Isabel Vaz de Freitas ◽  
Helena Albuquerque
Keyword(s):  
Information System ◽  
Geographical Information System ◽  
19Th Century ◽  
Historical Novel ◽  
New Product ◽  
Literary Work ◽  
Geographical Information ◽  
The Novel ◽  
Intangible Heritage ◽  
The 19Th Century

This study aims to analyse the novel O Arco de Sant'Ana, by Almeida Garrett, one of the most important Portuguese writers of the 19th century. O Arco de Sant'Ana is a historical novel that describes a medieval narrative that is used as a context and emphasis for the presentation of the author's liberal ideas of his time. Using geographical information system as a methodological tool, a literary cartographic analysis will be conducted by identifying places, streets as well as tangible and intangible heritage, described in the novel. Several analyses will be performed to pinpoint the places where the medieval narrative occurs, transposing them to the current urban map. In this way, it should be possible to overlay the literary landscape onto the present map of Porto to offer the tourist a new product based on a journey through time based on the writer's literary work.

Letter on Romanticism

PMLA ◽  
2004 ◽  
Vol 119 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Alessandro Manzoni ◽  
Joseph Luzzi
Keyword(s):  
Seventeenth Century ◽  
Historical Novel ◽  
Religious Tradition ◽  
Historical Writing ◽  
National History ◽  
Alessandro Manzoni ◽  
Georg Lukacs ◽  
Basic Theme ◽  
I Promessi Sposi ◽  
Georg Lukács

It was a foreign critic, ironically, who grasped the insurmountable national challenge that alessandro Manzoni posed to himself and to Italy's future authors with his monumental novel I promessi sposi (The Betrothed [1827, rev. ed. 1840]). Manzoni's basic theme, Georg Lukács writes, is “much less a given, concrete, historical crisis of national history” than it is “the tragedy of the Italian people as a whole” (70). This eternal plight—distilled into the story of the courtship and separation of two peasants in seventeenth-century Lombardy during plague, riots, and Spanish occupation—encompassed Italy's perpetual struggle against foreign rule, its lack of a unifying language and polity, and its reticent modernity, especially its tensions between religious tradition and secular progress. According to Lukács, the universality of the text combined with the abiding, unchanging nature of the problems it fictionalized essentially exhausted the genre of the historical novel that it introduced to Italy. Posterity has vindicated this assessment. Manzoni abandoned the genre soon after I promessi sposi to dedicate himself to historical writing proper, and his novel remains ensconced in the Italian public imaginary, just behind Dante's Commedia, as the towering, mythic work that helped occasion Italy's belated unification in 1861.

scholarly journals “The Pugachevites” by E. A. Salias in the Reception of F. M. Dostoevsky: on the Epic Character of the Russian Novel

2021 ◽  
Vol 3 (4) ◽  
pp. 92-113
Author(s):  
Nadezhda G. Mikhnovets
Keyword(s):  
19Th Century ◽  
Historical Novel ◽  
Russian History ◽  
The Novel ◽  
War And Peace ◽  
Russian Novel ◽  
History Of ◽  
To Come ◽  
The 19Th Century ◽  
Further Development

The article analyzes the nature of the interaction between first-line literature and fiction in the 1860–1870s as dynamic, versatile and dialogical. It is argued that the historical novel by E. A. Salias “The Pugachevites” (1874), based on the discoveries of the epic novel “War and Peace” by L. N. Tolstoy, testified to the process of strengthening the epic tendency in Russian literature of the 19th century. The novel by E. A. Salias was not exclusively secondary, the portrayal of the “predatory type” hero became innovative, but not deeply understood by the fiction writer. It is noted that further development was undertaken by F. M. Dostoevsky at the first stage of the creation of the novel “The Adolescent”. Its distinctive feature was the consideration of the “predatory type” in the context of the Russian history of spiritual quests of the 17th–19th centuries. The description of the stages of development of the type by F. M. Dostoevsky made it possible to come to the conclusion that the process of cognition of the Russian character, the identification of the laws of the historical development of Russia presupposed a versatile comprehension of the national foundations of life, which predetermined the epic character as the leading feature of the Russian novel of the second half of the 19th century.

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