scholarly journals THE IMPACT OF THE 19TH CENTURY EUROPEAN COLONIALISM IN AFRICA, IN THE NOVEL “THINGS FALL APART” BY CHINUA ACHEBE

2019 ◽  
Vol 8 (2) ◽  
pp. 109
Author(s):  
Afriliyani Piola ◽  
Happy Anastasia Usman
Keyword(s):  
19Th Century ◽  
Qualitative Method ◽  
Primary Data ◽  
Chinua Achebe ◽  
The Novel ◽  
Early 19Th Century ◽  
Things Fall Apart ◽  
European Colonialism ◽  
The 19Th Century ◽  
The Impact

Things Fall Apart is a novel potrays the background of traditional life and primitive culture Ibo tribe in Umuofia, Nigeria, Africa and also the impact of European colonialism towards Africans’ society in the early 19th century. The research applies the qualitative method and it supported by the sociology of literature approach. The primary data are taken from the novel Things Fall Apart by Chinua Achebe. Based on the analysis the researcher conducts, the impact of European colonialism in Africa which not only brings a positive impacts but also negative legacy. There are several points of the impact European colonialism in Africa : existence of christianity, existence of language, establishment regulation and contribution to development.

scholarly journals OVERROTECTVE MOTHER IN JODDI PICOULT’S NOVEL, MY SISTER’S KEEPER

2020 ◽  
Vol 2 (2) ◽  
pp. 99-105
Author(s):  
Nur Atikah Ridwan ◽  
Zulfan Sahri
Keyword(s):  
Qualitative Method ◽  
Secondary Data ◽  
Conflict Theory ◽  
Primary Data ◽  
The Novel ◽  
Second Child ◽  
Negative Impacts ◽  
The Impact ◽  
Descriptive Qualitative

The objectives of this study are to reveal the causes and negative impacts of overprotective mother’s attitude towards her child in the best-selling novel entitled My Sister's Keeper by Jodi Picoult, and to see how overprotective Sara Fitzgerald as a mother who has an overprotective attitude towards her second child. This research uses descriptive qualitative method with library study to find out the overprotective mother and how the overprotective developed by applying internal and external overprotective theory and mother's theory. The primary data used is the novel itself. Secondary data are books and articles relating to conflict theory. The results showed that there was a major problem that caused by Sara Fitzgerald as an overprotective mother and the impact of her overprotective attitude towards her daughter. There are two causes that Sara becomes an overprotective mother to her second daughter: her illness and her recovery and the impact towards her third daughter  is lacking affection and suffering.

Maps and Cartography in the History of South Africa: From Print to Digital

2020 ◽  
Author(s):  
Norman Etherington
Keyword(s):  
South Africa ◽  
World War I ◽  
19Th Century ◽  
Racial Inequality ◽  
Geographical Information Systems ◽  
Geographical Information ◽  
Volatile Element ◽  
European Colonialism ◽  
The 19Th Century ◽  
The Impact

The first well-attested maps showing Southern Africa date from the late 15th century. Before the 19th century, maps provided little information about the interior but depicted coastlines in great detail, thanks to the requirements of seaborne navigators. Information about the inhabitants was scanty and skewed by misconceptions about the nature of African societies. Land-based exploration activity increased dramatically in the 1830s but the poorly trained and equipped human agents made many errors that had significant historical consequences. Accuracy in the mapping of physical topography improved with the advent of skilled civil and military surveyors, but entanglement with advancing forces of European colonialism resulted in biased representations of the nature and distribution of the indigenous people. Competition among European invaders during the so-called Scramble for Africa in the last decades of the 19th century made cartography a volatile element in the general mix of combustible material. Continual war among Europeans and Africans also affected the production of maps. The impact of African resistance to colonial surveys and land seizures on map making was for too long neglected by historians. By the end of World War I, the geopolitical boundaries of the region assumed their present configuration, marking off South Africa from its neighbors. The imposition of European rule, racial inequality, and segregation introduced cartographical distinctions between areas in which land was held in freehold title by members of a ruling racial elite and so-called African reserves and locations where land was held communally under the surveillance of traditional authorities. Decolonization beginning in the 1960s swept away the colonial racial order but did not abolish its legacy of boundaries, inequality, and parallel systems of land governance. The advent of geographical information systems, digital mapping, and satellite imaging has revolutionized cartography.

scholarly journals Edna Pontellier's endeavors as the main character in Kate Chopin’s "The Awakening" in the nineteenth-century liberal feminism

2021 ◽  
Vol 12 (4) ◽  
pp. 642-656
Author(s):  
Devi Hellystia
Keyword(s):  
19Th Century ◽  
Gender Inequality ◽  
Qualitative Method ◽  
Kate Chopin ◽  
Political Rights ◽  
The Novel ◽  
Liberal Feminism ◽  
The Awakening ◽  
Feminism Theory ◽  
The 19Th Century

This study analyzed the struggle of Edna Pontellier in the 19th-century liberal feminism in the novel entitled The Awakening written by Kate Chopin. Liberal feminism assumes that the main problem of gender inequality is the domination of institutions by men. Men control the economic sphere, political sphere, along with other things. 19th-century liberal feminism put its focus on women's equal liberty. In general, the novel is about Edna Pontellier, the woman who was trapped in the figure of a mother and wife. She struggled as a woman in the 19th-century to get equal liberty and follow her desires. The researcher used the qualitative method in analyzing the struggle of Edna Pontellier. The results of this study show Edna’s struggles to pursue her desires through Mill and Taylor’s 19th-century liberal feminism theory. She wanted to get the same political rights, economic opportunities, and education that men get. The results also showed the two things that lead Edna to become a figure of liberal feminism: an unhappy married life and her desire to free herself.

scholarly journals Development of Literary Forms in Theater and Novel during the Victorian Era

2019 ◽  
Vol 8 (5) ◽  
pp. 49
Author(s):  
Saed Jamil Shahwan ◽  
Tasneem Rashed Said Shahwan
Keyword(s):  
19Th Century ◽  
The Novel ◽  
Way Of Life ◽  
Victorian Era ◽  
Literary Forms ◽  
The People ◽  
Number Of Factors ◽  
The 19Th Century ◽  
The Impact

Appropriate understanding and embracing of the literature in the 19th century in Britain, should be considered so crucial when it comes to writing of novel and the same as to that of theater. Although Radcliff & Mattacks (2009) point out the changes experienced in theatre during the Victorian era, this research further explains the role of human activities in influencing changes in literary forms. There are a number of factors that are seen to be taking place at this particular period, lack of some basic understanding hindered the whole concept of writing. This period was commonly referred as the Victorian era and novel writing were considered to be on the lead when it came to literary genre. Most of the novels at this particular period were published in three volumes, several developments are clearly observed by introduction of other styles such as the satire writing. The women are now given equal opportunities and their work is being acknowledged without any challenges. On the other hand, the 19th century makes a great impact on the theatre; this can be illustrated by the number of developments that were involved. This stage was identified as the revolving stage and these changes were observed as from the 1896. This paper presents the major activities that took place in the 19th century in Britain that took place in the writing of the novel, the impact that it had on the novelist and so is that on the theater. This paper goes on to present the kind of society that existed in this era, the cultures and their way of life which includes the division of classes among the people of Britain.

scholarly journals Proverbs in Chinua Achebe’s Novel Things Fall Apart

2019 ◽  
Author(s):  
Chintya Winda N ◽  
Jumino Suhadi ◽  
Purwarno .
Keyword(s):  
Qualitative Method ◽  
Theoretical Framework ◽  
Literary Study ◽  
Chinua Achebe ◽  
The Novel ◽  
Mental Functioning ◽  
Personal View ◽  
Religious View ◽  
Descriptive Approach ◽  
Things Fall Apart

This article is a literary study which is concerned with the analysis of proverbs found in the novel Things Fall Apart written by Chinua Achebe. The objective of this study is to identify as well as to analyse proverbs used in the novel. The analysis is based on the theoretical framework proposed by Honect (1997) who states that proverbs are an intuitive aspect of their mental functioning and can be viewed by using seven views: Personal View, Formal View, Religious View, Literary View, Practical View, Cultural View and Cognitive View. The study was conducted by applying qualitative method with a descriptive approach proposed by Creswell (2009). The result of the analysis shows that there are 27 proverbs found in the novel. Of the seven views of proverbs, six are found in the novel. The view that is not found in the novel is Literary View.

AN ANNOTATED TRANSLATION OF PERSONAL PRONOUNS IN THE NOVEL THE SINS OF FATHER

2019 ◽  
Vol 7 (1) ◽  
pp. 48-54
Author(s):  
Chintia Handayani
Keyword(s):  
Qualitative Method ◽  
Sampling Technique ◽  
Primary Data ◽  
Personal Pronoun ◽  
The Novel ◽  
Personal Pronouns ◽  
Purposive Sampling ◽  
Annotated Translation

This article is based on annotated translation. Annotated translation is a translation with commentary. The objective of this article is to find out strategies that was employed in translating in Personal Pronoun I and You in the novel The Sins of Father by Jeffry Archer. The research used qualitative method with retrospective and introspective as research approached. The syntactic strategies by Chesterman is employ as tools of analysis. The result shows that from 25 data, there are 5 primary data which are taken using purposive sampling technique. There are 3 word ‘I’ and 2 word ‘You’, which all the data has the same translation principle and strategies.

scholarly journals Variations in American marketing practices of early 19th-century ceramic importers and dealers, reflecting culture and identity

2020 ◽  
Vol 12 (3) ◽  
pp. 345-375
Author(s):  
Neil Ewins
Keyword(s):  
19Th Century ◽  
Design Methodology ◽  
Marketing Research ◽  
Early 19Th Century ◽  
Content Type ◽  
Advertising Strategy ◽  
Political Views ◽  
The Usa ◽  
Anglo American ◽  
The 19Th Century

Purpose This paper explores the advertising strategy of crockery importers and dealers in relationship to their origins and backgrounds. This is a departure from earlier ceramic-history literature which tended to focus on the Staffordshire producers, with limited awareness on how the identity of importers and dealers influenced what products were sold, and their individual approaches to marketing. Design/methodology/approach Within a context of historical marketing research, this paper analyses newspaper advertising and commentary. It combines an examination of marketing practices with a wider consideration of the cultural identities of ceramic importers and dealers. The digitalization of historical records, combined with sophisticated search engines, makes it more feasible to examine a broader range of sources. Thus, modern research methods can enhance our understanding of production and demand and reveal how marketing strategy was diverse. Findings Awareness on how advertising was influenced by the backgrounds and socio-political views of importers and dealers demonstrates ways in which Anglo-American ceramic trade could be far more market-led. More significantly, marketing approaches were not necessarily responding to American demand, but rather that importers could engage in commissioning goods which reflected their own views on politics, religion or slavery. Originality/value Examining the advertising of importers demonstrates the complex relationship between production and ceramic demand. This paper opens up debates as to how far the advertising of other merchandise in the USA shows evidence of taking a more individual approach by the 19th century.

The Short Story: A Very Short Introduction

2021 ◽  
Author(s):  
Andrew Kahn
Keyword(s):  
19Th Century ◽  
Short Story ◽  
Popular Fiction ◽  
The Novel ◽  
Short Introduction ◽  
The Press ◽  
Character Study ◽  
The Creation ◽  
The 19Th Century ◽  
Plot Design

The Short Story: A Very Short Introduction charts the rise of the short story from its original appearance in magazines and newspapers. For much of the 19th century, tales were written for the press, and the form’s history is marked by engagement with popular fiction. The short story then earned a reputation for its skilful use of plot design and character study distinct from the novel. This VSI considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout, it draws on examples from an international and flourishing corpus of work.

Brazilian Colonial Art and the Decolonization of Art History

2021 ◽  
Author(s):  
Maria Berbara
Keyword(s):  
19Th Century ◽  
Art History ◽  
18Th Century ◽  
Early Modern Period ◽  
Minas Gerais ◽  
Early 19Th Century ◽  
Art Objects ◽  
Colonial Art ◽  
The One ◽  
The 19Th Century

There are at least two ways to think about the term “Brazilian colonial art.” It can refer, in general, to the art produced in the region presently known as Brazil between 1500, when navigator Pedro Álvares Cabral claimed the coastal territory for the Lusitanian crown, and the country’s independence in the early 19th century. It can also refer, more specifically, to the artistic manifestations produced in certain Brazilian regions—most notably Bahia, Minas Gerais, and Rio de Janeiro—over the 18th century and first decades of the 19th century. In other words, while denotatively it corresponds to the art produced in the period during which Brazil was a colony, it can also work as a metonym valid to indicate particular temporal and geographical arcs within this period. The reasons for its widespread metonymical use are related, on the one hand, to the survival of a relatively large number of art objects and buildings produced in these arcs, but also to a judicative value: at least since the 1920s, artists, historians, and cultivated Brazilians have tended to regard Brazilian colonial art—in its more specific meaning—as the greatest cultural product of those centuries. In this sense, Brazilian colonial art is often identified with the Baroque—to the extent that the terms “Brazilian Baroque,” “Brazilian colonial art,” and even “barroco mineiro” (i.e., Baroque produced in the province of Minas Gerais) may be used interchangeably by some scholars and, even more so, the general public. The study of Brazilian colonial art is currently intermingled with the question of what should be understood as Brazil in the early modern period. Just like some 20th- and 21st-century scholars have been questioning, for example, the term “Italian Renaissance”—given the fact that Italy, as a political entity, did not exist until the 19th century—so have researchers problematized the concept of a unified term to designate the whole artistic production of the territory that would later become the Federative Republic of Brazil between the 16th and 19th centuries. This territory, moreover, encompassed a myriad of very different societies and languages originating from at least three different continents. Should the production, for example, of Tupi or Yoruba artworks be considered colonial? Or should they, instead, be understood as belonging to a distinctive path and independent art historical process? Is it viable to propose a transcultural academic approach without, at the same time, flattening the specificities and richness of the various societies that inhabited the territory? Recent scholarly work has been bringing together traditional historiographical references in Brazilian colonial art and perspectives from so-called “global art history.” These efforts have not only internationalized the field, but also made it multidisciplinary by combining researches in anthropology, ethnography, archaeology, history, and art history.

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