scholarly journals “I Can’t Offend My Unhappy Sister”: On the Question of the Family Relationship of the Orenburg Orthodox Parish Clergy in the Second Half of the 19th Century

Author(s):  
A.G. Fot
2019 ◽  
pp. 85-92
Author(s):  
Maryna Budzar

The publication of the document is devoted to the anniversaries of two well-known representatives of the Ukrainian elite of the 19th century — 200th anniversary of the birth of Hryhorii Pavlovych Galagan and the 215th anniversary of the birth of Mykola Andriiovych Markevych. Published letter depicts the serious events of the family history of Markevyches — the disease and the death of the father of historian Andrii Markevych. The text contains a detailed description of the events leading up to the event and the circumstances of the death of A. Markevych. The author addresses to Pavlo Galagan, who is the husband of his aunt (mother’s sister). He fully trusts this man. This leads to the frankness of the story. The text includes people from the immediate surroundings of related families of Markevyches — Galagans. This allows us to clarify the personal and psychological characteristics of individual representatives of the Markevyches family. We can notice from the text the remarkable details of the everyday life of the middle-income family of the beginning of the 19th century. We see the arrangement of everyday life, the traditions of everyday communication, the level of provision of medical aid, etc. The contents of the document reveals the attitude of the nobility Left Bank Ukraine to the problem of disease and death, to the ethics of family communication, to property and financial problems.


Kultura ◽  
2020 ◽  
pp. 51-68
Author(s):  
Jovana Nikolić

The French Symbolist painter Gustave Moreau often used the motifs of fantastic beings and animals in his works, amongst which the unicorn found its place. Moreau got the inspiration for the unicorn motif after a visit to the Cluny Museum in Paris, in which six medieval tapestries with the name "The Lady and the Unicorn" were exhibited. Relying on the French Middle Age heritage, Moreau has interpreted the medieval legend of the hunt for this fantastic beast (with the aid of a virgin) in a new way, close to the art of Symbolism and the ideas of the cultural and intellectual climate of Paris at the end of the 19th century. In the Moreau's paintings "The Unicorn" and "The Unicorns", beautiful young nude girls are portrayed in the company of one or multiple unicorns. Similarly to the lady on the medieval tapestry, they too gently caress the animal, showing a close and sensual relationship between them. Although they were rid of their clothes, the artist donned lavish capes, crowns and jewellery on them, alluding to their privileged social status. Their beauty, nudity and closeness with the unicorns ties them to the theme of the femme fatal, which was often depicted in the Symbolist art forms. Showing the fairer sex as beings closer to the material, instinctual and irrational, Moreau has equated women and animals, as is the case with these paintings. Another important theme of the Symbolic art forms which can be seen on the aforementioned paintings is nature, wild and untouched. The landscape in the paintings shows a harmony between the unrestrained nature and the heroes of the painting, freed from strict moral laws of the civil society, or civilization in general. Putting the ladies and the unicorns in an ideal forest landscape, Moreau paints an intimate vision of an imaginary golden age, in this case the Middle Age, through a harmonic relationship of unicorns, women and nature. In that manner, Moreau's unicorns tell a fairy tale of a modern European man at the end of the 19th century: a fairy tale of harmony, sensuality and beauty, hidden in the realms of imagination and dreams.


Author(s):  
O. Tsarkova ◽  
H. Warina

The article is devoted to the analysis of the determinants of the successful establishment and functioning of the system of re-socialization of convicts. The relevance of this problem is determined by the contradiction between the need to return prisoners to a full life in society, the need to reproduce their family interaction skills, and the insufficient theoretical, methodological and methodical elaboration of this problem. The goal is to determine the features of resocialization and disclosure of the content and essence of adaptive family relations of convicts as a factor in the prevention of recidivism in modern scientific, theoretical and practical conditions of activity and functioning of the social and legal state. It has been determined that one of the most important aspects of the return of persons serving a sentence to a full-fledged life in society is the reproduction of their skills of adaptive social interaction, including adequate family behavior, correction of permanent and rigid role and behavioral stereotypes. The family relationship of the convicted person is considered as one of the reasons for his criminal behavior and the object of early prevention of unlawful behavior. Among the features of the family relations of convicts, the following characteristic is singled out: a significant weakening of their positive ties in society. The study led to the conclusion that the restoration of socially useful relations and the formation of adaptive family behavior, the legal status of the released without the provision of effective assistance is impossible. The resocialization of persons released from places of deprivation of liberty involves the active management of this process by penitentiary institutions and state bodies, the elimination or neutralization of negative factors that impede the return of persons who have served their sentences to socially useful activities. A comprehensive approach to the process of resocialization and to the study of this socio-legal category in modern conditions of humanization and democratization of society is needed.


Author(s):  
Camila Kuhn Vieira ◽  
Carine Nascimento da Silva ◽  
Ana Luisa Moser Keitel ◽  
Adriana da Silva Silveira ◽  
Solange Beatriz Billig Garces ◽  
...  

We are experiencing a period of accelerated socio-cultural, political and economic changes that are reflected in practically all social institutions, including the family. This is a secular social institution, which reflects the evolution of society. There is still resistance to “idealizing” the family as the “sphere of care and love”. However, it is known that the traditional family of the 19th century gave way to the nuclear family and that, at the same time, it gives way to families with different backgrounds. Also noteworthy are the transformations that occur in complex and liquid society, as highlighted by authors such as Morin and Bauman. In this sense, these transformations also occur in the social institutions that compose it, among them the family nuclei and other social spaces where different generations are inserted, especially with the increasing presence of elderly people. Therefore, with so many important social issues involved in these relationships (society-family-aging and intergenerationality), these reflections are considered to be extremely relevant.


2018 ◽  
pp. 102-115
Author(s):  
Eva Toulouze

Eastern Udmurt autumn rituals: An ethnographic description based on fieldwork There is a good amount of literature about Eastern Udmurt religious practice, particularly under its collective form of village rituals, as the Eastern Udmurt have retained much of their ethnic religion: their ancestors left their villages in the core Udmurt territory, now Udmurtia, as they wanted to go on living according to their customs, threatened by forceful Evangelisation. While many spectacular features such as the village ceremonies have drawn scholarly attention since the 19th century, the Eastern Udmurt religious practice encompasses also more modest rituals at the family level, as for example commemorations of the dead, Spring and Autumn ceremonies. Literature about the latter is quite reduced, as is it merely mentioned both in older and more recent works. This article is based on the author's fieldwork in 2017 and presents the ceremonies in three different families living in different villages of the Tatyshly district of Bashkortostan. It allows us to compare them and to understand the core of the ritual: it is implemented in the family circle, with the participation of a close range of kin, and encompasses both porridge eating and praying. It can at least give an idea of the living practice of this ritual in today's Eastern Udmurt villages. This depends widely on the age of the main organisers, on their occupations: older retired people will organise more traditional rituals than younger, employed Udmurts. Further research will ascertain how much of this tradition is still alive in other districts and in other places.


Author(s):  
Kevin Wetmore

A playwright at the end of the Edo period and throughout much of the Meiji period, Kawatake Mokuami wrote over 360 plays during his fifty-year career which saw the advent of modernized kabuki and new dramaturgies to reflect changing Japanese culture at the end of the 19th century. Born Yoshimura Shinshichi, Mokuami (as he was commonly called after his retirement in the 1880s) was kicked out of the family home for associating with geishas. He began to study dance, which led him to kabuki. He became a student of the Edo era playwright Tsuruya Nanboku V and rapidly began writing shiranami mono [robber plays] that were popular in the mid-19th century. Following the Meiji Restoration, Mokuami began to innovate and develop new techniques in kabuki dramaturgy, finding source material in contemporary novels, newspapers, and Western literature in translation. Kabuki actor Ichikawa Danjūrō IX (1838–1903) announced in 1872 at the opening of the Shintomi-za that he would "clean away the decay" that had infected kabuki, and reform and modernize it. He subsequently asked Mokuami to develop dramas that would reflect the new modern Japan to be performed by the kabuki. Mokuami began to write katsureki mono , "living history" plays. One of the first was Kōmon-ki osana kōshaku [The Story of Komon, a Lecture for Youth] (1877), which caused a scandal because of accusations of libel.


1998 ◽  
Vol 6 (1) ◽  
pp. 63-74 ◽  
Author(s):  
Tessa Morris-Suzuki

With the Meiji Restoration the first steps were taken in the third quarter of the 19th century to set up a national system of education in Japan. European educational theories were influential. Samuel Smiles became a reference for moral principles and Western heroes from Socrates to Florence Nightingale were exemplars. The articles explores the complex relationship of Western ideas with indigenous Japanese culture.


1995 ◽  
Vol 27 (4) ◽  
pp. 485-502 ◽  
Author(s):  
Kenneth M. Cuno

During the past thirty years, the study of the family in European history has developed with a strong comparative emphasis. In contrast, the study of the family in Middle East history has hardly begun, even though the family is assumed to have had a major role in “the structuring of economic, political, and social relations,” as Judith Tucker has noted. This article takes up the theme of the family in the economic, political, and social context of 19th-century rural Egypt. Its purpose is, first of all, to explicate the prevailing joint household formation system in relation to the system of landholding, drawing upon fatwas and supporting evidence. Second, it argues that rural notable families in particular had a tendency to form large joint households and that this was related to the reproduction and enhancement of their economic and political status. Specifically, the maintenance of a joint household appears to have been a way of avoiding the fragmentation of land through inheritance. After the middle of the 19th century, when it appeared that the coherence and durability of the joint family household were threatened, the notables sought to strengthen it through legislation. Their involvement in the law reform process contradicts the progressive, linear model of social and legal change that is often applied in 19th-century Egyptian history.


1993 ◽  
Vol 18 (03) ◽  
pp. 453-478
Author(s):  
Linda C. A. Przybyszewski

While legal papers and case decisions have been the traditional focus of judicial biography, the family papers of Justice John Marshall Harlan the Elder demonstrate the importance for understanding a judge's conception of the polity of shifting our sights to the household. Historians of the 19th century have overestimated the distance between the private and the public spheres. The memoirs of Harlan's wife Malvina offer us unparalleled, and hitherto neglected, testimony. Her depiction of the antebellum Harlan household shows its two hierarchies based on assumptions of fundamental differences—those of gender and of race—and both positing a benevolent white male paternalist at their apex. Malvina Harlan's memoirs indicate the lifelong persistence of this paternalism in her own relationship with Justice Harlan and in his relationship with a black servant. These patterns of hierachy, separation, and mutual devotion were essential to Harlan's understanding of his family identity and personal duty. His famous dissents in favor of black civil rights protections and his lapses from his color-blind rule have their roots in this paternalism even as Harlan came to embrace the racial egalitarianism of the Civil War amendments.


Sign in / Sign up

Export Citation Format

Share Document