Le crime et le châtiment d’un Raskolnikov raté en Afghanistan

2016 ◽  
pp. 157-167
Author(s):  
Gabriella Körömi
Keyword(s):  
The Novel ◽  
Main Character ◽  
Crime And Punishment ◽  
Russian Novel ◽  
Divine Justice ◽  
French Novel

The second novel written directly in French by Atiq Rahimi, A Curse On Dostoevsky, calls on the masterpiece Crime and Punishment by Dostoevsky. This novel shows various aspects of the hybridization of the author. The Russian novel is manifest in the French novel in two ways: implicitly by the moral reflections on the divine justice and the human justice, and explicitly by many elements of the text (title, epigraph, paratexts, quotations, paraphrases etc.). Being a lot more than a simple pastiche, the French novel is indeed the rewriting of the famous crime committed by Raskolnikov. It is its intertextuality which makes the novel of Rahimi a kind of dialogue with the novel of Dostoevsky on the mode of the rewriting of the reflections and the reformulation of the questions developed in the work of the latter. What are the similarities and the fundamental differences between the character of Rassoul, main character of Rahimi, and that of Raskolnikov, protagonist of Dostoevsky? How has Rassoul become a failed pasticheur? What punishment are they to be subjected to in a country engulfed in an endless fratricidal war? These are the questions to which the present study will seek to find the answers.

scholarly journals The Patristic Doctrine About Prilog in the Novel of Fedor Dostoevsky Crime and Punishment

2020 ◽  
Vol 18 (2) ◽  
pp. 172-189
Author(s):  
Аleхandеr N. Uzhankov
Keyword(s):  
The Novel ◽  
Main Character ◽  
Crime And Punishment

<p>The article considers the influence of the patristic doctrine about <em>prilog</em> (the beginning of a thought) on formation of the psychological image of Rodion Raskolnikov in the novel of F.&nbsp;M.&nbsp;Dostoevsky <em>Crime and Punishment</em>. According to the teachings of Christian theologians, any sin begins with an intention (thought), a person establishes&nbsp;the conversation with, a&nbsp;union with the thought, which gradually becomes an irresistible desire. Being captivated by this thought, the person falls from grace (passion). Rodion Raskolnikov went through all these five stages in the development of sin. Initially, he had the idea to kill an old moneylender, that strengthened after he had overheard the conversation between a student and an officer in a&nbsp;tavern. Thereby, Raskolnikov constantly recured to his sinful thought. Having mentally prepared himself for the murder, he was preparing for its implementation: he searches for an ax, sews on a loop, studies the route to the old woman&rsquo;s house, and commits the murder. An unrepentant sin entails even greater sins&nbsp;&mdash; a double murder. And only through suffering the main character can endure the transformation and return to people.</p>

scholarly journals THE INFLUENCE OF F. M. DOSTOEVSKY’S NOVEL “CRIME AND PUNISHMENT” ON THE WORKS OF VIETNAMESE WRITERS

2021 ◽  
pp. 60-67
Author(s):  
Тхи Хоан Нгуен
Keyword(s):  
General Idea ◽  
The Novel ◽  
Cultural Space ◽  
Crime And Punishment ◽  
Foreign Literature ◽  
Russian Novel ◽  
Special Place ◽  
History Of ◽  
High Level ◽  
First Time

В статье впервые дано общее представление о влиянии «Преступления и наказания» Ф. М. Достоевского на творчество вьетнамских писателей на протяжении целого столетия. Автор обращает внимание, что роман «Преступление и наказание» занимает особое место в культурном пространстве Вьетнама, оказывая влияние на поэтику художественных произведений вьетнамских прозаиков, их мировоззренческие и эстетические ориентиры. В работе наглядно иллюстрируется процесс вхождения «Преступления и наказания» в культуру Вьетнама, который шел через творческую адаптацию романа. Автор отмечает, что сложные философские проблемы, которые поднимались в романе Ф. М. Достоевского, вызывали большой интерес у вьетнамских читателей, а у ряда вьетнамских писателей и стремление к подражанию. Исследование показало, что «Преступление и наказание» оказало заметное влияние не только на сюжет, идею художественных произведений, но и на языковой стиль многих известных вьетнамских романистов в ходе модернизации вьетнамской литературы. Интерес к роману великого русского писателя сохраняется сегодня на высоком уровне, что способствует развитию культурных связей между двумя народами. В статье делается вывод о незаменимой позиции романа «Преступление и наказание» в сердцах вьетнамских читателей. Научная новизна настоящего исследования определяется изучением творческой адаптации романа Ф. М. Достоевского в литературной практике вьетнамских художников слова на протяжении XX-XXI веков, а также обозначением различных линий в рецепции известного русского романа во Вьетнаме. Результаты исследования могут быть использованы на занятиях по истории русской и зарубежной литератур, будут интересны учителям-словесникам, а также всем увлеченным художественной литературой и культурой. The article for the first time gives a general idea of the influence of “Crime and Punishment” by F. M. Dostoevsky on the works of Vietnamese writers for a whole century. The author observes that the novel “Crime and Punishment” occupies a special place in the cultural space of Vietnam, influencing the poetics of the artistic works of Vietnamese prose writers, their ideological and aesthetic guidelines. The work clearly illustrates the process by which “Crime and Punishment” enters into the culture of Vietnam, which went through the creative adaptation of the novel. The author notes that the complex philosophical problems that were raised in the novel by F. M. Dostoevsky aroused great interest among Vietnamese readers, and a number of Vietnamese writers also had a desire to imitate. The study showed that “Crime and Punishment” had a noticeable impact not only on the plot, the idea of literary works, but also on the language style of many famous Vietnamese novelists during the modernization of Vietnamese literature. Interest in the novel of the great Russian writer remains today at a high level, which contributes to the development of cultural ties between the two peoples. The article concludes about the irreplaceable position of the novel “Crime and Punishment” in the hearts of Vietnamese readers. The scientific novelty of this study is determined by the study of the creative adaptation of the novel by F. M. Dostoevsky in the literary practice of Vietnamese authors during the 20th-21st centuries, as well as the designation of various lines in the reception of the famous Russian novel in Vietnam. The results of the research can be used in classes on the history of Russian and foreign literature, and will be of interest to teachers of literature as well as to all those who are interested in fiction and culture.

scholarly journals Future and immortality in the religious philosophy of F.M. Dostoyevsky (from the novel «Crime And Punishment»)

2020 ◽  
pp. 137-149
Author(s):  
Li Tianyun
Keyword(s):  
Religious Faith ◽  
Point Of View ◽  
The Novel ◽  
Main Character ◽  
Religious Philosophy ◽  
Crime And Punishment ◽  
Fundamental Point ◽  
Unusual Combination ◽  
The Relationship

This article attempts to establish the relationship between the concept of immortality and the future of mankind and the religious faith of the characters of F.M. Dostoevsky's works. This problem is considered with reference to the example of a detailed analysis of the views of the main character of Dostoevsky’s novel «Crime and Punishment» (Rodion Raskolnikov). The characterization of the hero is given in terms of his religiosity. The features of Raskolnikov's worldview are noted; they consist in a combination of faith in God and lack of faith in immortality. It is suggested that the source of such an unusual combination of religious ideas is the historical concept of I.G. Fichte. On the basis of the comparison of the views of other heroes of the novel, the article concludes that the most fundamental point is their idea of immortality as a continuation of the existence of a person in earthly reality. It demonstrates that this point of view corresponds to the religious faith of Dostoevsky himself.

scholarly journals «Crime and Punishment»: mystical novel about the birth of the Savior in the world of the evil Demiurge

2020 ◽  
pp. 140-156
Author(s):  
I.I. Evlampiev
Keyword(s):  
Detailed Analysis ◽  
Jesus Christ ◽  
The Novel ◽  
Main Character ◽  
Dual Nature ◽  
Crime And Punishment ◽  
Full Responsibility ◽  
Tragic Consequence ◽  
The World ◽  
New Interpretation

The article proposes a new interpretation of F.M. Dostoevsky's novel "Crime and Punishment”. It is shown that in addition to realistic and socio-psychological plans, the novel contains a symbolic and mystical plan, which is the main one. A detailed analysis of the text of the novel and the preparatory manuscripts for it suggests that Dostoevsky used as the basis of the novel the Gnostic myth of our world as the creation of the evil God the Demiurge and of the fallen Sophia (lower divine aeon), who was captured by matter and awaiting the Savior (Jesus Christ), who is to be born in the world itself, to realize his destiny and, having found Sophia, unite with her in an act of mystical love (syzygy). The mythological image of the Savior, Jesus Christ, expresses Raskolnikov, the main character of the novel. The article proves that the murder committed by a hero can be explained as an inevitable and tragic consequence of the dual nature of any person: he has not only a higher principle, arising from a connection with the good God the Father, but also a lower, dark beginning, created by the evil Demiurge. Therefore, in his action, man inevitably brings not only good, but also evil. Raskolnikov in his fate reveals the tragedy of a man who seeks to change the world of evil by his actions, and shows a universal way out of this tragedy - the acceptance of the full responsibility for what is happening in the world and the all suffering. In this sense, it exactly matches the image of Jesus Christ in its Gnostic understanding.

scholarly journals READER APPROACH IN LEO TOLSTOY’S NOVEL “ANNA KARENINA” PENDEKATAN PEMBACA DALAM NOVEL LEO TOLSTOY “ANNA KARENINA”

2018 ◽  
Vol 7 (1) ◽  
pp. 1-10
Author(s):  
Junita Akhiryani Adhani
Keyword(s):  
Reader Response ◽  
Leo Tolstoy ◽  
The Novel ◽  
Main Character ◽  
Productive Force ◽  
Anna Karenina ◽  
Russian Novel

Anna karenina is Russian novel was written by Leo Tolstoy. This novel tells about Anna Karenina’s life as a main character that her marriage unsuccessfully, and she choose to leave her husband and her son for another man . An affair, jealously, and religion has told in this novel, it is both a destructive and a productive force in the novel, and is understood inside and outside the context of marriage. In addition, the method in this study is used analyctic descriptive which used reader response by Rossenblat (1938). As through this approach, Anna Karenina has a big responsibility of their family. However, in this novel,  marriage is portrayed with all of its faults and problems, from jealousy to lack of passion to abandonment. As a reader, the writer seen that this novel shows a few thing of marriage in ninetenth century that related into a marriage in twenty century in Indonesia. Yet, has a differences in geographic and culture. This case, directly gives the researcher interrelated into feminism’s idea of a women freedom in her marriage. Keywords :  Marriage, society, affair, reader.   Abstrak Anna Karenina adalah novel  rusia yang ditulis oleh Leo Tolstoy. Novel ini menceritakan kehidupan Anna Karenina sebagai karakter utama yang  pernikahannya gagal, dan memilih untuk meninggalkan suami dan anaknya demi pria lain. Perselingkuhan, kecemburuan, dan kepercayaan diceritakan dalam novel ini, baik yang merusak dan menjadi kekuatan produktif dalam novel, untuk dipahami dalam dan di luar konteks sebuah perkawinan. Metode dalam penelitian ini adalah deskripsi analisis dengan menggunakan pendekatan reader-response dari Rossenblat (1938). Melalui pandangan teori reader response, Anna Karenina adalah seorang wanita yang memiliki tanggung jawab besar untuk keluarga mereka nya. Namun, dalam novel ini pernikahan digambarkan dengan semua kesalahan dan masalah, kurangnya semangat dan besarnya kecemburuan.. Sebagai pembaca, peneliti melihat bahwa novel ini memunculkan hal-hal dalam sebuah pernikahan di abad kesembilanbelas di Rusia yang memiliki keterhubungan dengan pernikahan yang ada di abad dua puluh satu di Indonesia meskipun memiliki letak geografis dan akar budaya yang berbeda. Hal ini mengarahkan peneliti pada keterkaitannya dengan gagasan feminism mengenai kebebasan perempuan dalam menyikapi sebuah pernikahan. Kata Kunci: Pernikahan, masyarakat, perselingkuhan, pembaca.

scholarly journals “Voskresenie” and “Voskreshenie” in Fedor Dostoevsky’s Novel Crime and Punishment

2020 ◽  
Vol 18 (2) ◽  
pp. 190-216
Author(s):  
Natalia A. Tarasova
Keyword(s):  
Scientific Literature ◽  
Russian Orthodox ◽  
The Novel ◽  
Main Character ◽  
Crime And Punishment ◽  
Long Time ◽  
History Of ◽  
The Subject ◽  
Points Of View ◽  
Biblical Sources

<p>The article deals with the history of studying Christian images and motifs in the novel of Fedor Dostoevsky <em>Crime and Punishment</em>. The novel&rsquo;s conflict and the image of the main character for a long time have had different, often directly opposite, interpretations&nbsp;&mdash; first of all, in the matter of Raskolnikov&rsquo;s repentance and his spiritual rebirth. The subject of the research is the resurrection as the central theme of the novel <em>Crime and Punishment</em>. Special attention is paid to the analysis of lexical variants &ldquo;voskresenie&rdquo; and &ldquo;voskreshenie&rdquo;, the first of which belongs to Dostoevsky, and the second, one applicable to Raskolnikov, is traced in scientific literature on the novel. The overview of various research points of view is accompanied by an analysis of the novel&rsquo;s draft and printed texts. This review allows carrying out a detailed textual comparison with the biblical sources of the theme of the resurrection and identifying the author&rsquo;s position in this work. The text of the novel indicates that its author is focused on the key ideas of Russian Orthodox culture and the &ldquo;Easter&rdquo; plot of the gospel narrative.</p>

Raskolnikov Beyond Good and Evil

2019 ◽  
pp. 149-172
Author(s):  
Randall Havas
Keyword(s):  
The Novel ◽  
Main Character ◽  
Moral Law ◽  
Crime And Punishment ◽  
Human Community ◽  
Good And Evil

Crime and Punishment is, among other things, a long meditation on the authority of the moral law. In insisting that his main character, Raskolnikov, is guilty of a heinous crime, however, Dostoevsky does not take that authority for granted. At the beginning of the story, Raskolnikov is portrayed as a kind of skeptic about morality, indeed about humanity, who thinks that moral imperatives are binding on us only as a matter of convention or of mere calculation and that the exceptional person is free to “step beyond” them altogether. As the novel progresses, however, it becomes clear that the authority of morality is, in Dostoevsky’s view, a function of a particular kind of human community. His skepticism, then, is a failure of a certain kind of desire, not simply an intellectual error; but it is a failure to which Dostoevsky thinks his reader is prone. Although Raskolnikov’s talk of stepping beyond morality may appear to resemble Nietzsche’s injunction to the “higher man” to live beyond good and evil, I will argue that Dostoevsky and Nietzsche actually agree on the necessity of an antecedent mutuality as a foundation for morality.

KONSEP DIRI “ I “ DAN “ME” TOKOH HIROKO DALAM NOVEL NAMAKU HIROKO KARYA NH.DINI

2012 ◽  
Vol 5 (2) ◽  
pp. 109
Author(s):  
Besin Gaspar
Keyword(s):  
Point Of View ◽  
The Other ◽  
Self Concept ◽  
The Novel ◽  
Main Character ◽  
Fictional Character ◽  
Social Customs ◽  
The Social ◽  
The Village ◽  
The City

This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh. Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view. As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively. The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”. When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs. In short, her personality was dominated by ”Me”  self concept. On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs. She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her. She did not want to be treated as object. To put it in another way, her personality is more dominated by the ”I” self concept.

Hubungan Intertekstual Novel Candra Kirana dan “Tjerita Panji Angreni”: Perspektif Riffaterre

ATAVISME ◽  
2020 ◽  
Vol 23 (1) ◽  
pp. 104-116
Author(s):  
Muhammad Rosyid H.W.
Keyword(s):  
Content Analysis ◽  
Gender Equality ◽  
The Novel ◽  
Main Character ◽  
The People

Penelitian ini bertujuan membahas hubungan intertekstual novel Candra Kirana karya Ajip Rosidi dengan "Tjerita Panji Angreni". Unsur apa saja dan bagaimana novel Candra Kirana memiliki hubungan intertekstual dengan "Tjerita Panji Angreni' sebagai teks hipogramnya adalah pertanyaan penelitian ini. Dalam menelaah hubungan intertekstual ini, penulis menggunakan teori intertekstual Michael Riffaterre yang menitikberatkan pada analisis isi dengan metode pembacaan heuristik dan hermeneutik. Temuan penelitian ini adalah bahwa novel Candra Kirana menunjukkan hubungan intertekstual dengan Tjerita Panji Angreni melalui unsur tema, citra tokoh, dan alur cerita. Meskipun demikian, novel Candra Kirana juga mentransformasikan makna-makna progresif yang berbeda dengan "Tjerita Panji Angreni", seperti makna nasionalisme yang berupa cinta akan kerajaan, makna kesetaraan gender yang berupa kesetiaan laki-laki, keberanian, kekuatan, perjuangan dan ketidakpasrahan perempuan, makna kerakyatan dengan pelibatan tokoh utama dari kalangan rakyat dan makna religiusitas yang berbentuk dasar niat Panji dalam mencari pasangan hidup.[Intertextuality on Novel Candra Kirana and "Tjerita Panji Angreni": Riffaterres Perspective] This research aims to discuss the intertextuality of Candra Kirana novel by Ajip Rosidi with "Tjerita Panji Angreni". What elements and to what extend Candra Kirana novel has an intertextual relationship with Tjerita Panji Angreni as the hipogram text were the questions of this research. In examining this intertextual relationship, the writer used Michael Riffaterre's intertextual theory which focused on content analysis with heuristic and hermeneutic readings. The findings of this study were that the novel Candra Kirana showed intertextuality with the "Tjerita Panji Angreni" through elements of themes, character images, and story lines. Even so, Candra Kirana's novel also transformed progressive meanings that differ from the Tjerita Panji Angreni such as the meaning of nationalism in the form of love for the kingdom, the meaning of gender equality in the form of male loyalty, courage, strength, struggle and women's insecurity, the meaning of populist with engagement the main character of the people and the meaning of religiosity in the form of Panji's intention in finding a life partner.Keywords: intertextuality; novel; "Tjerita Panji Angreni"

The problem of language identity in Volodymyr Vynnychenko’s novel I want! in contemporary sociocultural context

2020 ◽  
Vol 2019 (2 (11)) ◽  
pp. 211-227
Author(s):  
Ekaterina V. Baydalova ◽  
Keyword(s):  
National Identity ◽  
Russian Literature ◽  
The Novel ◽  
Sociocultural Context ◽  
Main Character ◽  
Life Goal ◽  
Language Identity ◽  
National Question ◽  
In The Beginning ◽  
Ukrainian Society

The novel by Volodymyr Vynnychenko I want! (1915) was, on one hand, his literary answer to the discussion on the national question in Ukrainian society, and, on the other, it was his reaction to the accusations of him being a renegade resulting from his shift towards Russian literature. In 1907-1908, after the publication of his dramas and novels which were impregnated with the idea of “being honest with oneself” (it implied that all thoughts, feelings, and acts were to be in harmony), his works could be more easily published in Russian than in Ukrainian. This situation was taken by his compatriots as a betrayal against his native language and the national cause. In the novel I want! the problem of language identity is directly linked with national identity. In the beginning of the novel the main character, poet Andrey Halepa, despite being ethnic Ukrainian, spoke, thought, and wrote poems in Russian, and consequently his personality was ruined and his actions lacked motivation. It seems that after his unsuccessful suicide attempt and under the influence of a “conscious” Ukrainian, Halepa got in touch with his national identity and developed a life goal (the “revival” of the Ukrainian nation and the building of a free-labour enterprise). However, in the novel, national identity turns out to be incomplete without language identity. Halepa spoke Ukrainian with mistakes, had difficulty choosing suitable words, and discovered with surprise the meaning of some Ukrainian words from his former Russian friends. The open finale emphasises the irony of the discourse around a fast national “revival” without struggle and effort, and which only required someone’s will.

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