Evaluation of three-dimensional computer visual materials to support user’s participation in architectural design process

2016 ◽  
Vol 31 (5) ◽  
pp. 2511-2523
Author(s):  
Ahmad Saleh ◽  
Ahmad Rafi ◽  
Peter Woods ◽  
Xin Li ◽  
Ihab Hijazi ◽  
...  
2021 ◽  
Vol 1203 (3) ◽  
pp. 032137
Author(s):  
Aleksander Filip Furmanek

Abstract The constant progress of technique is inevitable nowadays and seems to be the same in a predictable future. The observation of this phenomenon leads us to formulate a few reflections on it. The use of advanced techniques causes a clearer detachment of production processes from human work. Robotics and automation were initially supposed to facilitate the production of elements, but over time they began to replace humans more and more. Will there be a place for human work in the future? It is already being pushed out of many bastions in which it was supposed to be indispensable. Autonomous cars and buses are the best example of this. Can similar phenomena be noticed in design? Will the machine replace the creator? The development of artificial intelligence (AI) shows that it is possible. Complicated algorithms are already able to compose a piece of classical music. In the case of architecture, architects are still in the lead, however, one has to take into account the conquest of this field by AI. At the moment, designers have various advanced techniques at their disposal to facilitate and accelerate their work. The most important among them are: digital 3D modeling CAD (Computer Aided Design), Building Information Modeling (BIM), visualizations, and computer animations mainly used to present ready-made ideas, but also useful at the concept stage. Apart from them, three-dimensional printing is also important, as well as three-dimensional design of structures. The above technologies are increasingly used in the design process. They are more compatible with each other than before. They allow you to save labour, accelerate the implementation of tasks, as well as to optimise the designed buildings in many respects related to construction, prefabrication or energy efficiency, to name just a few. An important, although not very common, advantage of technological innovations is their use not only during design and construction, but also during the maintenance of ready-made buildings. The best example of this is BIM, which facilitates the previous management of these technology designed objects. In the future, it will be much easier to design the adaptations of such buildings and to store information of changes which were made. This approach fits in with the idea of Management of Change, which can be included in an even broader aspect among the paradigm of sustainable development.


2016 ◽  
Vol 2016 ◽  
pp. 1-6 ◽  
Author(s):  
Tanja Devetak

TThese research inquiries into the transformation of complex architectural spatial objects into contemporary garments by implementing creative pattern cutting as an integrated part of the fashion design process. From the architecture design process, a creative process of generating ideas using the human body as the centre point of the creative process, and an understanding of the envelope around that space were implemented and researched in fashion design. A creative construction method evolved using the standard matrix of basic blocks and implementation of the sculptural work by creating three-dimensional paper garment forms. In this way, garment design is created inside - outside. The resulting garment forms visually articulate meanings arising from the architectural design works of Maks Fabiani regarding structure, historical context, content from within the premises and personal sensory experiences. The envisaged results are highly applicable, but, with a theoretical significance, they also open different views on a fashion design development process. The Ƒ2 (Fabiani Fashion) case study was carried out in 2015 by the author Tanja Devetak.


2021 ◽  
Author(s):  
Ahmad Saleh ◽  
Ahmad Rafi ◽  
Peter Woods

Abstract This article evaluates the use of three-dimensional (3D) computer visualization (CV) media against two-dimensional (2D) traditional visualization (TV) media, to support the participation of users at the early stage of the architectural design process, based on a qualitative quasi-experimental approach. As a strategic qualitative approach, a conversational dialogue between an architect and twelve clients was used to assess the participation behavior of the clients in designing their houses by using two different versions of media in experimental design conditions. Results have revealed that the qualitative quasi-experiment was convenient to distinguish the various kinds of media influencing the interaction and information exchange between architects and clients. 3D CV was more helpful in stimulating more information and ideas through the conversation process.


Buildings ◽  
2021 ◽  
Vol 11 (2) ◽  
pp. 59
Author(s):  
Abraham Yezioro ◽  
Isaac Guedi Capeluto

Improving the energy efficiency of existing and new buildings is an important step towards achieving more sustainable environments. There are various methods for grading buildings that are required according to regulations in different places for green building certification. However, in new buildings, these rating systems are usually implemented at late design stages due to their complexity and lack of integration in the architectural design process, thus limiting the available options for improving their performance. In this paper, the model ENERGYui used for design and rating buildings in Israel is presented. One of its main advantages is that it can be used at any design stage, including the early ones. It requires information that is available at each stage only, as the additional necessary information is supplemented by the model. In this way, architects can design buildings in a way where they are aware of each design decision and its impact on their energy performance, while testing different design directions. ENERGYui rates the energy performance of each basic unit, as well as the entire building. The use of the model is demonstrated in two different scenarios: an office building in which basic architectural features such as form and orientation are tested from the very beginning, and a residential building in which the intervention focuses on its envelope, highlighting the possibilities of improving their design during the whole design process.


2005 ◽  
Vol 3 (3) ◽  
pp. 335-354 ◽  
Author(s):  
Clarissa Ribeiro Pereira de Almeida ◽  
Anja Pratschke ◽  
Renata La Rocca

This paper draws on current research on complexity and design process in architecture and offers a proposal for how architects might bring complex thought to bear on the understanding of design process as a complex system, to understand architecture as a way of organizing events, and of organizing interaction. Our intention is to explore the hypothesis that the basic characteristics of complex systems – emergence, nonlinearity, self-organization, hologramaticity, and so forth – can function as effective tools for conceptualization that can usefully extend the understanding of the way architects think and act throughout the design process. To illustrate the discussions, we show how architects might bring complex thought inside a transdisciplinary design process by using models such as software engineering diagrams, and three-dimensional modeling network environments such as media to integrate, connect and ‘trans–act’.


2018 ◽  
Vol 16 (1) ◽  
pp. 25-43 ◽  
Author(s):  
Ayman Ahmed Ezzat Othman ◽  
Nermeen Mohamed Amin Abdelwahab

Purpose The purpose of this paper is to develop a framework integrating risk management (RM) into the architectural design process (ADP) as an approach for delivering sustainable construction projects. Design/methodology/approach A research methodology, which consisted of literature review and field study, is designed to accomplish four objectives. First, to provide a comprehensive literature review of the concepts of sustainability, ADP and RM. Second, to present and synthesis the results of two relevant studies focused on identifying, quantifying and classifying the risks associated with ADP; and investigating the perception and application of Egyptian architectural design firms (ADFs) towards integrating RM into ADP as an approach for delivering sustainable construction projects. Third, to develop a framework that integrates RM into ADP towards delivering sustainable construction projects. Finally, to draw conclusions and recommendations to improve the practice of delivering sustainable construction projects among ADFs, construction professionals and governmental authorities. Findings ADP is a fundamental phase of the construction process because the decisions adopted during this phase affect the project performance throughout its life cycle. While RM is widely applied in different sectors of the construction industry, its application in ADP received scant attention in construction literature. The research identified 18 key risks that affect the sustainable delivery of construction projects during ADP. The architect, the client and the project manager are the highest ranked responsible parties for the occurrence of these key risks. The field study highlighted the need to develop a framework to facilitate integrating RM into ADP. Research limitations/implications This paper focused only on the integration of RM into ADP. Originality/value The conducted literature review and field study provided an in-depth understanding of the key risks that affect the sustainable delivery of construction projects during ADP. Through its five stages, the proposed framework is expected to serve as a foundation for integrating RM into ADP as an approach for delivering sustainable projects. This ideology has received scant attention in construction literature. The developed framework represents a synthesis that is novel and creative in thought and adds value to the knowledge in a manner that has not previously occurred.


2017 ◽  
Vol 41 (5) ◽  
pp. 397-417 ◽  
Author(s):  
A Romanska-Zapala ◽  
M Bomberg ◽  
M Fedorczak-Cisak ◽  
M Furtak ◽  
D Yarbrough ◽  
...  

The quest for a sustainable built environment brought dramatic changes to architectural design because of the integrated design process. The integrated design process is the modern way to realize “performance architecture,” that is, design with a view to field performance. Integrated design process permits merging of concepts from passive-house designs, solar engineering, and an integration of the building enclosure with mechanical services. In part 1 of this series, the emergence of many new multi-functional materials was discussed. Yet, current innovation is guided by lessons from history. Thermal mass in heavy masonry buildings allowed periodic heating. The authors postulate integration of a hydronic heating system with the walls and the use of smart temperature control of the heating system to modify and optimize the thermal mass contribution. To use the mass of a building, one must accept transient temperature conditions where the indoor temperature varies but is confined by comfort requirements for both summer and winter conditions. On the other side, resiliency requirements dictate that in the absence of electricity the air temperature does not fall below about 12°C over a period of several hours. This requirement implies that summer cooling will likely be separated from the heating systems and that operation of a low-energy building is heavily dependent on the design of smart control systems. Analysis of control systems provided in this article for earth-to-air heat exchangers and cooling of houses with lightweight walls lead us to the requirements of separation between heating and ventilation and needs for different sources of fresh air. Finally, a new concept emerges.


2021 ◽  
Author(s):  
Farhan Ali ◽  

Thinking creatively, is a necessary condition of the Design process to transform ideas into novel solutions and break barriers to creativity. Although, there are many techniques and ways to stimulate creative thinking for designers, however, this research paper adopts SCAMPER; which is acronym of: Substitute- Combine-Adapt- Modify or Magnify-Put to another use-Eliminate-Reverse or Rearrange- to integrate the sustainability concepts within architectural design process. Many creative artifacts have been designed consciously or unconsciously adopting SCAMPER strategies such as rehabilitation and reuse projects to improve the functional performance or the aesthetic sense of an existing building for the better. SCAMPER is recognized as a divergent thinking tool are used during the initial ideation stage, aims to leave the usual way of thinking to generate a wide range of new ideas that will lead to new insights, original ideas, and creative solutions to problems. The research focuses on applying this method in the architectural design, which is rarely researched, through reviewing seven examples that have been designed consciously or unconsciously adopting SCAMPER mnemonic techniques. The paper aims to establish a starting point for further research to deepen it and study its potentials in solving architectural design problems.


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