scholarly journals Argentine Period of the Stepan Erzia’s Creativity (1927–1950). Searching and Findings

2020 ◽  
pp. 87-94
Author(s):  
Natalia Abramovna Rozenberg
Keyword(s):  
20Th Century ◽  
Art History ◽  
Buenos Aires ◽  
Visual Language ◽  
Tropical Species ◽  
Cultural Meanings ◽  
History Analysis ◽  
The Press ◽  
The World ◽  
Research Task

Relevance: The problem of studying the work of one of the outstanding masters of the Russian Diaspora – Stephan Erzia, who created several hundred sculp-tures in Argentina, has been raised. Their specificity, connection with the culture of the country hasn’t been studied properly, and cultural and art history analysis has not been carried out. At the same time, identifying the reasons why the Argentineans per-ceive his art in relation to the Argentine one, is an essential research task. Moreover, Erzia’s exhibitions of recent years, held in Buenos Aires, Moscow and St. Petersburg, were successful. Novelty: The uniqueness of Erzia’s work is due to his double mentality. He saw the world not only as Russian, but also as Argentinean. New cultural meanings are in-dicated in the problems of his sculptures and in the visual language itself. Erzia’s stay in Argentina is considered in the context of the formation of na-tional art. Including the example of the synthesis of architecture and sculpture of representative build-ings created by European masters. Although the 20–40s of the 20th century were an era of prosperity for Argentina, their own architects will only make them-selves known in the 1930s. Many of them worked in Europe and Argentina. The interest in Erzia’s art before his first exhibition in Buenos Aires was pre-pared by the press. The articles emphasized that the sculptor would show the works that were success-fully demonstrated in 1926 in Paris. The audience became convinced of the high professionalism and genre diversity of the master's works. A year after his arrival, Erzia turns less to marble and bronze, more to the tree of local tropical species – quebracho and algarroba. They possessed exceptional density, mul-tiplicity of color shades, and expressive texture. Er-zia’s works were formed in cycles. These are por-traits and nudes, monumental images of geniuses of humanity, the theme of motherhood. A bold change in iconographic canons distinguishes the best works of the master.

scholarly journals The Concept of a Romantic Hero in the Sculpture of Argentina in the 20–40s of the 20th Century

2020 ◽  
pp. 140-145
Author(s):  
Nataliya Abramovna Rozenberg
Keyword(s):  
20Th Century ◽  
Art History ◽  
Remote Region ◽  
Huge Number ◽  
Original Population ◽  
Romantic Hero ◽  
History Analysis ◽  
History Of ◽  
The Russian Federation

The interest in the history and culture of Argentina in the Russian Federation today has a special char-acter. It is believed that the presence of a huge number of immigrants from Europe, including from Russia, distinguishes Argentina culturally from oth-er countries of the New World, makes its culture more understandable. There is a perception that this is the most Europeanized country in South America. To a large extent, this ideologeme is the result of foreign policy pursued by Argentina itself. At the same time, the process of the formation of national identity in here was complicated and did not end until the 40s of the 20th century. The relevance of the study is to reveal the inconsistency of this process on the material of sculpture as a document of the era, to show the rejection by masters from a remote region of the country, the province of Chaco, the prevailing ideas about the barbarity and savagery of the Indians and Gauchos, the original population of this province and part of other territories of the state. The novelty lies in the comparative compari-son of the positions of the academic art history of Argentina and academic art in the understanding of Indian themes and in how it was interpreted by re-gional masters – K. Dominguez (died in 1969), C. Schenone (1907–1963), J. de la Mena (1897–1954), as well as in the art history analysis of significant works of the considered problematic and the roman-tic tendencies manifested in them. It is advisable to correlate the process of “Europeanization” of Indi-ans, bloody and long-term hostilities in order to expel the gaucho and Indians from their ancestral lands with the understanding of who was the true hero of history in the creations of their descendants. The works of the sculptors Chaco, romantic in spirit, are related to the great J. Hernandez’s poem “Martin Fierro”. Today they are kept not only in the capital of Chaco, Resistencia, but also in museums in Buenos Aires and foreign collections

scholarly journals AN ECLECTIC TREND IN PRODUCTS OF JOZEPH MARSHAK'S JEWELRY FACTORY ON EXAMPLE OF A SILVER TEA AND COFFEE SET, EXIBITED AT THE ALL-RUSSIAN EXIBITION IN KIEV IN 1913

2021 ◽  
Vol 6 (42) ◽  
pp. 204
Author(s):  
N. Sapfirova
Keyword(s):  
20Th Century ◽  
Art History ◽  
Semantic Interpretation ◽  
Educational Institutions ◽  
Main Task ◽  
History Analysis ◽  
Scientific Principles ◽  
General Scientific ◽  
The Subject ◽  
History Approach

The subject of research is the legacy of Joseph Abramovich Marshak – famous Kiev jeweler and owner of a jewelry enterprise, whose period of activity covers 1878–1918. Among the large number of jewelry made during the forty years of the factory's operation, it should be noted products that correspond to the stylistic trends of the era of historicism, in particular, the silver tea and coffee set, exhibited at the All-Russian Exhibition in Kiev in 1913. The main task of this work is to investigate artful language of eclecticism, expressiveness of which allowed artists of J. Marshak's era to combine decorative heritage and semantic interpretation from Antiquity to beginning of the 20th century.  Methodology of this work is based on general scientific principles of historicism and an art history approach. They were realized through the use of following general scientific research methods: otnological, hermeneutic, semiotic, cultural, cross-cultural, iconographic, typologization and art history analysis. Scope of results application outlines teaching activities in specialized educational institutions in formation of plans for art and cultural disciplines, jewelry attribution by Kiev jewelers of marked period, writing scientific and popular scientific works, reference books, encyclopedias, textbooks. Main conclusion: features of jewelry artistic language, which were presented in the tea and coffee set, produced in eclectic style at the Joseph Marshak's factory are revealed. Importance of active exhibition activity and its connection with improvement of stylistic solutions in the jewelry production is displayed. It has been established that eclecticism was given priority in comparison with other stylistic directions at the basis of creative developments at J. Marshak's factory.Key words: jewelry, eclecticism, Joseph Marshak, late 19th – early 20th century.

Art and mythology of William Blake in the context of the "Dead Man" by Jim Jarmush.

2020 ◽  
Vol 4 (4) ◽  
Author(s):  
T.A. Dmitrieva ◽  
Keyword(s):  
Art History ◽  
William Blake ◽  
Common Features ◽  
History Analysis ◽  
The World ◽  
The Common ◽  
Songs Of Experience ◽  
Songs Of Innocence ◽  
Dead Man ◽  
The Universe

The presented article is devoted to the study of the image of creativity and mythology of William Blake in the film by J. Jarmusch "Dead Man". The author has carried out a detailed philosophical and art analysis of the film "Dead Man" and graphic works by William Blake, in particular, the series of engravings “Heads of Ghosts”, engravings “Ghost of the Flea” and “The Lost Boy”. The author also examined poetry and mythology in the work of William Blake based on the material of the works "The Marriage of Hell and Eden" (1973), "Songs of Innocence" (1789) and "Songs of Experience" (1973). Having conducted a comparative analysis of the works of W. Blake and the film by J. Jarmusch, the author revealed the similarities among the characters, mythology, plot and attitude in the movie "Dead" by J. Jarmusch and the works of W. Blake, interpreted the reason for citing the works of W. Blake in the movie "Dead Man" ... As a result, a conclusion was made about the commonality of the worldview attitudes of the work of J. Jarmusch "Dead Man" and the work of W. Blake. The article highlights the common features of the investigated works and the film: quotations from works of other authors, acquiring new meaning (citing the works of John Milton and Dante W. Blake correlates with the quotation of W. Blake in the film "Dead Man"); initiation motive; wandering motive; the idea of the wrongness of the world and the dualism of the universe. The author notes that the main artistic ideas of the works under consideration by William Blake are reflected in the film "Dead Man" by J. Jarmusch. In synthesis, they acquire a new meaning – the path of the soul to salvation through the overcoming of false ideas, vices, knowledge of the truth. This work uses the method of philosophical and art history analysis, developed by the Siberian art history school.

“In a strange feast hangoverˮ: the drama of the Russian intelligentsia of the early 20th century

2020 ◽  
pp. 21-33
Author(s):  
Farida Akhunzyanova
Keyword(s):  
20Th Century ◽  
Art History ◽  
Spiritual Development ◽  
Human Life ◽  
Early 20Th Century ◽  
Cultural Codes ◽  
The World ◽  
The Status ◽  
Russian Intelligentsia ◽  
Methodological Approaches

The Russian intelligentsia at the beginning of the 20th century is characterized by a steady need for unity with the world. This need takes on an intertextual character, flowing into the interaction of ideas and cultural codes leading to the attainment of the status of Homo Cosmicus. One of these codes is a feast. The purpose of the author of the article is to reconstruct the lifecreation of the Russian intelligentsia at the beginning of the 20th century through the prism of an ancient feast. It seems that in the conditions of intense spiritual searches, in the struggle to find wholeness and completeness of human life, turning to antiquity became a truly metaphysical idea, where the feast was a significant cultural constant. In the process of moving to the highest point of spiritual development, the antique feast metaphorically reflects the cosmos of being, just as the violation of the order of the feast reflects the violation of the order of being. This is what happens in Russian reality in the first half of the 20th century, where against the backdrop of tragic historical events, the Platonic “feastˮ turns into the vulgar “feastˮ of Petronius. After the revolution of 1917 the intelligentsia, with its own aspirations, found itself at a feast alien to itself, where it could not find a place, and the “hangover” became too heavy and turned into a real drama. Methodological approaches to the problem under study are based on the theoretical basis of modern scientific knowledge, which includes concepts and methods of philosophy (N. A. Berdyaev, P. A. Florensky, D. S. Merezhkovsky, V. V. Rozanov, Vl. S. Solovyov), cultural studies (I. A. Edoshina, M. S. Kagan, Yu. M. Lotman, N. O. Osipova), art history (I. A. Azizyan, A. Payman, A. A. Rusakova, D. V. Sarabyanov), intelligentsia studies (V. S. Memetov, S. M. Usmanov).

Journalism in Asunción Under the Allies and the Colorados, 1869-1904

1983 ◽  
Vol 39 (4) ◽  
pp. 483-498
Author(s):  
Harris Gaylord Warren
Keyword(s):  
Latin American ◽  
Buenos Aires ◽  
Freedom Of Expression ◽  
Political Stability ◽  
Legal Institutions ◽  
Free Press ◽  
The Press ◽  
The World ◽  
Authoritarian Government

Some of the Latin American republics have produced newspapers that rank with the best in the world. In Brazil, Argentina, Chile, Mexico, and Colombia there have been great editors who presided over especially noteworthy journals. Political stability certainly contributed to the development of such papers as La Prensa and La Nación in Buenos Aires and of El Mercurio in Chile. While political stability is a prerequisite for continuous good journalism, freedom of expression, guaranteed by government and jealously guarded by legal institutions, is even more important. Equally important is self-discipline by the press, nowhere more clearly shown than in Chile where the important law of 1872 brought under control abuses that had plagued Chilean journalism for three decades. A free press is incompatible with dictatorial or authoritarian government, a truism amply demonstrated by the Paraguayan experience.

Real Madrid: “Franco’s Club” or “Ambassador of Spain”?

STADION ◽  
2021 ◽  
Vol 45 (1) ◽  
pp. 6-31
Author(s):  
Julian Rieck
Keyword(s):  
20Th Century ◽  
Nation State ◽  
Self Perception ◽  
Football Club ◽  
The Press ◽  
The World ◽  
The 1950S

Some observers consider the team to be “Franco’s club” while others consider it as an “Ambassador of Spain”. This paper argues that both attributions were closely intertwined. To demonstrate this, in the first section the analysis delves into the Spanish nation-state and describes how the centre-periphery cleavage determined Francoist nationalism. The second section then sheds light on the ways in which Real Madrid’s identity shifted between monarchist, aristocratic, bourgeois and republican throughout the first half of the 20th century and yet always remained a fundamentally Spanish one. The focus here lies on the 1950s and early 1960s, when Real Madrid became the most successful football club in the world, and one of the most respected Spanish entities abroad. Thirdly, in order to achieve a more differentiated picture of the club’s own identity and self-perception (how the club perceived itself), for one, and external perceptions of it (how the club was perceived by others) for another, four groups or places, which comprise the entity Real Madrid, are analysed in greater detail: (1) club functionaries, (2) the players, (3) club outsiders, the press and politicians in particular, and finally (4) spectators especially those who tend to assign a certain significance to the club. Particularly notable was the behaviour of the functionaries who voluntarily carried out tasks on behalf of the Spanish government. Thus, the article cautions against the widespread assumption that sport is unilaterally instrumentalised by politics and calls for always viewing the role of a football club in context of dictatorship in relation to other clubs and institutions.

Simone de Beauvoir's Philosophy of Individuation

2017 ◽  
Author(s):  
Laura Hengehold
Keyword(s):  
Lived Experience ◽  
20Th Century ◽  
Sexual Difference ◽  
Gilles Deleuze ◽  
The Other ◽  
Simone De Beauvoir ◽  
Second Sex ◽  
Other Hand ◽  
The World

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.

From the Tower of London to the Thomas More Society of Buenos Aires: “Give me thy grace, good Lord, to set the world at nought”

Moreana ◽  
2005 ◽  
Vol 42 (Number 164) (4) ◽  
pp. 187-206
Author(s):  
Clare M. Murphy
Keyword(s):  
Buenos Aires ◽  
Short History ◽  
Thomas More ◽  
Tower Of London ◽  
Hebrew Poetry ◽  
Prayer Book ◽  
The World ◽  
History Of ◽  
Book Of Hours ◽  
Almost All

The Thomas More Society of Buenos Aires begins or ends almost all its events by reciting in both English and Spanish a prayer written by More in the margins of his Book of Hours probably while he was a prisoner in the Tower of London. After a short history of what is called Thomas More’s Prayer Book, the author studies the prayer as a poem written in the form of a psalm according to the structure of Hebrew poetry, and looks at the poem’s content as a psalm of lament.

Workers of the Western Siberian Forest Office: Career Biographies of Experts (End of the 19th – First Third of the 20th Century)

2020 ◽  
Vol 7 (4 (28)) ◽  
pp. 43-49
Author(s):  
Oleg A. Milishchenko
Keyword(s):  
20Th Century ◽  
Scientific Literature ◽  
Teaching Activities ◽  
The Press ◽  
Archival Documents ◽  
Level Of Training

The article discusses career biographies of officials of the forestry department and forestry faculty of the Siberian Institute of Agriculture. Based on materials from directories, archival documents, the press, specialized publications and scientific literature, the author provides data on the level of training of forestry figures and their contribution to the development of the industry, including organizational and teaching activities at the Forestry Department of the Siberian Institute.

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