scholarly journals Defined aspects of the development of Ukrainian pop song within the postcolonial period of the late XX – early XXI century

2021 ◽  
Author(s):  
Anatoliy Oronovsky ◽  
Ganna Tsap ◽  
Larysa Oronovska
Keyword(s):  
World Music ◽  
Operating Conditions ◽  
Social Changes ◽  
Music Culture ◽  
Musical Culture ◽  
The World ◽  
Flexible Mechanism ◽  
First Time ◽  
Ukrainian Society

The purpose of the article. To consider and analyze some aspects of the development of modern Ukrainian pop songs in the postcolonial period of the late XX - early XXI century. The methodology involves the use of a systematic approach to research, as well as the use of methods of analysis, synthesis, historical and comparative, which allowed analyzing the development of Ukrainian pop songs in the Soviet system and after independence when it was in the field of Russian influence. which is the glow of long-term colonial status. The scientific novelty is that for the first time the development of Ukrainian pop songs was considered not only in the context of art analysis but also the research of postcolonialism, which generally affected the development of Ukrainian culture of XX - early XXI century. Conclusions. Changes in music culture are evidence of the adaptation of the flexible mechanism of music creation to new operating conditions. And although it is difficult to predict further social changes and their impact on the formation of musical culture not only in Ukrainian society but also in the world, the main trends have already been outlined. They consist of a certain unification of musical and stylistic standards, which will eliminate the differences between performers of popular musical compositions around the world. Accordingly, globalization dictates fashion in the field of music culture. In general, at the beginning of the third millennium, Ukrainian pop song culture entered the context of European and world cultural processes and became the property of world music culture, and its brightest representatives occupy a worthy place among world masters. Keywords: pop, pop song, postcolonial influences, national self-identification.

scholarly journals The cultural potential of Modest Mentsinsky's work in the context of the development of the musical culture of the early twentieth century

2021 ◽  
pp. 62-68
Author(s):  
Lesia Turchak
Keyword(s):  
World Music ◽  
Music Culture ◽  
Musical Culture ◽  
Performance Style ◽  
Considerable Contribution ◽  
Creative Evolution ◽  
The World ◽  
Chamber Repertoire ◽  
The One

The purpose of the article is to establish the contribution of the opera singer and famous tenor Modest Omelianovych Mentsynskyi to Ukrainian and world music art. The methodology is based on using historical, biographical, and analytical methods, which allows distinguishing and reviewing the special features of the Ukrainian singer‘s ―internationally universal‖ performance style as well as tracking the stages of his creative evolution. The scientific novelty of the research is in the affirmation that the artist‘s work within the mentioned period, on the one hand, led to the ―Europeanization‖ of the Ukrainian music culture, which influenced the formation of the national vocal and opera school, and, on the other hand, his high vocal level and popularization of the Ukrainian music in the walls of numerous European theaters promoted the popularization of the Ukrainian music culture in the world. Conclusions. Relying on the achievements of the three most famous opera schools (Italian, German and French) and his own experience, the signer formed the ―internationally universal‖ performance style, which helped him make a considerable contribution to the development of opera art in at least three countries: Germany (as the most prominent singer of Wagner‘s plays with a vocal role of a ―heroic tenor‖), Sweden (as a performer and pedagogue who stood at the origins of the vocal school in this country) and Ukraine (as a talented interpreter of the Ukrainian chamber repertoire and popularizer of the national music heritage in the world).

scholarly journals COMPLEXITY-BASED ANALYSIS OF THE ALTERATIONS IN THE STRUCTURE OF CORONAVIRUSES

Fractals ◽  
2021 ◽  
Vol 29 (02) ◽  
pp. 2150123
Author(s):  
HAMIDREZA NAMAZI ◽  
ALI SELAMAT ◽  
ONDREJ KREJCAR
Keyword(s):  
Hurst Exponent ◽  
Complex Structure ◽  
Approximate Entropy ◽  
Sample Entropy ◽  
Long Term Memory ◽  
Complex Structures ◽  
Term Memory ◽  
The World ◽  
First Time

The coronavirus has influenced the lives of many people since its identification in 1960. In general, there are seven types of coronavirus. Although some types of this virus, including 229E, NL63, OC43, and HKU1, cause mild to moderate illness, SARS-CoV, MERS-CoV, and SARS-CoV-2 have shown to have severer effects on the human body. Specifically, the recent known type of coronavirus, SARS-CoV-2, has affected the lives of many people around the world since late 2019 with the disease named COVID-19. In this paper, for the first time, we investigated the variations among the complex structures of coronaviruses. We employed the fractal dimension, approximate entropy, and sample entropy as the measures of complexity. Based on the obtained results, SARS-CoV-2 has a significantly different complex structure than SARS-CoV and MERS-CoV. To study the high mutation rate of SARS-CoV-2, we also analyzed the long-term memory of genome walks for different coronaviruses using the Hurst exponent. The results demonstrated that the SARS-CoV-2 shows the lowest memory in its genome walk, explaining the errors in copying the sequences along the genome that results in the virus mutation.

scholarly journals IDENTITY IMPLICATIONS: «FROM THE COUNTRY OF RICE AND OPIUM» BY SOFIIA YABLONSKA

2018 ◽  
Vol 31 ◽  
pp. 251-266
Author(s):  
Tymofii HAVRYLIV
Keyword(s):  
Travel Literature ◽  
Spatial Dimension ◽  
Interdisciplinary Studies ◽  
Complex Nature ◽  
Time Space ◽  
The World ◽  
Self Knowledge ◽  
The Given ◽  
First Time ◽  
Ukrainian Society

This article is one of the first scholarly attempts to analyze the creative work of Ukrainian filmmaker and traveler Sofiia Yablonska-Uden. For the first time in the Ukrainian and the world literary studies, identical implications are analyzed in the «From the Country of Rice and Opium» by S. Yablonska. The purpose of the article is to highlight the complex nature of identity issues in travel literature. In terms of identity, the journey performs two fundamental, closely interconnected tasks: knowledge of the other and self-knowledge. Hermeneutic approaches are used in the article. The main results can be summarized as follows: 1) the journey has its own time-spatial dimension, consisting of two disproportionate moments: preparation for travel and travel itself, and begins literally and symbolically with the overcoming, or the crossing of the border; 2) the intention of the trip contains an identity challenge that affects the preparation, organization, realization of the travel, the way and the content of documenting impressions; 3) such parameters of travel as an accident, an adventure, a game which formed the world of traveler's impressions, are subordinated to the identity problem in the given work; 4) the essay character of the book makes it possible to talk about implications as a response to an identity challenge. The book of travel essays «From the Country of Rice and Opium» of S. Yablonska-Uden is a sample of a successful combination of the business and private aspects of travel, intentions of knowledge and self-knowledge, poetry and faculty; learning about another people and countries, the writer learns a lot of things about himself. Travel literature is an important study object of Ukrainian writing, which opens the prospects for further interdisciplinary studies. The study of travel literature, an identity issue, is extremely relevant both for the development of Ukrainian society and for the formation of optimal responses to the challenges of our time. Keywords travel, travel literature, identity, identical implications, time-space disposition.

The Demographic Transition Theory of War: Why Young Societies Are Conflict Prone and Old Societies Are the Most Peaceful

2019 ◽  
Vol 43 (3) ◽  
pp. 53-95 ◽  
Author(s):  
Deborah Jordan Brooks ◽  
Stephen G. Brooks ◽  
Brian D. Greenhill ◽  
Mark L. Haas
Keyword(s):  
Young People ◽  
Total Population ◽  
Empirical Examination ◽  
Demographic Transitions ◽  
The Road ◽  
Large Numbers ◽  
The World ◽  
Theory Of War ◽  
First Time

The world is experiencing a period of unprecedented demographic change. For the first time in human history, marked disparities in age structures exist across the globe. Around 40 percent of the world's population lives in countries with significant numbers of elderly citizens. In contrast, the majority of the world's people live in developing countries with very large numbers of young people as a proportion of the total population. Yet, demographically, most of the world's states with young populations are aging, and many are doing so quickly. This first-of-its kind systematic theoretical and empirical examination of how these demographic transitions influence the likelihood of interstate conflict shows that countries with a large number of young people as a proportion of the total population are the most prone to international conflict, whereas states with the oldest populations are the most peaceful. Although societal aging is likely to serve as a force for enhanced stability in most, and perhaps all, regions of the world over the long term, the road to a “demographic peace” is likely to be bumpy in many parts of the world in the short to medium term.

Foreign Demand, Investment And Trade Balance: The Case Of Australia

2011 ◽  
Vol 1 (4) ◽  
Author(s):  
Jean-Francois Hoarau ◽  
Alain Nurbel ◽  
Nelson Latchimy
Keyword(s):  
Trade Balance ◽  
High Growth ◽  
Short Term ◽  
Foreign Demand ◽  
J Curve ◽  
The World ◽  
Curve Effect ◽  
First Time ◽  
The Empirical Analysis

This paper aims at analysing the relation between real trade balance and foreign demand in the case of a small opened economy, which highly depends upon the rest of the world for productive capital. Theoretical analysis allows us to bring forth a kind of “J-curve” effect. Indeed, when foreign demand for domestic goods increases, the country is to import in a first time in order to improve its productive capacities, resulting in worsening trade balance. However, in a second time, once the cumulated capital inventory became sufficient, the trade balance improves under the pressure of domestic exports high growth. The empirical analysis based on Australia from 1982 (1) to 2001 (1) supports this theory. We show there are negative short term and positive long term elasticities.

scholarly journals Influence of Long-Term Communist Confrontation on Inducing Changes in Society and Musical Culture of Hmong Ethnic Group in Thailand

2019 ◽  
Vol 12 (1) ◽  
pp. 1
Author(s):  
Komphorn Prachumwan ◽  
Chalermpol Ataso
Keyword(s):  
Ethnic Group ◽  
Social Contexts ◽  
Social Changes ◽  
Contributing Factors ◽  
Musical Culture ◽  
The Social ◽  
Musical Cultures ◽  
Original Musical ◽  
Culture Tradition

The ethnic group ‘Hmong’, the descendants of Chinese ‘Miao’ group who migrated south to reside in Northern Thailand, is known to possess their own unique arts, culture, tradition, and music. However, the influence of social change seemed to largely affect the musical culture of Hmong ethnic, Khao Kho District, Phetchabun Province, in a multifactorial manner. Through different phases of a series of communist wars, the original musical cultures were subjected to the cumulative changes of social contexts, evolving toward modernization, at a great extent. In addition, not only the social changes have had a large impact on the Hmong ethnic’s musical cultures, but also on their ritual performances that require music as its core. This study aimed to elucidate the effect of social changes on musical culture by identifying the key contributing factors that determined Hmong’s musical performances and appreciation based on their historical features.

scholarly journals Fenomena Multikulturalisme Dalam Musik: Sebuah Telaah Elemen Elemen Musikal Non Barat dalam Karya Komposer Musik Barat

2012 ◽  
Vol 10 (1) ◽  
Author(s):  
Esy Maestro
Keyword(s):  
American Music ◽  
World Music ◽  
The Political ◽  
Music Culture ◽  
African American Music ◽  
The World ◽  
Long Time ◽  
History Of ◽  
The Difference ◽  
History Of Literature

The study of the music phenomenon has long been an important discussion due to its role in upholding the accretion of the history of literature of the world of music. Among the two poles music’s idealism, which is between European and American, they both have different opinion about multiculturalism. The multiculturalism in the Europe is the unification of the music culture with the lowest integrity level between the music cultures which possibly experience the multicultural process. It means, with the music culture base which just established like music classic, so that the multicultural process will cannot be seen easily from the music which recommended, because its interference usually dissolved is the music substance which intrinsically used, at rhythmic, melodies, form and others.  Meanwhile the multiculturalism phenomenon in the America will offers the explicit structures, which accurately occurs the powerful and influential multiculturalism process. This thing also based on the heterogeneous America’s people as the interference of many cultures by means of the difference music. The multiculturalism music in America also develop faster because in its accretion it influence with the political period and the crime-infested unsafe makes the countries which moves to America feels that they the same. So, it is not surprise if the performance of the African-American music or the America’s World Music will demonstrate the music multiculturalism process which actual and has been growth for a long time. Keywords: the music, multiculturarism, America and Europe

scholarly journals Music code of poetry Dmitry Kremeny

2019 ◽  
Vol 66 (3) ◽  
pp. 186-190
Author(s):  
Olha Petrenko
Keyword(s):  
World Music ◽  
Music Culture ◽  
Semantic Richness ◽  
Wide Range ◽  
The World ◽  
The Subject ◽  
Poetic Texts ◽  
The One ◽  
Musical Cues

The article deals with the role of musical images in the poetry of Dmitry Kremen. The subject of study is the music code, which is present in many works of the poet. Musical signs, symbols, links play a significant role in vocabulary, phraseology and other ways of poetic expressiveness. Familiarity with the subject world of D. Kremin's poetic texts includes a wide range of concepts related to the world of sounds. The additional accents of a musical-conceptual thesaurus arise when musical cues form certain speech turns that acquire the meaning of metaphors. Musical signs in the lyrics of Dmitry Kremin imply awareness of a wide range of sound associations, which the poet interprets from the standpoint of his own value attitude to them. Beethoven, Chopin, Mozart are the names-symbols of the world music culture, which occupy a significant place in the thesaurus of Dmitry Kremin's poetic texts. Behind these subject designations lies the vast world of artistic and figurative generalization and lyrical and philosophical reflections that are gaining coded meaning. Familiarity with the poetry of Dmitry Kremin proves that the leitmotif of many of his texts is the image of a violin, which acquires different semantic shades. Thus, in Beethoven's poetry, the poet emphasizes the value of music as a special language, devoid of words, but empowered to embody emotional and semantic richness, and therefore capable of being the language of angels. Music code the poetry of Dmitry Kremen is a multidimensional system in which the concept of "music" acts as a concept as a set of meaningful characters and their semantic meanings. In the process of decoding Dmitry Kremin's poetry, one can discover the deep semantic loads of the musical code, on the one hand – as the embodiment of the categories of high, sublime, valuable and eternal in the human sense, on the other – as a symbol of the extra-material, mystical, language of which the angels speak. Decoding the poet's texts is the process of extracting recognition codes and perception codes. The codes of perception in the poetry of Dmitry Kremenya are meaningful loads of texts, its semantic components, which highlight the deep meanings of texts. Through the musical code, the poet embodies the content of the categories of the sublime and the beautiful. The music code shows the understanding of poetry of Dmitry Kremenin a deeply metaphorical sense.

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