scholarly journals Рroduction and distribution of author's cinema in Ukraine as a state problem. Part 1. Film рroduction and problems of state administration of film industry

2021 ◽  
Author(s):  
Galina Pogrebniak
Keyword(s):  
Comprehensive Analysis ◽  
Film Production ◽  
State Support ◽  
System Method ◽  
State Administration ◽  
Scientific Analysis ◽  
Production And Distribution ◽  
History Of ◽  
Distribution State ◽  
Film Making

The purpose of the article is to identify the problems of film production and distribution in Ukraine and to identify scientific guidelines that contribute to a comprehensive analysis of the phenomenon of Ukrainian authors’ cinema in the intercultural space. Research methodology. Methods of scientific analysis, comparison, generalization were used in the development of the topic. In addition, analytical and systematic methods were used in their unity, which is necessary to study the art aspect of the problem. The scientific novelty of the study is that the problem of author's film production and distribution in Ukraine in the context of the functioning of state support programs first appeared as the subject of a special study; the content of the concept of "film production" as certain specific integrity and unity of interconnected elements is argued; the works of Ukrainian film directors-authors, whose films were created with state support, are singled out and characterized; the expediency of using the system method in studying the peculiarities of the film-making process in Ukraine is proved; a comprehensive analysis was carried out and the features of author's film production in Ukraine and abroad were identified. Conclusions. Acquaintance with the materials presented in the article expands the arsenal of knowledge about the specifics of the author's film production and distribution in Ukraine and makes their use in training courses on the theory and history of cinema and directing. Keywords: Ukrainian cinema, film production, distribution, state support, director-authors.

scholarly journals Directing models of author cinema in the context of intercultural dialogue. Part 1. Co-production as a way to implement the producing and directing models

2021 ◽  
Author(s):  
Galyna Pogrebnyak
Keyword(s):  
Comprehensive Analysis ◽  
Intercultural Dialogue ◽  
Cultural Aspects ◽  
System Method ◽  
Film Directors ◽  
Production And Distribution ◽  
International Projects ◽  
History Of ◽  
Training Courses ◽  
Auteur Cinema

The purpose of the article is to identify problems of intercultural cooperation in the production and distribution of films directed by auteur cinema and to identify scientific guidelines that will contribute to a comprehensive analysis of the phenomenon of Ukrainian auteur cinema in the intercultural space. Methodology. An analytical method was used to study the topic, which is necessary to study the art history and cultural aspects of the problem. In addition, the researcher used methods of systematization and generalization, which were useful to argue the identity of the phenomenon of directing auteur cinema, its place in modern cultural processes, as well as to determine the objective patterns that characterize auteur cinematographic practices in modern intercultural space. A cross-cultural method was also used, which helped to identify the peculiarities of production and distribution of films directed by auteur films in the system of international cooperation. In turn, the culturological approach led to a generalized socio-cultural orientation of the study of the author's cinema of postmodern and postmodern culture. The scientific novelty of the study is that the problem of intercultural cooperation in the production and distribution of auteur cinema in Ukraine and abroad in the context of the functioning of international support programs has first become the subject of a special study; the content of the concepts "intercultural dialogue", "co-production" as certain specific integrity and unity of interconnected elements are argued; the works of Ukrainian film directors-authors, whose films were created as international projects, are singled out and characterized; the expediency of using the system method in studying the peculiarities of the international filmmaking process is proved; a comprehensive analysis and features of production and distribution of films by directors-authors in co-production projects in Ukraine and abroad. Conclusions. Acquaintance with the materials presented in the article expands the arsenal of knowledge on the specifics of production and distribution of films of directorial models of auteur cinema within intercultural projects and allows their use in training courses on the theory and history of cinema and directing. Key words: intercultural dialogue, director-author, producer, Ukrainian author's cinema, co-production, director's model of authorship.

Rob Roy: Britain’s First Feature Film

2018 ◽  
Author(s):  
Caroline Merz
Keyword(s):  
Language Production ◽  
English Language ◽  
Film Production ◽  
Feature Film ◽  
Study Approach ◽  
Feature Films ◽  
Production History ◽  
History Of ◽  
Film Making

What was the potential for the development of a Scottish film industry? Current histories largely ignore the contribution of Scotland to British film production, focusing on a few amateur attempts at narrative film-making. In this chapter, Caroline Merz offers a richer and more complex view of Scotland’s incursion into film production,. Using a case-study approach, it details a production history of Rob Roy, produced by a Scottish company, United Films, in 1911, indicating the experience on which it drew, placing it in the context of other successful British feature films such as Beerbohm’s Henry VIII, and noting both its success in Australia and New Zealand and its relative failure on the home market faced with competition from other English-language production companies.

scholarly journals Activity of a film producer within the cultural space of Ukraine

2021 ◽  
pp. 93-99
Author(s):  
Sergey Lavreniuk
Keyword(s):  
Comparative Method ◽  
Scientific Basis ◽  
Cultural Space ◽  
Historical Method ◽  
Cultural Aspects ◽  
Scientific Analysis ◽  
Film Producer ◽  
History Of ◽  
History Of Culture ◽  
Film Making

The purpose of the article is to identify problems in the development of production in Ukraine and outline ways to overcome them. Methodology. In elaborating the topic, the historical method was used to identify the peculiarities of the origin and development of the profession of film producer, in particular, in Ukraine; analytical method and methods of scientific analysis, comparison, generalization, which came in handy in the process of establishing the creative, production and economic and legal features of the film producer in the cultural space of Ukraine. Methods of systematization and analysis were used for art and cultural aspects of studying the problem. The scientific novelty of the study is that the problem of functioning and motivation of the producer in the context of the cultural space of Ukraine is the subject of a special comprehensive study; the content of the concept of "film producer" as certain specific integrity and unity of interconnected elements is argued and clarified; the expediency of using the comparative method for the study and manifestation of the peculiarities of production activity in the film-making process of the domestic cultural space is proved. Conclusions. Acquaintance with the materials of this study enriches the arsenal of knowledge about the specifics of the producer's activity in the culture of film production in Ukraine and forms the scientific basis for their use in courses on theory and history of culture, including cinema, production, and directing.

scholarly journals Art communication as culture component of production activity

2021 ◽  
Author(s):  
Sergey Lavreniuk
Keyword(s):  
Scientific Basis ◽  
Empirical Method ◽  
Film Production ◽  
Economic Activities ◽  
Historical Method ◽  
Production Activity ◽  
Film Producer ◽  
Production And Distribution ◽  
History Of ◽  
History Of Culture

The purpose of the article is to identify the specifics of art communication in the culture of production both in the process of filmmaking and in the distribution (distribution) of film products. Methodology. The method of theoretical analysis of the culture of production activity as a phenomenon of the postmodern and postmodern epoch was used in the elaboration of the topic; the comparative-historical method was used in the analysis of the evolution of the producer's activity in cinema; empirical method made it possible to address the practical component of film production and distribution as structures of socio-cultural and economic activities aimed at the needs of society; analytical method and methods of scientific analysis, generalizations have come in handy in the process of establishing the specifics of art communication in the context of creative and production aspects of the film producer. The scientific novelty of the study is that the problem of art communication of the producer in the context of his creative and production activities is the subject of a special comprehensive study; the meaning of the concept of "art-communication" as certain specific integrity and unity of interconnected elements is argued and clarified. Conclusions. Acquaintance with the materials of this study enriches the knowledge about the specifics of art communication as a component of the producer's activity in the culture of film production in the process of its evolution and is the scientific basis for their use in courses on theory and history of culture, including cinema, film production, film directing. Keywords: culture, art communication, cinema, film producer, film director, film.

The ‘impure’ auteur

2017 ◽  
Author(s):  
Ben McCann
Keyword(s):  
Film Studies ◽  
Audience Reception ◽  
Film Production ◽  
National Cinema ◽  
Music Production ◽  
Mise En Scene ◽  
History Of ◽  
And Performance ◽  
Film Making ◽  
Historical Range

This opening chapter will contextualise the ‘Duvivier style’. It will look at his chief formative influence, André Antoine, whose influential theories on cinematic naturalism, location shooting, and performance authenticity was cultivated and developed by Duvivier throughout his career. The chapter will examine what makes a Duvivier film. Historians often make reference to Duvivier’s love of ‘work well done’ as his signature legacy and enduring film-making ethos. The chapter will introduce the key recognisable Duvivier traits: an expressive mise en scène, fluid camera movement and a complex negotiation of décor, strong central performances by stars and new actors, pessimistic narratives, incorporation of melodramatic elements (music, production design), and a film-by-film reliability. This analysis of Duvivier, beyond its historical range, also proposes to engage with key debates in film studies: notably auteurism, stardom and audience reception. The chapter will also look at how Duvivier fits into a history of both French national cinema and international film production. Duvivier’s genre eclecticism and lack of a coherent corpus should not be seen as a negative; instead, it is necessary to read Duvivier’s wide-ranging approach to genre and subject matter as a response to and engagement with important development in French and international film praxis.

“Sun in the Belly”: Film Practice at Films Division of India 1965–1975

2017 ◽  
Vol 8 (1) ◽  
pp. 103-123 ◽  
Author(s):  
Ritika Kaushik
Keyword(s):  
Political Environment ◽  
Experimental Film ◽  
Film Production ◽  
Policy Changes ◽  
Institutional Practice ◽  
Production And Distribution ◽  
Interview Format ◽  
History Of ◽  
Film Form ◽  
Layered Body

This article looks at one decade (1965–1975) in the history of Films Division of India (FD), the first state film production and distribution unit in the country. It tracks the changing political environment and several administrative, infrastructural, and policy changes of the time, along with the emerging “experimental” film and interview format films. Under the dynamic supervision of Jean Bhownagary, a constellation of film makers and artists like Pramod Pati, S.N.S. Sastry, S. Sukhdev, among others came to the fore, experiment with film form was encouraged, and dissonant voices rose against the state itself. I suggest that it is possible to study certain experiments and formal practices emerging at a particular time and space not as mere aberrations, but as something that emerges from complex shifts in institutional practice. I locate these as part of a layered body of film uses, a palimpsest, in which the filmmaker’s creative engagement needs to be situated in a bureaucratic order that could be arbitrary and inflexible but also provide for a regime of the permissible.

Nashville Cats

2020 ◽  
Author(s):  
Travis D. Stimeling
Keyword(s):  
Music History ◽  
Country Music ◽  
Primary Sources ◽  
Recording Industry ◽  
Global View ◽  
Production And Distribution ◽  
History Of ◽  
The 1950S ◽  
Hall Of Fame ◽  
The City

Nashville Cats: Record Production in Music City, 1945–1975 is the first history of record production during country music’s so-called Nashville Sound era. This period of country music history produced some of the genre’s most celebrated recording artists, including Country Music Hall of Fame inductees Patsy Cline, Jim Reeves, and Floyd Cramer, and marked the establishment of a recording industry that has come to define Nashville in the national and international consciousness. Yet, despite country music’s overwhelming popularity during this period and the continued legacy of the studios that were built in Nashville during the 1950s and 1960s, little attention has been given to the ways in which recording engineers, session musicians, and record producers shaped the sounds of country music during the time. Drawing upon a rich array of previously unexplored primary sources, Nashville Cats: Record Production in Music City, 1945–1975 is the first book to take a global view of record production in Nashville during the three decades that the city’s musicians established the city as the leading center for the production and distribution of country music.

Capitalisms

2020 ◽  
Keyword(s):  
Tenth Century ◽  
History Of Capitalism ◽  
Commodity Production ◽  
Production And Distribution ◽  
History Of ◽  
National Boundaries ◽  
Small Producers ◽  
Circulation Of Knowledge ◽  
Industrial Revolutions

Conventional accounts often conceive the genesis of capitalism in Europe within the conjunctures of agricultural, commercial, and industrial revolutions. Challenging this widely believed cliché, this volume traces the history of capitalism across civilizations, tenth century onwards, and argues that capitalism was neither a monolithic entity nor exclusively an economic phenomenon confined to the West. Looking at regions as diverse as England, South America, Russia, North Africa, and East, South, West, and Southeast Asia, the book explores the plurality of developments across time and space. The chapters analyse aspects such as historical conjunctures, commodity production and distribution, circulation of knowledge and personnel, and the role of mercantile capital, small producers, and force—all the while stressing the necessity to think beyond present-day national boundaries. The book argues that the multiple histories of capitalism can be better understood from a trans-regional, intercontinental, and interconnected perspective.

Standardized Education With Free Textbooks

2020 ◽  
Author(s):  
Eugenia Roldán Vera ◽  
Susana Quintanilla
Keyword(s):  
Historical Context ◽  
Previous History ◽  
State Intervention ◽  
Teaching Quality ◽  
The State ◽  
Educational Reforms ◽  
Social Equality ◽  
Production And Distribution ◽  
History Of

The Mexican policy of state provision of standardized textbooks for all was instituted in 1959 and still ongoing. This is an overview of the previous history of state intervention in the production and distribution of school textbooks, an examination of the particular circumstances in which the 1959 policy was figured and implemented, and a description of the characteristics of the different generations of textbooks that have since been published, corresponding with several educational reforms. The arguments for and against standardized textbooks mobilized by different sectors of society throughout sixty years are discussed in their historical context. Far from this being a debate about the authoritarian intervention of the state in education, issues of social equality and teaching quality have been central.

Legal Fictions in Private Law

2022 ◽  
Author(s):  
Liron Shmilovits
Keyword(s):  
Legal System ◽  
Comprehensive Analysis ◽  
Private Law ◽  
History Of ◽  
The Law ◽  
Legal Fictions

Legal fictions are falsehoods that the law knowingly relies on. It is the most bizarre feature of our legal system; we know something is false, and we still assume it. But why do we rely on blatant falsehood? What are the implications of doing so? Should we continue to use fictions, and, if not, what is the alternative? Legal Fictions in Private Law answers these questions in an accessible and engaging manner, looking at the history of fictions, the theory of fictions, and current fictions from a practical perspective. It proposes a solution to what to do about fictions going forward, and how to decide whether they should be accepted or rejected. It addresses the latest literature and deals with the law in detail. This book is a comprehensive analysis of legal fictions in private law and a blueprint for reform.

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