scholarly journals Art communication as culture component of production activity

2021 ◽  
Author(s):  
Sergey Lavreniuk
Keyword(s):  
Scientific Basis ◽  
Empirical Method ◽  
Film Production ◽  
Economic Activities ◽  
Historical Method ◽  
Production Activity ◽  
Film Producer ◽  
Production And Distribution ◽  
History Of ◽  
History Of Culture

The purpose of the article is to identify the specifics of art communication in the culture of production both in the process of filmmaking and in the distribution (distribution) of film products. Methodology. The method of theoretical analysis of the culture of production activity as a phenomenon of the postmodern and postmodern epoch was used in the elaboration of the topic; the comparative-historical method was used in the analysis of the evolution of the producer's activity in cinema; empirical method made it possible to address the practical component of film production and distribution as structures of socio-cultural and economic activities aimed at the needs of society; analytical method and methods of scientific analysis, generalizations have come in handy in the process of establishing the specifics of art communication in the context of creative and production aspects of the film producer. The scientific novelty of the study is that the problem of art communication of the producer in the context of his creative and production activities is the subject of a special comprehensive study; the meaning of the concept of "art-communication" as certain specific integrity and unity of interconnected elements is argued and clarified. Conclusions. Acquaintance with the materials of this study enriches the knowledge about the specifics of art communication as a component of the producer's activity in the culture of film production in the process of its evolution and is the scientific basis for their use in courses on theory and history of culture, including cinema, film production, film directing. Keywords: culture, art communication, cinema, film producer, film director, film.

scholarly journals Activity of a film producer within the cultural space of Ukraine

2021 ◽  
pp. 93-99
Author(s):  
Sergey Lavreniuk
Keyword(s):  
Comparative Method ◽  
Scientific Basis ◽  
Cultural Space ◽  
Historical Method ◽  
Cultural Aspects ◽  
Scientific Analysis ◽  
Film Producer ◽  
History Of ◽  
History Of Culture ◽  
Film Making

The purpose of the article is to identify problems in the development of production in Ukraine and outline ways to overcome them. Methodology. In elaborating the topic, the historical method was used to identify the peculiarities of the origin and development of the profession of film producer, in particular, in Ukraine; analytical method and methods of scientific analysis, comparison, generalization, which came in handy in the process of establishing the creative, production and economic and legal features of the film producer in the cultural space of Ukraine. Methods of systematization and analysis were used for art and cultural aspects of studying the problem. The scientific novelty of the study is that the problem of functioning and motivation of the producer in the context of the cultural space of Ukraine is the subject of a special comprehensive study; the content of the concept of "film producer" as certain specific integrity and unity of interconnected elements is argued and clarified; the expediency of using the comparative method for the study and manifestation of the peculiarities of production activity in the film-making process of the domestic cultural space is proved. Conclusions. Acquaintance with the materials of this study enriches the arsenal of knowledge about the specifics of the producer's activity in the culture of film production in Ukraine and forms the scientific basis for their use in courses on theory and history of culture, including cinema, production, and directing.

scholarly journals Film producer: European cultural context

2021 ◽  
Author(s):  
Sergey Lavreniuk
Keyword(s):  
Cultural Context ◽  
Mutual Influence ◽  
Comparative Method ◽  
Scientific Basis ◽  
Cultural Economic ◽  
Cultural Space ◽  
Historical Method ◽  
Film Producer ◽  
History Of ◽  
History Of Culture

The purpose of the article is to identify the specifics of the development of the producer's activity in cinema in the context of the European cultural space and to outline the vectors of mutual influence of the producer's activity in the countries of the Eurospace and Ukraine. Methodology. In elaborating the topic, the historical method was used to identify the peculiarities of the origin and development of the profession of film producer under the influence of socio-cultural, economic, political factors, in particular, in Ukraine; analytical method and methods of scientific analysis, comparison, generalization, which came in handy in the process of establishing artistic, production, organizational, managerial, financial and economic features of the film producer in the European cultural space. For the sake of art history and culturological aspects of studying the problem, methods of systematization and analysis were used. The scientific novelty of the study is that the origin of the profession of producer in cinema is considered in the context of both European and Ukrainian cultural space, and has become the subject of a special multi-vector study; the content of the concepts of "film producer", "production system" as specific unique integrity and unity of interconnected elements is argued and clarified; the expediency of using the comparative method to study and manifest the peculiarities of production in the filmmaking process of European and domestic cultural space is proved. Conclusions. Acquaintance with the materials of this study enriches the arsenal of knowledge about the origins of the film producer in the culture of film production in European countries and Ukraine and provides a scientific basis for their use in courses on theory and history of culture, including filmmaking, production and directing.

scholarly journals Producer in the culture of audiovisual production

2021 ◽  
pp. 80-86
Author(s):  
Sergii Lavreniuk
Keyword(s):  
Comparative Method ◽  
Theoretical Method ◽  
Scientific Basis ◽  
Scientific Analysis ◽  
Film Producer ◽  
History Of ◽  
Functional Features ◽  
The Subject ◽  
History Of Culture ◽  
Comprehensive Study

The purpose of the article is to determine the features of functioning and motivation of the film producer in the culture of audiovisual production and to outline scientific vectors that will serve as a comprehensive analysis of the phenomenon of production in the intercultural space. Methodology. In elaborating the topic, a theoretical method was used to typify the functional features of the producer's activity; analytical method and methods of scientific analysis, comparison, generalization, which were useful in the process of establishing the creative and production features of the film producer in the culture of the audiovisual field. For the sake of art history and culturological aspects of studying the problem, methods of systematization and analysis were used. The scientific novelty of the study is that the problem of functioning and motivation of the producer in the context of the culture of audiovisual production has become the subject of a special comprehensive study; the content of the concept of "audiovisual creativity" as a certain specific integrity and unity of interconnected elements is argued and clarified; the expediency of using the comparative method for the study and manifestation of the peculiarities of producer's creativity in the film production process is proved. Conclusions. Acquaintance with the materials of this study, enriches the vast knowledge of the specifics of the producer in the culture of audiovisual production and provides a scientific basis for their use in courses on the theory and history of culture, including filmmaking, production and directing.

scholarly journals Рroduction and distribution of author's cinema in Ukraine as a state problem. Part 1. Film рroduction and problems of state administration of film industry

2021 ◽  
Author(s):  
Galina Pogrebniak
Keyword(s):  
Comprehensive Analysis ◽  
Film Production ◽  
State Support ◽  
System Method ◽  
State Administration ◽  
Scientific Analysis ◽  
Production And Distribution ◽  
History Of ◽  
Distribution State ◽  
Film Making

The purpose of the article is to identify the problems of film production and distribution in Ukraine and to identify scientific guidelines that contribute to a comprehensive analysis of the phenomenon of Ukrainian authors’ cinema in the intercultural space. Research methodology. Methods of scientific analysis, comparison, generalization were used in the development of the topic. In addition, analytical and systematic methods were used in their unity, which is necessary to study the art aspect of the problem. The scientific novelty of the study is that the problem of author's film production and distribution in Ukraine in the context of the functioning of state support programs first appeared as the subject of a special study; the content of the concept of "film production" as certain specific integrity and unity of interconnected elements is argued; the works of Ukrainian film directors-authors, whose films were created with state support, are singled out and characterized; the expediency of using the system method in studying the peculiarities of the film-making process in Ukraine is proved; a comprehensive analysis was carried out and the features of author's film production in Ukraine and abroad were identified. Conclusions. Acquaintance with the materials presented in the article expands the arsenal of knowledge about the specifics of the author's film production and distribution in Ukraine and makes their use in training courses on the theory and history of cinema and directing. Keywords: Ukrainian cinema, film production, distribution, state support, director-authors.

A Baconian historiola mentis in Spinoza’s Method

2021 ◽  
Vol 58 (3) ◽  
pp. 188-205
Author(s):  
Omar Del Nonno ◽  
Keyword(s):  
Empirical Method ◽  
Pivotal Role ◽  
Human Beings ◽  
Previous Knowledge ◽  
Historical Method ◽  
Fundamental Part ◽  
History Of ◽  
True Knowledge ◽  
And Behavior

Bacon’s influence on Spinoza’s thought is controversial, since this latter seems to underestimate the role of experience in achieving true knowledge. In this paper, I will investigate Spinoza’s reference in Letter 37** to a historiola mentis (little history of mind) a la Bacon as an empirical-historical method to distinguish between different kinds of perceptions. My aim is to explain why Spinoza considers Bacon’s little history of mind a useful tool to proceed towards the knowledge of the excellent things [praestantissimae res]. I will suggest that Spinoza could have been inspired by Bacon’s theory of idols and his historical method, since they help distinguish between different kinds of ideas with no previous knowledge of the first causes. Moreover, Spinoza’s method for interpreting the Scripture in his Tractatus Theologicopoliticus seems to be partially indebted to Bacon’s account of natural and civil history and aims to clarify the practical meaning of the Scripture. According to Spinoza, a historical and empirical method might play a pivotal role by transforming human praxis and behavior according to the order of the intellect. This method has in a strictly practical function and cannot be compared to the true knowledge of things through their first causes. However, it is a fundamental part of the process directing human beings to the knowledge of the most fundamental things.

“Sun in the Belly”: Film Practice at Films Division of India 1965–1975

2017 ◽  
Vol 8 (1) ◽  
pp. 103-123 ◽  
Author(s):  
Ritika Kaushik
Keyword(s):  
Political Environment ◽  
Experimental Film ◽  
Film Production ◽  
Policy Changes ◽  
Institutional Practice ◽  
Production And Distribution ◽  
Interview Format ◽  
History Of ◽  
Film Form ◽  
Layered Body

This article looks at one decade (1965–1975) in the history of Films Division of India (FD), the first state film production and distribution unit in the country. It tracks the changing political environment and several administrative, infrastructural, and policy changes of the time, along with the emerging “experimental” film and interview format films. Under the dynamic supervision of Jean Bhownagary, a constellation of film makers and artists like Pramod Pati, S.N.S. Sastry, S. Sukhdev, among others came to the fore, experiment with film form was encouraged, and dissonant voices rose against the state itself. I suggest that it is possible to study certain experiments and formal practices emerging at a particular time and space not as mere aberrations, but as something that emerges from complex shifts in institutional practice. I locate these as part of a layered body of film uses, a palimpsest, in which the filmmaker’s creative engagement needs to be situated in a bureaucratic order that could be arbitrary and inflexible but also provide for a regime of the permissible.

scholarly journals Dinamika Pasar Sekanak di Kota Palembang 2010-2016

2020 ◽  
Vol 7 (1) ◽  
pp. 12
Author(s):  
Vini Anggarini ◽  
Farida Farida ◽  
Alian Alian
Keyword(s):  
Current Situation ◽  
External Factors ◽  
Economic Activities ◽  
Source Criticism ◽  
Historical Method ◽  
History Of ◽  
The Government ◽  
Internal And External Factors ◽  
Made In

Penelitian ini didasari oleh keinginan penulis untuk mengetahui tentang sejarah berdirinya Pasar Sekanak di Palembang yang pernah menjadi salah satu pusat perdagangan di Palembang serta melihat bagaimana keadaan Pasar Sekanak saat ini. Metode yang digunakan adalah metode historis dengan langkah-langkah dari heuristik, kritik sumber, interpretasi dan historiografi serta menggunakan beberapa pendekatan ilmu seperti geografi, ekonomi, dan sosiologi. Adapun permasalahan yang diangkat adalah bagaimana dinamika Pasar Sekanak dari tahun 2010-2016 serta melihat apa saja faktor-faktor yang mempengaruhi dinamika dari Pasar Sekanak. Tujuan penelitian ini adalah untuk mengungkapkan dan menjelaskan kondisi dari pasar sekanak saat ini serta faktor internal dan eksternal yang memperngaruhinya. Pasar Sekanak merupakan salah satu pasar tertua di Palembang yang perlu diamati. Guna melestarikan pasar ini perlu dilakukan perbaikan dan perubahan agar mampu bersaing dengan pasar lainnya untuk itu diperlukan kerjasama dukungan dari semua pihak terutama pemerintah, pengelola pasar dan pedagang selaku pemeran dalam aktivitas ekonomi di pasar. Kata Kunci: Dinamika, Pasar Sekanak, PalembangAbsractThis research is based on the desire of the author to find out about the history of the establishment of the Sekanak Market in Palembang which was once one of the trading centers in Palembang and see how the current situation of the Sekanak Market. The method used is the historical method with steps from heuristics, source criticism, interpretation and historiography and uses several scientific approaches such as geography, economics, and sociology. The problem raised is how the dynamics of the Sekanak Market from 2010-2016 and see what factors influence the dynamics of the Sekanak Market. The purpose of this study is to disclose and explain the conditions of the current market and the internal and external factors that affect it. Pasar Sekanak is one of the oldest markets in Palembang that needs to be observed. In order to preserve this market, repairs and changes need to be made in order to be able to compete with other markets, therefore cooperation from all parties is needed, especially the government, market managers and traders as actors in economic activities in the market.Key words: Dynamic,  Sekanak Market, Palembang

EPITAFIES OF THE RELATIVES OF HADJI IBRAHIM AL-URADI AS A SOURCE ON THE BIOGRAPHY OF THE SCIENTIST AND ON THE HISTORY OF GIDATL

2017 ◽  
Vol 13 (4) ◽  
pp. 13-21
Author(s):  
Sh M Khapizov ◽  
M G Shekhmagomedov
Keyword(s):  
18Th Century ◽  
Medieval History ◽  
Historical Sources ◽  
The Past ◽  
Arabic Script ◽  
History Of ◽  
History Of Culture ◽  
The Look ◽  
Cultural Monuments ◽  
Written Sources

The article is devoted to the study of inscriptions on the gravestones of Haji Ibrahim al-Uradi, his father, brothers and other relatives. The information revealed during the translation of these inscriptions allows one to date important events from the history of Highland Dagestan. Also we can reconsider the look at some important events from the past of Hidatl. Epitaphs are interesting in and of themselves, as historical and cultural monuments that needed to be studied and attributed. Research of epigraphy data monuments clarifies periodization medieval epitaphs mountain Dagestan using record templates and features of the Arabic script. We see the study of medieval epigraphy as one of the important tasks of contemporary Caucasian studies facing Dagestani researchers. Given the relatively weak illumination of the picture of events of that period in historical sources, comprehensive work in this direction can fill gaps in our knowledge of the medieval history of Dagestan. In addition, these epigraphs are of great importance for researchers of onomastics, linguistics, the history of culture and religion of Dagestan. The authors managed to clarify the date of death of Ibrahim-Haji al-Uradi, as well as his two sons. These data, the attraction of written sources and legends allowed the reconstruction of the events of the second half of the 18th century. For example, because of the epidemic of plague and the death of most of the population of Hidatl, this society noticeably weakened and could no longer maintain its influence on Akhvakh. The attraction of memorable records allowed us to specify the dates of the Ibrahim-Haji pilgrimage to Mecca and Medina, as well as the route through which he traveled to these cities.

Producing Outside the Box: Creative Strategies in the Work of Betty E. Box, 1957–64

2020 ◽  
Vol 17 (3) ◽  
pp. 355-374
Author(s):  
John D. Ayres
Keyword(s):  
Second World War ◽  
Film Production ◽  
World War ◽  
E Box ◽  
Film Producer ◽  
British Cinema ◽  
Working Practices ◽  
Location Shooting ◽  
Second World

This article considers the working practices of British cinema's only major female film producer during the early-to-mid post-Second World War era, Betty E. Box (1915–99). Via reference to her extensive archive at the British Film Institute and the films Campbell's Kingdom (1957), The Wind Cannot Read (1958) and Hot Enough for June (1964), the article charts how Box initially envisaged multi-generational casting for roles that were eventually taken by long-term collaborator Dirk Bogarde. It considers the manner in which she approached the diplomatic complexities of location shooting, with particular focus on Ralph Thomas's military romance The Wind Cannot Read, the first British film to be shot in India for twenty years at the time of its production. The reasoning for Box's ongoing absence, as a female creative figure, from scholarship addressing British cinema, and film production more generally, will also be addressed.

Consortium of European Research Libraries 2008: New Challenges

2009 ◽  
pp. 80-84
Author(s):  
Nailya F. Verbina ◽  
Andrei C. Masevich
Keyword(s):  
International Organizations ◽  
International Research ◽  
Book History ◽  
Bibliographic Database ◽  
European Research ◽  
Research Libraries ◽  
International Research Institute ◽  
History Of ◽  
New Challenges ◽  
History Of Culture

On the activities of one of the most significant international organizations connected with research of book history - Consortium of European Research Libraries. The creation of a bibliographic database of the printed book from 1452 to 1830, which was supposed to collect materials from libraries of Europe, was the goal of Consortium since the beginning of its foundation. The authors of the article write that today the activities of the Consortium is much broader, it turns into international research institute on the history of culture.

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