scholarly journals Activity of a film producer within the cultural space of Ukraine

2021 ◽  
pp. 93-99
Author(s):  
Sergey Lavreniuk
Keyword(s):  
Comparative Method ◽  
Scientific Basis ◽  
Cultural Space ◽  
Historical Method ◽  
Cultural Aspects ◽  
Scientific Analysis ◽  
Film Producer ◽  
History Of ◽  
History Of Culture ◽  
Film Making

The purpose of the article is to identify problems in the development of production in Ukraine and outline ways to overcome them. Methodology. In elaborating the topic, the historical method was used to identify the peculiarities of the origin and development of the profession of film producer, in particular, in Ukraine; analytical method and methods of scientific analysis, comparison, generalization, which came in handy in the process of establishing the creative, production and economic and legal features of the film producer in the cultural space of Ukraine. Methods of systematization and analysis were used for art and cultural aspects of studying the problem. The scientific novelty of the study is that the problem of functioning and motivation of the producer in the context of the cultural space of Ukraine is the subject of a special comprehensive study; the content of the concept of "film producer" as certain specific integrity and unity of interconnected elements is argued and clarified; the expediency of using the comparative method for the study and manifestation of the peculiarities of production activity in the film-making process of the domestic cultural space is proved. Conclusions. Acquaintance with the materials of this study enriches the arsenal of knowledge about the specifics of the producer's activity in the culture of film production in Ukraine and forms the scientific basis for their use in courses on theory and history of culture, including cinema, production, and directing.

scholarly journals Film producer: European cultural context

2021 ◽  
Author(s):  
Sergey Lavreniuk
Keyword(s):  
Cultural Context ◽  
Mutual Influence ◽  
Comparative Method ◽  
Scientific Basis ◽  
Cultural Economic ◽  
Cultural Space ◽  
Historical Method ◽  
Film Producer ◽  
History Of ◽  
History Of Culture

The purpose of the article is to identify the specifics of the development of the producer's activity in cinema in the context of the European cultural space and to outline the vectors of mutual influence of the producer's activity in the countries of the Eurospace and Ukraine. Methodology. In elaborating the topic, the historical method was used to identify the peculiarities of the origin and development of the profession of film producer under the influence of socio-cultural, economic, political factors, in particular, in Ukraine; analytical method and methods of scientific analysis, comparison, generalization, which came in handy in the process of establishing artistic, production, organizational, managerial, financial and economic features of the film producer in the European cultural space. For the sake of art history and culturological aspects of studying the problem, methods of systematization and analysis were used. The scientific novelty of the study is that the origin of the profession of producer in cinema is considered in the context of both European and Ukrainian cultural space, and has become the subject of a special multi-vector study; the content of the concepts of "film producer", "production system" as specific unique integrity and unity of interconnected elements is argued and clarified; the expediency of using the comparative method to study and manifest the peculiarities of production in the filmmaking process of European and domestic cultural space is proved. Conclusions. Acquaintance with the materials of this study enriches the arsenal of knowledge about the origins of the film producer in the culture of film production in European countries and Ukraine and provides a scientific basis for their use in courses on theory and history of culture, including filmmaking, production and directing.

scholarly journals Producer in the culture of audiovisual production

2021 ◽  
pp. 80-86
Author(s):  
Sergii Lavreniuk
Keyword(s):  
Comparative Method ◽  
Theoretical Method ◽  
Scientific Basis ◽  
Scientific Analysis ◽  
Film Producer ◽  
History Of ◽  
Functional Features ◽  
The Subject ◽  
History Of Culture ◽  
Comprehensive Study

The purpose of the article is to determine the features of functioning and motivation of the film producer in the culture of audiovisual production and to outline scientific vectors that will serve as a comprehensive analysis of the phenomenon of production in the intercultural space. Methodology. In elaborating the topic, a theoretical method was used to typify the functional features of the producer's activity; analytical method and methods of scientific analysis, comparison, generalization, which were useful in the process of establishing the creative and production features of the film producer in the culture of the audiovisual field. For the sake of art history and culturological aspects of studying the problem, methods of systematization and analysis were used. The scientific novelty of the study is that the problem of functioning and motivation of the producer in the context of the culture of audiovisual production has become the subject of a special comprehensive study; the content of the concept of "audiovisual creativity" as a certain specific integrity and unity of interconnected elements is argued and clarified; the expediency of using the comparative method for the study and manifestation of the peculiarities of producer's creativity in the film production process is proved. Conclusions. Acquaintance with the materials of this study, enriches the vast knowledge of the specifics of the producer in the culture of audiovisual production and provides a scientific basis for their use in courses on the theory and history of culture, including filmmaking, production and directing.

scholarly journals Art communication as culture component of production activity

2021 ◽  
Author(s):  
Sergey Lavreniuk
Keyword(s):  
Scientific Basis ◽  
Empirical Method ◽  
Film Production ◽  
Economic Activities ◽  
Historical Method ◽  
Production Activity ◽  
Film Producer ◽  
Production And Distribution ◽  
History Of ◽  
History Of Culture

The purpose of the article is to identify the specifics of art communication in the culture of production both in the process of filmmaking and in the distribution (distribution) of film products. Methodology. The method of theoretical analysis of the culture of production activity as a phenomenon of the postmodern and postmodern epoch was used in the elaboration of the topic; the comparative-historical method was used in the analysis of the evolution of the producer's activity in cinema; empirical method made it possible to address the practical component of film production and distribution as structures of socio-cultural and economic activities aimed at the needs of society; analytical method and methods of scientific analysis, generalizations have come in handy in the process of establishing the specifics of art communication in the context of creative and production aspects of the film producer. The scientific novelty of the study is that the problem of art communication of the producer in the context of his creative and production activities is the subject of a special comprehensive study; the meaning of the concept of "art-communication" as certain specific integrity and unity of interconnected elements is argued and clarified. Conclusions. Acquaintance with the materials of this study enriches the knowledge about the specifics of art communication as a component of the producer's activity in the culture of film production in the process of its evolution and is the scientific basis for their use in courses on theory and history of culture, including cinema, film production, film directing. Keywords: culture, art communication, cinema, film producer, film director, film.

“Reading mysterious Chersonesos writings”. Interactive excursion-play around cultural heritage objects of Byzantine Chersonesos (part 1)

2021 ◽  
pp. 616-631
Author(s):  
L.V. Dmitrieva
Keyword(s):  
Cultural Heritage ◽  
World Views ◽  
Cultural Space ◽  
Russian State ◽  
State Pedagogical ◽  
The World ◽  
History Of ◽  
History Of Culture ◽  
Cultural Heritage Objects ◽  
Partnership Program

The proposed scenario of the interactive excursion-performance is designed for a children's audience of 9–11 years. The route is planned as a tour of the historical and cultural space, and reinvigoration of this Byzantine city. Thus, the excursion content is realized by means of a visual and associative consequence connected with the places of interests artistic artifacts: Christian character images reveal the world views of the medieval culture. The project is part of the academic partnership program of the Russian State Pedagogical University named after A.I. Herzen with the historical and archaeological museum-reserve “Chersonesos Tauric” and is implemented during visiting summer practices of bachelors of the Department of Theory and History of Culture.

scholarly journals Ukrainian pantomime theater through the prism of the synergetic paradigm

2021 ◽  
pp. 100-104
Author(s):  
Bohdan Svarnyk
Keyword(s):  
Cultural Values ◽  
Ordered Structures ◽  
Cultural Space ◽  
Modern Culture ◽  
Historical Method ◽  
History Of Development ◽  
Theoretical Generalization ◽  
History Of ◽  
Effective Development ◽  
Organizational Principles

The purpose of the article is to determine the priority forms of development, conceptual and organizational principles of the existence of domestic pantomime theaters in the conditions of modern socio-cultural space. Methodology. The cultural-historical method was used (to consider the general state of the domestic pantomime culture of the end of the XX – the beginning of the XXI century); synergetic method, thanks to which the historical paradigm of pantomime theater in Ukraine was studied; an art history method that contributed to the analysis of pantomime theater performances in an artistic context and a method of theoretical generalization. Scientific novelty. The specifics of Ukrainian pantomime theaters and their role in the socio-cultural space of the XXI century are studied; identified and analyzed the factors influencing the specifics of the development of Ukrainian pantomime theaters in the context of the transformation processes of the world and domestic socio-cultural space; trends and prospects for the development of the phenomenon of Ukrainian pantomime theater in the XXI century are indicated. Conclusions. The Ukrainian pantomime theater demonstrates unique forms of existence of the cultural text and uses a wide palette of sign-symbolic embodiments of pantomime culture. As a component of modern domestic cultural and artistic space, the Ukrainian pantomime theater is characterized by a wide representation, complex history of development and achievements, and is a significant platform for the translation of traditional socio-cultural values and norms, effective development of various elements of modern culture. At the present stage, the Ukrainian pantomime theater is a broadly chaotic system of contrasting phenomena, which, in turn, are internally ordered structures - schools, each of which declares its own conditions, becoming an independent, self-sufficient system.

scholarly journals Entropy of property in Western and Russian legal doctrine and practice

2021 ◽  
Vol 5 (1) ◽  
pp. 156-172
Author(s):  
M. N. Semyakin ◽  
A. V. Gubareva ◽  
S. P. Stepkin
Keyword(s):  
Property Rights ◽  
Comparative Method ◽  
Negative Consequences ◽  
Legal Doctrine ◽  
Historical Method ◽  
Legal Method ◽  
Positive Assessment ◽  
History Of ◽  
Scientific Results ◽  
Bundle Of Rights

The subject of the study is a phenomenon of an “entropy” of property, its interpretation, socio-economic conditionality, genesis of its development in European and Russian doctrine, reflection of a construct of “separated” property in the legislation. “Entropy” of property is a situation when both entities are owners, but in different areas of relations: the first person is the owner in relation to third parties, and the second-in relation to the first The goal of this scientific research is to find out reasons of the existence of phenomenon of “entropy of property” in European and Russian legal doctrines, to identify common and specific features of this phenomenon. Methodology. The authors use the general scientific method, including dialectics, comparative analysis, formal logic, historical method. A number of specific methods pertaining to the legal science were used as well: the formal dogmatic method was applied for analysis of ownership within the institute of property rights; the logical legal method was applied to study general tendencies of development of the institute of property rights; the legal comparative method was used to study European and Russian legislation on ownership and other property rights. The main scientific results. The Western legal doctrine of “entropy of property” has quite a long history of development, unlike the Russian. Specific features of the Russian doctrine are result of its historical, political and cultural characteristics. The phenomenon of “entropy of property” has both positive and negative consequences, which requires pluralistic approach to its assessment. “Reunification” of ownership rights on the land plot and other objects located on it, is a result of socio-economic and legal factors and deserves positive assessment. Property rights as elements of titular possession are not based only on law, but may be created by contract as well. Conclusions. The European and Russian legal doctrines on the “entropy of property” have both common and specific features. The common features are: existence of “absolute” ownership, limited property rights, trends of reunification of “separated” property etc. The specific features are: absence of “trust” in the Russian legal system; excessive fragmentation of right of ownership as a large “bundle” of rights; absence of situations when one person may simultaneously hold statuses of owner and holder of a limited property right in the Russian legislation.

Habits of Thought and Judgement: E. A. Freeman on Historical Methods

2015 ◽  
Author(s):  
Herman Paul
Keyword(s):  
19Th Century ◽  
Comparative Method ◽  
Philosophy Of History ◽  
Historical Study ◽  
Late 19Th Century ◽  
Source Criticism ◽  
Historical Method ◽  
History Of ◽  
Historical Methods

Why did E. A. Freeman’s The Methods of Historical Study (1886) meet with mostly negative responses from late 19th-century American and Continental European historians? This essay argues that while Freeman adopted the language of ‘historical methods’ that was becoming customary in the 1880s, he did not understand the term to refer to techniques of source criticism, as many of his contemporaries did, but to a comparative method firmly rooted in Thomas Arnold’s unity of history doctrine. Confusingly, then, Freeman’s method promoted a philosophy of history of the kind that, by the 1880s, was increasingly rejected in the name of historical method. It is not without irony, therefore, that The Methods of Historical Study was sometimes mistaken for a methodology manual like Ernst Bernheim’s Lehrbuch der historischen Methode (1889) and as such found wanting by historians interested in the newest techniques of source criticism.

“Reading mysterious Chersonesos writings”. Interactive excursion-play around cultural heritage objects of Byzantine Chersonesos (part 2)

2021 ◽  
pp. 700-711
Author(s):  
L.V. Dmitrieva
Keyword(s):  
Cultural Heritage ◽  
World Views ◽  
Cultural Space ◽  
Russian State ◽  
State Pedagogical ◽  
The World ◽  
History Of ◽  
History Of Culture ◽  
Cultural Heritage Objects ◽  
Partnership Program

The proposed scenario of the interactive excursion-performance is designed for a children's audience of 9–11 years. The route is planned as a tour of the historical and cultural space, and reinvigoration of this Byzantine city. Thus, the excursion content is realized by means of a visual and associative consequence connected with the places of interests artistic artifacts: Christian character images reveal the world views of the medieval culture. The project is part of the academic partnership program of the Russian State Pedagogical University named after A.I. Herzen with the historical and archaeological museum-reserve “Chersonesos Tauric” and is implemented during visiting summer practices of bachelors of the Department of Theory and History of Culture.

scholarly journals The Development of Tarutung Into a City

2021 ◽  
Vol 4 (2) ◽  
pp. 2676-2685
Author(s):  
Pertiwih Siahaan ◽  
Budi Agustono
Keyword(s):  
Historical Analysis ◽  
Historical Sources ◽  
Cultural Elements ◽  
Post Colonial ◽  
Historical Method ◽  
Cultural Aspects ◽  
Military Administration ◽  
History Of ◽  
The Village ◽  
The City

This article discusses the history of the formation of the city of Tarutung. This article answers the problem of how the city of Tarutung developed after the arrival of Western colonialism in the form of religion, military, administration and economy which encouraged the development of Tarutung City. This study uses the historical method through four stages: heuristics (collection of historical sources); verification (source criticism); interpretation (historical analysis and interpretation); and historiography (writing history). Sources as historical data obtained from a number of documents and literature from the colonial to post-colonial period. This study found that the existing Tarutung city was formed into a traditional city which was used as a trading center from a durian tree that grew in the middle of the village with the Batak Toba socio-culture that was implemented before the arrival of Western colonialism. The arrival and colonial influence made the identity of Tarutung City begin to develop both in terms of social, economic, and cultural aspects while maintaining the traditional cultural elements that still exist.

scholarly journals CONCEPT OF SOLUTIONS JOURNALISM MODEL: CONNOTION, FUNCTIONS, FEATURES OF FUNCTIONING

2021 ◽  
Author(s):  
Tetiana Slotiuk ◽  
Keyword(s):  
Comparative Method ◽  
Editorial Policy ◽  
Phenomenological Approach ◽  
Good News ◽  
Historical Method ◽  
History Of ◽  
The Media ◽  
The Difference ◽  
Solutions Journalism ◽  
Constructive Journalism

The article examines the main features, general characteristics and essence of the concept of solutions journalism. The basic principles of functioning of this model of journalism in the western press and in Ukraine are given. The list and features of activity of the organizations, institutes and editorial offices supporting development of journalism of solutions journalism. The purpose of the publication is to describe the Solutions Journalism model: its features, characteristics and features of functioning, to find out the difference in the understanding of the concept of «solutions journalism» and «constructive journalism» in general. The task of the publication was to conceptualize the main trends in the development of solutions journalism in the Western and Ukrainian information space; show the main characteristics, formats of functioning and analyze the features of the concepts of «solutions journalism» and «constructive journalism». Applied research methods: at the stage of research of the history of formation of the concept of Solutions Journalism the historical method is used. The hermeneutic method of research helped in the interpretation of basic concepts, the phenomenological approach was applied in the context of considering the essence of the phenomenon of solutions journalism. At the stage of generalization of the features of the concepts of Solutions Journalism and «constructive journalism» a comparative method was used, which gave an understanding of the common components in their essence. The method of analysis allowed to expand the understanding of the purpose of Solutions Journalism as a type of social journalism and its main tasks. With the help of synthesis it was possible to comprehensively understand the concept of Solutions Journalism and understand its features. In Ukraine, this type of journalism is just emerging, but its introduction into the editorial policy of the media may have a national importance. These are regional and local media that can inform their communities about the positive solution of certain problems in other communities, and thus thanks to this model can save local journalism. In the scientific context, there is a need to outline the main differences in the understanding of the concepts of decision journalism and constructive journalism, to understand the socio-psychological need to create good news.

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