scholarly journals Polish music press in the face of systemic change in 1989 as an example of cultural transformation in post-communist countries

Author(s):  
Konrad Tyszka ◽  
Michał Jagosz

The systemic transformation has significantly increased and diversified the music press market. Liquidation of the monopoly, privatization, censorship abolition and media pluralism are just some of the factors that contributed to shaping new cultural policy in Poland. The research material used for this paper’s analytical purposes consists of Polish music magazines; based on a query covering over 110 journals being published since 1946 to the present, a historical and comparative analysis was made. It allowed to determine what new solutions the publishers started to put into practice to make their magazines more attractive. Moreover, it showed a clear fragmentation of the market. After ’89, popular music magazines began to prevail; there are also many specialist journals devoted to a specific topic. A look at cultural transformation from the perspective of the music press is therefore an innovative idea, combining knowledge from the borderline of musicology, cultural studies, and press studies.

2021 ◽  
Vol 30 ◽  
pp. 239-258
Author(s):  
Krzysztof Nowak

Nicolae Ceauşescu’s Diplomacy in the Face of Political Changes in Poland in 1989 In 1989, Romania belonged to the communist countries, which particularly strongly attacked communist Poland for carrying out democratic reforms. For many months the diplomacy of communist leader Nicolae Ceaşescu tried to organize a conference of socialist countries on the subject of Poland, but as a result of Moscow’s opposition it did not come to fruition. During the Gorbachev era, the Soviet Union rejected the Brezhnev doctrine, while Romania actually urged its restoration. This was in contradiction with the current political line of Ceauşescu in favor of not interfering in the internal affairs of socialist countries. However, in 1989 it was a threat to communism, which is why historians also have polemics about Romanian suggestions for the armed intervention of the Warsaw Pact in Poland. In turn, Romania did not allow Poland to interfere in the problems of the Polish minority in Bukovina.


2007 ◽  
Vol 12 (2) ◽  
pp. 84-98 ◽  
Author(s):  
David Clark

The immediate postwar in Europe was characterised by collective amnesia concerning where Jews had lived prior to the Holocaust. By the 1970s and mid-1980s, there was a revival of interest in residential areas, synagogues and cemeteries connected with a Jewish past, right throughout Europe, including former communist countries in the 1990s. This resulted in much renovation and the attempt to provide new uses for such sites as museums and cultural centres.My paper focuses on the shift in emphasis from the need to preserve such sites as places of memory to an increasing concern with other issues. Such issues range from tourism promotion to the promotion of multiculturalism. This emphasis on preparing the younger generation for a future in a new multicultural state provides much of the motivation for central and local government to lend support to such initiatives, whether in Sweden, Germany or Italy, for instance.The paper focuses on the Jewish Museum in Bologna, where I conducted fieldwork between 1999 and 2002. The study illustrates the mix of policy objectives involved, such as heritage preservation, urban regeneration, cultural policy and educational objectives. The theoretical discussion seeks to combine Clifford's notion of the museum as a contact zone (Clifford, 1997) with Foucault's notions on discourse formation (Foucault, 1972). In the process, the analysis of the museum's political economy extends beyond the four walls of the museum into the adjoining space of the ghetto and the city.


2017 ◽  
Vol 21 (4) ◽  
pp. 435-452 ◽  
Author(s):  
Paul Leduc Browne

Why do so many people remain so passive in the face of today’s massive, looming economic, political, and ecological crises, such as climate change? Despite some notable rhetorical and regulatory examples, attempts to stem climate change have, as a rule, not come to frame the activities of most citizens. The inability to confront the imperative of social transformation today is a complex, manifold problem. At root, it has to do with fundamental systemic features of a global social system that we all contribute to reproducing in our everyday lives. While these features do not preclude political engagement, innovation, and action, they do undermine the bases of movements towards truly systemic transformation. This article focuses on one such feature, reification, as a social-structural foundation of passivity that impedes the social innovations required to tackle the climate crisis.


2020 ◽  
Vol 6 (3) ◽  
pp. a7en
Author(s):  
Eduardo Romprê Xerente ◽  
Klecius Eufrasio Xavier ◽  
Adriane Feitosa Valadares ◽  
Yusely Capote Sanches Sanches ◽  
Ana Kleiber Pessoa Borges

The objective of this study was to analyze in the scientific literature the influence of the cultural transformation of the indigenous population and its influence on health in the face of the COVID 19 pandemic. A bibliographic survey was carried out on the Virtual Health Library (VHL) website, using the descriptors: “culture in health ”AND“ indigenous population ”AND“ COVID 19 pandemic ”. 13 articles were selected that met the inclusion criteria. From the studies analyzed, it was noted that indigenous peoples suffer a lot of cultural and health influences from the surrounding society, due to the intense contact with white men. Thus, the emergence of diseases until then did not exist among them: parasitic, pulmonary infectious diseases (tuberculosis, pneumonia, flu), STI / AIDS and COVID 19.


2007 ◽  

In December 1945 the "L'Approdo" transmissions were launched at the RAI headquarters in Florence. The radio programme, one of the most important in Italy at the time, went on the air up to 1977, being accompanied from 1952 by a magazine and from 1963 to 1972 by a television programme. The three parallel cultural "enterprises" boasted an impressive number of important collaborators, gravitating around the decisive figure of Carlo Betocchi as leader and organiser. Nevertheless, despite its significance, even the adventure of "L'Approdo" was destined to die. When the transmissions and the publication of the magazine ceased, an entire cultural élite had to come to terms not only with the objective difficulties, but with a crisis of trust and of commitment in the face of what were now irreversible changes in the country. Yet – precisely because "L'Approdo" had battled for an approach that was destined to become minority with the triumph of the new media society – the retrieval of its history and the reconstruction through voices, pages and images of one of the first examples of encounter and mediation between culture and communication appears particularly significant. The methods and the emphatic planning of the entire experience emerge clearly from the first issue of the magazine, produced here in anastatic reprint, and above all from the enclosed CD-Rom which proposes, along with the tables of contents of "L'Approdo", the files and records of the entire correspondence (over 20,000 unpublished pieces) and details of the surviving scripts of the transmissions… In short, we finally have at our disposal material that enables us to reconstruct – through the traces of a programme and a magazine and of the intellectuals who collaborated on them – thirty years of culture and utopia, of compromise and enthusiasm, clustered around the birth, growth and death of an articulated project of "cultural policy".


2021 ◽  
Vol 2 (1) ◽  
pp. 110-115
Author(s):  
Oleksandr Nosyriev ◽  
Tetiana Bukina

The article considers the issues of changing accents and cultural transformation in Ukraine, Great Britain and other European countries. In recent years, Ukraine has seen an active revival in the cultural sphere. From publishing to music, from film production to theater, from fashion to curatorial exhibitions – the Ukrainian cultural environment has become bold, diverse and large-scale. Euromaidan has given impetus to a powerful wave of cultural activism: from discussion platforms to spontaneous exhibitions, from urban regeneration projects to volunteer groups seeking to protect dilapidated national heritage sites. The impetus for it was the dynamism of the Ukrainian creative community. And further development became possible thanks to the support of new state cultural institutions. These institutes emerged after Euromaidan, such as the Ukrainian Cultural Foundation, the Ukrainian Book Institute, and the Ukrainian Institute. Institutions with a long history, such as the State Agency of Ukraine for Cinema, have strengthened their positions. The creation of these new institutions marked the departure from the post-Soviet system of cultural management. And the transition to a consistent and comprehensive cultural policy. The main thing is that the creation of a new system of culture in Ukraine has helped to bridge the gap between the state and cultural activists and the creative sector. One of the most important problems of the cultural sector in Ukraine for the last 25 years is funding. This problem is also relevant for the United Kingdom. But when it comes to finding resources for artists and cultural institutions, British policy has a respectable tradition and a number of successful answers. Support for the arts by both the state and business seems to be a matter of course for the British. At the same time, the idea of the self-worth of art is also supported by the idea of its social significance, as well as the perception of art as a primary source of creativity, innovative development, creative industry. The relationship between the European Union and the society of Ukraine is already yielding some results in the context of ensuring the democratic and European development of the state. For the successful implementation of European integration in Ukraine, it is necessary to apply such mechanisms that will ensure coordinated management of social processes of the state in the direction of European integration. The main mechanism is cultural policy, which should be aimed at regulating the regulatory framework. And the application of regulations in practice. This will allow culture to take a leading position on the path to national modernization. Legislation should be a mechanism for achieving goals, and the main thing should remain that the person should be at the center of cultural policy of the state. Given the experience of the United Kingdom, the formation of Ukraine's cultural policy should be based on the idea of the all-encompassing impact of culture on modern society. Accordingly, such a policy, being aimed at the cultural sector, effectively affects all spheres of public life. Consistent support for culture at the financial and fiscal, legislative and executive, national and local levels should, above all, be based on an awareness of the value of culture. Culture enriches people's lives, changes their worldview and inspires creativity. In the social dimension, its impact has the most significant impact on education, health and cohesion.


Author(s):  
Yasar Kondakci ◽  
Merve Zayim-Kurtay

This chapter aims to elaborate on the leadership properties in the transformation in higher education across the world by advancing specific illustration from the Turkish higher education context. Three specific objectives were identified around this broad aim: (1) document the current forces of change surrounding HEIs, (2) identify the culture shift in HEIs, and (3) provide literature-based evidence for the leadership gap in the face of culture shift and develop preposition for academic leadership. Higher education institutions (HEIs) form one of the sectors which has been drastically affected from the trends and developments in the economic, political, social, and technological spheres and responded to these change forces by radical transformations that have touched their traditional and historical value systems. This chapter argues that HEIs need leadership practices to survive the crisis and conflict era successfully, which carry some properties of transformational leadership while holding the traditional academic leadership perspective.


1997 ◽  
Vol 15 (3) ◽  
pp. 249-276 ◽  
Author(s):  
Anne E. Kane

Though the process of meaning construction is widely recognized to be a crucial factor in the mobilization, unfolding, and outcomes of social movements, the conditions and mechanisms that allow meaning construction and cultural transformation are often misconceptualized and/or underanalyzed. Following a “tool kit” perspective on culture, dominant social movement theory locates meaning only as it is embodied in concrete social practices. Meaning construction from this perspective is a matter of manipulating static symbols and meaning to achieve goals. I argue instead that meaning is located in the structure of culture, and that the condition and mechanism of meaning construction and transformation are, respectively, the metaphoric nature of symbolic systems, and individual and collective interpretation of those systems in the face of concrete events. This theory is demonstrated by analyzing, through textual anlaysis, meaning construction during the Irish Land War, 1879–1882, showing how diverse social groups constructed new and emergent symbolic meanings and how transformed collective understandings contributed to specific, yet unpredictable, political action and movement outcomes. The theoretical model and empirical case demonstrates that social movement analysis must examine the metaphoric logic of symbolic systems and the interpretive process by which people construct meaning in order to fully explain the role of culture in social movements, the agency of movement participants, and the contingency of the course and outcomes of social movements.


2011 ◽  
Vol 35 (2) ◽  
pp. 147-158 ◽  
Author(s):  
Rasa Čepaitienė

The article deals with several problematical units concerned with commercialization of the past in the postindustrial, postmodern consumer societies. Primarily, the process of the commercialization of urban centres – especially old historical cities and their images – is analysed in the context of contemporary global culture economics; also, questions regarding forms and shapes this process assumes are raised. Secondly, the consideration regarding the meaning of this process is given, in other words, what is it telling about the condition of our society and attitudes towards the past? Undoubtedly, an adequate assessment of the knowledge of socio-economic tendencies, which have to cope with cities influenced by neoliberalism, is very important and relevant to post-colonial and post-communist countries, which, like Lithuania, are still seeking for their identity in the face of economical and cultural globalization challenges. Santrauka Straipsnyje siekiama panagrinėti keletą su praeities suprekinimu susijusių probleminių blokų postindustrinėse, postmoderniose vartotojiškose visuomenėse. Pirma, analizuojama, kaip šiuolaikinės globaliosios kultūros ekonomikos kontekste vyksta urbanistinių centrų ir ypač senųjų istorinių miestų bei jų įvaizdžių komercializacijos procesas, kokias formas bei pavidalus jis įgauna. Ir, antra, svarstoma, ką tai galėtų reikšti, kitaip tariant, ką tai sako apie pačią mūsų visuomenės būklę ir požiūrį į praeitį. Neabejojama, kad adekvatus socioekonominių tendencijų, su kuriomis susiduria neoliberalizmo veikiami miestai, pažinimas yra itin aktualus pokolonijinių ir pokomunistinių šalių visuomenėms, kurios, kaip kad Lietuva, vis dar ieško savojo tapatumo susidurdamos su ekonominės ir kultūrinės globalizacijos iššūkiais.


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