La costruzione europea e la questione tedesca nell'opera di Norbert Elias

2012 ◽  
pp. 139-154
Author(s):  
Adele Bianco
Keyword(s):  
Cultural Identity ◽  
The Other ◽  
Social Phenomenon ◽  
The European Union ◽  
European Continent ◽  
The Past ◽  
National Differences ◽  
Norbert Elias ◽  
The Future ◽  
Cultural Entity

In reviewing the work of Norbert Elias, this essay on one hand examines the way he represented building Europe as a geo-political and cultural entity, and on the other extracts elements that may help understand the present evolution of the European structure. According to Elias, building Europe was a social phenomenon that, psychologically, conformed and minimized national differences creating a European cultural identity; sociologically, the territorial matters and political-institutional conformations of the European continent became particularly relevant. In this context, Germany's position appears to be continuously defined: in the past, as a historic and political entity. Today and for the future of Europe, is it in terms of an economic, financial and productive center, as attested by the debate regarding the future of the Euro and the European Union, that has been ongoing since the economic crisis started in 2007.

‘Newness which never perishes’? Schoenberg’s ambivalent reception of Haydn

2010 ◽  
Vol 51 (1-2) ◽  
pp. 215-224
Author(s):  
Alexander Carpenter
Keyword(s):  
The Other ◽  
Major Influence ◽  
Musical Style ◽  
The Past ◽  
Other Hand ◽  
The Future ◽  
Music Tradition

This paper explores Arnold Schoenberg’s curious ambivalence towards Haydn. Schoenberg recognized Haydn as an important figure in the German serious music tradition, but never closely examined or clearly articulated Haydn’s influence and import on his own musical style and ethos, as he did with many other major composers. This paper argues that Schoenberg failed to explicitly recognize Haydn as a major influence because he saw Haydn as he saw himself, namely as a somewhat ungainly, paradoxical figure, with one foot in the past and one in the future. In his voluminous writings on music, Haydn is mentioned by Schoenberg far less frequently than Bach, Mozart, or Beethoven, and his music appears rarely as examples in Schoenberg’s theoretical texts. When Schoenberg does talk about Haydn’s music, he invokes — with tacit negativity — its accessibility, counterpoising it with more recondite music, such as Beethoven’s, or his own. On the other hand, Schoenberg also praises Haydn for his complex, irregular phrasing and harmonic exploration. Haydn thus appears in Schoenberg’s writings as a figure invested with ambivalence: a key member of the First Viennese triumvirate, but at the same time he is curiously phantasmal, and is accorded a peripheral place in Schoenberg’s version of the canon and his own musical genealogy.

Euro-English: A Swedish perspective

English Today ◽  
2003 ◽  
Vol 19 (2) ◽  
pp. 35-41 ◽  
Author(s):  
Marko Modiano
Keyword(s):  
European Union ◽  
Native Speakers ◽  
Native Speaker ◽  
The Other ◽  
The European Union ◽  
Lingua Franca ◽  
European Continent

This survey considers the emergence of English as a language shared across the European Union in particular and the European continent at large, and together with its distinctive ‘lingua franca’ dimension among the mainland European nations. It considers in particular the situation of ‘non-native speakers’ who regularly use the language as well as the concept of a ‘Euro-English’ in general and the Swedish, ‘Swenglish’ and English relationship on the other. It concludes by considering the liberation of non-native users from ‘the beginning of native-speaker norms’.

scholarly journals Anti-Memorials and the Art of Forgetting: Critical Reflections on a Memorial Design Practice

2008 ◽  
Vol 15 ◽  
Author(s):  
SueAnne Ware
Keyword(s):  
Human Activity ◽  
The Other ◽  
Complex Spectrum ◽  
Design Practice ◽  
Design Work ◽  
The Past ◽  
Heroin Overdose ◽  
The Future ◽  
Changes Over Time ◽  
Over Time

Andreas Huyssen writes, ‘Remembrance as a vital human activity shapes our links to the past, and the ways we remember define us in the present. As individuals and societies, we need the past to construct and to anchor our identities and to nurture a vision of the future.’ Memory is continually affected by a complex spectrum of states such as forgetting, denial, repression, trauma, recounting and reconsidering, stimulated by equally complex changes in context and changes over time. The apprehension and reflective comprehension of landscape is similarly beset by such complexities. Just as the nature and qualities of memory comprise inherently fading, shifting and fleeting impressions of things which are themselves ever-changing, an understanding of a landscape, as well as the landscape itself, is a constantly evolving, emerging response to both immense and intimate influences. There is an incongruity between the inherent changeability of both landscapes and memories, and the conventional, formal strategies of commemoration that typify the constructed landscape memorial. The design work presented in this paper brings together such explorations of memory and landscape by examining the ‘memorial’. This article examines two projects. One concerns the fate of illegal refugees travelling to Australia: The SIEVX Memorial Project. The other, An Anti-Memorial to Heroin Overdose Victims, was designed by the author as part of the 2001 Melbourne Festival.

(B) Liberating the Past from the Future

2009 ◽  
pp. 95-102
Author(s):  
Andrew Targowski
Keyword(s):  
Human Development ◽  
The Other ◽  
Information Communication ◽  
The Past ◽  
Intrinsic Values ◽  
Other Hand ◽  
Communication Processes ◽  
The Future

The purpose of this chapter is to define intrinsic values of information-communication processes in human development. The development of civilization depends upon the accumulation of wisdom, knowledge and cultural and infrastructural gain. Man is prouder of his heritage than of that which he can eventually achieve in the future. The future is often the threat of the imminent unknown, something that can destroy our stability, qualifications and position within society. On the other hand, the “future” is also the hope of the desperate for a better life.

The Limited Compatibilism of Epiphenomenalism with Responsibility

2020 ◽  
pp. 413-434
Author(s):  
Michael S. Moore
Keyword(s):  
The Other ◽  
General Control ◽  
Past Event ◽  
The Past ◽  
Hard Determinism ◽  
The Future

The second response to the epiphenomenal challenge is to deny that epiphenomenalism has any implications that are skeptical of responsibility. Such a compatibilist response is seemingly ruled out by adopting the classical compatibilist response to the challenge of hard determinism. Whether this is in fact so is explored in this chapter, the thesis being that in a certain range of cases we are responsible for effects that we do not cause so long as those effects are on one horn of an epiphenomenal fork the existence of which we know and the other horn of which we can control. Because such responsibility across the horns of an epiphenomenal fork can involve control of the past, and because a general control of the past to the extent that we can control the future is implausible, some care is taken to limit the scope of what in the past we can control by our present decisions. These limits are cast in terms of there being a strong necessitation of a past event by a present decision which necessitation is known to the actor as he acts to make it have been the case that such past event occurred.

Reclaiming the Past, Building a Future: Māori Identity in the Plays of Hone Kouka

2001 ◽  
Vol 26 (1) ◽  
pp. 15-24 ◽  
Author(s):  
William Peterson
Keyword(s):  
Twentieth Century ◽  
New Zealand ◽  
World War I ◽  
The Other ◽  
World War ◽  
The Past ◽  
Aotearoa New Zealand ◽  
Rural And Urban ◽  
The Future ◽  
The 1960S

Hone Kouka's historical plays Nga Tangata Toa and Waiora, created and produced in Aotearoa/New Zealand, one set in the immediate aftermath of World War I, and the other during the great Māori urban migrations of the 1960s, provide fresh insights into the way in which individual Māori responded to the tremendous social disruptions they experienced during the twentieth century. Much like the Māori orator who prefaces his formal interactions with a statement of his whakapapa (genealogy), Kouka reassembles the bones of both his ancestors, and those of other Māori, by demonstrating how the present is constructed by the past, offering a view of contemporary Māori identity that is traditional and modern, rural and urban, respectful of the past and open to the future.

History as trauma and the possibility of the future: Theo Angelopoulos’ Voyage to Cythera

2019 ◽  
Vol 5 (1) ◽  
pp. 3-19 ◽  
Author(s):  
Sean Homer
Keyword(s):  
Civil War ◽  
Traumatic Event ◽  
Psychoanalytic Theory ◽  
Narrative Structure ◽  
The Other ◽  
Political Prisoners ◽  
Cultural Trauma ◽  
Fundamental Characteristic ◽  
The Past ◽  
The Future

Theo Angelopoulos has described Taxidi sta Kythira (Voyage to Cythera) (1984) as an attempt to ‘exorcise the past’ and offer the Greek audience a possibility to face the future without the traumas of the past. This article explores the question of the extent to which we can exorcise the past and asks if a future is possible without acknowledging the traumas of the past. Drawing upon cultural trauma theory, the article analyses the Greek Civil War (1946‐49) as a cultural trauma for the Greek Left, especially concerning the recognition of political prisoners and exiles. Psychoanalytic theory, on the other hand, suggests that a fundamental characteristic of trauma is the un-representability of the event itself, as a traumatic event is only known through its persistent reiterations. Through its multi-layered narrative structure and aesthetic strategies of deferral and displacement Voyage to Cythera stages the trauma of the Greek Civil War for both the returning exiles and the generation that followed. As a representation of presence through absence, the article considers Voyage to Cythera in terms of Thomas Elsaesser’s concept of the parapractic text and Max Silverman’s notion of palimpsestic memory whereby the film does not exorcise the past as such but reveals a past haunting the present. The article concludes with the reflection that a traumatic past has a tendency to return however much we may wish to lay it rest.

scholarly journals International Community’s Approach to Western Balkans: In Search of Stability and Security

2019 ◽  
Vol 25 (85) ◽  
pp. 64-88
Author(s):  
Janez Juvan
Keyword(s):  
European Union ◽  
International Institutions ◽  
Holistic Approach ◽  
International Community ◽  
The European Union ◽  
Western Balkans ◽  
The Past ◽  
The Future ◽  
The Usa ◽  
The Stability

Abstract The article presents research on the international community’s engagement in the countries of the Western Balkans in the past and their possible approach in the future. The focus of our research is on the functioning of mechanisms through which the international community performs certain tasks in the region. These interventions are primarily political, in the form of conferences, political programmes, consultations, pressures and continuous persuasion. Economic initiatives follow afterwards. By using different reform approaches, international institutions try to improve cooperation with the European Union (EU) and countries such as the USA, Russia, Turkey and China. Our research attempts to identify possible methods and new solutions for individual cases of conflict in Western Balkans countries, especially where the international community is actively involved. On this basis, we created a more holistic approach. The application of these measures could make the necessary reforms of the future easier. Our approach emphasises all the elements of security that are essential to the stability of the region and for the prevention of conflicts in the future.

scholarly journals CHARACTERISTICS OF MADURA JAMU HERBALIST AND TRADITIONAL VALUE PRESERVATION

2020 ◽  
pp. 1
Author(s):  
Sri Ratnawati
Keyword(s):  
Herbal Medicine ◽  
Cultural Identity ◽  
Cultural Values ◽  
Cultural Preservation ◽  
Traditional Values ◽  
Modern Times ◽  
The Past ◽  
The Future ◽  
Transmission Of Values ◽  
Value Preservation

Compounding herbal medicine that lives in modern times does not automatically release the traditional cultural values ??that have become a hereditary convention, which includes the value of folklore as a spirit of life. They continue to make new innovations to adjust to their times. Innovation does not mean eliminating traditional values, but through traditional change begins. This is done not by setting aside traditional systems that have taken root for decades, but instead by using cultural thinking and traditional values ??tools to direct the vision, mission of Madura herbal medicine from the past to the future. The herbalist of Madura herbal medicine as an agent who sees the importance of putting Madurese cultural values ??on every practice of making Madura herbal medicine. Local cultural values, such as genealogy, oral transmissions and folklore values ??have long given a color to Madura herbal medicine. This means, that the practice of making Madura herbal medicine, is one of the potential local wisdom traditions for the preservation of regional cultural identity in Indonesia.  Keywords: herbal medicine, herbalist, local wisdom, transmission of values, cultural preservation

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