scholarly journals A FORMAÇÃO IDENTITÁRIA DO IMIGRANTE EM GAROTA, TRADUZIDA, DE JEAN KWOK

2020 ◽  
Vol 2 (9) ◽  
Author(s):  
Victória Bezerra
Keyword(s):  
Stuart Hall ◽  
Benedict Anderson

O romance Garota, traduzida, de Jean Kwok é uma apropriação contemporânea do bildungsroman e narra a trajetória de uma imigrante chinesa nos EUA. O presente artigo tem como objetivo analisar a reconfiguração identitária da protagonista, na perspectiva do modelo de aculturação bidimensional de John Berry (2004), dos estudos de Stuart Hall (2003) e Dennys Cuche (1999) acerca da identidade cultural e das considerações de Benedict Anderson (2008) sobre a identidade nacional.

scholarly journals Território e torcida: entre tons e sons na identidade da nação rubro-negra

2017 ◽  
Vol 4 (3-I) ◽  
pp. 23
Author(s):  
Cláudia Nandi Formentin ◽  
Jussara Bittencourt De Sá
Keyword(s):  
Stuart Hall ◽  
Benedict Anderson

Ao estudar as manifestações culturais observamos o futebol como instigante objeto/lugar para a pesquisa sobre o território e a constituição do povo.  Nesse contexto, o artigo ora proposto tem como objetivo norteador, analisar a construção do imaginário do território e do povo em discursos relacionados ao Clube de Regatas Flamengo.  Especificamente, procuramos identificar a presença de território nos objetos analisados e verificar a presença da identidade do torcedor enquanto parte de uma nação nos referidos objetos. Como objetos de pesquisa foram definidos textos dos blogs de Arthur Muhlemberg, torcedor do Flamengo e de Rica Perrone, não torcedor do Flamengo; e a música Saudades do Galinho, de Moraes Moreira. A análise se deu a partir do referencial teórico formado por autores como: Michel Maffesoli (2007) no tocante ao imaginário, Benedict Anderson (2008), Stuart Hall (2006, 2011), Eric Hobsbawm (2008) na abordagem sobre identidade e nação.

scholarly journals IDENTIDADE, GAUCHISMO E OS AVESSOS DA HISTÓRIA EM CONTOS GAUCHESCOS, DE SIMÕES LOPES NETO

2017 ◽  
Vol 1 (54) ◽  
pp. 234
Author(s):  
Cristiane Da Silva Alves
Keyword(s):  
Stuart Hall ◽  
Benedict Anderson

Partindo dos estudos de Benedict Anderson e de Stuart Hall, entre outros, este artigo busca analisar alguns aspectos da construção identitária do gaúcho, conforme foi consolidada ao longo do tempo pelo imaginário e pela literatura. Para tanto, relembra-se alguns momentos e obras em que o homem dos pampas ganha destaque para, em seguida, examinar os Contos Gauchescos, de João Simões Lopes Neto, verificando especialmente o modo como o autor constrói ficcionalmente o gaúcho, filiando-se à tradição regionalista e, ao mesmo tempo, rompendo com esta.

scholarly journals Impasses no modernismo drummondiano

Navegações ◽  
2021 ◽  
Vol 14 (1) ◽  
pp. e37603
Author(s):  
Mariane Pereira Rocha ◽  
Ariane Avila Neto De Farias ◽  
Ânderson Martins Pereira
Keyword(s):  
Carlos Drummond De Andrade ◽  
De Se ◽  
Stuart Hall ◽  
Benedict Anderson

Essa pesquisa visa entender o conceito de nação na poesia de Carlos Drummond de Andrade, principalmente na década de 1930, quando o poeta era fortemente influenciado pelo movimento modernista — conhecido pela sua valorização àquilo que era nacional. Para isso, analisamos os poemas: “Também já fui brasileiro” e “Europa, França e Bahia” de Alguma poesia (1930), a partir das questões sobre nação e nacionalismo levantadas por Benedict Anderson (2008). Além disso, em um segundo nível de análise, buscar-se-á entender a relação que o poeta determina entre o global e o local, considerando as reflexões estabelecidas por Stuart Hall (2014). Para tanto, selecionamos os poemas “Cidadezinha qualquer”, também de Alguma poesia (1930), e “Confidência do Itabirano” de Sentimento do mundo (1940). A partir destas análises, evidenciam-se algumas contradições no eu-lírico drummondiano que, frequentemente, parece não ser capaz de se identificar nem com seu país, nem com os demais lugares; refletindo sempre um desencontro com seu tempo, característica que conforme lembramos, é uma das marcas da poesia do poeta mineiro.

Representasi Moralitas Dalam Iklan Teh Botol Sosro Versi “Semeja Bersaudara”

2020 ◽  
Vol 26 (1) ◽  
pp. 48-59
Author(s):  
Aji Sulistyo
Keyword(s):  
Social Life ◽  
Human Action ◽  
Moral Values ◽  
Religious Communities ◽  
The Public ◽  
Television Advertisement ◽  
Stuart Hall ◽  
The Media ◽  
Promotional Messages ◽  
Social Messages

Television advertisement is an effective medium that aims to market a product or service, because it combines audio and visuals. therefore television advertisement can effectively influence the audience to buy the product or service. Advertisement nowadays does not only convey promotional messages, but can also be a medium for delivering social messages. That is one form of the function of the media, which is to educate the public. The research entitled Representation of Morality in the Teh Botol Sosro Advertisement "Semeja Bersaudara" version analyzed the morality value in a television advertisement from ready-to-drink tea producers, Teh Botol Sosro entitled "Semeja Bersaudara" which began airing in early 2019. In this study researchers used Charles Sanders Peirce's Semiotics theory with triangular meaning analysis tools in the form of Signs, Objects and Interpretations. In addition, researchers also use representation theory from Stuart Hall in interpreting messages in advertisements. The results of this study found that the "Semeja Bersaudara" version of Teh Botol Sosro advertisement represented a message in the form of morality. There are nine values of morality that can be taken in this advertisement including, friendly attitude, sharing, empathy, help, not prejudice, no discrimination, harmony, tolerance between religious communities and cross-cultural tolerance. The message conveyed in this advertisement is how the general public can understand how every human action in social life has moral values, so that the public can understand and apply moral values in order to live a better life.

Challenging the Terms of Order: Representations of the Detroit Rebellions, 1967–1968

2015 ◽  
Vol 2 (1) ◽  
Author(s):  
Jordan T. Camp
Keyword(s):  
State Violence ◽  
Rapid Expansion ◽  
Capitalist Development ◽  
Civil Structures ◽  
Us History ◽  
Political Struggles ◽  
Stuart Hall ◽  
The Relationship ◽  
The City ◽  
John Clarke

While many analysts have commented on the representation of 1968 campus events and antiwar demonstrations, less attention has been paid to the global significance of the dramatic struggles in industrial Detroit during the period. The meanings of events in the city were intensely fought over. As Stuart Hall, Chas Critcher, Tony Jefferson, John Clarke, and Brian Roberts observed, the events of 1968 were “an act of collective will, the breaks and ruptures stemming from the rapid expansion in the ideology, culture and civil structures of the new capitalism . . . in the form of a ‘crisis of authority.’” In Detroit the crisis of authority was expressed in the form of popular political struggles against racism, state violence, and the contradictions of life in the industrial capitalist city. This article asks and answers the following research questions about the struggle over the meaning of this decisive turning point in US history: What was the relationship between racial ordering, uneven capitalist development, and mass antiracist and class struggles? How did Black working-class organic intellectuals resist and alter hegemonic definitions of the situation? How are the dialectics of insurgency and counterinsurgency to be best theorized during this precise historical conjuncture? 

Kegagalan Tokoh Riano dalam Mempertahankan Kestatisan Identitas Gender

2019 ◽  
Vol 1 (2) ◽  
pp. 125-138
Author(s):  
Ery Agus Kurnianto
Keyword(s):  
Love Story ◽  
Stuart Hall

Identitas gender seseorang, baik laki-laki maupun perempuan, menjadi dinamis karena faktor lingkungan yang ada di sekitarnya. Kedinamisan identitas gender menunjukkan bahwa identitas diri seseorang bukanlah sesuatu yang bersifat absolut. Hal tersebut terepresentasi dalam novel Boy-Boy Love Story karya Salsa Ivy. Makalah ini akan membahas kegagalan tokoh Riano pada novel Boy-Boy Love Story karya Salsa Ivy dalam mempertahankan kestatisan identitas gendernya. Tujuan makalah ini adalah mendeskripsikan kegagalan tokoh Riano dalam mempertahankan kestatisan identitas gendernya. Teori identitas Stuart Hall, yaitu identitas sebagai proses being dan becoming yang tidak pernah statis dan akan selalu berubah, akan digunakan sebagai titik tolak untuk mengungkapkan kegagagalan tokoh  Riano dalam mempertahankan kestatisan identitas gendernya. Hasil kajian terhadap novel ini menunjukkan bahwa kegagalan tokoh Riano dalam mempertahankan identitas gendernya karena faktor lingkungan. Kegagalan tersebut juga disebabkan tokoh Riano tidak memiliki keberanian untuk melakukan perlawanan terhadap kekuasaan yang ada di sekitarnya lingkungannya.

REPRENSENTASI MASKULINITAS DALAM CERITA RAKYAT JAMBI BUKIT PERAK

2018 ◽  
Vol 6 (1) ◽  
pp. 18-28
Author(s):  
Mia Purwanti
Keyword(s):  
Stuart Hall

Penelitian ini merupakan kajian tekstual yang bertujuan untuk menganalisis representasi maskulinitas dalam cerita rakyat Jambi, Bukit Perak. Sumber data penelitian adalah buku bacaan cerita rakyat yang diterbitkan oleh Kementerian Pendidikan dan Kebudayaan. Penelitian menggunkan metode kualitatif untuk mencari kualitas maskulinitas yang tereprensentasikan pada cerita rakyat dan masa tersebut. Teori representasi Stuart Hall menjadi landasan teori penelitian yang didukung oleh konsep tujuh area maskulinitas menurut Janet Saltzman Chafetz. Hasil penelitian menunjukan tujuh area maskulinitas tersebut, terepresentasikan didalam cerita rakyat Jambi, Bukit Perak yakni: 1). penampilan fisik: bertubuh tegap, tampan dan gagah berani; 2). fungsional: memposisikan dirinya sebagai pencari nafkah atau penyedia; 3). agresif seksual: menarik lawan jenis, agresif, bertutur kata hangat, dan perhatian; 4). emosi: dapat mengontrol emosi dan mengutarakan keinginannya dengan baik dan bijaksana; 5). intelektual: pemikiran rasional, cerdas, mampu merencanakan dan memecahkan masalah; 6). interpersonal: memimpin, tegas, peduli, bertanggung jawab dan mendominasi; 7). karakter personal lainnya: pelindung, khawatir terhadap sosok perempuan, kompetitif, dan berjiwa petualang.

WAYANG KULIT PURWA LAKON RAMA TAMBAK: SANGGIT DAN WACANA KEKUASAAN SOEHARTO

2018 ◽  
Vol 7 (1) ◽  
Author(s):  
Darmoko Darmoko
Keyword(s):  
Benedict Anderson ◽  
Wayang Kulit

Wayang kulit purwa dari masa ke masa dipergunakan oleh kekuasaan sebagai media propaganda politik. Simbol-simbol dalam wayang kulit purwa dimanfaatkan oleh penguasa untuk mempengaruhi masyarakat agar mengikuti  nilai-nilai yang telah dirancang dalam sebuah pertunjukan wayang kulit purwa. Ketika presiden Soeharto berkuasa wacana kekuasaan tergambar dan berkelindan di dalam pergelaran. Pergelaran wayang kulit purwa lakon Rama Tambak, tidak terlepas dari wacana kekuasaan Soeharto. Pada bulan Februari 1998 lakon tersebut dipergelarkan di berbagai kota di Jawa untuk membendung marabahaya yang menimpa bangsa Indonesia. Permasalahan dalam paper ini dapat dirumuskan: bagaimana wacana kekuasaan Soeharto beroperasi dan berkelindan di dalam lakon Rama Tambak? Untuk menjawab permasalahan tersebut dipergunakan konsep tentang wacana kekuasaan - pengetahuan dari Foucault dan Gagasan Kekuasaan dalam Kebudayaan Jawa dari Benedict Anderson, serta implementasi metodologi kualitatif.  Pergelaran wayang kulit purwa lakon Rama Tambak oleh Ki Manteb Soedarsono di Taman Mini Indonesia Indah Jakarta pada 13 Februari 1998 dipergunakan sebagai data kajian. Paper ini berasumsi bahwa wacana kekuasaan beroperasi dan berkelindan di dalam wayang kulit purwa untuk mempengaruhi masyarakat agar dapat turut serta menghentikan malapetaka nasional. Wacana kekuasaan tidak dapat beroperasi secara efektif karena krisis di segala bidang terus berlangsung dan Soeharto dituntut rakyat untuk turun dari tahta kepresidenan.     Kata kunci: wacana kekuasaan, pengetahuan, ruwat, sanggit, wayang.

Fat as a Floating Signifier

2019 ◽  
pp. 143-163
Author(s):  
Sabrina Strings
Keyword(s):  
United States ◽  
Discourse Analysis ◽  
The United States ◽  
Anglo Saxon ◽  
National Belonging ◽  
Time Period ◽  
Irish Women ◽  
Stuart Hall ◽  
Fat Phobia ◽  
Fat Stigma

Studies on the development of fat stigma in the United States often consider gender, but not race. This chapter adds to the literature on the significance of race in the propagation of fat phobia. I investigate representations of voluptuousness among “white” Anglo-Saxon and German women, as well as “black” Irish women between 1830 and 1890—a time period during which the value of a curvy physique was hotly contested—performing a discourse analysis of thirty-three articles from top newspapers and magazines. I found that the rounded forms of Anglo-Saxon and German women were generally praised as signs of health and beauty. The fat Irish, by contrast, were depicted as grotesque. Building on the work of Stuart Hall, I conclude that fat was a “floating signifier” of race and national belonging. That is, rather than being universally lauded or condemned, the value attached to fatness was related to the race of its possessor.

Obituary for Stuart Hall

2014 ◽  
Vol 46 (5) ◽  
pp. 446-448
Author(s):  
Roger Dale
Keyword(s):  
Stuart Hall
Sign in / Sign up

Export Citation Format

Share Document