scholarly journals ЛЕКСИЧНИЙ АНАЛІЗ ДИСКУРСУ ПЕРСОНАЖА СЕРІЙНОГО ВБИВЦІ В АМЕРИКАНСЬКІЙ ХУДОЖНІЙ ПРОЗІ ХХ СТОЛІТТЯ

2021 ◽  
pp. 46-52
Author(s):  
Nytspol V.I.
Keyword(s):  
American Literature ◽  
Semantic Analysis ◽  
Physiological Activity ◽  
Psychological Needs ◽  
Mental Activity ◽  
Serial Killer ◽  
Serial Killers ◽  
Structural Method ◽  
Lexical Analysis ◽  
Semantic Fields

Lexical analysis has always been a productive way to study discourse through the semiotic nature of the word and its ability to function as a link between language and reality. The purpose of the article is to explore the lexical level of the discourse of a serial killer character in order to reveal their psychological features and prove their authenticity in comparison with the lexicon research of real serial killers. This study is relevant because the number of thrillers with serial killers in American literature is growing every year, but the discourse of these characters is poorly studied and requires more attention from linguists. The article uses such research methods as the method of lexical and semantic analysis of language units to study the features of language nominations; method of semantic fields, for grouping language units according to their thematic affiliation in microfields; associative method for the distribution of language units to the corresponding microfields; structural method for the separation of units, their classification and interpretation.Results. In the process of lexical analysis of the discourse of the serial killers characters, the words of the characters were divided into three main groups: words denoting mental activity, psychological needs, physiological activity and security. These groups were divided into semantic fields in order to facilitate the process of research. The analysis showed that the largest group of words in most discourses (except for two characters) is a group denoting physiological activity and safety, which corresponds to a study of the lexicon of real serial killers conducted by J. Hancock, which shows that the most important for the life of serial killers is biological component. The lexicon of the two characters (Lecturer and Claiborne), which differ from others by the predominance of words denoting mental activity, can be explained by their high educational and professional level, which shows their high IQ, which is also a feature of real serial killers.Thus, we can conclude that the authors were able to portray the characters plausibly through their lexicon.Key words: discourse, lexicon, semantic field, term, character. Лексичний аналіз завжди був продуктивним способом вивчення дискурсу через семіотичну природу слова та його здатність функціонувати як сполучна ланка між мовою та реальністю. Ця стаття має на меті дослідити лексичний рівень дискурсу персонажа серійного вбивці, щоб розкрити його психологічні особливості та довести достовірність та правдоподібність змалювання його образу в порівнянні з дослідженнями лексикону справжніх серійних убивць. Таке дослідження є актуальним, оскільки в американській літературі з кожним роком зростає кількість трилерів, де ключовими фігурами є серійні вбивці, а от дискурс цих персонажів є маловивченим і вимагає більшої уваги лінгвістів.У статті використані такі методи дослідження, як метод лексико-семантичного аналізу мовних одиниць для вивчення особливостей мовних номінацій; метод семантичних полів, для групування мов-них одиниць за їх тематичною приналежністю в мікрополя; асоціативний метод для розподілу мовних одиниць до відповідних мікрополів; структурний метод для виокремлення одиниць, їх класифікації та інтерпретації.Результати. У процесі лексичного аналізу дискурсу персонажів серійних вбивць слова персонажів було розділено на три основні групи: слова, що позначають розумову діяльність, психологічні потреби, фізіологічну активність та безпеку. Ці групи були поділені на семантичні поля, щоб полегшити процес вивчення. Аналіз показав, що найбільша група слів у більшості дискурсів (крім двох персонажів) – це група, що позначає фізіологічну активність та безпеку, що відповідає дослідженню лексикону справжніх серійних вбивць, проведеному Дж. Хенкоком, яке показує, що найважливішим для життя серійних вбивць є біологічний компонент. Лексикон двох персонажів (Лектор і Клейборн), що відрізняються від інших перевагою слів, які позначають розумову діяльність, можна пояснити їхнім високим освітнім та професійним рівнем. Це засвідчує їхній високий коефіцієнт інтелекту, що також є особливістю справжніх серійних вбивць.Отже, можна зробити висновки, що авторам вдалося зобразити портрети персонажів правдоподібно через їх лексикон, що співвідноситься з дослідженнями лексикону реальних серійних вбивць. Завдяки лексичному аналізу дискурсу вдалося розкрити психологічні особливості характерів персонажів.Ключові слова: дискурс, лексикон, семантичне поле, термін, персонаж.

Representation of the Serial Killer on the Italian Internet

2001 ◽  
Vol 89 (2) ◽  
pp. 447-451 ◽  
Author(s):  
Paola Villano ◽  
Paola Bastianoni ◽  
Giannino Melotti
Keyword(s):  
Correspondence Analysis ◽  
Serial Killer ◽  
Serial Killers ◽  
Web Pages ◽  
Italian Language ◽  
Psychological Profiles

The representation of serial killers was examined from the analysis of 317 Web pages in the Italian language to study how the psychological profiles of serial killers are described on the Italian Internet. The correspondence analysis of the content of these Web pages shows that in Italy the serial killer is associated with words such as “monster” and “horror,” which suggest and imply psychological perversion and aberrant acts. These traits are peculiar for the Italian scenario.

scholarly journals Os sentidos midiáticos da ordem e da monstruosidade em Dexter

E-Compós ◽  
2010 ◽  
Vol 12 (3) ◽  
Author(s):  
Danielle Ramos Brasiliense
Keyword(s):  
Serial Killer ◽  
Serial Killers

Neste artigo, abordamos a série televisiva Dexter, produzida desde 2006 pela empresa americana Show Time, para refletirmos sobre a construção do personagem principal, a partir da produção de sentidos estigmatizados em torno dos conceitos de ordem e monstruosidade que permeiam os ideais do senso comum. Na série, atualmente em sua quarta temporada, Dexter Morgan é um herói diferente, repleto de ambigüidades e contradições, atuando como um serial killer que mata serial killers. A partir desta abordagem inusitada no que tange aos programas do gênero, nos interessa pensar a relação entre a construção dessa personagem, os valores classificatórios acerca do bem e do mal partilhados pelo senso comum e as formas de representação que eles assumem no universo da cultura midiática contemporânea.

scholarly journals Women Serial Killers in a Climate of Changing Gender Norms

2018 ◽  
Author(s):  
Elizabeth Benkart
Keyword(s):  
Multivariate Regression ◽  
Gulf Coast ◽  
Gender Norms ◽  
Serial Killer ◽  
Serial Killers ◽  
Florida Gulf Coast ◽  
Time Period ◽  
American Society ◽  
Second Wave ◽  
The Waves

Existing research suggests that patterns of both men and women serial killers are hyper-gendered. In American society, however, gender norms for women have dramatically changed over time. This study proposes that the patterns of women serial killers reflect the femininity ideals of the time period in which they operated in. The shifts in gender norms are operationalized by three time periods representative of the waves of feminism. The Radford/Florida Gulf Coast University’s serial killer database is used to establish a sample of 1,321 serial killers. Using multivariate regression analyses and controlling for age of last kill, which could potentially alter the kill method but be unrelated to gender, women serial killers do appear to be impacted by the femininity ideals of their time period but not as clearly as initially anticipated. Men serial killers were also found to be affected by changes in femininity ideals. Both women and men serial killers had more feminine kill patterns during the first wave of feminism, but men serial killers had a very violent, hyper-masculine peak during the second wave of feminism that women serial killers did not have.

scholarly journals Bach, Bukowski, genesis

Litera ◽  
2021 ◽  
pp. 198-204
Author(s):  
Inga Viktorovna Pogorelova
Keyword(s):  
American Literature ◽  
Semantic Analysis ◽  
Johann Sebastian Bach ◽  
Father Figure ◽  
Special Contribution ◽  
Continuous Sampling ◽  
Xviii Century ◽  
Verbal Representation ◽  
Motivic Analysis ◽  
German Composer

The object of this research is the references to the German composer of the XVIII century – Johann Sebastian Bach in poetry of the classic of modern American literature Charles Bukowski. Special attention is given to the poetic-semiotic and ontological aspects of Bach’s motif in the poetic works of C. Bukowski. The author meticulously examines the nature of mentioned references, categorizing them as the three narrative-ontological types or hypostases, in which the German composer appears in the poetry of C. Bukowski, namely: Bach-ideal, Bach-background, and Bach-father figure. The article employs the method of continuous sampling, interpretation and semantic analysis, motivic analysis, as well as biographical and psychological approaches. The author's special contribution into the research of this topic lies in the conclusion on the Bach’s motif in the poetry of C. Bukowski as a variety of ekphrasis, which suggests a verbal representation not of a single artwork, but of the demiurge (in this case it is Bach) as the creator of entirety of his brilliant compositions.

Criminology and the legacies of Clarice Starling

2017 ◽  
Author(s):  
David Wilson
Keyword(s):  
Serial Killer ◽  
Serial Killers ◽  
Serial Murder ◽  
Broadcast Media ◽  
Offender Profiling ◽  
American Popular Culture ◽  
Police Investigations ◽  
Student Interests ◽  
Popular Novel ◽  
The Mind

This chapter explores the enduring myths about the phenomenon of serial murder generally and serial killers in particular, in Britain between 1960 to the present. The Chapter argues that many of these myths have been created and continue to be perpetuated by the print and broadcast media. It is suggested that this process was ignited by American popular culture about serial murder, to the extent that many British students engaged on university courses do so because they want to emulate the heroine of the popular novel The Silence of the Lambs and become the fictional character, Clarice Starling. This observation is used to explore other myths about offender profiling, the role of the profiler in police investigations and the idea that this involves entering the mind of the serial killer by the profiler. Based on his own applied work with serial murderers and on police investigations and after their conviction, the chapter reveals the realities of the phenomenon of serial murder, serial killers and the limits of offender profiling. The chapter uses a number of situations encountered during police investigations and with serial killers to illustrate its arguments. It concludes that we need to harness, rather than dismiss, student interests in this territory in more productive ways. It adopts a structural/victim perspective about serial murder, as opposed to a relentless focus on what might motivate the serial killer to kill. The chapter suggests how this might be done both within the academy and, more broadly in public policy.

Serial Killers

2014 ◽  
pp. 115-136
Author(s):  
Paul Elliott
Keyword(s):  
Serial Killer ◽  
Serial Killers ◽  
Main Thrust ◽  
Crime Film ◽  
British Cinema ◽  
Serial Killing ◽  
Jack The Ripper

This chapter assesses the British serial killer cinema. British cinema has been noticeably reticent about depicting its serial killers. Aside from Jack the Ripper, who has appeared in many films since the 1920s, British killers are not nearly as ubiquitous as their Hollywood counterparts and where they are depicted they are often allied more to realism than horror. Like all areas of the crime film, British serial-killer cinema is inextricably linked to Hollywood; however, it also strives to distance itself, drawing on quintessentially British histories, images, and texts. The chapter looks at three films where serial killing is the main thrust of the narrative: Alfred Hitchcock's The Lodger (1927), Richard Fleischer's 10 Rillington Place (1971), and John McNaughton's Henry: Portrait of a Serial Killer (1986).

Test

2021 ◽  
pp. 132-142
Keyword(s):  
Social Sciences ◽  
Serial Killer ◽  
Serial Killers ◽  
The Social ◽  
Personal Connections ◽  
Personal Consequences ◽  
The Common ◽  
The Impact

This final chapter explores yet further examples of how the principles of testing can be applied within the social sciences. As with the previous chapters, the authors begin by asking students to Google questions and then use the results Google provides to ask more sophisticated questions about the impact and personal consequences of the question. They begin by asking a question about how serial killer, Harold Shipman, was able to escape suspicion for as long as he did. They then take up a question about the common traits of serial killers, paying attention to the effects of the traits and how these traits may have personal connections to students. They conclude the chapter with a section about how we might make the decision to eat a third candy bar.

The Preference for Strangulation in a Sexually Motivated Serial Killer

2018 ◽  
Vol 63 (5) ◽  
pp. 781-796
Author(s):  
Mark Pettigrew
Keyword(s):  
Important Determinant ◽  
Serial Killer ◽  
Serial Killers

The existing literature on the killing method of choice for sexually motivated serial killers suggests strangulation as the preferable means of homicide, when the victim is female. When homicide victims are male, however, existing research suggests that firearms and blades are preferable methods of causing death. A case is presented here of a sexually motivated male serial killer who exclusively targeted males and who chose strangulation as his means of killing. Analysis suggests that not only is the psychological constitution of the killer an important factor in understanding how they kill victims but, also, the nature of the sexual act is an important determinant in the method of killing in male on male sexually motivated killing.

The “National Left” in Israeli public discourse

2012 ◽  
Vol 11 (3) ◽  
pp. 448-467 ◽  
Author(s):  
Moran M. Mandelbaum
Keyword(s):  
Public Discourse ◽  
Analytical Approach ◽  
Semantic Analysis ◽  
Semantic Networks ◽  
Palestinian Authority ◽  
Ernesto Laclau ◽  
Semantic Fields ◽  
Crisis Of Meaning

In 2000 the leftist camp in Israel experienced a crisis of meaning and identity. This was the result of the failure of the 2000 Camp David Talks between Israel and the Palestinian Authority. The atmosphere that emerged amongst the Israeli left was one of despair and disillusion, a void of meaning. Recently, however, a new Zionist “national left” discourse emerged, which refutes the idea of peace and reconstructs the ideology of the Israeli left. This paper engages critically with this discourse by deploying a discourse analytical approach, as it draws on Ernesto Laclau and Chantal Mouffe’s theory of hegemony as well as semantic analysis, specifically the use of “semantic fields” and “semantic networks”. This paper looks at a variety of public texts, which are exemplary of the “national left” discourse in Israel.

‘Body part’ terms and emotion in Japanese

2002 ◽  
Vol 10 (1-2) ◽  
pp. 107-128 ◽  
Keyword(s):  
Semantic Analysis ◽  
Cognitive Appraisal ◽  
Comic Books ◽  
Body Part ◽  
Mental Activity ◽  
The Body ◽  
Popular Songs ◽  
Specific Emotion ◽  
Film Scripts ◽  
Magazine Articles

This paper examines the use and meaning of the body-part terms or quasi-body part terms associated with Japanese emotions. The terms analyzed are kokoro, mune, hara, ki, and mushi. In Japanese kokoro is regarded as the seat of emotions. Mune (roughly, ‘chest’) is the place where Japanese believe kokoro is located. Hara (roughly, ‘belly’) can be used to refer to the seat of ‘thinking’, for example in expression of anger-like feelings which entail a prior cognitive appraisal. The term ki (roughly, ‘breath’) is also used for expressions dealing with emotions, temperament, and behaviour; among these, ki is mostly frequently used for referring to mental activity. Mushi — literally, a ‘worm’ which exists in the hara ‘belly’ — is also used for referring to specific emotion expressions.The tool for semantic analysis employed in this paper is the “Natural Semantic Metalanguage” method developed by Anna Wierzbicka and colleagues. This metalanguage enables us to explicate concepts by means of simple words and grammar (easily translated across languages), and clarifies the similarities and dissimilarities between the components involved in semantically similar terms. The data used for analysis are from various sources; published literature both in Japanese and English, newspaper/magazine articles, film scripts, comic books, advertisements, dictionaries, and popular songs.

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