scholarly journals ASIAN ENGLISH LITERATURE'S MIDTERM EXAMINATION MATERNAL INSTINCT DEPICTED IN VERENATAY'S BROKEN

Lire Journal ◽  
2018 ◽  
Vol 2 (1) ◽  
pp. 8-13
Author(s):  
Ruly Indra Darmawan
Keyword(s):  
Short Stories ◽  
East Asia ◽  
Short Story ◽  
Newborn Baby ◽  
South East Asia ◽  
Life And Death ◽  
Feminist Study ◽  
Maternal Instinct

In this essay, I want to analyze how maternal instinct is depicted in one short story which has South East Asia as a setting of place because this maternal instinct has became one of the most debatable issues in feminist study until nowadays. The main data is a short story entitled Broken. This short story was included in anthology of Asian short stories entitled A Rainbow Feast. One thing which becomes uniqueness in Broken that picks my interest is how this novel exploits woman acts and habits in different way than any other novel. VerenaTay through this novel tells a story about one particular woman and how she treats her newborn baby. Different with other novel, Broken pictures the woman who lives in different world than us, a human. It is interesting to see how VrenaTay pictures that woman acts and somehow lives after she was dead, how a woman escapes from subversive condition and move toward dominant one by leap through the limit of life and death.

Darkening Clouds over Istanbul: Turkish Theatre in a Changing Climate

1998 ◽  
Vol 14 (56) ◽  
pp. 334-350 ◽  
Author(s):  
Catherine Diamond
Keyword(s):  
Short Stories ◽  
Middle East ◽  
East Asia ◽  
The Other ◽  
South East Asia ◽  
Turkish Republic ◽  
Political Policy ◽  
The One ◽  
Changing Demographics ◽  
Kemal Ataturk

Modern Turkish theatre, benefiting from the support of the founder of the Turkish Republic, Mustapha Kemal Ataturk, has had a secular bent throughout its history. However, after the elections of 1994 and 1995, when Refah (Welfare) Party candidates espousing a distinctly religious agenda swept into power, dramatists have found themselves in an uneasy position, caught between corrupt secular politicians and a censorship-inclined military on the one hand, and Islamists hostile to theatre both in principle and as an unnecessary luxury on the other. Besides swiftly changing demographics and competition from alternative entertainments, shifts in political policy in Istanbul are eroding the city's strong theatre tradition. Yet the theatre of this nation which straddles Europe and Asia maintains an impressive vitality and variety, with state and municipal companies mounting regular seasons of foreign and Turkish works, and experimental troupes challenging established theatre forms as well as daring to broach some of the sensitive ideological conflicts in Istanbul. Catherine Diamond, a dancer and drama professor in Taiwan, is author of Sringara Tales, a collection of short stories about dancers in South-East Asia and the Middle East.

scholarly journals The Science of Signs: An Analysis of Mantos Mastery of Semiotics

2019 ◽  
Vol IV (I) ◽  
pp. 66-72
Author(s):  
Mehwish Malghani ◽  
Zartashia Hanif ◽  
Hina Naz
Keyword(s):  
Short Stories ◽  
East Asia ◽  
Theoretical Framework ◽  
South East Asia ◽  
Psychological Condition

Saadat Hassan Manto is one of the most prominent voices from South-East Asia, who has achieved a legendary status due to his most eloquent and articulate representation of the angst, pain and violence of the Indo-Pak partition. The present research aims at exploring the use and functions of semiotic elements in the works of Saadat Hassan Manto. The sample used for this purpose has been selected from three short stories of Manto, namely Black Salwar and A Lump of Cold Flesh translated by Jai Ratan and Toba Tek Singh translated by Pritchett(n.d.). The theoretical framework used to analyze the text is by Saussure (1983). The research follows a qualitative mode of inquiry. The data has been analyzed thematically, within the fundamentals of the earlier mentioned theoretical framework. The findings of the study revealed that Manto made an extra-ordinary use of semiotics to portray the psychological condition of his characters.

CIScoSI Study [Children Immunization Status and cases of Systemic Illness]

2018 ◽  
Vol 3 (3) ◽  
Keyword(s):  
Infectious Diseases ◽  
East Asia ◽  
Pediatric Patients ◽  
Severe Disease ◽  
Tertiary Care ◽  
Immunization Coverage ◽  
South East Asia ◽  
Immunization Status ◽  
Tertiary Care Hospitals ◽  
Total Coverage

To determine the immunization status of pediatric patients under age of 5 years visiting pediatric department of tertiary care hospitals in South East Asia. The aim of this study was to appreciate the awareness and implementation of vaccination in pediatric patients who came into pediatric outpatient Department with presenting complain other than routine vaccination. we can also know the count of patients who do not complete their vaccination after birth. we can differentiate between vaccinated and unvaccinated patients and incidence of severe disease in both groups. Immunization is a protective process which makes a person resistant to the harmful diseases prevailing in the community, typically by vaccine administration either orally or intravenously. It is proven for controlling and eliminating many threatening diseases from the community. WHO report that licensed vaccines are available for the prevention of many infectious diseases. After the implementation of effective immunization the rate of many infectious diseases have declined in many countries of the world. South-East Asia is far behind in the immunization coverage. An estimated total coverage is 56%-88% for a fully immunized child, which is variable between countries. Also the coverage is highest for BCG and lowest for Polio.

Maidstone's woodpecker – an unexpected bird specimen in the herbarium of Sir Hans Sloane

2014 ◽  
Vol 41 (2) ◽  
pp. 230-239 ◽  
Author(s):  
Charles E. Jarvis ◽  
Joanne H. Cooper
Keyword(s):  
Natural History ◽  
East Asia ◽  
East India Company ◽  
South East Asia

It had long been believed that none of the bird, egg or nest specimens that had been in the collection of Sir Hans Sloane at his death in 1753 had survived. However, a specimen of a rhinoceros hornbill, originally in Sloane's hands, was discovered in the Natural History Museum's collections in London in 2003, and three more Sloane hornbill specimens have subsequently come to light. In addition, we report here a most unexpected discovery, that of the head of a woodpecker among the pages of one of Sloane's bound volumes of pressed plants. The context suggests that the head, like its associated plant specimens, was probably collected in south-east Asia about 1698–1699 by Nathanael Maidstone, an East India Company trader, the material reaching Sloane via William Courten after the latter's death in 1702. A detailed description of the head is provided, along with observations on its identity and possible provenance.

The Colonial Documentary Film in South and South-East Asia

2017 ◽  
Keyword(s):  
East Asia ◽  
Subject Matter ◽  
Documentary Film ◽  
East Asian ◽  
South East Asia ◽  
Post Colonial ◽  
Historical Perspectives ◽  
The Third ◽  
Wide Range ◽  
Global Understanding

Writing from a wide range of historical perspectives, contributors to the anthology shed new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in colonial, late colonial and immediate post-colonial and postcolonial times in South and South-East Asia. In doing so, this anthology addresses an important gap in the global understanding of documentary discourses, practices, uses and styles. Based upon in-depth essays written by international authorities in the field and cutting-edge doctoral projects, this anthology is the first to encompass different periods, national contexts, subject matter and style in order to address important and also relatively little-known issues in colonial documentary film in the South and South-East Asian regions. This anthology is divided into three main thematic sections, each of which crosses national or geographical boundaries. The first section addresses issues of colonialism, late colonialism and independence. The second section looks at the use of the documentary film by missionaries and Christian evangelists, whilst the third explores the relation between documentary film, nationalism and representation.

‘Staring into All Their Yellow Eyes’: Where the Wild Things Are, the 1960s, and the Vietnam War

2017 ◽  
Vol 10 (1) ◽  
pp. 59-73
Author(s):  
Michelle Ann Abate ◽  
Sarah Bradford Fletcher
Keyword(s):  
East Asia ◽  
Vietnam War ◽  
Political Engagement ◽  
Critical Assessment ◽  
South East Asia ◽  
Psychological Perspective ◽  
Literary Representation ◽  
Military Involvement ◽  
The 1960S ◽  
Alternative Reading

Since its release in 1963, Maurice Sendak's Where the Wild Things Are has been viewed from a psychological perspective as a literary representation of children's inner emotional struggles. This essay challenges that common critical assessment. We make a case that Sendak's classic picturebook was also influenced by the turbulent era of the 1960s in general and the nation's rapidly escalating military involvement in Vietnam in particular. Our alternative reading of Sendak's text reveals a variety of both visual and verbal elements that recall the conflict in South East Asia and considers the significance of the book's geo-political engagement.

Sign in / Sign up

Export Citation Format

Share Document