scholarly journals Function of Traditional Music Karo Gendang Lima Sedalanen in Implementation of Erpangir Kulau Ceremony

2020 ◽  
Vol 3 (2) ◽  
pp. 734-739
Author(s):  
Octaviana Tobing
Keyword(s):  
Emotional Expression ◽  
Traditional Music ◽  
Cultural Preservation ◽  
Social Response ◽  
Strong Energy ◽  
The People ◽  
Music Ensemble ◽  
Supporting Element

Erpangir kulau is a term or name created by the Karo community to express a tradition of religious ceremonies or self-cleansing rituals in the Karo community, which uses Karo traditional music, ensemble Gendang Lima Sedalanen, as a supporting element of its implementation. The purpose of this study was to determine the Function of Traditional Music Karo Gendang Lima Sedalanen in Implementation of the Erpangir Kulau Ceremony. The results showed that the five functions according to the Kustap theory were fulfilled by the use of the ensemble Gendang Lima Sedalanen. In its function as an emotional expression, it can be seen from how the ensemble has a strong energy to bring out the emotions of all the actors involved in carrying out the religious ceremonial activities, so that various attitudes of the ceremonial participants appear. Whereas in its function as a communication is realized during the ongoing communication between guru sibaso  who act as a medium between the spirit that is believed to be present, and the people who carry out pangir. Furthermore, the function of Gendang Lima Sedalanen as a social response arises from how the entire Karo community with various temperaments, but can unite to carry out this ceremony. When it functions as a cultural preservation fulfilled through its use in the ritual Erpangir Kulau ritual, it is a form of appreciation and love for their culture. Finally, in its function as a symbol representation is realized through guru sibaso who is a symbol of someone who has his own expertise or prestige.

CULTURE OF THE RUSSIAN WORLD - A SPIRITUAL SLOGAN FACTOR OF VICTORY IN THE GREAT PATRIOTIC WAR

2020 ◽  
Vol 10 (2) ◽  
pp. 169-173
Author(s):  
VLADIMIR KSENOFONTOV ◽  
Keyword(s):  
Emotional Expression ◽  
Front Line ◽  
Soviet People ◽  
The People ◽  
Great Patriotic War ◽  
Red Army ◽  
Art Activities ◽  
Artistic Images ◽  
Great Victory

The article reveals the essence and specificity of culture as an important component of the spiritual factor of victory. Special attention is paid to the characteristics of fiction. The article substantiates the moral and aesthetic impact on the consciousness of defenders of the Motherland, such works of art as“They fought for the Motherland”,“Leningrad poem”,“Russian character”,“Invasion”, etc. The article describes the significant role of theatrical art, which reveals the moral values of the people and Soviet soldiers. This is reflected in such plays as: “the Front”; “the Guy from our city”; “Once upon a time”, etc. The article substantiates the important role of the spiritual influence of cinema on Soviet people. This influence was realized through artistic images of selfless service to the Motherland, loyalty to military duty. Among these films: “Two fighters”, “Wait for me”, “Front-line friends”. During the war, as the article emphasizes, an important component of the spiritual factor of victory was the musical art. Activities in this area of culture famous musicians:B. Astafiev, S. Prokofiev, D. Shostakovich, A. Alexandrov, V. Soloviev-Sedoy, and others, was implemented in operas, symphonies, cantatas and songs, which by their nature emotional expression differed Patriotic and epic strength. The purpose of the research : to reveal the axiological components, culture of the Russian world, as important components, spiritual factor during the great Patriotic war. Conclusions : the culture of the Russian world at various stages of the great Patriotic War, through a variety of means and forms, actively mobilized all Soviet people to defend the Motherland and defeat Nazi Germany. The spiritual culture of our country and its types, in the course of functioning, during the war, clearly and expressively revealed the idea of patriotism, courage, bravery and heroism, and encouraged the Soviet people, the soldiers of the red Army, to achieve a great Victory.

KELOMPOK MUSIK REJUNG PESIRAH: STRATEGI ADAPTASI PADA MASYARAKAT PALEMBANG

2019 ◽  
Vol 2 (2) ◽  
pp. 27-37
Author(s):  
Dwi Putri Agustini
Keyword(s):  
Cultural Anthropology ◽  
Case Study Research ◽  
Traditional Music ◽  
Adaptation Strategy ◽  
The People ◽  
Musical Arrangements ◽  
The Face ◽  
Cultural Modification ◽  
Traditional Arts

The present phenomenon has clearly brought a change and the influence of the development of traditional music in Palembang society, if this is not carefully addressed, it will experience a shift, alienation and even lose its supporters. The rejung pesirah music group is one of the music groups that still maintains traditional arts in the people of Palembang. This study examines how the adaptation strategy of the rejung pesirah music group in dealing with changes and developments in Palembang society. For this reason, the approach used is cultural anthropology with qualitative case study research methods in Palembang. Data collection is done through observation, interviews and document studies that use triangulation techniques as the validation of the data, while for data analysis through content analysis and interactive models. The results showed that the adaptation strategy undertaken by the rejung pesirah music group was an act and creative ability and had a positive mindset, understanding in responding to changes and needs as an impulse to develop in the face of environmental change and development through learning processes and cultural modification, which resulted a creativity that is the creation of songs, musical arrangements, and musical instruments in the rejung pesirah music group.

scholarly journals KAJIAN FILOSOFIS LONTAR CALONARANG

2018 ◽  
Vol 2 (1) ◽  
pp. 274
Author(s):  
I Gusti Ayu Widayanti ◽  
I Made Surada ◽  
I Made Adi Brahman
Keyword(s):  
Literary Work ◽  
Social Function ◽  
Cultural Preservation ◽  
Work Of Art ◽  
Literary Works ◽  
Art Form ◽  
The People ◽  
The Social ◽  
Black Magic ◽  
The Village

<p><em>Lontar Calonarang's literary works is a work of art. Calonarang term other than as one of the works of literature, Calonarang also means characterization</em><em> </em><em>or the name of a man in the play known as Rangda ing Girah. Calonarang is also known as art form such as wayang pacalonarangan and in staging pacalonarangan dance drama. Lontar Calonarang is a lontar manuscript that specifically tells about Calonarang revenge using black magic against the people in Girah village. This is because the people in the village of Girah no one wants to marry Calonarang child is Ratna Manggali. Lontar Calonarang literary work is interesting to read and researched because this literary work has a philosophical meaning of construct so easy to be understood in depth. </em></p><p><em>The results that can be obtained from this literary work are Teachings contained in lontar Calonarang include Rwa Bhineda, Catur Asrama, and Tantra. The function of the teachings contained in the Calonarang lontar is the religious function, the social function, and the function of cultural preservation. While the philosophical meaning derived from this literary work is the meaning of balance, meaning of education, and the meaning of divinity.</em><strong><em></em></strong></p>

scholarly journals Editorial Foreword

2005 ◽  
Vol 47 (3) ◽  
pp. 439-441
Author(s):  
Thomas R. Trautmann
Keyword(s):  
South Africa ◽  
Natural History ◽  
Emotional Expression ◽  
Charles Darwin ◽  
Earth History ◽  
The People ◽  
Editorial Foreword

POWER FLOWER Imperial science and its collaborations, its landscapes, and its audiences is the theme of many interesting studies of late, including several pieces in this journal, such as Robert Shanafelt, “How Charles Darwin Got Emotional Expression out of South Africa (and the People who Helped Him)” (2003: 783–814), and Saul Dubow, “Earth History, Natural History, and Prehistory at the Cape, 1860–1875” (2004: 107–33). The first essay examines the practice and narrativizing of flower-collecting under imperial conditions.

scholarly journals The Lumko Music Department and Cultural Heritage

2017 ◽  
Vol 43 (2) ◽  
Author(s):  
Dave Dargie
Keyword(s):  
Southern Africa ◽  
Church Music ◽  
Traditional Music ◽  
African Language ◽  
Emotional Needs ◽  
Music Department ◽  
Field Recording ◽  
The People ◽  
The 1960S ◽  
Catholic Churches

Until the 1960s music in the African language Catholic churches in southern Africa was confined to European (or European style) tunes set to African language texts. The music used suited neither the languages of the people nor their spiritual and emotional needs. Some church leaders, such as Archbishop Hurley of Durban, wished to see a change for the better. Certain missionaries tried to do something about it, in particular Oswald Hirmer and Fritz Lobinger, Bavarian missionaries working in the Xhosa area. The author had done music studies, and in his work in Zwelitsha parish, near King Williams Town, had used some of the music resulting from the work of Hirmer and Lobinger. The two missionaries gave him the chance to start a project for creating new church music in African styles by working with local church members in different areas. This went so well that the author was taken onto the staff of Lumko Pastoral Institute, with Hirmer and Lobinger. Over the period 1979 to 1989 the author was able to promote and record new church music in many languages in South Africa and its neighbours, plus a great deal of the traditional music of the region. In 1996 Anselm Prior, then director of Lumko, returned all the field recording originals to the author, giving him the opportunity to put together a significant contribution to the preserved music heritage of Southern Africa, including African traditional music and church music. The article is a report on the project and its results.

Changing Qatar

2020 ◽  
Author(s):  
Geoff Harkness
Keyword(s):  
Everyday Life ◽  
Arabian Gulf ◽  
Cultural Preservation ◽  
Outdoor Air ◽  
World Cup ◽  
Fifa World Cup ◽  
The People ◽  
Gender And Sports ◽  
The World ◽  
Narrative Framework

Qatar is the wealthiest country in the world—and one of the fastest growing. Its current population is five times larger than it was in 2000. Photos of the Arabian Gulf micronation from the 1980s show a few modest one-story buildings. Today, Qatar’s capital, Doha, is a modern petro-boomtown whose futuristic skyline features a phalanx of space-age skyscrapers. In 2022, Qatar will be the first Arab nation to host the FIFA World Cup. To prepare, Qatar’s government has imported more than one million low-wage workers to construct outdoor air-conditioned soccer stadiums, subway systems, and megahotels. Today, Qatari nationals represent only about 10 percent of their country’s population. Changing Qatar explores how citizenship and nationality are reshaped in these global processes. The nation’s dynastic ruling family assures its conservative Muslim citizenry that Qatar’s rapid modernization will take place alongside cultural preservation. In doing so, the leadership employs modern traditionalism, a flexible narrative framework in which customary and contemporary are strategically merged. Based on three years of immersive fieldwork and 130 revealing interviews, Changing Qatar goes beyond the slogans to examine how the people who inhabit Qatar are coming to terms with its ascent. The book demonstrates how Qataris and non-Qataris reaffirm—and challenge—traditions in many areas of everyday life, from dating and marriage to clothing and humor to gender and sports. A cultural study of citizenship, Changing Qatar delivers a richly detailed portrait of this rising Gulf nation that cannot be found elsewhere.

The Application of Glass Materials in Building Design

2013 ◽  
Vol 706-708 ◽  
pp. 516-519 ◽  
Author(s):  
Wen Shuang Zhu
Keyword(s):  
Emotional Expression ◽  
Building Materials ◽  
Space Perception ◽  
Building Design ◽  
Life World ◽  
Glass Material ◽  
The People

No other materials such as glass so profoundly change our life world. As the most times characteristics of building materials, glass not only meet the building function demand, but also for building bring unpredictable shadow charm and rich artistic emotion. Its light fully, and colorful blurred characteristics in a certain extent enrich the building space perception and mental connotation, but also change our city, our life, even the people themselves. Mastering glass material performance and unique emotional expression will be for glass buildings bring innovative opportunity and perspective, which brings a more brilliant chapter for architectural creation.

scholarly journals Traditional Music and an Organological Study of Some Musical Instruments of Plateau State, Nigeria

2020 ◽  
Vol 20 (2) ◽  
pp. 114-129
Author(s):  
Oghenemudiakevwe Igbi ◽  
Rebecca Ufuomaroghene Ogbeide
Keyword(s):  
Ethnic Group ◽  
Traditional Music ◽  
Musical Instruments ◽  
Significant Part ◽  
Political Life ◽  
Fundamental Aspect ◽  
The People ◽  
Traditional Societies ◽  
Plateau State ◽  
Over Time

Music is one of the oldest and most practiced arts in Nigerian traditional societies. The revered place of music in the lives of Nigerians is indisputable, as a consequence of its towering roles in nearly all communal events and activities. In Nigeria, music is utilized in diverse facets especially in religious, economic, martial, and political life of the people. In other words, it is unusual to preclude music from any societal event. Though these attributes pervade all Nigerian traditional societies, it is even more fascinating that every ethnic group or culture has their peculiar music with which they are recognized. Thus, there is bound to be dissimilarities in the manner in which various societies regard music as a concept, phenomenon, or how it functions in traditional life. The thrust of this paper therefore, is to examine music as a phenomenon, its roles in society, and how it is conceived by the people of Plateau. Data were gathered using ethnographic method, while interviews formed a significant part of the research tools. Some existing videos and those collected from the field were analysed by the authors. Findings from data gleaned reveal that there is a plethora of music types among the Plateau people. It is also gathered that music forms a fundamental aspect of life on the Plateau, and is widely used in virtually all communal events. However, research efforts into the different traditional music types of the people of Plateau need to be intensified and sustained over time, in order to document findings that will further lead to addressing the protracted challenge of dearth of literature in the traditional music of the area under study.

scholarly journals Sufism in Jammu

IJOHMN ◽  
2019 ◽  
Vol 5 (3) ◽  
pp. 81-102
Author(s):  
Dr R. Subramony
Keyword(s):  
Thirteenth Century ◽  
Significant Role ◽  
Indian Subcontinent ◽  
Social Response ◽  
Local Resistance ◽  
Jammu And Kashmir ◽  
Muslim Population ◽  
The People ◽  
Short Period ◽  
Different Parts

Sufism entered the Indian subcontinent in the twelfth century as a new socio-religious force.  Within a short period, it mushroomed to different parts of India. Fro Punjab to Rajputana, from Jammu and Kashmir to Kerala, sufism influenced the life and thought of the people. Though on the eve of its advent, Muslim population in most parts of India was virtually negligible, yet the sufis hardly faced any local resistance to their activities. Sufism reviewed enthusiastic social response. It adjusted itself with the indigenous cultural modes in a smooth manner. As a result, it became a catalyst in shaping and consolidating the Indian regional identities from the thirteenth century onwards. In this context, sufi shrines of the different regions-Ajodhan, Sirhins, Delhi, Ajmer and Gulbarga – played a significant role. For example, Richard Maxwell Eaton has shown that the sufis of Bijapur contributed tremendously to the promotion of vernacular idiom and Dakhani language.

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