scholarly journals “The Romance of traditional Art & Architecture”(A case study of Haryana, India)

2019 ◽  
Author(s):  
Bhoop Singh Gulia
Keyword(s):  
Traditional Art

Developing accommodation business for specificial interest tourism: The case study in Ngawas Village, Pasuruan Disctrict, Province of East Java

2018 ◽  
Vol 1 (1) ◽  
Author(s):  
Sugito .
Keyword(s):  
Main Concept ◽  
Traditional Art ◽  
The People ◽  
Marketing Activities ◽  
The Moment ◽  
Online Travel ◽  
Relationship Of ◽  
The Village ◽  
The Relationship

The land of PT. Hide Way Resort area 1.5 ha located in Ngawas village, Pasuruan district, the Province of East Java as at the moment is empty land and was planted apple, Eugenia, red pepper, carrot and pumpkin. It is located almost at the same position with Mount Bromo. This land will be used for accommodation/ 10 villas and 1 meeting room. We have to drive and reach this location and can see the apple and vegetable garden on mountain also very nice scenery we can see during passing this location. Also, we can see the natural village condition and warmest welcome from the people around the village. We can see very nice view after reaching the place by mountain view and hill view in cold temperature. Land and hill view on the area make more convenience to stay here. This kind of location can attract the tourist especially specific tourist who always searching the specific destination since it is not many kind of destination like this. The main concept is staying in natural village with traditional villa style and look like the traditional house in the past including the furniture inside and how to cook the food by burning wood. This kind of situation also completed with daily people around the village activities, traditional art show, transportation to Mount Bromo, golf and other activities. The marketing activities will be used the relationship of the owner with his channels abroad, community of specific tourism, you tube, social media and online travel agent. This opportunity is good to be developed in the future since many inquiry for this kind of specific tourism, increase the economy level of the people around and create more working opportunity.

scholarly journals Land art u dječjem vrtiću – studije slučaja

2021 ◽  
Vol 15 (2) ◽  
pp. 135-150
Author(s):  
Marija Brajčić
Keyword(s):  
20Th Century ◽  
Contemporary Art ◽  
Negative Impact ◽  
Good Effect ◽  
Land Art ◽  
Creative Work ◽  
Traditional Art ◽  
Art Works ◽  
The Sixties

Land Art is a principle in contemporary art that developed in the sixties and seventies of the 20th century, as a reaction to commercialization in art. The art of Land Art abandoned museums and galleries and develops monumental projects in free space and landscapes, which in an artistic way are changing and adapting without having any negative impact on the environment. Knowing and evaluating contemporary art in practice is as important as observing and evaluating traditional art works, which is also based on the development of subtle perception of art. For this reason, this case study examines the possibility of implementing contemporary art in this case Land Arta in pedagogical work with children in Kindergarten. Land Art is, in its essence, quite suitable as an incentive for creative work for interaction with nature, the use of natural materials that are close to children, has a good effect on the psyche of the child and contains an educational ecological component. The results showed that the children who participated in this research were creatively responsive and created interesting artworks inspired by land art.

scholarly journals A Case Study: How Young Children and Teachers Use an Interactive Whiteboard in a New Zealand  Kindergarten Setting for Visual Art Learning Experiences

2021 ◽  
Author(s):  
◽  
Lisa Terreni
Keyword(s):  
New Zealand ◽  
Young Children ◽  
Visual Art ◽  
Best Practice ◽  
Participant Observation ◽  
Learning Experiences ◽  
Interactive Whiteboard ◽  
Cultural Perspective ◽  
Traditional Art

<p>This case study examines how an interactive whiteboard (IWB) was used in a New Zealand kindergarten to support young children's visual art learning experiences. A qualitative approach was used to investigate the use of the IWB. Data were collected through participant observation, analysis of teachers' narrative assessments of children, and focus group interviews with teachers and parents. A socio-cultural perspective on visual art education for young children provided a framework for analysing and interpreting the data. The findings of the research indicated that when an IWB is integrated into a kindergarten visual art programme it can be a useful tool for motivating and assisting children with visual art learning experiences. The affordances of the IWB allow for some new art experiences to occur that are different from that of traditional art mediums. It was observed, however, that creative art ideas developed with an IWB can be translated into traditional art mediums and vice versa. Problems and issues were also identified in the study, in particular the need for appropriate professional development for teachers to help them maximise the potential of the IWB for early childhood teaching. Areas for further research are discussed, and some recommendations are made for best practice with an IWB for supporting children's visual art learning experiences.</p>

scholarly journals Tange and Kuma: Lessons of Symbol and Context

2021 ◽  
Author(s):  
Benjamin Palmer
Keyword(s):  
Architectural Design ◽  
Public Library ◽  
Residual Effects ◽  
Current Form ◽  
Traditional Art ◽  
New Public ◽  
Anglo American ◽  
Architectural Tradition ◽  
Art And Architecture

<p><b>Aotearoa New Zealand’s architectural landscape has been said to rely on other nations as well as carrying the residual effects of colonisation within its built environment through the mimicking of European and Anglo-American styles (Bird, 1992). Despite the increasing profile of what has been a continuous Māori architectural tradition, since colonisation New Zealand’s indigenous Māori culture generally has had a diminished presence. There are successful examples of New Zealand’s bi-cultural heritage, but these instances are few. A large portion of the examples that do attempt to represent this bi-culturalism are usually watered down to iconographic representations of traditional art and architecture. </b></p> <p>This research explores ways in which New Zealand’s architectural identity can better reflect New Zealand’s own society, culture, materiality, and nationhood. In order to do this, the focus of this research takes a radical approach turning to a study of the career of Japanese architect Kenzo Tange (1913-1945) who has been able to successfully confront issues of tradition, society, and nationhood through architectural designs. The intent of this research is not to duplicate Tange’s style. It is rather that through a series of studies, Tange’s methodologies and processes related to issues of tradition, society, and nationhood are examined and applied. Tange’s modernist work drew from tradition to develop a renewed design sensibility in a contemporary Japanese idiom. His approach is examined to determine a strategy that could reinforce characteristics of New Zealand’s nationhood through architectural design. </p> <p>To extend the study beyond Tange’s career, the career of Japanese architect Kengo Kuma (b. 1954) is analysed for the contemporary perspective his work brings to some of the issues that Tange confronted. This approach is applied to the design for a new public library in Wellington, where the findings from this case study are implemented amongst issues pertaining to society, culture, and nationhood in order to continue the development of New Zealand’s architectural identity. </p> <p>This design is also used in an exploration to discover how a decolonised library building could be created in New Zealand. Libraries in their current form are mainly seen as repositories that accommodate access to physical and digital forms of information. This design considers alternative ways in which information can be shared and accessed that do not currently exist within New Zealand’s library models. The effectiveness of this process is then reflected upon and conclusions are drawn.</p>

scholarly journals Tange and Kuma: Lessons of Symbol and Context

2021 ◽  
Author(s):  
Benjamin Palmer
Keyword(s):  
Architectural Design ◽  
Public Library ◽  
Residual Effects ◽  
Current Form ◽  
Traditional Art ◽  
New Public ◽  
Anglo American ◽  
Architectural Tradition ◽  
Art And Architecture

<p><b>Aotearoa New Zealand’s architectural landscape has been said to rely on other nations as well as carrying the residual effects of colonisation within its built environment through the mimicking of European and Anglo-American styles (Bird, 1992). Despite the increasing profile of what has been a continuous Māori architectural tradition, since colonisation New Zealand’s indigenous Māori culture generally has had a diminished presence. There are successful examples of New Zealand’s bi-cultural heritage, but these instances are few. A large portion of the examples that do attempt to represent this bi-culturalism are usually watered down to iconographic representations of traditional art and architecture. </b></p> <p>This research explores ways in which New Zealand’s architectural identity can better reflect New Zealand’s own society, culture, materiality, and nationhood. In order to do this, the focus of this research takes a radical approach turning to a study of the career of Japanese architect Kenzo Tange (1913-1945) who has been able to successfully confront issues of tradition, society, and nationhood through architectural designs. The intent of this research is not to duplicate Tange’s style. It is rather that through a series of studies, Tange’s methodologies and processes related to issues of tradition, society, and nationhood are examined and applied. Tange’s modernist work drew from tradition to develop a renewed design sensibility in a contemporary Japanese idiom. His approach is examined to determine a strategy that could reinforce characteristics of New Zealand’s nationhood through architectural design. </p> <p>To extend the study beyond Tange’s career, the career of Japanese architect Kengo Kuma (b. 1954) is analysed for the contemporary perspective his work brings to some of the issues that Tange confronted. This approach is applied to the design for a new public library in Wellington, where the findings from this case study are implemented amongst issues pertaining to society, culture, and nationhood in order to continue the development of New Zealand’s architectural identity. </p> <p>This design is also used in an exploration to discover how a decolonised library building could be created in New Zealand. Libraries in their current form are mainly seen as repositories that accommodate access to physical and digital forms of information. This design considers alternative ways in which information can be shared and accessed that do not currently exist within New Zealand’s library models. The effectiveness of this process is then reflected upon and conclusions are drawn.</p>

The Twilight of Presence: Pictorialized Illumination in Leonardo da Vinci’s Last Supper

Leonardo ◽  
2019 ◽  
Vol 52 (1) ◽  
pp. 44-53 ◽  
Author(s):  
Justin Underhill
Keyword(s):  
Digital Humanities ◽  
Complex Interaction ◽  
Traditional Art ◽  
Last Supper ◽  
Lighting Conditions ◽  
Historical Methods ◽  
The Relationship ◽  
Santa Maria

This essay explores the relationship between pictures and the lighting conditions in which they were originally viewed. The theoretical interrelationship between brightness, illumination and depiction is explored in a case study of Leonardo da Vinci’s Last Supper mural at the refectory of Santa Maria delle Grazie in Milan. Advanced rendering software allows for the reconstruction of the refectory as it stood when Leonardo painted The Last Supper and demonstrates the complex interaction between light and space in the mural. This analysis illustrates how digital humanities might bridge traditional art-historical methods and forensic visualization.

scholarly journals The Role of Stakeholder in Fostering Traditional Art Awareness (A Case Study of Sundanese Local Song ‘Cianjuran’ Artist Training in Sumedang Regency West Java, Indonesia)

2016 ◽  
Vol 16 (1) ◽  
pp. 87 ◽  
Author(s):  
Julia Julia
Keyword(s):  
Data Collection ◽  
Cultural Awareness ◽  
Stakeholder Participation ◽  
West Java ◽  
Traditional Art ◽  
Traditional Artists ◽  
Research And Education ◽  
Traditional Arts

<p>This paper examines the process of seeding or training of Sundanese Song Cianjuran by artists in Sumedang regency that is conducted by a stakeholder of Sundanese traditional arts. The study was conducted using descriptive analytic methods, and data collection was done through observation and interviews. Results from the study explained that stakeholder participation was vital and influential towards the existence of Sundanese Song Cianjuran, especially in growing cultural awareness and in generating candidates for local traditional artists.</p><p><strong>How to Cite:</strong> Julia. (2016). The Role of Stakeholder in Fostering Traditional Art Awareness (A Case Study of Sundanese Local Song ‘Cianjuran’ Artist Training in Sumedang Regency West Java, Indonesia). <em>Harmonia: Journal of Arts Research And Education</em>, 16(1), 87-94. doi:http://dx.doi.org/10.15294/harmonia.v16i1.6005</p><p> </p>

scholarly journals Malang Mask Puppet Presentation Structure Arrangement of the Story Rabine Panji as Cultural Tourism Commodity in Malang Regency East Java

2016 ◽  
Vol 16 (1) ◽  
pp. 66
Author(s):  
Endang Wara Suprihatin Dyah Pratamawati
Keyword(s):  
Single Case ◽  
Cultural Tourism ◽  
Single Case Study ◽  
Case Study Approach ◽  
Traditional Art ◽  
Study Approach ◽  
Performance Group ◽  
Art Performance ◽  
Research And Education

<p>This research aimed to describe the model of structure arrangement of Malang Mask Puppet traditional art performance as the tourism commodity. The research method used was single case study with holistic single-case study approach toward the event program done by the traditional art performance group in Malang. It is done as an effort to maintain the existence of tradition art through tourism art performance arrangement. The result was the performance structure of the story (<em>lakon</em>) of Rabine Panji in Malang mask puppet performance. Malang mask puppet has been performed in shorter duration so that it became more interesting for the purpose of tourism.</p><p><strong>How to Cite:</strong> Pratamawati, E. W. S. D. (2016). Malang Mask Puppet Presentation Structure Arrangement of the Story Rabine Panji as Cultural Tourism Commodity in Malang Regency East Java. <em>Harmonia: Journal of Arts Research And Education</em>, 16(1), 66-74. doi:http://dx.doi.org/10.15294/harmonia.v16i1.4561</p>

scholarly journals Habituation of Local Culture in Order to Prevent Religious Radicalism in Sukoharjo, Central Java

2018 ◽  
Vol 19 (2) ◽  
pp. 199
Author(s):  
Ahmad Sihabul Millah ◽  
Yuni Ma’rufah ◽  
Khoirul Imam
Keyword(s):  
Empirical Investigation ◽  
Local Culture ◽  
Case Study Method ◽  
Traditional Art ◽  
Central Java ◽  
Data Collecting ◽  
Religious Radicalism

This article is intended to see the response of a group of Sukoharjo people related to their effort in prevention of radicalism through local cultural habituation. A group of people who joined into Sanggar Sekar Jagad in Bakalan Sukoharjo Village try to find a way out by way of rejuvenate local culture and traditional art that began to be abandoned by society. Using case study method through empirical investigation by means of data collecting through interview, observation, and documentation, it is expected to be able to answer how the practice of local cultural habituation developed by Sanggar Sekar Jagad society in order to prevent religious radicalism in the region was, and what factors which underlied the practice.[Artikel ini bertujuan untuk melihat respons sekelompok masyarakat Sukoharjo berkaitan dengan upaya mereka dalam mencegah radikalisme melalui habituasi budaya lokal. Sekelompok masyarakat yang tergabung dalam Sanggar Sekar Jagad di Desa Bakalan Sukoharjo mencoba mencari jalan keluar dengan cara menghidupakan kembali budaya lokal dan kesenian tradisional yang mulai ditinggalkan oleh masyarakat. Dengan menggunakan metode studi kasus, melalui penyelidikan empiris, dengan cara mengumpulkan data wawancara, observasi, dan dokumentasi, diharapkan mampu memberi jawaban tentang bagaimanakah praktik habituasi budaya lokal yang dikembangkan masyarakat Sanggar Sekar Jagad dalam rangka mencegah radikalisme agama di wilayah itu, dan faktor apa sajakah yang melatari praktik tersebut.]

scholarly journals Differrences in The Meaning Dolalak Dance in PurworejoDistrick, Central Java Province

2020 ◽  
Vol 9 (1) ◽  
pp. 39-47
Author(s):  
Adeliana Galih Nurbaidhah ◽  
Nurhadi Nurhadi ◽  
Sigit Pranawa
Keyword(s):  
Cultural Change ◽  
Social Life ◽  
Folk Dance ◽  
Case Study Method ◽  
Traditional Art ◽  
Central Java ◽  
The Social ◽  
New Interpretation ◽  
The Ideal

Dolalak dance is a folk dance whose movements and costumes adopted the Dutch soldiers war training and dancing movements and costumes. The exsistention of the traditional art become degradation in a year. Dolalak dance is also influenced by the cultural change from modernity, and then the meaning of Dolalak will be gone.This enable people interprete the ideal value of Dolalak dance in daily life that different from Dolalak dance in the past that was full of life regulation values.This qualitative research uses a case study method to answer the different interprete the meaning of Dolalak dance.It uses interview, observation and documentation techniques to collect data. Theory in thisresearch using interpretative culture from Clifford Geertz.This research reveals that Dolalak experienced a cultural creativity by combining with other arts, i.e dangdut and Campursari.It also experienced changes in players, movements, makeup, costumes, and time performanes. As a folk dance play a role in unity and guide the social life. Dolalak dance is interpreted as a religious symbols, varlour, faith and social conditions. Nowdays, it has a new interpretation as a equality, effectivity, efficiency and specialization lead to individualization in the group.

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