scholarly journals Land art u dječjem vrtiću – studije slučaja

2021 ◽  
Vol 15 (2) ◽  
pp. 135-150
Author(s):  
Marija Brajčić
Keyword(s):  
20Th Century ◽  
Contemporary Art ◽  
Negative Impact ◽  
Good Effect ◽  
Land Art ◽  
Creative Work ◽  
Traditional Art ◽  
Art Works ◽  
The Sixties

Land Art is a principle in contemporary art that developed in the sixties and seventies of the 20th century, as a reaction to commercialization in art. The art of Land Art abandoned museums and galleries and develops monumental projects in free space and landscapes, which in an artistic way are changing and adapting without having any negative impact on the environment. Knowing and evaluating contemporary art in practice is as important as observing and evaluating traditional art works, which is also based on the development of subtle perception of art. For this reason, this case study examines the possibility of implementing contemporary art in this case Land Arta in pedagogical work with children in Kindergarten. Land Art is, in its essence, quite suitable as an incentive for creative work for interaction with nature, the use of natural materials that are close to children, has a good effect on the psyche of the child and contains an educational ecological component. The results showed that the children who participated in this research were creatively responsive and created interesting artworks inspired by land art.

The Aspect of “Time” in an Artistic Work (on Selected Examples of Polish Conceptual Art, Own Work and Student Works)

2020 ◽  
Vol 4 (2) ◽  
Author(s):  
Artur Chrzanowski ◽  
Keyword(s):  
20Th Century ◽  
Contemporary Art ◽  
Fine Arts ◽  
Conceptual Art ◽  
Time Of Day ◽  
Starting Point ◽  
Art Works ◽  
Artistic Work ◽  
Great Tradition ◽  
Semantic Element

Attempting to visualize concept of “time” has a great tradition in contemporary art, in particular in conceptual art in the 20th century. The starting point for that consideration are conceptual activities in Polish contemporary art and their influence on the didactic program of teaching photography – the topics and selections taken for the visual structure of the work. Discussion on the example of selected works of Polish conceptual art of the 20th century, including the effects of the didactic process of the Photography and Multimedia Activities Studio that I run at the Academy of Fine Arts in Łódź. As a part of research and didactic observations, for many years students have been given the task of creating a visual work that shows the passage of time. The selection of photographic pictures and the method of working should be treated as an attempt to create a personal commentary on the surrounding reality. Students are choosing a theme, planning and recording over for a long period of time, for example a few weeks or months, the natural variability of the motif with particular emphasis on the type of light resulting from the time of day and the environment. The collections are presented in the form of a slide show, and the rhythm of the appearing photographs can be variable, consciously used as an additional artistic element. In the initial phase, the students discuss the selected issue and chosen artistic convention, while the technique and artistic form are free. In my own artistic work, too, the aspect of the “time” is an important factor. In many art works and art projects it is an important semantic element. Years later, I return to the same themes or places to reinterpret them and relate to the past. It concerns both the topic, issues and the composition of the visual implementation. Examples of artistic projects implemented over many years are cycles regarding the identity of the home city, for example “Postcards from Łódź”, “genius_lodzi” or “The Origin”.

Gender and Its Representation in Contemporary Arts

2017 ◽  
Vol 6 (2) ◽  
pp. 11 ◽  
Author(s):  
Nihan Akdemir
Keyword(s):  
20Th Century ◽  
Contemporary Art ◽  
Social Function ◽  
Conscious Awareness ◽  
Aesthetic Appreciation ◽  
Human Beings ◽  
The Social ◽  
Art Practices ◽  
Art Works ◽  
The Aesthetic

The concept of gender is an important issue that has been over-emphasized in recent years with an increasing rate of violence against human beings, is perhaps an important issue that needs to be addressed much more. The similarity of the terms, gender and sex, suggests that these two concepts are the same. The elimination of this mistake and the transformation of the position into a conscious awareness are carried out with the awareness of social responsibility with contributions in different disciplines. At this point, an evaluation can be made on art and the social function of art can be mentioned because the art is an important way of communicating collective messages through the artists by their works. In the 20th century, and especially since the second half of the century, the content of art is as important as the aesthetic appreciation and this point can be seen at the art practices which multidisciplinary approaches get to the forefront. In this paper, the way of expression of the concept of gender in contemporary art has been researched through the social function of art. The methods of this work depend on literature and artwork sample researches. And the concept of gender has been primarily addressed. This concept has been studied in terms of art works, disciplines, forms of expression, and works of artists who find meaning and overlap. And the results show that the concept of gender has found its place in contemporary arts.

scholarly journals Sada Sabai Dance in Komering Culture of East OKU Regency

Catharsis ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 19-27
Author(s):  
Ika Aditia Candra Buana ◽  
Hartono Hartono ◽  
Triyanto Triyanto
Keyword(s):  
Data Collection ◽  
Qualitative Method ◽  
Case Study Research ◽  
Main Approach ◽  
Design Data ◽  
Traditional Art ◽  
The Past ◽  
Art Works ◽  
Wedding Ceremony

Sada Sabai dance as one of South Sumatra's traditional art works, especially in East Ogan Komering Ulu Regency is very closely related to Komering culture. Sada Sabai dance is one of the characteristics of the Komering culture that dwells in the South Sumatra region, created based on the spirit of the Komering community when holding a traditional wedding ceremony. Sada Sabai dance is one form of art that is used by many Komering people who are presented during the traditional wedding ceremony. The problem raised in this study aims to analyze the characteristics of the Sada Sabai dance that developed in the Komering culture. The method used is a qualitative method with a case study research design. Data collection techniques include observation, interview and document study. The results showed that Sada Sabai dance was a symbol of the harmony between the bride and groom family, so that in the past Sada Sabai dance was only danced by married families. This phenomenon was clearly seen when the groom's family and the bride danced on the stage how the two of them looked very close to each other. Then, the movement in Sada Sabai dance emphasized improvisation and exploration as its main approach and the main characteristic lied in the middle fingers of the dancers.

scholarly journals Visual Tradisi dalam Karya Seni Lukis Kontemporer Sebagai Wujud Artistik Pengaruh Sosial Budaya

2014 ◽  
Vol 1 (2) ◽  
pp. 99-109
Author(s):  
Willy Himawan ◽  
Budi Adi Nugroho
Keyword(s):  
Visual Culture ◽  
Contemporary Art ◽  
Cultural Influences ◽  
Cultural Influence ◽  
Art Works ◽  
The Aesthetic

Penelitian ini bertujuan untuk memahami pengaruh sosial budaya pada senilukis kontemporer. Penelitian dilakukan dengan studi kasus pada dua senimankontemporer Bali yaitu Wayan Sudiarto dan Haryadi Suadi. Penelitian dilakukandengan mengamati unsur-unsur tradisi dan modern seperti otonomi, kebebasan,dan progresitivitas menjadi elemen yang penting dalam karya – karya keduaseniman. Berdasarkan penelitian dapat disimpulkan bahwa seni kontemporersecara khas mampu menunjukkan manifestasi estetik dan refleksi nilai yang bersifatkritis terhadap sistem ekonomi-sosial-kultural yang menghidupinya. Walau karyaSudiarta dan Haryadi saling bertolak belakang, namun kedua karya seniman tersebutmemperlihatkan bahwa visualisasi tradisi pada karya-karya seni lukis kontemporerterkait dengan aspek-aspek seni rupa yang menjadi bagian dari konsep konsepbudaya visual. Keberadaan tradisi atau unsur-unsur tradisi yang muncul dalamkarya-karya tersebut masih dibaca dalam ranah identitas dan keunikan tetapi belummenyentuh ke dalam makna yang terkandung di dalamnya. The Visual Tradition on Contemporary Art Works as the Artistic Form of Socio-Cultural Influence. This study aims to understand the socio-cultural influences oncontemporary paintings. It is a case study of two contemporary Balinese artists, i.e.Wayan Sudiarto and Haryadi Suadi. The study is conducted by observing the traditionand modern elements such as autonomy, freedom, and progressivity which become theimportant elements of both artists’ artworks. Based on the research, it can be concludedthat the contemporary art is typically able to demonstrate the aesthetic manifestationand reflection of values which are critical toward the system of economy-socio-cultural.Although the artworks of Sudiarta and Haryadi are in contradictory, but both of theartists’ works show the visualization of tradition on the works of contemporary paintingsassociated with the aspects of arts which are a part of the concepts of visual culture. Theexistence of the tradition or traditional elements appeared in these works are still readin the realm of identity and uniqueness, but they have not touched into the containedmeaning.

Transformative Encounters and Uncanny Intimacies: Biotechnology and Contemporary Art – A Practitioner's Approach and Perspective

Somatechnics ◽  
2012 ◽  
Vol 2 (2) ◽  
pp. 263-283 ◽  
Author(s):  
Svenja J. Kratz
Keyword(s):  
Tissue Culture ◽  
Human Skin ◽  
Contemporary Art ◽  
Skin Equivalent ◽  
Biomedical Innovation ◽  
Equivalent Models ◽  
Science Projects ◽  
Insight Into ◽  
Human Skin Equivalent

Abstract: Presented from an ArtScience practitioner's perspective, this paper provides an overview of Svenja Kratz's experience working as an artist within the area of cell and tissue culture at QUT's Institute of Health and Biomedical Innovation (IHBI). Using The Absence of Alice, a multi-medium exhibition based on the experience of culturing cells, as a case study, the paper gives insight into the artist's approach to working across art and science and how ideas, processes, and languages from each discipline can intermesh and extend the possibilities of each system. The paper also provides an overview of her most recent artwork, The Human Skin Equivalent/Experience Project, which involves the creation of personal jewellery items incorporating human skin equivalent models grown from the artist's skin and participant cells. Referencing this project, and other contemporary bioart works, the value of ArtScience is discussed, focusing in particular on the way in which cross-art-science projects enable an alternative voice to enter into scientific dialogues and have the potential to yield outcomes valuable to both disciplines.

Modernisation of Higher Education – Willful Action or Wishful Thinking? The Case of Bulgaria

2020 ◽  
Vol 8 (3) ◽  
pp. 3-17
Author(s):  
Elena Blagoeva
Keyword(s):  
Higher Education ◽  
Economic Crisis ◽  
Negative Impact ◽  
National Level ◽  
Sustainable Growth ◽  
Research Approach ◽  
Case Study Methodology ◽  
The Impact ◽  
The Eu

The impact of the last global economic crisis (2008) on the European economy put a strain on higher education (HE), yet it also pushed the sector towards intensive reforms and improvements. This paper focuses on the “Strategy for the Development of Higher Education in the Republic of Bulgaria 2014-2020”. With a case study methodology, we explore the strategic endeavours of the Bulgarian government to comply with the European directions and to secure sustainable growth for the HE sector. Our research question is ‘How capable is the Bulgarian HE Strategy to overcome the economic and systemic restraints of Bulgarian higher education?’. Because the development of strategies for HE within the EU is highly contextual, a single qualitative case study was chosen as the research approach. HE institutions are not ivory towers, but subjects to a variety of external and internal forces. Within the EU, this is obviated by the fact that Universities obtain their funds from institutions such as governments, students and their families, donors, as well as EU-level programmes. Therefore, to explore how these pressures interact to affect strategic action on national level, the case method is well suited as it enabled us to study the phenomena thoroughly and deeply. The paper suggests the actions proposed within the Strategy have the potential to overcome the delay, the regional isolation and the negative impact of the economic crisis on the country. Nevertheless, the key elements on which the success or failure of this Strategy hinges are the control mechanisms and the approach to implementation. Shortcomings in these two aspects of strategic actions in HE seem to mark the difference between gaining long-term benefits and merely saving face in front of international institutions.

Is There Racial Discrimination in Police Stop-and-Searches of Black Youth? A Toronto Case Study

2015 ◽  
Vol 7 (1) ◽  
pp. 115 ◽  
Author(s):  
Yunliang Meng ◽  
Sulaimon Giwa ◽  
Uzo Anucha
Keyword(s):  
Racial Profiling ◽  
Negative Impact ◽  
Black Youth ◽  
White People ◽  
Neighbourhood Level ◽  
Neighbourhood Characteristics ◽  
The Relationship ◽  
Race And Place ◽  
Stop And Search

Our study investigated racial profiling of Black youth in Toronto and linked this racial profiling to urban disadvantage theory, which highlights neighbourhood-level processes. Our findings provide empirical evidence suggesting that because of racial profiling, Black youth are subject to disproportionately more stops for gun-, traffic-, drug-, and suspicious activity-related reasons. Moreover, they show that drug-related stop-and-searches of Black youth occur most excessively in neighbourhoods where more White people reside and are less disadvantaged, demonstrating that race-and-place profiling of Black youth exists in police stop-and-search practices. This study shows that the theoretical literature in sociology on neighbourhood characteristics can contribute to an understanding of the relationship between race and police stops in the context of neighbourhood. It also discusses the negative impact of racial profiling on Black youth.

«The Forties, Fateful…» in David Samoylov’s Poetry: a Lingvo-stylistic Analysis of Three Poems about War (To the 100th Anniversary of the Birth)

2020 ◽  
Vol 81 (3) ◽  
pp. 63-69
Author(s):  
E. A. Frolova
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
100Th Anniversary ◽  
Stylistic Analysis ◽  
Creative Work ◽  
Creative Activity ◽  
War Poetry ◽  
Artistic Manner ◽  
Different Levels ◽  
Linguistic Means

The article presents an analysis of three poems about war («The Tale of Our Lady and Russian Soldiers» («Slovo o Bogoroditse i Russkih Soldatah»), «The Attack» («Ataka»), «The Forties» («Sorokovye»)) written by D. Samoylov in different periods of his creative activity. On the basis of the existing research of the creative work of the famous poet of the 20th century, a multilevel characteristic of his war lyrics is given. The aim of the article is to characterize the specific features of the poetic language of such an original author by means of a lingvo-stylistic analysis of D. Samoilov’s poems, to reveal the richness and diversity of his artistic manner. The following research methods were used: analytical reading, comparative analysis, ontological method, a multilevel analysis of poetry. The author accentuates reminiscences in D. Samoilov’s war poetry, the contrast and contrast means, repetition as an artistic device, paronomasia in the stylistic mixture of linguistic means belonging to different levels. A multidimensional poet’s approach to the theme of the war is the conclusion of the article.

Regulatory Valuation of Public Utilities: A Case Study of the 20th Century

2012 ◽  
Author(s):  
Paul A. Grout ◽  
Andrew Jenkins ◽  
Anna Zalewska
Keyword(s):  
20Th Century ◽  
Public Utilities
Sign in / Sign up

Export Citation Format

Share Document