scholarly journals Proses Transformasi Pengetahuan Budaya Songket pada Masyarakat Pandai Sikek

2019 ◽  
Vol 4 (2) ◽  
Author(s):  
Elfitri Kurnia Erza ◽  
Pawit M Yusup ◽  
Wina Erwina

Information development has prompted a transition within society, which has changed from local society to information society. The transition appears accordingly in the process of knowledge sharing of “Songket” waving technic in Pandai Sikek. This social phenomenon necessarily affects local knowledge of the community and initiates some knowledge transformation. The aim of this paper is to see how exactly the transformation of the local knowledge of “Songket” waving technic as a part of society’s culture arise.  The paper employs qualitative methods combined with ethnographical approach. Data are collected through observation, in depth interview, and documentation studies. Conducted research shows that the cultural knowledge regarding Songket has altered from a belief system to a social factor of the society involved.

2018 ◽  
Vol 4 (01) ◽  
Author(s):  
Sumiati Sumiati ◽  
Lasmery RM Girsang

<p>Bali becomes the world‟s tourism that has varied culture, one of them is „Tari Kecak‟ („Tari<br />Cak‟ or „Fire Dance‟). Different with other dance using music („gamelan‟), „Tari Kecak‟ just uses the<br />dancer‟s sound/shouting like “cak cak ke cak cak ke”as the art. Through qualitative research based on<br />constructive paradigm, the researcher depended on participative observation and in depth interview to<br />the key informants and informants (from local society and tourists). By using Semantic Meaning Theory<br />from Charles Osgood, the results show five meanings from „Tari Kecak‟, namely (a) avoiding curse, (b)<br />as a belief system, (c) as a holy thing, (d) as an art and culture and also (e) as economic income.<br />Keywords: Message, Tari Kecak, Semantic Meaning Theory</p>


2018 ◽  
Vol 4 (01) ◽  
pp. 064
Author(s):  
Sumiati Sumiati ◽  
Lasmery RM Girsang

<p>ABSTRACT<br />Bali becomes the world’s tourism that has varied culture, one of them is ‘Tari Kecak’ (‘Tari Cak’ or ‘Fire Dance’). Different with other dance using music (‘gamelan’), ‘Tari Kecak’ just uses the dancer’s sound/shouting like “cak cak ke cak cak ke”as the art. Through qualitative research based on constructive paradigm, the researcher depended on participative observation and in depth interview to the key informants and informants (from local society and tourists). By using Semantic Meaning Theory from Charles Osgood, the results show five meanings from ‘Tari Kecak’, namely (a) avoiding curse, (b) as a belief system, (c) as a holy thing, (d) as an art and culture and also (e) as economic income.<br /><strong>Keywords:</strong> Message, Tari Kecak, Semantic Meaning Theory</p><p><br />ABSTRAK<br />Bali merupakan destinasi wisata dunia yang memiliki ragam budaya, salah satunya adalah Tari Kecak (biasa juga disebut sebagai Tari “Cak” atau Tari Api/fire dance). Berbeda dengan tarian lainnya yang menggunakan alat musik (gamelan), tari Kecak hanya memadukan seni dari suara para penari berupa teriakan-teriakan seperti “cak cak ke cak cak ke”. Pada penelitian kualitatif dengan paradigma konstrukstivis ini, peneliti mengedepankan pengamatan partisipatif dan wawancara mendalam kepada enam narasumber (baik warga di Bali maupun wisatawan asing). Dengan menggunakan Teori ‘Pengertian Secara Semantik’ (Charles Osgood), hasil penelitian menunjukkan lima makna pesan dari Tari Kecak, yakni: (a) menghindari karma, (b) kepercayaan, (c) sakral, (d) seni dan budaya, serta (e) pendapatan ekonomi.<br /><strong>Kata Kunci:</strong> Pesan, Tari Kecak, Teori Pengertian Semantik</p>


2019 ◽  
Vol 55 (4) ◽  
pp. 600-616
Author(s):  
Chiemezie Scholastica Atama ◽  
Uzoma Odera Okoye ◽  
Amelia Ngozi Odo ◽  
Aloysius Odii ◽  
Uche Teresa Okonkwo

Despite the benefit of modern contraception, its use remains low in Nigeria. This study examined belief system as a barrier to the use of modern contraceptives among the Idoma of Benue State, North Central Nigeria. Questionnaire ( n = 1107), in-depth interview ( n = 6) and focus group discussion ( n = 52) were used to collect data from three local government areas (LGAs). The results showed high levels of knowledge (88.0%), however, only 37.8% used modern contraceptives. The male condom had the highest percentage use (56.7%). Chi-square results showed that LGA, education and occupation were significantly related to the use of modern contraceptives. Being of greater age increased the likelihood of use, whereas higher levels of education and income decreased the likelihood of modern contraceptive use ( p < 0.05). Qualitative data indicated that married women were expected to eschew modern contraceptives due to their belief in Alekwu, the community deity. Designing interventions that are culturally specific could promote use of modern contraceptives among the group.


2015 ◽  
Vol 8 (12) ◽  
pp. 157
Author(s):  
Korawan Sangkakorn ◽  
Nopasit Chakpitak ◽  
Pitipong Yodmongkol

<p class="apa">An innovative creative class drives creative cities, urban areas in which diverse cultures are integrated into social and economic functions. The creative city of Chiang Mai, Thailand is renowned for its vibrant Lan Na culture and traditions, and draws new migrants from other areas in Thailand seeking to become part of the creative class. This study aims to classify a local integration model for the migrant creative class, and to suggest a set of indicators that could be used to measure the level of successful integration of a migrant creative class when building creative cities. This study selected twelve creative class sample cases who are well known in Chiang Mai and separated the sample into three groups; educator, researcher, and innovator. The study’s agenda consisted of open-ended questions with a semi-structured format for the in-depth interview, and follows a local integration ontology model.</p><p class="apa">The study found that the local integration model consisted of four key domains: means and work, social connection, facilities, and foundations domains. Significant factors are included in each domain, and all four domains are important for the local integration of the creative class in creative cities. Annotation Ontology was used for determining the critical factors for success for migrants in creative cities: namely job, training, social bridge, and language and cultural knowledge.</p><p class="apa">This study presents a new model, the Lan Na Local Integration Metric, which can be applied to understand the successful integration of migrants into the Lan Na region of Chiang Mai.</p>


2014 ◽  
Vol 4 (1) ◽  
pp. 17-24
Author(s):  
Marek Walancik

AbstractThe author in this article points to the need for information as a fundamental human need in the information society. The realization of this need is a part of the process of communication which is a kind of social phenomenon. The author seeks to entice the reader to satisfy the information needs related to the problem. He notes that satisfying the information needs and the provision of specific information is an ongoing continuing process of education.


ESOTERIK ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 59
Author(s):  
Thiyas Tono Taufiq

<p>This study aims to see the wisdom of the coastal community of fishermen in coastal Banyutowo in growing responsibility to the environment (sea). The village of Banyutowo is one of the villages in Dukuhseti, Pati, Central Java. This research uses qualitative method that oriented to the result of observation, documentation, and in-depth interview with the informants in Banyutowo. The data are then classified and analyzed using an ethnoecological approach, which aims to examine local knowledge about the interaction of local communities with their environment. The results of this study indicate that the culture of the fisherman communities and solidarity of coastal communities of Banyutowo formed by the ritual of <em>sedekah laut, </em>and other tradition. The tradition is believed to be a local tradition that can not be eliminated. The meaning of <em>sedekah laut</em> to the coastal people of Banyutowo is not only a cultural ritual, but as a means to obtain salvation and maintain a natural balance. In addition, the values contained in <em>sedekah laut</em> rituals, including religious values (spirituality), social, economic, and education.</p>


2016 ◽  
Vol 1 (1) ◽  
Author(s):  
Munsi Lampe

AbstractAlthough the Green Revolution in Indonesia has shown an increase in theagriculturalproduction, a rapid marginalisation process among the farmers has taken place simultaneously.This article aims to identify the role of Sekolah Lapang Petani (Farmer Field School), which isone of the programs conducted byPengelolaan Hama Terpadu (Integrated Pest Management,IPM). This program is conducted by the government in response to the negative impacts of theGreen Revolution that is consideredto be responsible in deteriorating the local knowledge andthe local wisdom techniques, the power of creative-innovation and the freedom of the farmers.This study was conducted in two different sites in South Sulawesi, namely: Manjalling Village(Gowa) and Soreang Village (Maros). Our informants are those who joined SLP-PHT programin the two locations. They consistof 17 farmers; 5 of them are from Manjalling, while rests arefrom Soreang. We triangulate, in-depth interview, observation, life history, and focus groupdiscussion (FGD) as our data collection methods.The results showed that the implementation of SLP-PHT program in Manjallingand Soreanghas played an important role in the application process of the local knowledge and the farmers’creative-innovative development in agricultural, such as productive, righteousness, adaptive,and environmentally friendly.Keywords: farmer field school, creativity, innovative, plant fertilizer and medicine.


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