scholarly journals GENESIS OF THE «WOMAN’S» WAR IN CREATIVITY OF SVETLANA ALEXIEVICH (BASED ON THE MATERIAL OF THE NOVELS «THE UNWOMANLY FACE OF WAR» AND «ZINKY BOYS»)

2021 ◽  
Vol 11 (2) ◽  
pp. 182-187
Author(s):  
ANATOLIY NOVYKOV ◽  
TETIANA KLEIMENOVA ◽  
MARYNA KUSHNIEROVA ◽  
DMYTRO MARIEIEV ◽  
NATALIIA HOHOL
Keyword(s):  
Original Meaning ◽  
Individual Features ◽  
Talented Artist ◽  
Archetypal Images

The article examines the features of a fiction-documentary comprehension of the German-Soviet and Soviet-Afghan wars in the novels of Svetlana Alexievich «The unwomanly face of war» and «Zinky Boys». It occurs through the perception of a woman as a direct participant in the war, a mother, wife, whose war took away the most expensive – son, husband, father. The presence of archetypal images to combine separate chapters is common in both novels. In both her novels, S. Alexievich gave the archetypal image of a woman-keeper of modern sound, individual features, convincing the reader that this image is always relevant because each talented artist revealed not only its original meaning, but also created something new that was close to the man of each century.

Animal Recognition and Eye Movements

2010 ◽  
Vol 57 (2) ◽  
pp. 117-125 ◽  
Author(s):  
Toby J. Lloyd-Jones ◽  
Juergen Gehrke ◽  
Jason Lauder
Keyword(s):  
Eye Movements ◽  
Response Times ◽  
Real Life ◽  
Object Orientation ◽  
Decision Task ◽  
Line Drawings ◽  
Object Decision ◽  
Individual Features ◽  
And Performance

We assessed the importance of outline contour and individual features in mediating the recognition of animals by examining response times and eye movements in an animal-object decision task (i.e., deciding whether or not an object was an animal that may be encountered in real life). There were shorter latencies for animals as compared with nonanimals and performance was similar for shaded line drawings and silhouettes, suggesting that important information for recognition lies in the outline contour. The most salient information in the outline contour was around the head, followed by the lower torso and leg regions. We also observed effects of object orientation and argue that the usefulness of the head and lower torso/leg regions is consistent with a role for the object axis in recognition.

Sadomasochistic dynamics inside and outside the consulting room

2020 ◽  
Vol 2 (1) ◽  
pp. 13-25
Author(s):  
Carine Minne
Keyword(s):  
Main Function ◽  
Acting Out ◽  
Original Meaning ◽  
Life Threatening

This article will illustrate sadomasochistic dynamics as they arise within the consulting room and highlight the main function of perversions. Although the term “perversion” can be considered outdated, or worse, pejorative, if used in its original meaning, it remains the most appropriate term to describe the plight of certain patients who suffer from a specific sexualised form of acting out. One aim of the perversion is to attempt to reverse an earlier trauma by turning that passive experience, often not consciously remembered, into an active one. The patient suffering from a perversion replaces unwanted or unbearable historical affects with current actions that are sadomasochistic, sexually exciting, and highly gratifying, albeit temporarily, thereby keeping the patient’s mind far away from the desolation of the initial trauma. At times, the actions patients are driven to for survival are paradoxically life-threatening. I will briefly refer to the difficulties of the countertransference in working with perverse patients.

Taʾwīl and the Meaning of the Text in the Arabic Language: An Introduction to Understanding the Qur'an

2010 ◽  
Vol 12 (1-2) ◽  
pp. 337-314
Author(s):  
ʿAbd Allāh Muḥammad al-Shāmī
Keyword(s):  
Figurative Language ◽  
Arabic Language ◽  
Literary Text ◽  
Arabic Text ◽  
Comprehensive Understanding ◽  
Original Meaning ◽  
High Literature

The question of clarifying the meaning of a given Arabic text is a subtle one, especially as high literature texts can often be read in more than one way. Arabic is rich in figurative language and this can lead to variety in meaning, sometimes in ways that either adhere closely or diverge far from the ‘original’ meaning. In order to understand a fine literary text in Arabic, one must have a comprehensive understanding of the issue of taʾwīl, and the concept that multiplicity of meaning does not necessarily lead to contradiction. This article surveys the opinions of various literary critics and scholars of balāgha on this issue with a brief discussion of the concepts of tafsīr and sharḥ, which sometimes overlap with taʾwīl.

L.I. Strakhovsky: Between Symbolism and Acmeism (Based on Foreign Publications)

2020 ◽  
Vol 17 (4) ◽  
pp. 426-437
Author(s):  
Nikolay N. Nosov
Keyword(s):  
Mutual Influence ◽  
Cultural Influence ◽  
Russian Language ◽  
Literary Studies ◽  
Usual Sense ◽  
Creative Evolution ◽  
Russian State ◽  
Library Resources ◽  
Individual Features ◽  
State Library

The article is devoted to L.I. Strakhovsky (alias Leonid Chatsky; 1898—1963), a Russian writer and poet of the first wave of emigration, and his poetry and prose reflected in foreign publications of his works in Russian. Returning to our culture the name of this author, now half-forgotten in his homeland, and introducing this name into literary studies, the article tries to reveal the thematic and stylistic diversity of L.I. Strakhovsky’s poetry and prose. The research’s object is foreign publications of L.I. Strakhovsky’s artistic works in separate books, almanacs and periodicals published in Belgium, Germany, Canada and identified through collection catalogues of leading Russian libraries (the Russian State library, the Alexander Solzhenitsyn House of Russia Abroad) and library resources that display foreign Russian-language publications by L.I. Strakhovsky. The article highlights and analyzes the main stylistic (symbolism, acmeism, “junior acmeism”) and thematic (autobiographical, English, mystical) components of L.I. Strakhovsky’s works, reveals the components’ individual features, the originality of their constancy and mutual influence. The main of these features is that L.I. Strakhovsky’s works can be stylistically periodized on the basis of the author’s increased propensity to cyclize his works though without creative evolution in the usual sense and with the stable nature of his working throughout his life. To review the publications and analyze the nature of L.I. Strakhovsky’s works, the article draws on the context of Russian and emigrant literature of his era, creatively associated with L.I. Strakhovsky and its main figures, and notes his literary and cultural influence.

Kombinasi Mode Cipher Block Chaining Dengan Algoritma Triangle Chain Cipher Pada Penyandian Login Website

2018 ◽  
Vol 2 (1) ◽  
pp. 1
Author(s):  
Dafirius Lombu ◽  
Siska Dame Tarihoran ◽  
Irwan Gulo
Keyword(s):  
Operation Mode ◽  
Feedback Mechanism ◽  
Database Access ◽  
Original Meaning ◽  
Mode Of Operation ◽  
Encryption And Decryption ◽  
Cryptographic Algorithms ◽  
Block Chaining

Generally, the database access of a website lies in the user login. When the login data is not accompanied by security techniques, it is very easily accessible by other parties. One effort that can be done to solve the problem is to encode the login data of website users based on cryptographic technique algorithm. Triangle Chain Cipher (TCC) is one of the classic cryptographic algorithms that encode data doubly and generate keys randomly along the plain. The process of encryption and decryption are interdependent to be one of the advantages of this algorithm. This algorithm will be more effective when combined with the Cipher Block Chaining (CBC) operation mode that is widely used in modern cryptographic algorithms today. The feedback mechanism between the blocks in this mode of operation is the operating advantage. This study describes how to combine the mode of operation of block chaining cipher with triangle chain cipher algorithm so that cipher data login website generated more random and difficult to find its original meaning.

Vasyl Bezkorovayny’s vocal works in Ukrainian music of the first half of the XX century

2019 ◽  
pp. 500-515
Author(s):  
Nataliia Kosaniak
Keyword(s):  
Choral Music ◽  
Instrumental Music ◽  
Symphony Orchestra ◽  
Vocal Music ◽  
The United States ◽  
Musical Life ◽  
Western European ◽  
Vocal Works ◽  
Post War ◽  
Talented Artist

Vasyl Bezkorovayny (1880–1966) was a talented artist, an active figure in the musical life of Galicia and a representative of post-war Ukrainian emigrants in the United States of America. He wrote more than 350 works of various genres. Among them are compositions for symphony orchestra; vocal works — for chorus, ensembles or solo singing; chamber and instrumental music — for piano, violin, zither, cello; music for dramatic performances. The article deals with the archival and musicological analysis of expressive and stylistic features of V. Bezkorovayny’s vocal works, based on the materials of Stefanyk Lviv National Library of Ukraine. Attention is paid to the place of the composer’s vocal masterpieces in the context of Ukrainian vocal music of the first half of the XX century. The most important achievements of the composer related to the genres of choral and chamber vocal music. In style, the composer’s works combine the influences of M. Lysenko, composers of the «Peremyshl school» and Western European romantic and post-romantic models. The original secular choral music of V. Bezkorovayny covers genres of songs, plays, and large-form choirs. In his solo songs the influences of romantic western European music and Ukrainian folk songs affected the formation and approval of the composer’s style. Keywords: vocal music, chorus, solos, melodic-intonation means, harmony, rhythm.

Reconstruction of the Ancient Numeral System in Basque Language

Philology ◽  
2019 ◽  
Vol 4 (2018) ◽  
pp. 157-172
Author(s):  
FERNANDO GOMEZ-ACEDO ◽  
ENEKO GOMEZ-ACEDO
Keyword(s):  
Cardinal Number ◽  
Counting System ◽  
Cardinal Numbers ◽  
Original Meaning ◽  
Diachronic Development ◽  
Insight Into

Abstract In this work a new insight into the reconstruction of the original forms of the first Basque cardinal numbers is presented and the identified original meaning of the names given to the numbers is shown. The method used is the internal reconstruction, using for the etymologies words that existed and still exist in Basque and other words reconstructed from the proto-Basque. As a result of this work it has been discovered that initially the numbers received their name according to a specific and logic procedure. According to this ancient method of designation, each cardinal number received its name based on the hand sign used to represent it, thus describing the position adopted by the fingers of the hand to represent each number. Finally, the different stages of numerical formation are shown, which demonstrate a long and diachronic development of the whole counting system.

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