On Blustering: Dwight Macdonald, Modernism and The New Yorker

2015 ◽  
Author(s):  
Tom Perrin
Keyword(s):  
Cold War ◽  
New Yorker ◽  
Middlebrow Culture ◽  
Dwight Macdonald ◽  
The One ◽  
Better Than ◽  
The New Yorker

This chapter considers US critic Dwight Macdonald's celebrated two-part hatchet job on so called middlebrow culture: ‘Masscult and Midcult’. However, it loses its edge when it comes to assessing The New Yorker, the middlebrow magazine for which Macdonald, at the time he wrote the articles in 1960, had been a staff writer for eight years. Like all middlebrow products, Macdonald says, The New Yorker is produced to a formula that makes it monotonous, except that its formula is better than the one used in editing its ‘Midcult brethren’. The chapter shows how Macdonald's prose emblematises a midcentury middlebrow literary mode called blustering. Blusterers, who appear all over middlebrow US prose of the early Cold War, aim to talk with the appearance of forthrightness, but they get so bogged down that they end up muddled and mired in self contradiction.

scholarly journals The Unfinished Text in the Thickening Description: From Genetic Criticism to Cultural Transfer Studies (The case of Zbigniew Herbert’s Winter Tale)

2020 ◽  
Vol 13 (2) ◽  
Author(s):  
Mateusz Antoniuk
Keyword(s):  
Short Story ◽  
The Other ◽  
Genetic Criticism ◽  
Cultural Transfer ◽  
New Yorker ◽  
German Translation ◽  
Archival Material ◽  
Textual Culture ◽  
The One ◽  
The New Yorker

On the threshold of the 1970s Zbigniew Herbert, an eminent Polish poet and writer, was working on a play entitled Baśń zimowa (Winter Tale), which can be described as a truly international, interlingual, and transcultural phenomenon of textual culture. Written in Polish and ultimately intended for publication in German translation, it was inspired by a short story by James Stevenson published in The New Yorker magazine. For a number of reasons, Herbert never completed the text and all that remains is the archival material (plans, rough drafts, a newspaper cutting). Using this case as a platform, I attempt to investigate the potential for cooperation between the disciplines of genetic criticism on the one hand and cultural transfer studies on the other. A discussion of the ontology of unfinished and abandoned work provides a backdrop to the major themes.   

The New Yorker, the Middlebrow, and the Periodical Marketplace in 1925

2015 ◽  
Author(s):  
Faye Hammill
Keyword(s):  
Print Culture ◽  
First Year ◽  
Mass Market ◽  
High Culture ◽  
New Yorker ◽  
Avant Garde ◽  
Middlebrow Culture ◽  
Cultural Hierarchies ◽  
Over Time ◽  
The New Yorker

This chapter focuses on The New Yorker in its first year, exploring its mediation of the whole range of the city's print culture. Balancing between fascination and ironic detachment in its attitude to the celebrity gossip and sensation disseminated in the tabloids, and similarly in its attitude to the high culture disseminated in avant garde and smart magazines, The New Yorker adopted an intermediate position which affiliates it with middlebrow culture. The chapter shows how, as multiauthored collages, incorporating a diverse mix of content and evolving over time, magazines are always difficult to position in relation to cultural hierarchies. The New Yorker, for example, has been classed, in different critical accounts, as modernist, as mass market, and as middlebrow.

Which norms matter? Revisiting the “failure” of internationalism

1997 ◽  
Vol 51 (1) ◽  
pp. 31-63 ◽  
Author(s):  
Jeffrey W. Legro
Keyword(s):  
Cold War ◽  
International Relations ◽  
Interwar Period ◽  
Contemporary Literature ◽  
Explanatory Power ◽  
International Norms ◽  
Substantial Impact ◽  
Post Cold War ◽  
The One ◽  
Better Than

International relations theorists have in recent years shown an interest in international norms and rules not equaled since the interwar period. This contemporary literature is, of course, quite different—i.e., better—than that of the 1920s and 1930s: it has greater intellectual depth, empirical backing, and explanatory power. The promise of this research, bolstered by the opportunities of the post–cold war era, is that norms encouraging free trade, protecting the environment, enhancing human rights, and controlling the spread and use of heinous weapons may have a substantial impact on the conduct and structure of international relations. But pessimists also exist. Some have taken up the stick E. H. Carr skillfully shook at idealists in an earlier period, arguing that the anarchic power-shaped international arena is not so malleable and that international norms and institutions have relatively little influence. On the one hand, we are pointed to the centrality of international norms; on the other, we are cautioned that norms are inconsequential. How do we make sense of these divergent claims? Which is right?

Subjective Time Preference and Willingness to Pay for an Energy-Saving Durable Good

2001 ◽  
Vol 32 (3) ◽  
pp. 133-141 ◽  
Author(s):  
Gerrit Antonides ◽  
Sophia R. Wunderink
Keyword(s):  
Willingness To Pay ◽  
Energy Saving ◽  
Subjective Time ◽  
Durable Good ◽  
Discount Function ◽  
Hyperbolic Discount ◽  
The One ◽  
Two Parameter ◽  
Difference Effect ◽  
Better Than

Summary: Different shapes of individual subjective discount functions were compared using real measures of willingness to accept future monetary outcomes in an experiment. The two-parameter hyperbolic discount function described the data better than three alternative one-parameter discount functions. However, the hyperbolic discount functions did not explain the common difference effect better than the classical discount function. Discount functions were also estimated from survey data of Dutch households who reported their willingness to postpone positive and negative amounts. Future positive amounts were discounted more than future negative amounts and smaller amounts were discounted more than larger amounts. Furthermore, younger people discounted more than older people. Finally, discount functions were used in explaining consumers' willingness to pay for an energy-saving durable good. In this case, the two-parameter discount model could not be estimated and the one-parameter models did not differ significantly in explaining the data.

Exploring the Multidimensional Facets of Authoritarianism: Authoritarian Aggression and Social Dominance Orientation

2008 ◽  
Vol 67 (1) ◽  
pp. 51-60 ◽  
Author(s):  
Stefano Passini
Keyword(s):  
Social Dominance ◽  
Factor Model ◽  
Three Dimensional ◽  
Social Dominance Orientation ◽  
Model Fit ◽  
Regression Analyses ◽  
One Dimensional ◽  
Confirmatory Factor ◽  
The One ◽  
Better Than

The relation between authoritarianism and social dominance orientation was analyzed, with authoritarianism measured using a three-dimensional scale. The implicit multidimensional structure (authoritarian submission, conventionalism, authoritarian aggression) of Altemeyer’s (1981, 1988) conceptualization of authoritarianism is inconsistent with its one-dimensional methodological operationalization. The dimensionality of authoritarianism was investigated using confirmatory factor analysis in a sample of 713 university students. As hypothesized, the three-factor model fit the data significantly better than the one-factor model. Regression analyses revealed that only authoritarian aggression was related to social dominance orientation. That is, only intolerance of deviance was related to high social dominance, whereas submissiveness was not.

Designing Women

2018 ◽  
Author(s):  
J. E. Smyth
Keyword(s):  
Working Women ◽  
Costume Design ◽  
Creative Force ◽  
Women's Fashion ◽  
The One ◽  
Studio Era ◽  
Average Woman ◽  
Better Than

During the early 1940s, journalists observed that after years of men controlling women’s fashion, Hollywood had become “a fashion center in which women designers are getting to be a big power.” In a town where “the working girl is queen,” it was women who really knew how to dress working women. Edith Head’s name dominates Hollywood costume design. Though a relatively poor sketch artist who refused to sew in public, Head understood what the average woman wanted to wear and knew better than anyone how to craft her image as the-one-and-only Edith Head. However, she was one of many women who designed Hollywood glamour in the studio era. This chapter juxtaposes Head’s career with that of a younger, fiercely independent designer who would quickly upstage Head as a creative force. In many senses, Dorothy Jeakins’s postwar career ascent indicated the waning of the Hollywood system and the powerful relationship between female designers, stars, and fans.

Reflections on Lawrence Freedman’s ‘Deterrence’

2018 ◽  
Author(s):  
Patrick M. Morgan
Keyword(s):  
Cold War ◽  
Social Cohesion ◽  
Social Relationship ◽  
International Security ◽  
First Century ◽  
Social Aspects ◽  
Post Cold War ◽  
Social Strategy ◽  
The Social ◽  
The One

This chapter focuses on the social aspects of strategy, arguing for the importance of relationships in strategy and, in particular, in understanding of deterrence. Deterrence, in its essence, is predicated upon a social relationship – the one deterring and the one to be deterred. Alliance and cooperation are important in generating the means for actively managing international security. Following Freedman’s work on deterrence in the post-Cold War context, ever greater interaction and interdependence might instill a stronger sense of international community, in which more traditional and ‘relatively primitive’ notions of deterrence can be developed. However, this strategic aspiration relies on international, especially transatlantic, social cohesion, a property that weakened in the twenty-first century, triggering new threats from new kinds of opponent. The need for a sophisticated and social strategy for managing international security is made all the more necessary.

The Futurists. Experts in World Futures

2018 ◽  
Author(s):  
Jenny Andersson
Keyword(s):  
Cold War ◽  
Status Quo ◽  
The Other ◽  
Futures Studies ◽  
The Future ◽  
The Status ◽  
The One ◽  
The Cold War ◽  
Images Of The Future ◽  
The Way

Alvin Toffler’s writings encapsulated many of the tensions of futurism: the way that futurology and futures studies oscillated between forms of utopianism and technocracy with global ambitions, and between new forms of activism, on the one hand, and emerging forms of consultancy and paid advice on the other. Paradoxically, in their desire to create new images of the future capable of providing exits from the status quo of the Cold War world, futurists reinvented the technologies of prediction that they had initially rejected, and put them at the basis of a new activity of futures advice. Consultancy was central to the field of futures studies from its inception. For futurists, consultancy was a form of militancy—a potentially world altering expertise that could bypass politics and also escaped the boring halls of academia.

‘There shall be no musical servitude’: Towards a Multitudinous Shostakovich in the West

2020 ◽  
Vol 145 (2) ◽  
pp. 495-505
Author(s):  
EIRINI DIAMANTOULI
Keyword(s):  
Cold War ◽  
Communist Party ◽  
The Other ◽  
The Political ◽  
Musical Style ◽  
The West ◽  
Political Views ◽  
Political Interests ◽  
The One ◽  
The Cold War

Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand as a secret dissident, bent and broken under the unbearable strain of totalitarianism, made heroic through his veiled musical resistance to Communism; and on the other hand as a composer compromised by his capitulation to the regime – represented in an anachronistic musical style. Both perspectives surrender Shostakovich and his music to a crude oversimplification driven by vested political interests. Western listeners thus conditioned are primed to hear either the coded dissidence of a tragic victim of Communist brutality or the sinister submission of a ‘loyal son of the Communist Party’.1 For those prepared to accept Shostakovich as a ‘tragic victim’, the publication of his purported memoirs in 1979, ‘as related to and edited by’ the author Solomon Volkov, presents a tantalizing conclusion: bitterly yet discreetly scornful of the Stalinist regime, Shostakovich was indeed a secret dissident and this dissidence was made tangible in his music.

Development of a Single-Code/Default Coding Strategy in Pigeons

2000 ◽  
Vol 11 (3) ◽  
pp. 261-264 ◽  
Author(s):  
Tricia S. Clement ◽  
Thomas R. Zentall
Keyword(s):  
Conditional Discrimination ◽  
The Other ◽  
Matching Accuracy ◽  
Efficient Coding ◽  
Coding Strategy ◽  
One To One ◽  
Retention Intervals ◽  
The Many ◽  
The One ◽  
Better Than

We tested the hypothesis that pigeons could use a cognitively efficient coding strategy by training them on a conditional discrimination (delayed symbolic matching) in which one alternative was correct following the presentation of one sample (one-to-one), whereas the other alternative was correct following the presentation of any one of four other samples (many-to-one). When retention intervals of different durations were inserted between the offset of the sample and the onset of the choice stimuli, divergent retention functions were found. With increasing retention interval, matching accuracy on trials involving any of the many-to-one samples was increasingly better than matching accuracy on trials involving the one-to-one sample. Furthermore, following this test, pigeons treated a novel sample as if it had been one of the many-to-one samples. The data suggest that rather than learning each of the five sample-comparison associations independently, the pigeons developed a cognitively efficient single-code/default coding strategy.

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