The Talkies Triumphant: Scottish Cinema and the Coming of Sound
A concluding chapter by Trevor Griffiths considers the end of the ‘early period’ and the effects on cinema production and cinema-going of the arrival of sound. The emergence of sound cinema raised fundamental questions about how film was presented to audiences, exposing to view many practices in the silent era, which more often than not pass without comment. The factors, both supply- and demand-driven, promoting the adoption of sound by Scottish exhibitors are considered through analysis of the trade press and associated business records and the chapter examines the pace and extent of the diffusion of sound exhibition from the end of the 1920s, tracing its spread across both metropolitan and small-town Scotland, consolidating the emphasis of preceding chapters.