Dialogue and Character Construction
This chapter examines how speech in American independent cinema can be crucial to individual character construction and to the development of group character dynamics. It considers creative naming practices; the ways in which dialogue is used to individuate a character through a personalised speaking style; how nuanced choices of words and phrasing can influence how we perceive and understand characters; selective and racial silencing; and how idioms can be used to represent a group of characters as part of a particular sub-culture. The chapter demonstrates the various ways in which American indie filmmakers can foreground verbal games and debates as a form of action. It also argues that, in keeping with the tendency for such cinema to capture the mundanity of everyday life, dialogue can also be used to create the illusion that characters exist independent of the film world. The analysis includes a case study of Noah Baumbach’s Mistress America (2015).