scholarly journals Weighing Down the Landscape: The Quarry as a Site of Rural Modernity

2018 ◽  
pp. 69-83
Author(s):  
Samuel Shaw
Keyword(s):  
Twentieth Century ◽  
Close Relation ◽  
Art Galleries ◽  
Wide Range ◽  
Art Works ◽  
History Of ◽  
The Common ◽  
Late Nineteenth ◽  
A Site ◽  
Rural Industries

This chapter argues that late nineteenth- and early twentieth-century artists seem to have been especially attracted by quarries, treating them as a means of exploring modernity through the lens of rural romanticism. Quarries regularly appear in paintings in many of the artists associated with rural modernity: William Rothenstein, Edward Wadsworth, Walter Bell, Roger Fry, and J. D. Fergusson, among them. Appreciating that there is no single way of categorising and representing quarries, this chapter (the first ever study of this important subject) explores many of the common themes to be found in paintings of quarries in the first half of the twentieth century. It considers a wide range of artists and art-works — the majority of which are owned by rural art galleries — in close relation to the history of rural industries in such regions as Cornwall, West Yorkshire, and Edinburgh.

The Stadium Century

2016 ◽  
Author(s):  
Robert W. Lewis
Keyword(s):  
Twentieth Century ◽  
Cultural Practices ◽  
Late Nineteenth Century ◽  
French History ◽  
Mass Society ◽  
Spectator Sport ◽  
Wide Range ◽  
Mass Politics ◽  
History Of ◽  
A Site

The stadium century traces the history of stadia and mass spectatorship in modern France from the vélodromes of the late nineteenth century to the construction of the Stade de France before the 1998 soccer World Cup, and argues that stadia played a privileged role in shaping mass society in twentieth-century France. Drawing off a wide range of archival and published sources, Robert W. Lewis links the histories of French urbanism, mass politics and sport through the history of the stadium in an innovative and original work that will appeal to historians, students of French history and the history of sport, and general readers alike. As The stadium century demonstrates, the stadium was at the centre of long-running debates about public health, national prestige and urban development in twentieth-century France. The stadium also functioned as a key space for mobilizing and transforming the urban crowd, in the twin contexts of mass politics and mass spectator sport. In the process, the stadium became a site for confronting tensions over political allegiance, class, gender, and place-based identity, and for forging particular kinds of cultural practices related to mass consumption and leisure. As stadia and the narratives surrounding them changed dramatically in the years after 1945, the transformed French stadium not only reflected and constituted part of the process of postwar modernisation, but also was increasingly implicated in global transformations to the spaces and practices of sport that connected France even more closely to the rest of the world.

scholarly journals The Irish Céilí: A Site for Constructing, Experiencing, and Negotiating a Sense of Community and Identity

2011 ◽  
Vol 29 (1) ◽  
pp. 43-60 ◽  
Author(s):  
Catherine E. Foley
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Sense Of Community ◽  
Late Nineteenth Century ◽  
Social Dance ◽  
Late Nineteenth ◽  
A Site ◽  
Changing Role ◽  
Important Site

For over a hundred years the Irish céilí, as an ‘invented’ social dance event and mode of interaction, has played a significant and changing role. This paper examines the invention of this Irish dance event and how it has developed in Ireland throughout the twentieth century. From the Gaelic League's cultural nationalist, ideological agenda of the late nineteenth century, for a culturally unified Ireland, to the manifestation of a new cultural confidence in Ireland, from the 1970s, this paper explores how the céilí has provided an important site for the construction, experiencing and negotiation of different senses of community and identity.

Collecting Chinese Objects in Slovenia at the Turn of the Twentieth Century

2020 ◽  
Vol 24 (2) ◽  
pp. 161-180
Author(s):  
Nataša Vampelj Suhadolnik
Keyword(s):  
Twentieth Century ◽  
Historical Context ◽  
The Status ◽  
History Of ◽  
Specific Position ◽  
Late Nineteenth ◽  
Cultural Connections ◽  
The Relationship

Abstract This article addresses the practices of collecting Chinese objects that were brought to the territory of present-day Slovenia by sailors, missionaries, travellers, and others who travelled to China in the late nineteenth and early twentieth centuries. At the time, this territory was a part of the Austro-Hungarian Empire; we will, therefore, begin with the brief historical context of the Empire and its contact with China, followed by a discussion on the nature of collecting Chinese objects in Slovenian territories at that time. We will further examine the status of the individuals who travelled to China and the nature and extent of the objects they brought back. The article will also highlight the specific position of the Slovenian territory within the history of Euro-Asian cultural connections, and address the relevant issues—locally and globally—of the relationship between the centres and peripheries with regard to collecting practices.

Mourning Otherwise

2017 ◽  
Author(s):  
Athena Athanasiou
Keyword(s):  
Twentieth Century ◽  
Armed Conflicts ◽  
Former Yugoslavia ◽  
Central Aspect ◽  
Military Violence ◽  
History Of ◽  
Late Twentieth ◽  
A Site ◽  
Late Twentieth Century

This chapter engages the discursive conditions that made ethno-nationalist ideologies and armed conflicts of the 1990s possible and probable. Indeed, the question of how to recall the late twentieth-century history of former Yugoslavia constitutes a central aspect of the Women in Black labour of memory. The dissolution of Yugoslavia, especially the normalization of nationalist military violence in the mid-1990s, has manifested gendered norms as constitutive of nationalist discourses. Drawing on the ways in which the movement performatively brings forth an alternative public to embody the potentiality of displaced memory, this chapter argues in favor of breaking through the universalist, moralist, and humanist scripts of mourning. It seeks to make sense of the politically enabling ways in which these activists stage mourning as a site of agonistic resignification in order to interrogate the injustices and foreclosures which sustain dominant regimes of grievability, in Judith Butler’s terms.

Introduction

2019 ◽  
pp. 1-14
Author(s):  
Mary Augusta Brazelton
Keyword(s):  
Public Health ◽  
Twentieth Century ◽  
Health Campaigns ◽  
Republic Of China ◽  
Mass Immunization ◽  
History Of ◽  
New Ideas ◽  
Concepts Of Disease ◽  
The Individual ◽  
A Site

This introductory chapter provides a background of how mass immunization programs made vaccination a cornerstone of Chinese public health and China a site of consummate biopower, or power over life. Over the twentieth century, through processes of increasing force, vaccines became medical technologies of governance that bound together the individual and the collective, authorities and citizens, and experts and the uneducated. These programs did not just transform public health in China—they helped shape the history of global health. The material and administrative systems of mass immunization on which these health campaigns relied had a longer history than the People's Republic of China itself. The Chinese Communist Party championed as its own invention and dramatically expanded immunization systems that largely predated 1949 and had originated with public health programs developed in southwestern China during the Second Sino-Japanese War from 1937 to 1945. The nationwide implementation of these systems in the 1950s relied on transformations in research, pharmaceutical manufacturing, and concepts of disease that had begun in the first decades of the twentieth century. These processes spanned multiple regime changes, decades of war, and diverse forms of foreign intervention. Most important, they brought with them new ideas about what it meant to be a citizen of China.

Making a Space for Antisemitism: The Catholic Hierarchy and the Jews in the Early Twentieth Century

2003 ◽  
pp. 415-430
Author(s):  
Brian Porter
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Common Ground ◽  
Late Nineteenth Century ◽  
Early Twentieth Century ◽  
The Common ◽  
Late Nineteenth ◽  
The Church

This chapter argues that as recently as the 1880s, Catholicism, as it existed in Poland at the time, was still somewhat resistant to expressions of antisemitism. Catholicism, in other words, was configured in such a way in the late nineteenth century as to make it hard for antisemites to express their views without moving to the very edges of the Catholic framework. Catholicism and antisemitism did overlap at the time, but the common ground was much more confined than it would later become. If one moves forward fifty years, to the 1930s, one sees a different picture: the discursive boundaries of Catholicism in Poland had shifted to such a degree that antisemitism became not only possible, but also difficult to avoid. The upshot of this argument is that Catholicism in Poland is not antisemitic in any sort of essential way, and that religion did not directly generate the forms of hatred that would become so deadly and virulent in the early twentieth century. None the less, Catholicism did become amenable to antisemitism in Poland, so much so that the Church in Poland between the wars was one of the country's leading sources of prejudice and animosity.

The Southern Levant and the Ancient Near Eastern Canon

2020 ◽  
pp. 45-65
Author(s):  
Rachel Hallote
Keyword(s):  
Twentieth Century ◽  
Small Scale ◽  
Past Century ◽  
Southern Levant ◽  
Near Eastern ◽  
The Past ◽  
The Bible ◽  
Biblical Narratives ◽  
History Of ◽  
Late Nineteenth

When the artistic canon of the Southern Levant coalesced in the late nineteenth and early twentieth centuries, scholars thought of the region, then Ottoman Palestine, as the locus of the Bible. The small-scale nature of the archaeological finds as well as their relative dearth reinforced a reliance on biblical narratives as a framework for understanding the culture of the region. Moreover, early scholarship did not recognize the complex regionalism of the Southern Levant or the diversity of its populations. Consequently, the artistic canon that developed did not represent the historical and archaeological realities of the region. This chapter examines the history of how the artistic canon of the Southern Levant formed over the past century of scholarship, why various scholars of the early and middle twentieth century included particular items in the canon, and why these now entrenched representations may or may not be helpful to the discipline’s future.

Educating

2019 ◽  
pp. 131-159
Author(s):  
Andrew J. Rotter
Keyword(s):  
Twentieth Century ◽  
The Philippines ◽  
Sensory History ◽  
History Of ◽  
Late Nineteenth ◽  
Anglo American ◽  
History Of Empire

The chapter provides a sensory history of empire in the two countries, India and the Philippines, at the turn of the twentieth century. By that point, the process of visualizing Indian and Filipino subjects was well underway by their colonizers. The chapter looks at sight and sound and how they can be used to narrate the story at this point. The dynamics of Anglo-American soundscapes in the late nineteenth and early twentieth centuries transferred readily and deliberately to sites of empire, to India and the Philippines. In particular, it looks at the music in the two empires at this time.

Gay Affections

2014 ◽  
Author(s):  
Gerard P. Loughlin
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
First Century ◽  
Late Nineteenth Century ◽  
Gay Identity ◽  
Same Sex ◽  
The People ◽  
History Of ◽  
Late Nineteenth ◽  
Gay Identities

This chapter considers how gay identities—and so gay affections—were formed in the course of the twentieth century, building on the late nineteenth-century invention of the ‘homosexual’. It also considers earlier construals of same-sex affections and the people who had them, the soft men and hard women of the first century and the sodomites of the eleventh. It thus sketches a history of continuities and discontinuities, of overlapping identities and emotional possibilities. The chapter resists the assumption that gay identity and experience can be reduced to anything less than the multitude of gay people, and that as Christians they have to give an account of themselves in a way that heterosexual Christians do not. The chapter warns against thinking gay identity undone in Christ.

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