Conclusion

Author(s):  
Brian Willems

A bottomless abyss exists in every inch. Cixin Liu, Death’s End (2010) Speculative realism and sf have one main feature in common. Both challenge an anthropocentric view of the world by considering non-human objects worthy of serious thought. This book has developed this connection through a reading of various works that fit into the continuum between sf and fantasy. More specifically, it is an investigation into the role that ambiguity plays in divesting the world of human domination....

Author(s):  
Brian Willems

A human-centred approach to the environment is leading to ecological collapse. One of the ways that speculative realism challenges anthropomorphism is by taking non-human things to be as valid objects of investivation as humans, allowing a more responsible and truthful view of the world to take place. Brian Willems uses a range of science fiction literature that questions anthropomorphism both to develop and challenge this philosophical position. He looks at how nonsense and sense exist together in science fiction, the way in which language is not a guarantee of personhood, the role of vision in relation to identity formation, the difference between metamorphosis and modulation, representations of non-human deaths and the function of plasticity within the Anthropocene. Willems considers the works of Cormac McCarthy, Paolo Bacigalupi, Neil Gaiman, China Miéville, Doris Lessing and Kim Stanley Robinson are considered alongside some of the main figures of speculative materialism including Graham Harman, Quentin Meillassoux and Jane Bennett.


2015 ◽  
Vol 60 (1) ◽  
pp. 55-79
Author(s):  
Robert Jackson

Robert Jackson examines the work of the German artist Florian Slotawa. Beginning with his first works, “Hotelarbeiten”, Slotawa recomposes and reconfigures the order of ordinary objects – in this case, the furniture of hotel rooms. In reconstructing these rooms in another order without altering these objects in any way, photographing them, and then subsequently restoring them to their previous configuration, the artist reveals the ordinary function of the objects and by withdrawing from their function shows their material and factual character. To elucidate the specificity of Slotawa’s intervention, Jackson critiques Heidegger’s conception of facticity in its exclusive account of Dasein and its being-in-the world, in contrast to the factuality of “things-within-the world.” Drawing on Harman’s extension of finitude beyond Dasein to all things, he encourages us to see Slotawa as engaged in “facticity of things” that is characterized by dispossession, lack of reason, and radical contingency. As Jackson argues, Slotawa is trying to find a way to dwell in a world that has no room or possibility for the given coordinates of dwelling; a world that is a fact without reason. In concluding he explores a reading of Slotawa that explores the intersecting yet radically different approaches to thinking about a speculative realism in the work of Harman and Meillassoux, and their differing attitudes to the finite and the infinite, facticity and factiality, contingency and necessity, without presuming to assume that either of these accounts cover the speculative facticity of things revealed in Slotawa’s work.


2017 ◽  
Vol 23 (3) ◽  
pp. 355-374 ◽  
Author(s):  
Travis Linnemann

The first season of the HBO series True Detective has drawn attention to Eugene Thacker’s horror of philosophy trilogy and his tripartite mode of thinking of the world and the subject’s relation to it. This article is an effort to read Thacker’s speculative realism into a critique of the police power. Where the police concept is vital to sustaining the Cartesian world-for-us, a world of mass-consumption and brutal privation, the limitations, failures or absence of police might also reveal horizons of disorder—primitivism, anarchism—the world-in-itself. A critical reading of True Detective and other police stories suggests that even its most violent and corrupt forms, as inseparable from security, law and order, the police power is never beyond redemption. What is rendered unthinkable then is the third ontological position—a world-without-police—as it exposes the frailties of the present social order and the challenges of thinking outside the subject.


2016 ◽  
Vol 17 (1) ◽  
pp. 1-2
Author(s):  
Suzanne Kuys ◽  
Jennifer Fleming

The importance of physical activity to promote health is not new. However, the importance of physical activity in people with neurological conditions is increasingly being recognised. With many of the consequences of neurological conditions including difficulties with mobility, balance and strength; it stands to reason that optimising physical activity levels can result in many physical benefits. Physical activity can have many other flow-on effects with benefits seen in reduced mortality, and enhanced community participation and quality of life (Gordon et al., 2004). We are yet to understand the full extent to which physical activity contributes to rehabilitation outcomes; however, there is a growing body of research highlighting that the intensity of activity within rehabilitation environments is often inadequate for therapeutic gains (Kuys, Brauer, & Ada, 2006; McClanachan, Gesch, Wuthapanich, Fleming, & Kuys, 2013; Polese, Scianni, Kuys, Ada, & Teixeira-Salmela, 2014). It is not surprising therefore, that levels of physical activity continue to be poor following reintegration into the community (Morris, MacGillivray, & McFarlane, 2014). It is important that, as health care professionals, we support and encourage physical activity in all our clients. To that end, this special issue of Brain Impairment is devoted to raising the issue of physical activity in people with neurological conditions, and addressing questions such as: Why is physical activity important? How do we measure it? How do we enhance it, and what are the benefits of increased activity? This special issue brings together experts from around the world investigating and promoting physical activity across the continuum of care in various neurological populations including stroke, traumatic brain injury, multiple sclerosis and Parkinson's disease.


Author(s):  
Oleksandr Gon

The article is devoted to the analysis of a specific component in the post-epic artistic picture of the world contextualized in the genre experiments with epic forms that symbolize the search for new ways to express the substantial unity of the individual with a society. It is important that in «The Poetic Principle» (1850) Poe appeals to the epic tradition and expresses an essential thesis about the paradigm of the epic and the lyrical in precedent texts and mentions a significant lyrical inderpinning in Homer's Iliad. In «A Lecture on Modern Poetry» (1908), Hume posits that the very assumption that in modern poetry there will appear an artist capable of synthesizing all the experience of modern peroson in the form of a great epic is an utter misunderstanding of the tendencies in modern poetry. Both Pound and Yuri Klen consider the creation of a modern epic in the coordinates of the continuum of the national poetic canon. The concept of «return» constitutes an omnipresent aesthetic program of the Pound’s epic. The poetics of repetitions in the Cantos is based on the versification models of the European fixed poetic forms that are extensively represented against the background of new emphases and reformatting of the ancient epic forms, making new their conventions and motives. Creative and receptive aspects of the innovative application of specific features in the epic composition (recurrent historical plots, the νόστος topos) deeply correlate with the artistic form of the modern epic.


Author(s):  
Dan Zahavi

How much of an anti-realist is Husserl? Or to put it differently, how many of our realist intuitions can his transcendental idealism accommodate? In Chapter 6, I contrast Husserl’s position with two allegedly realist views, namely speculative realism and neuro-representationalism, and argue that Husserl’s theory might be in a better position to defend our natural realism than either of these two alternatives. I next discuss to what extent Husserl’s endorsement of transcendental idealism is motivated by his attempt to safeguard the objectivity of the world of experience and ward off a form of global scepticism. As will become clear, not unlike Kant, Husserl did not merely think that transcendental idealism and empirical realism are compatible, he also thought that the latter requires the former.


Author(s):  
Raymond M. Smullyan

Kurt Godel, the greatest logician of our time, startled the world of mathematics in 1931 with his Theorem of Undecidability, which showed that some statements in mathematics are inherently "undecidable." His work on the completeness of logic, the incompleteness of number theory, and the consistency of the axiom of choice and the continuum theory brought him further worldwide fame. In this introductory volume, Raymond Smullyan, himself a well-known logician, guides the reader through the fascinating world of Godel's incompleteness theorems. The level of presentation is suitable for anyone with a basic acquaintance with mathematical logic. As a clear, concise introduction to a difficult but essential subject, the book will appeal to mathematicians, philosophers, and computer scientists.


Popular Music ◽  
2006 ◽  
Vol 26 (1) ◽  
pp. 157-186
Author(s):  
ROB FORD

This selective listing concentrates on Paul Oliver's writings on music – therefore, references to books and articles on architecture have been omitted. For reasons of space, Paul's numerous record, book and concert reviews, published in journals such as Jazz Monthly, Audio & Record Review, Melody Maker, and Blues Unlimited, have not been included. For similar reasons, I have chosen not to include the many entries Paul contributed to the following encyclopedias: Jazz on Record: A Critical Guide to the First 50 Years, 1917–1967, ed. A. McCarthy, A. Morgan, M. Harrison and P. Oliver (London, Hanover, 1968); The New Grove Dictionary of Music and Musicians, ed. S. Sadie (London, Macmillan, 1980); and The New Grove Dictionary of Jazz, ed. B. Kernfeld (London, Macmillan, 1994). However, I have included entries from The Continuum Encyclopedia of Popular Music of the World, as examples of Paul's more recent writing. Also omitted are details of the radio programmes made for the BBC from the mid 1950s to the late 1990s.Thank you to Paul for his help with this bibliography.


Author(s):  
Mark Pegrum

What is it? Augmented Reality (AR) bridges the real and the digital. It is part of the Extended Reality (XR) spectrum of immersive technological interfaces. At one end of the continuum, Virtual Reality (VR) immerses users in fully digital simulations which effectively substitute for the real world. At the other end of the continuum, AR allows users to remain immersed in the real world while superimposing digital overlays on the world. The term mixed reality, meanwhile, is sometimes used as an alternative to AR and sometimes as an alternative to XR.


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