Artmaking in the Age of Global Capitalism

2019 ◽  
Author(s):  
Jan Bryant
Keyword(s):  
Historical Materialism ◽  
Economic Conditions ◽  
Historical Narratives ◽  
Visual Artists ◽  
Western Art ◽  
Political Implications ◽  
Alternative Approach ◽  
The Social ◽  
Historical Moment ◽  
Historical Antecedents

What strategies are visual artists and filmmakers using to criticise the social and economic conditions shaping our particular historical moment? This question is answered by considering the methods and political implications of artists or filmmakers working in a contemporary western art context today. Leading into extended analyses of works by Frances Barrett, Claire Denis, Angela Brennan, and Alex Monteith, the book considers two forces that have informed contemporary artmaking: the economic conditions that began changing social realities from the 1970s forward; and the current tendency of the political aesthetic to move away from direct political content or didacticism to a concern for the sensate effects of materials. This is framed by Jacques Rancière’s ‘distribution of the sensible’ and Walter Benjamin’s historical materialism. As historical ground for understanding the contemporary condition, Artmaking in the Age of Global Economics pays particular attention to the divisions that opened up between progressive writers, theorists and artists in the late 20th century. Suggesting an alternative approach to understanding art’s historical antecedents, it avoids received art-historical narratives or canonical figures, refuting both the autonomy of art as well as the separation of artist from the work they produce. It locates, instead, contemporary art in a worldly context of responsibility that opens up to an ethics of practice. [211]

In Search of a Perfect Match: Jian’an (196-220) Writing about Women and the Formation of a Literati Community

NAN Nü ◽  
2019 ◽  
Vol 21 (2) ◽  
pp. 194-223
Author(s):  
Qiulei Hu
Keyword(s):  
Chinese Literature ◽  
Perfect Match ◽  
Political Community ◽  
Beautiful Woman ◽  
Political Implications ◽  
The Social ◽  
Imperial Power ◽  
Historical Moment ◽  
Representations Of Women ◽  
Divine Beauty

AbstractThe pursuit of divine women or women with divine beauty is a common theme in the earliest works of Chinese literature. Many fu (rhapsodies) composed at the Western Han courts feature the speaker’s failed pursuit of a beautiful woman. Yet during the Jian’an period, the image of a seductive yet inaccessible woman lost its prominence in the literary imagination and was replaced by a lonely beauty yearning for a worthy match and lamenting the swift passage of time. This transformation had much to do with the social and cultural transitions of this particular historical moment. This article places Jian’an representations of women in the context of group composition and literary communication at the Cao courts, and discusses the literary and political implications of these representations in comparison with previous court writing about women. The article argues that under a new environment of court writing, Jian’an literati transformed the image of beautiful women from the embodiment of imperial power and privilege into the symbol of their ideal personality and shared values. Writing about women became a crucial means to forming a literary and political community, and defining that community’s values and principles in a troubled time.

Culture, social structure and the status of visual artists in classical Greece

2000 ◽  
Vol 45 ◽  
pp. 136-175 ◽  
Author(s):  
Jeremy Tanner
Keyword(s):  
Social Structure ◽  
Art World ◽  
Visual Artists ◽  
Ancient Greek ◽  
Classical Greece ◽  
Western Art ◽  
The Social ◽  
The Status ◽  
Greek Art ◽  
Set Up

Recent contributions to the debate on the role, status and autonomy of the artist in classical Greece remain polarised in terms which have remained largely unchanged for more than a century. On one side, we find ‘modernisers’ who hold that the role of the artist, the function of art and the social structure of the Greek art world was more similar to the modern western art world than different. On the other side are ranged the ‘primitivists’ who argue that modern conceptions of artistic autonomy and creativity are an anachronistic imposition on ancient Greek art, which was a largely anonymous craft, performing traditional functions and oriented to the reproduction of traditional artistic forms rather than the individualistic innovation held to be characteristic of western European art since the Renaissance. The modernisers look back to Winckelmann's neo-classical view of the Greek artist as free and autonomous creator, whilst the primitivists ultimately draw their inspiration from Jacob Burckhardt's alternative account of the Greek artist as mechanical craftsman or banausos. In this century, the primary point of reference for the debate has been Bernard Schweitzer's argument that whilst artists were held in low esteem during the classical period of Greek history, the fifth and fourth centuries, they came to be recognised as ‘creative’ in the Hellenistic period, the third to first centuries B.C. More recent contributions have largely been concerned with adducing, or criticising, new evidence for one or other side of the debate, whilst retaining the assumptions within which the debate was set up in the nineteenth century.

PENSAMENTO POLÍTICO EM GIORGIO AGAMBEN

Professare ◽  
2018 ◽  
Vol 7 (1) ◽  
pp. 109
Author(s):  
Claudemir Aparecido Lopes
Keyword(s):  
Political Freedom ◽  
State Of Exception ◽  
The Political ◽  
State Control ◽  
Giorgio Agamben ◽  
Modern Democracy ◽  
Social Fabric ◽  
Contemporary Politics ◽  
Political Implications ◽  
The Social

<p class="resumoabstract">O professor Giorgio Agamben tem elaborado críticas à engenhosa estrutura política ocidental moderna. Avalia os mecanismos de controle estatal, nos quais os denomina ‘dispositivos’, cuja força está na imbricação às normas jurídico-teológicas com seus similares ritos e liturgias. Suas ocorrências e legitimidade preponderam no tecido social cuja organização sistêmica se põe quase como elemento natural e não cultural. O texto tem por objetivo explorar a concepção política de Agamben sobre a política contemporânea, especialmente considerando seu livro: ‘Estado de Exceção’, cuja investigação apresenta a possibilidade de atenuação dos direitos de cidadania e o enfraquecimento da prática da liberdade política e o processo de relação dos indivíduos no meio social através da redução das subjetividades ‘autênticas’. Analisamos ainda a transferência do mundo sacro elaborado pelos teólogos católicos presente na modernidade à política cuja democracia moderna faz do homem (sujeito) tornar-se objeto do poder político. Faz também, reflexão dos conceitos de subjetivação e dessubjetivação relacionando-os às implicações políticas do homem moderno. A pesquisa é bibliográfica com ênfase na análise dos conceitos elaborados por Agamben, especialmente quanto ao ‘dispositivo’. Conclui que o indivíduo ocidental, de modo geral, sofre o processo de dessubjetivação e está ‘nu’, indefeso e alienado politicamente. Ele precisa voltar-se ao processo de ‘profanação’ dos dispositivos para libertar-se das vinculações orientadoras que forçosamente o descaracteriza enquanto ser ativo e livre.</p><p class="resumoabstract"><strong>Palavras-chave</strong>: Política. Liberdade. Subjetivação.</p><h3>ABSTRACT</h3><p class="resumoabstract">Professor Giorgio Agamben has been criticizing the ingenious modern Western political structure. It evaluates the mechanisms of state control, in which it calls them 'devices', whose strength lies in the overlap with legal-theological norms with their similar rites and liturgies. Its occurrences and legitimacy preponderate in the social fabric whose systemic organization is almost as a natural and not a cultural element. The text aims to explore Agamben's political conception of contemporary politics, especially considering his book 'State of Exception', whose research presents the possibility of attenuating citizenship rights and weakening the practice of political freedom and the individuals in the social environment through the reduction of 'authentic' subjectivities. We also analyze the transfer of the sacred world elaborated by the Catholic theologians present in the modernity to the politics whose modern democracy makes of the man - subject - to become object of the political power. It also reflects on the concepts of subjectivation and desubjectivation, relating them to the political implications of modern man. The research is bibliographical with emphasis in the analysis of the concepts elaborated by Agamben, especially with regard to the 'device'. He concludes that the Western individual, in general, suffers the process of desubjectivation and is 'naked', defenseless and politically alienated. He must turn to the process of 'desecration' of devices to free himself from the guiding bindings that forcibly demeanes him while being active and free.</p><p class="resumoabstract"><strong>Keywords</strong>: Politics. Freedom. Subjectivity. </p><p> </p>

Arabic in Modern Hebrew Texts

2019 ◽  
Author(s):  
Mohamed Ahmed
Keyword(s):  
Creative Writing ◽  
Arabic Language ◽  
Code Switching ◽  
Population Displacement ◽  
Translation Strategies ◽  
Language And Culture ◽  
Mass Migration ◽  
Political Implications ◽  
The Social ◽  
Modern Hebrew

In the late 1950s, Iraqi Jews were either forced or chose to leave Iraq for Israel. Finding it impossible to continue writing in Arabic in Israel, many Iraqi Jewish novelists faced the literary challenge of switching to Hebrew. Focusing on the literary works of the writers Shimon Ballas, Sami Michael and Eli Amir, this book examines their use of their native Iraqi Arabic in their Hebrew works. It examines the influence of Arabic language and culture and explores questions of language, place and belonging from the perspective of sociolinguistics and multilingualism. In addition, the book applies stylistics as a framework to investigate the range of linguistic phenomena that can be found in these exophonic texts, such as code-switching, borrowing, language and translation strategies. This new stylistic framework for analysing exophonic texts offers a future model for the study of other languages. The social and political implications of this dilemma, as it finds expression in creative writing, are also manifold. In an age of mass migration and population displacement, the conflicted loyalties explored in this book through the prism of Arabic and Hebrew are relevant in a range of linguistic contexts.

Conclusion

2018 ◽  
Author(s):  
Janet O'Shea
Keyword(s):  
Public Health ◽  
Public Health Problem ◽  
Fair Play ◽  
Competitive Sports ◽  
Right Wing ◽  
Political Implications ◽  
The Social ◽  
Physical Play ◽  
The World ◽  
Right Wing Populism

This section contends with a central irony: Americans are among the most competitive people in the world, and yet we are among the least likely to play competitive sports in adulthood. This exercise gap is usually treated as a public health problem; the goal of this section is to treat it as a social and cultural concern. The conclusion therefore investigates the social and political implications of an American tendency to outsource physical play to experts: higher levels of fear, increased preoccupation with success at all costs, decreased creativity, and increasing rigidity of perspective and position. Specifically, the conclusion maintains that a neglect of fair play has dire consequences for democracy, a suggestion born out by the recent swing toward right-wing populism in politics.

The Curious Eye

2020 ◽  
Author(s):  
Erin Webster
Keyword(s):  
Seventeenth Century ◽  
Human Vision ◽  
Francis Bacon ◽  
Robert Hooke ◽  
Robert Boyle ◽  
Isaac Newton ◽  
Johannes Kepler ◽  
The Social ◽  
The Subject ◽  
Historical Moment

The Curious Eye explores early modern debates over two related questions: what are the limits of human vision, and to what extent can these limits be overcome by technological enhancement? Today, in our everyday lives we rely on optical technology to provide us with information about visually remote spaces even as we question the efficacy and ethics of such pursuits. But the debates surrounding the subject of technologically mediated vision have their roots in a much older literary tradition in which the ability to see beyond the limits of natural human vision is associated with philosophical and spiritual insight as well as social and political control. The Curious Eye provides insight into the subject of optically mediated vision by returning to the literature of the seventeenth century, the historical moment in which human visual capacity in the West was first extended through the application of optical technologies to the eye. Bringing imaginative literary works by Francis Bacon, John Milton, Margaret Cavendish, and Aphra Behn together with optical and philosophical treatises by Johannes Kepler, René Descartes, Robert Hooke, Robert Boyle, and Isaac Newton, The Curious Eye explores the social and intellectual impact of the new optical technologies of the seventeenth century on its literature. At the same time, it demonstrates that social, political, and literary concerns are not peripheral to the optical science of the period but rather an integral part of it, the legacy of which we continue to experience.

scholarly journals The Connections of Elderly Characters and Taiwanese Society in Edward Yang’s Movie “Yi Yi” (A One and a Two)

2020 ◽  
Vol 4 (Supplement_1) ◽  
pp. 101-102
Author(s):  
Sheng-Chin Hsu
Keyword(s):  
Narrative Analysis ◽  
Social Systems ◽  
Family Members ◽  
Age Groups ◽  
Term Care ◽  
Aged People ◽  
Alternative Approach ◽  
The Social ◽  
Narrative Functions ◽  
Low Birthrate

Abstract As an aging society, Taiwanese is facing the low birthrate and low death rate, and many policies and social systems are facing difficulties. According to the social atmosphere, young and senior groups have many conflicts in between. Finding an alternative approach to reveal the social value of aged people becomes an important mission. The Taiwanese’ movie “Yi-Yi”(A one and a two, 2000) is the final masterpiece of Director Edward Yang, and he won the best director in Festival de Cannes. The story is taken place in a traditional Taiwanese wedding party, and there is a grandma who was invited to this party before her pass out. The grandma did not weak up until the end of this story. The director Yang filmed this sick character in the story and he showed the family members were gathering around their grandma. This study adopts the narrative analysis on elders in “Yi Yi”. There are three findings. First, the elder character is speechless but her sickness drives family members coming home. Second, the long term care is a heavy duty for family, but it reflects the preparations of individual physically and emotionally. Third, the meaning of image of elders is not image itself but family solidarity and social connection. The narrative theory and gerontology build a perspective to understand the social values and narrative functions of elderly people in “Yi-Yi”. It shows the conflict between different age groups and enlarges the spectrum of understanding elders in both Taiwanese’ movie and Taiwanese society.

Tusslers, Beatdowns, and Brothers: A Sociohistorical Overview of Video Game Arcades and theStreet FighterCommunity

2017 ◽  
Vol 14 (7-8) ◽  
pp. 742-762
Author(s):  
Michael Ryan Skolnik ◽  
Steven Conway
Keyword(s):  
Video Games ◽  
Identity Formation ◽  
Video Game ◽  
Economic Conditions ◽  
Moral Panics ◽  
The Social ◽  
History Of ◽  
And Performance ◽  
Historical Movement

Alongside their material dimensions, video game arcades were simultaneously metaphysical spaces where participants negotiated social and cultural convention, thus contributing to identity formation and performance within game culture. While physical arcade spaces have receded in number, the metaphysical elements of the arcades persist. We examine the historical conditions around the establishment of so-called arcade culture, taking into account the history of public entertainment spaces, such as pool halls, coin-operated entertainment technologies, video games, and the demographic and economic conditions during the arcade’s peak popularity, which are historically connected to the advent of bachelor subculture. Drawing on these complementary histories, we examine the social and historical movement of arcades and arcade culture, focusing upon the Street Fighter series and the fighting game community (FGC). Through this case study, we argue that moral panics concerning arcades, processes of cultural norm selection, technological shifts, and the demographic peculiarities of arcade culture all contributed to its current decline and discuss how they affect the contemporary FGC.

The Social and Political Implications of Moral Conviction

2014 ◽  
Vol 35 ◽  
pp. 95-110 ◽  
Author(s):  
Linda J. Skitka ◽  
G. Scott Morgan
Keyword(s):  
Moral Conviction ◽  
Political Implications ◽  
The Social

Hong Kong's Eurasian “Web” Viewed through the Lens of Inter-Asian Studies: Comments on Engseng Ho's “Inter-Asian Concepts for Mobile Societies”

2017 ◽  
Vol 76 (4) ◽  
pp. 943-951
Author(s):  
Emma Teng
Keyword(s):  
Historical Narratives ◽  
Middle Ground ◽  
Asian Studies ◽  
Intermediate Scale ◽  
The Social ◽  
Static Models ◽  
China Studies ◽  
History Of ◽  
Shed Light

Engseng Ho proposes that “the study of Asia, thought of as an Inter-Asian space, and smaller than the whole globe, can provide tractable concepts for a new round of research to shed light on the social shapes of societies that are mobile, spatially expansive, and interactive with one other.” Moving us away from more static models of China studies, Japan studies, etc., the concept of “inter-Asian”—where I take the “inter” to stand for inter-national, inter-regional, inter-faith, inter-racial, and inter-ethnic—offers a productive framework for examining histories that have been previously marginalized in dominant historical narratives: for example, the history of colonial Hong Kong's Eurasian community. In such a case, where the scope of inquiry is neither fully global in scale nor strictly local, the inter-Asian framework provides a middle ground and intermediate scale that brings this history into focus.

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