scholarly journals Our Friend in the North: The Origins, Evolution and Appeal of the Cult of St Duthac of Tain in the Later Middle Ages

2014 ◽  
Vol 93 (1) ◽  
pp. 1-28 ◽  
Author(s):  
Tom Turpie
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Middle Ages ◽  
Fourteenth Century ◽  
Religious Practice ◽  
The North ◽  
The Reformation ◽  
James Iv

St Duthac of Tain was one of the most popular Scottish saints of the later middle ages. From the late fourteenth century until the reformation devotion to Duthac outstripped that of Andrew, Columba, Margaret and Mungo, and Duthac's shrine in Easter Ross became a regular haunt of James IV (1488–1513) and James V (1513–42). Hitherto historians have tacitly accepted the view of David McRoberts that Duthac was one of several local saints whose emergence and popularity in the fifteenth century was part of a wider self-consciously nationalist trend in Scottish religious practice. This study looks beyond the paradigm of nationalism to trace and explain the popularity of St Duthac from the shadowy origins of the cult to its heyday in the early sixteenth century.

Priests, cattle and men

1987 ◽  
Vol 50 (3) ◽  
pp. 508-526 ◽  
Author(s):  
Mary Boyce
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Fourteenth Century ◽  
Near East ◽  
Social Position ◽  
Documented Case ◽  
The North ◽  
Semantic Development ◽  
Technical Terms ◽  
The Middle Ages

It is about three-quarters of a century since themaryannu(maryanni) of Mitanni and its dependencies, appearing in Hittite and Egyptian records of the second millennium B.C., were first discussed in connexion with the IndoIranians. In 1910 H. Winckler interpreted the word as a title belonging to Aryan infiltrators from the north, who had come to form an aristocracy among the Hurrians; and he recorded the suggestion by F. C. Andreas connecting it with Vedicmárya‘ young man, man, hero ’. Subsequently W. F. Albright presented a carefully documented case for considering themaryannuto be primarily ‘chariot-warriors’, arguing that from about 1700 to 1200 B.C. ‘chariots played the same role in warfare that cavalry did later, and the chariot-warriors occupied the same social position that was held by the⃛ feudal knights of the Middle Ages’. He further pointed out, with regard to Vedicmárya, that a semantic development from ‘young man’ to ‘warrior’ is widely attested. Thereafter R. T. O'Callaghan adduced yet more evidence from Egyptian and cuneiform sources to confirm that ‘from the mid-fifteenth century to the midtwelfth century B.C., and from the Mitanni kingdom down through Palestine beyond Ascalon, the termmaryannuis to be understood primarily as a noble who is a chariot-warrior’. The area was one where Indo-Aryan names occur at about the same period; and in the fourteenth-century Kikkuli treatise from Boghaz-köy, on the training of chariot-horses, Indo-Aryan technical terms appear. There were solid grounds therefore for thinking that Indo-Aryans, bringing with them horses from the Asian steppes, had played a leading part in developing chariotry in the Near East at that time, and that it was this which enabled a group of them to become locally dominant there.

scholarly journals Bergen’s role in the medieval North Atlantic trade

AmS-Skrifter ◽  
2020 ◽  
pp. 43-51
Author(s):  
Knut Helle
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Fourteenth Century ◽  
North Atlantic ◽  
Total Trade ◽  
Economic Relations ◽  
Atlantic Trade ◽  
The North ◽  
High Middle Ages ◽  
The North Atlantic

North Atlantic trade in the high Middle Ages was centred on Bergen. The Bergen connection was important to the North Atlantic islanders and townsmen who specialized in trading with them, but up to the early fourteenth century did not count for much in Bergen’s total trade. This changed when larger assignments of Icelandic stockfish were sent to Bergen from the 1340s and reexported via the town’s Hanseatic settlement, the later Kontor. During the fifteenth century fish exports from the North Atlantic to Bergen declined sharply as the English increasingly fetched their fish directly from Iceland, and Hanseatic merchants from Hamburg and Lübeck followed in their wake to Iceland and the more southerly islands. Yet, in the author’s opinion, Hanseatic trade with the North Atlantic from Bergen was not reduced to the degree that has often been assumed. And it should not be overlooked that Bergen had economic relations with the North Atlantic islands outside the Hanse.

Literary Conduits for ‘Consent’

2016 ◽  
Vol 19 (2) ◽  
pp. 322-350 ◽  
Author(s):  
Pankaj Kumar Jha
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
North India ◽  
Indian Society ◽  
Historical Process ◽  
The North ◽  
Literary Cultures

The making of the imperial subjects is as much a matter of historical process as the emergence of the empire. In the case of the Mughal state, this process started much before its actual establishment in the sixteenth century. The fifteenth century in North India was a period of unusual cultural ferment. The emergence of the Mughal imperial formation in the next century was intimately related to the fast congealing tendency of the north Indian society towards greater disciplining of itself. This tendency is evident in the multilingual literary cultures and diverse knowledge formations of the long fifteenth century.

Clerical Poverty in Early Sixteenth-Century England: Some East Anglian Evidence

1986 ◽  
Vol 37 (3) ◽  
pp. 389-396 ◽  
Author(s):  
John Pound
Keyword(s):  
Sixteenth Century ◽  
Social Status ◽  
Fifteenth Century ◽  
Average Salary ◽  
The North ◽  
High Social Status

The economic standing of the English parochial clergy in the early sixteenth century has been re-examined recently by Michael Zell, and the evidence at his disposal suggests that many of them were poverty-stricken in the extreme. He points to the large surplus of unendowed curates, chaplains and the like, and to the fact that when employment was available it was neither rewarding, in a monetary sense, nor necessarily secure. Stipends were officially regulated by an early fifteenth-century statute which set a maximum of £5 6s. 8d. per annum, and ‘evidence from all regions of England indicates that very rarely were curates and chaplains given more than that’. It was not uncommon for areas in the north to pay even less than this. In Lancashire, for example, the average salary of about 100 curates and chaplains in 1524 was £2 9s. 6d. In the East Riding of Yorkshire a year later it was £4. On the basis of such evidence, Mr Zell reasonably concludes that the unbeneficed clergy must have found it very difficult to survive, and that ‘the average country priest could not have been a person of high social status’.

Two Fourteenth-Century Gauntlets From Ripon Cathedral

1942 ◽  
Vol 22 (2) ◽  
pp. 113-122 ◽  
Author(s):  
James G. Mann
Keyword(s):  
Eighteenth Century ◽  
Sixteenth Century ◽  
Fourteenth Century ◽  
Kind Permission ◽  
The North ◽  
Form Part ◽  
Early Eighteenth Century

The two gauntlets which were exhibited to the Society by kind permission of the Archdeacon of Richmond, on 26th November 1941, form part of the funeral achievement of Sir Edward Blackett (died 1718), hanging above his monument in the north transept of Ripon Cathedral. The achievement consists of a close-helmet of the sixteenth century with a wooden funeral crest of a falcon (for Blackett); a tabard; a cruciform sword in its scabbard, of the heraldic pattern of the early eighteenth century; and two iron gauntlets. The wooden escutcheon and pair of spurs which must once have completed the group are now missing.

Major, John (1467–1550)

2018 ◽  
Author(s):  
Joel Biard
Keyword(s):  
Sixteenth Century ◽  
Middle Ages ◽  
Fourteenth Century ◽  
William Of Ockham ◽  
The Middle Ages

John Major was one of the last great logicians of the Middle Ages. Scottish in origin but Parisian by training, he continued the doctrines and the mode of thinking of fourteenth-century masters like John Buridan and William of Ockham. Using a resolutely nominalist approach, he developed a logic centred on the analysis of terms and their properties, and he applied this method of analysis to discourse in physics and theology. Although he came to oppose excessive dependence on logical subtlety in theology and maintained the authority of Holy Scripture, Major’s work was stubbornly independent of the growing influence of humanism in Europe. Later, he would be regarded as representative of the heavily criticized ‘scholastic spirit’, being referred to disparagingly by Rabelais as well as by later historians such as Villoslada (1938), but at the beginning of the sixteenth century, his teaching influenced an entire generation of students in the fields of logic, physics and theology.

Latency and Topicality: Communication of Threats in Medieval Theatre Latenz und Aktualität: Bedrohungskommunikation im mittelalterlichen Schauspiel

2020 ◽  
Vol 149 (4) ◽  
pp. 479-497
Author(s):  
Klaus Ridder
Keyword(s):  
Sixteenth Century ◽  
Middle Ages ◽  
Twelfth Century ◽  
Medieval Theatre ◽  
The Reformation ◽  
Before And After ◽  
Production Techniques

The twelfth-century 'Ludus de Antichristo' already contains a number of the threatening scenarios (Ottoman Expansion, Heresy, Antichrist, etc.) that maintain a presence in the theatre up until the sixteenth century. This essay aims to investigate which scenarios of religious threat are dominant in the dramas of the later Middle Ages and Reformation, and what kinds of dramatic and production techniques are used in order to perform these scenarios on stage. Three levels of dramatic staging may be distinguished (Latency, Presence, Topicality), and these will be analysed here on the basis of three exemplary plays published before and after the Reformation (Hans Folz, 'Der Herzog von Burgund' / 'The Jewish Messiah'; Niklaus Manuel, 'Vom Papst und seiner Priesterschaft' / 'Of the Pope and his Priesthood'; Thomas Naogeorg, 'Pammachius' / 'Pammachius'). Bereits im 'Ludus de Antichristo' (12. Jh.) findet sich ein Großteil der Bedrohungsszenarien (Osmanische Expansion, Häresie, Antichrist etc.), die im Schauspiel bis ins 16. Jh. präsent bleiben. Der Aufsatz fragt danach, welche religiösen Bedrohungsszenarien im spätmittelalterlichen und reformatorischen Schauspiel dominant sind und auf welchen dramatischen Darstellungstechniken deren Wirkung in der Aufführung beruht. Drei Ebenen der theatralen Inszenierung von Bedrohung (Latenz, Präsenz, Aktualität) werden analytisch unterschieden und anhand von drei Schauspielen vor und nach der Reformation (Hans Folz, 'Der Herzog von Burgund'; Niklaus Manuel, 'Vom Papst und seiner Priesterschaft'; Thomas Naogeorg, 'Pammachius') exemplarisch beschrieben.

The Catholic Recusancy of the Yorkshire Fairfaxes. Part I.

1956 ◽  
Vol 3 (02) ◽  
pp. 68-114
Author(s):  
Hugh Aveling
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Middle Ages ◽  
Economic History ◽  
Personal Choice ◽  
Family Ties ◽  
The Family ◽  
The Face ◽  
History Of ◽  
Landed Gentry

In the middle ages the Fairfaxes ranked amongst the minor landed gentry of Yorkshire. They seem to have risen to this status in the thirteenth century, partly by buying land out of the profits of trade in York, partly by successful marriages. But they remained of little importance until the later fifteenth century. They had, by then, produced no more than a series of bailiffs of York, a treasurer of York Minster and one knight of the shire. The head of the family was not normally a knight. The family property consisted of the two manors of Walton and Acaster Malbis and house property in York. But in the later fifteenth century and onwards the fortunes of the family were in the ascendant and they began a process of quite conscious social climbing. At the same time they began to increase considerably in numbers. The three main branches, with al1 their cadet lines, were fixed by the middle of the sixteenth century – the senior branch, Fairfax of Walton and Gilling, the second branch, Fairfax of Denton, Nunappleton, Bilhorough and Newton Kyme, the third branch, Fairfax of Steeton. It is very important for any attempt to assess the strength and nature of Catholicism in Yorkshire to try to understand the strong family – almost clan – unity of these pushing, rising families. While adherence to Catholicism could be primarily a personal choice in the face of family ties and property interests, the history of the Faith in Yorkshire was conditioned greatly at every point by the strength of those ties and interests. The minute genealogy and economic history of the gentry has therefore a very direct bearing on recusant history.

THE RECOVERY OF FREEDOM OF SPEECH IN THE CULTURE OF HUMANISTS AND THE COMMUNICATIVE ORIGINS OF THE REFORMATION

Traditio ◽  
2019 ◽  
Vol 74 ◽  
pp. 375-422 ◽  
Author(s):  
JORGE LEDO
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Middle Ages ◽  
Freedom Of Speech ◽  
Protestant Reformation ◽  
Common Currency ◽  
Late Medieval ◽  
The Reformation ◽  
Three Stages ◽  
Rules Of The Game

Ideas and opinions about communication and intellectual exchange underwent significant changes during the transition from the Middle Ages to the Renaissance. The rediscovery of parrhesia by the humanists of the Quattrocento is one of the least studied of these changes, and at the same time, paradoxically, one of the most fascinating. My main argument in these pages is that the recovery of Hellenistic “freedom of speech” was a process that took place from the thirteenth century through the first decade of the sixteenth century; thus it began well before the term παρρησία was common currency among humanists. This is the most important and counterituitive aspect of the present analysis of early modern parrhesia, because it means that the concept did not develop at the expense of classical and biblical tradition so much as at the expense of late-medieval scholastic speculation about the sins of the tongue and the legitimation of anger as an intellectual emotion. To illustrate this longue durée process, I have focused on three stages: (i) the creation, transformation, and assimilation by fourteenth-century humanism of the systems of sins of the tongue, and especially the sin of contentio; (ii) the synthesis carried out by Lorenzo Valla between the scholastic tradition, the communicative presumptions of early humanism, and the classical and New Testament ideas of parrhesia; and (iii) the systematization and transformation of this synthesis in Raffaele Maffei's Commentariorum rerum urbanorum libri XXXVIII. In closing, I propose a hypothesis. The theoretical framework behind Maffei's encyclopaedic approach is not only that he was attempting to synthesize the Quattrocento's heritage through the prism of classical sources; it was also that he was crystallizing the communicative “rules of the game” that all of Christianitas implicitly accepted at the beginning of the sixteenth century. Taking the three ways of manifesting the truth considered by Maffei and fleshing them out in the figures of Erasmus of Rotterdam, Celio Calcagnini, and Martin Luther just before the emergence of the Protestant Reformation could help to explain from a communicative perspective the success and pan-European impact of the Reformation.

Music, Architecture, Proportion and the Renaissance Way of Thinking

2020 ◽  
pp. 1-16
Author(s):  
Vasco Zara
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Middle Ages ◽  
Unified Theory ◽  
The World ◽  
Universal Truth ◽  
Way Of Thinking ◽  
The Middle Ages

During the Renaissance, the language of proportion became a unified theory capable of encompassing the understanding of the world within a coherent theological, philosophical and artistic framework. Music, with its harmonic paradigm, plays a key role in this construction. From the fifteenth century through to the end of the sixteenth century, architects and architectural theorists made reference, both in new treatises and commentaries to Vitruvius, to musical matters, transforming architecture into the summa of knowledge. The affinity to music was grounded on both a common mathematical and rhetoric gnosiology. Formerly conceived of as ideal, numbers became eloquent, reinforcing the quantitative paradigm of proportion with its qualitative one. The language of proportion as a compositional tool reveals the shift between the Middle Ages and the Renaissance: while the Medieval tèchne based on modular thinking provides beauty and universal truth using the technique of repetition, the Humanist paradigm of variety produces pleasure and individual truth – a condition typical of the premodern.

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