A Nilufar by any other Name: The Implications of Reading Sadegh Hedayat in Translation
This article demonstrates that Sadegh Hedayat's The Blind Owl (Buf-e Kur), arguably the most important work of modern Iranian literature but also seen as ‘a Western novel’, makes it conspicuous how our understanding of ‘global’ texts is conditioned by translation, critical reception, and the material aspects of publication. More precisely, the article examines how Western and non-Western critical approaches to this novel combine to produce illuminating, but also problematic, polysemies. It shows how specific lexical choices in Roger Lescot's French and D. P. Costello's English translations transform the work's meaning, and considers, more broadly, the critical, definitional, and theoretical questions about the politics of hermeneutics and translation which these choices imply. Its wider subject is the reading, translating, and teaching of non-Western literature.