scholarly journals Faded Ink: The Material Trace of Handwriting in Neo-Victorian Fiction

2019 ◽  
Vol 9 (3) ◽  
pp. 242-258
Author(s):  
Kym Brindle
Keyword(s):  
Nineteenth Century ◽  
Sensory Experience ◽  
Dual Purpose ◽  
Handwritten Documents ◽  
Reading And Writing ◽  
Victorian Fiction ◽  
Writing Processes ◽  
The Past ◽  
Contemporary Writing ◽  
Relationship Of

Neo-Victorian novelists reimagine handwritten documents to feed contemporary nostalgia for the materiality of handwriting. Handwriting signifies the personal and the private in ways that seem threatened in a digital age. Writers like Andrea Barrett, A. S. Byatt, and Peter Carey map material pathways to the nineteenth century with fictional characters who strive to possess the written past. Archival fantasies are simulated by novelists depicting writing processes and subsequent discovery and rereading of the handwritten trace by later generations. Imagined scenes of reading and writing describe tactile traces of handwriting that stage possession of the Victorian body in fragmented and partially recoverable states. Resurrection of the desired Victorian body through a metonymical relationship of hand/handwriting evokes a sense of a partial past recovered and experienced. Part of the aestheticism of the past relies on the aura of documents worn to a trace to evidence time and decay. Discovering the handwritten trace in this way becomes a sensory experience for readers and descriptions of decayed materiality emphasise survival for imagined fragments. Contemporary writing thus reveals a dual purpose to aestheticise the material past whilst demonstrating a postmodern drive to refute closure and ultimately celebrate the indeterminate facets of the handwritten trace.

The Great Famine in Fiction, 1901–2015

2020 ◽  
pp. 405-423
Author(s):  
Melissa Fegan
Keyword(s):  
Nineteenth Century ◽  
Short Stories ◽  
Public Discourse ◽  
Victorian Fiction ◽  
The Past ◽  
Great Famine ◽  
John Banville ◽  
Independence Era ◽  
William Carleton ◽  
The Way

This chapter considers Irish writers’ continual reimagining of the Great Famine and the way it has shaped understandings of the past and present. In doing so, it addresses novels and short stories from nineteenth-century writers such as William Carleton, Mary Anne Hoare, and Margaret Brew, who sought to explain or reinterpret the catastrophe while it was still a living memory. The return of the Famine in later historical and neo-Victorian fiction by writers such as Liam O’Flaherty, John Banville, and Joseph O’Connor is considered in light of the association between Famine fiction and various crises in the post-independence era. The discussion also extends to the resurgence in literary interest in the Famine in the 1990s and early 2000s, which, the chapter suggests, was due not only to the greater exposure of the Famine in public discourse but also to a revival of insecurities that seemed to belong to the past.

Mendelssohn and Droysen

2020 ◽  
pp. 158-182
Author(s):  
Celia Applegate
Keyword(s):  
Nineteenth Century ◽  
Creative People ◽  
Cultural Activities ◽  
The Past ◽  
Relationship Of ◽  
The Relationship

This chapter considers Felix Mendelssohn’s historicism—his cultural activities aimed at reviving the past in order to illuminate and improve the present—through the composer’s long-standing friendship with Johann Gustav Droysen. One of the most important and original of nineteenth-century historians, Droysen first entered Mendelssohn’s life as his tutor in the 1820s. Sharing a love of music as well as a veneration for the great achievements of the past, the two remained lifelong friends, and Mendelssohn would set several of Droysen’s poems. To compare their engagement with the past is to illuminate the relationship of practice to theory and of action to thought. At the same time, the comparison allows us to see two creative people grappling with the power and the insufficiency of the past in shaping the present.

Where the Racial State Meets the Black Atlantic: Reflections on Winfried Siemerling’s The Black Atlantic Reconsidered

2020 ◽  
Vol 8 (1) ◽  
pp. 104-108
Author(s):  
Barrington Walker
Keyword(s):  
Nineteenth Century ◽  
Cultural History ◽  
Black Atlantic ◽  
Conceptual Approach ◽  
The Past ◽  
Canadian Studies ◽  
Black Canadian ◽  
Black Writing ◽  
Contemporary Writing ◽  
Historical Past

Winfried Siemerling’s The Black Atlantic Reconsidered: Black Canadian Writing, Cultural History, and the Presence of the Historical Past, to put it mildly, is an impressive piece of scholarship that will stand as one of the definitive works on the histories of Black writing in Canada for the foreseeable future. In his preface, Siemerling states that he embarked upon this undertaking when he learned, to his surprise (one is reminded here, incidentally, of Katherine McKittrick’s injunction that Black Canadian Studies is always constituted as a “surprise”), that there had been little written about Black contemporary writing aside from a few of the comprehensive and encyclopedic works that George Elliot Clarke published in the early to mid-1990s. It is this pioneering work upon which Siemerling builds. He starts with a discussion of “Modernity and Canadian Time-Spaces of the Black Atlantic” in his first chapter and introduction, where he lays out the analytical and conceptual approach of the work. Part 1, “Early Testimony and the Black Canadian Nineteenth Century,” includes chapters titled “Slavery and Early Black Canadian Writing” and “The Black Canadian Nineteenth Century.” Part 2, “The Presence of the Past,” highlights chapters that expand on the themes of “Slavery, the Black Canadian Nineteenth Century, and Caribbean Contexts in Contemporary Black Canadian Writing” and move into a discussion of what he calls “Other Black Canadas” and “Coda: Other Canadas, Other Americas, the Black Atlantic Reconsidered.”

The History of the Baga in Early Written Sources

1997 ◽  
Vol 24 ◽  
pp. 381-391 ◽  
Author(s):  
P.E.H. Hair
Keyword(s):  
Nineteenth Century ◽  
Past History ◽  
Oral Traditions ◽  
Language Group ◽  
Colonial State ◽  
Post Colonial ◽  
The Past ◽  
History Of ◽  
Relationship Of ◽  
Written Sources

The extent of secure knowledge of the past of the groups of people known in scholarly literature as Baga is inconsiderable. This is in part because of the limited European interest in past times in the Baga homeland (on the coast of the post-colonial state of Guinée), and also in part because of limited scholarly investigations in recent times (the post-colonial state did not help by for long exiling or barring from access non-Marxist scholars).Ethnographic and linguistic investigations have been undertaken only since the mid-nineteenth century and still amount to very little, with even less in print. Archeological investigations have yet to begin, apart from the brave attempt of Fred Lamp to date certain artefacts stylistically. As a result, in the 1990s the connotation and exact range of application of the term “Baga” remain unclear and the precise linguistic relationship of “the Baga language” with those neighboring languages that appear to form a language group is known only in outline. What this means that it is impossible to sum up the earlier history of the Baga briefly. The reader who continues and bravely tackles the listing and discussion of sources that follows will, however, be able to assess how much of the history can be securely reconstructed.It is understandable that the desire to construct a history for the Baga has latterly turned on the interpretation of oral traditions. Such traditions now preferred by the Baga—or at least by certain sections, strata, or individuals—are patently of great interest to the anthropologist inasmuch as they depict what the present-day Baga, or some of them, wish to see as their past history and thus throw light on contemporary ideology and popular mindsets.

Remembering the Past in Nineteenth-Century Scotland

2014 ◽  
Author(s):  
James J. Coleman
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
19Th Century ◽  
21St Century ◽  
Collective Memories ◽  
The Past ◽  
Prevailing View ◽  
The Way

At a time when the Union between Scotland and England is once again under the spotlight, Remembering the Past in Nineteenth-Century Scotland examines the way in which Scotland’s national heroes were once remembered as champions of both Scottish and British patriotism. Whereas 19th-century Scotland is popularly depicted as a mire of sentimental Jacobitism and kow-towing unionism, this book shows how Scotland’s national heroes were once the embodiment of a consistent, expressive and robust view of Scottish nationality. Whether celebrating the legacy of William Wallace and Robert Bruce, the reformer John Knox, the Covenanters, 19th-century Scots rooted their national heroes in a Presbyterian and unionist view of Scotland’s past. Examined through the prism of commemoration, this book uncovers collective memories of Scotland’s past entirely opposed to 21st-century assumptions of medieval proto-nationalism and Calvinist misery. Detailed studies of 19th-century commemoration of Scotland’s national heroes Uncovers an all but forgotten interpretation of these ‘great Scots’ Shines a new light on the mindset of nineteenth-century Scottish national identity as being comfortably Scottish and British Overturns the prevailing view of Victorian Scottishness as parochial, sentimental tartanry

The Late-Victorian ‘New Man’ and the Neo-Victorian ‘Neo-Man’

2015 ◽  
Vol 5 (2) ◽  
pp. 105-121
Author(s):  
Margaret D. Stetz
Keyword(s):  
Nineteenth Century ◽  
Literary History ◽  
Historical Fiction ◽  
Gender Relations ◽  
Victorian Fiction ◽  
New Man ◽  
Victorian Period ◽  
The New Woman ◽  
Definition Of ◽  
Victorian Age

The New Man was a crucial topic of discussion and a continual preoccupation in late-Victorian feminist writing, precisely because he was more often a wished-for presence than an actual one. Nevertheless, creators of neo-Victorian fiction and film repeatedly project him backwards onto the screen of literary history, representing him as having in fact existed in the Victorian age as a complement to the New Woman. What is at stake in retrospectively situating the New Man – or, as I will call him, the ‘Neo-Man’ – in the nineteenth century, through historical fiction? If one impulse behind fictional returns to the Victorian period is nostalgia, then what explains this nostalgia for The Man Who Never Was? This essay will suggest that neo-Victorian works have a didactic interest in transforming present-day readers, especially men, through depictions of the Neo-Man, which broaden the audience's feminist sympathies, queer its notions of gender relations, and alter its definition of masculinity.

Editor's Note

2017 ◽  
Vol 8 (1) ◽  
Author(s):  
Emily Kaliel
Keyword(s):  
Civil War ◽  
Public Memory ◽  
Historical Memory ◽  
Historical Analysis ◽  
Red River ◽  
Cultural Institutions ◽  
Economic Rights ◽  
The Past ◽  
Relationship Of

The articles published in our Fall 2016 edition are connected loosely under the themes of public memory and the uses of identity in the past. We are thrilled to present to you three excellent articles in our Fall 2016 edition: The article "Dentro de la Revolución: Mobilizing the Artist in Alfredo Sosa Bravo's Libertad, Cultura, Igualdad (1961)" analyzes Cuban artwork as multi-layered work of propaganda whose conditions of creation, content, and exhibition reinforce a relationship of collaboration between artists and the state-run cultural institutions of post-revolutionary Cuba; moving through fifty years of history “’I Shall Never Forget’: The Civil War in American Historical Memory, 1863-1915" provides a captivating look at the role of reconciliationist and emancipationist intellectuals, politicians, and organizations as they contested and shaped the enduring memory of the Civil War; and finally, the article “Politics as Metis Ethnogenesis in Red River: Instrumental Ethnogenesis in the 1830s and 1840s in Red River” takes the reader through a historical analysis of the development of the Metis identity as a means to further their economic rights. We wholly hope you enjoy our Fall 2016 edition as much as our staff has enjoyed curating it. Editors  Jean Middleton and Emily Kaliel Assistant Editors Magie Aiken and Hannah Rudderham Senior Reviewers Emily Tran Connor Thompson Callum McDonald James Matiko Bronte Wells

Introduction

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Nineteenth Century ◽  
Eastern Europe ◽  
The Political ◽  
Late Nineteenth Century ◽  
Jewish Culture ◽  
The Past ◽  
Future State ◽  
History Of ◽  
Late Nineteenth ◽  
State Of Israel

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.

Sleep in western culture

2018 ◽  
Author(s):  
Roger Ekirch
Keyword(s):  
Nineteenth Century ◽  
Sleep Deprivation ◽  
Industrial Revolution ◽  
Sleep Onset ◽  
Western Culture ◽  
The Past ◽  
Predominant Form ◽  
Artificial Illumination ◽  
Illness Anxiety

Although a universal necessity, sleep, as the past powerfully indicates, is not a biological constant. Before the Industrial Revolution, sleep in western households differed in a variety of respects from that of today. Arising chiefly from a dearth of artificial illumination, the predominant form of sleep was segmented, consisting of two intervals of roughly 3 hours apiece bridged by up to an hour or so of wakefulness. Notwithstanding steps taken by families to preserve the tranquillity of their slumber, the quality of pre-industrial sleep was poor, owing to illness, anxiety, and environmental vexations. Large portions of the labouring population almost certainly suffered from sleep deprivation. Despite the prevalence of sleep-onset insomnia, awakening in the middle of the night was thought normal. Not until the turn of the nineteenth century and sleep’s consolidation did physicians view segmented sleep as a disorder requiring medication.

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