scholarly journals Listeners Sensitivity to Different Locations of Diffusive Surfaces in Performance Spaces: The Case of a Shoebox Concert Hall

2020 ◽  
Vol 10 (12) ◽  
pp. 4370
Author(s):  
Louena Shtrepi ◽  
Sonja Di Blasio ◽  
Arianna Astolfi
Keyword(s):  
Reference Conditions ◽  
Design Parameters ◽  
Acoustic Parameters ◽  
Sound Perception ◽  
Concert Hall ◽  
Acoustic Design ◽  
Rear Part ◽  
Concert Halls ◽  
Surface Location ◽  
Omnidirectional Microphones

Diffusive surfaces are considered as one of the most challenging aspects to deal with in the acoustic design of concert halls. However, the acoustic effects that these surface locations have on the objective acoustic parameters and on sound perception have not yet been fully understood. Therefore, the effects of these surfaces on the acoustic design parameters have been investigated in a real shoebox concert hall with variable acoustics (Espace de Projection, IRCAM, Paris, France). Acoustic measurements have been carried out in six hall configurations by varying the location of the diffusive surfaces over the front, mid, and rear part of the lateral walls, while the other surfaces have been maintained absorptive or reflective. Moreover, two reference conditions, that is, fully absorptive and reflective boundaries of the hall have been tested. Measurements have been carried out at different positions in the hall, using an artificial head and an array of omnidirectional microphones. Conventional ISO 3382 objective acoustic parameters have been evaluated in all conditions. The results showed that the values of these parameters do not vary significantly with the diffusive surface location. Moreover, a subjective investigation performed by using the ABX method with auralizations at two listening positions revealed that listeners are not sensitive to the diffusive surface location variations even when front-rear asymmetric conditions are compared. However, some of them reported perceived differences relying on reverberance, coloration, and spaciousness.

scholarly journals Effect of Stage Volume Ratio on Audience Acoustics in Concert Halls

2020 ◽  
Vol 12 (4) ◽  
pp. 1370 ◽  
Author(s):  
Jin Yong Jeon ◽  
Rosa Seo ◽  
Hyun In Jo
Keyword(s):  
Computer Simulation ◽  
Simple Model ◽  
Volume Ratio ◽  
Acoustic Parameter ◽  
Acoustic Parameters ◽  
Design Factor ◽  
Acoustic Design ◽  
Critical Design ◽  
Study Results ◽  
Concert Halls

This report proposes the stage volume ratio (Vo/V) as an acoustic design factor for concert halls and presents an investigation of the dependence of the acoustic parameters of an auditorium on the stage volume through computer simulation. Firstly, the ratio of the stage volume to the total volume of a concert hall was defined as Vo/V through case studies of existing concert halls. It was verified using a simple model that the stage acoustic parameter STEarly and audience acoustic parameters G and C80 decreased, whereas, the reverberation time and early decay time increased with increasing Vo/V. Secondly, a computer simulation was performed for nine existing concert halls, while changing Vo/V from −20% to 30%. The room acoustic parameters exhibited the same patterns as suggested by the simple model. Vo/V significantly affected the bass ratio and bass index. A comparison of the effects of Vo/V and the sound absorption coefficient in nine concert halls revealed that Vo/V contributed approximately 15% to the reverberation and affected the bass characteristics more substantially. Thus, Vo/V is a critical design factor when determining the warmth of the audience acoustics. The study results could be used as a basis for acoustic design in the future.

Concert hall: acoustic design comparing analytical results and ray tracing

2021 ◽  
Vol 263 (3) ◽  
pp. 3538-3544
Author(s):  
Karina Sá ◽  
Raquel Rossatto Rocha ◽  
Bárbara Fengler
Keyword(s):  
Ray Tracing ◽  
Reverberation Time ◽  
Acoustic Parameters ◽  
Concert Hall ◽  
Acoustic Design ◽  
Analytical Results ◽  
Strategic Location ◽  
Acoustic Quality ◽  
Plan Study

With the intention of designing architecture for music and inspired by music, the J.C. Martins Concert Hall was created with 1008 seats and an approximate volume of 49400 ft³. Among all the architectural aspects considered, such as strategic location analyzed from the mass plan, study of volumetries, acoustics is the highlight due to its importance and complexity of the project. The Concert Hall is the object of the present study, the purpose of the article is to compare the simulated results in the EASE software with the analytical results of the reverberation time calculated by the Sabine and Eyering equations for the Concert Hall. Acoustic parameters such as reverberation time, clarity, among others, were simulated to verify the acoustic quality of the room in question. With that, it was possible to analyze and discuss the limitations of the analytical method and the simulations. Even so, the results were satisfactory to reach the adequated indexes of the acoustic parameters.

scholarly journals Acoustic Design of a Classical Concert Hall and Evaluation of its Acoustic Performance – A Case Study

2018 ◽  
Author(s):  
Kwangbok Jeong ◽  
Taehoon Hong ◽  
Sung Hoon Kim ◽  
Jimin Kim ◽  
Sangyoub Lee
Keyword(s):  
South Korea ◽  
Simulation Modeling ◽  
Decision Makers ◽  
Reverberation Time ◽  
Acoustic Parameters ◽  
Concert Hall ◽  
Acoustic Performance ◽  
Acoustic Design ◽  
Acoustic Simulation

This study aims at an acoustic design of the classical concert hall and evaluation of the acoustic performance. In terms of three acoustic parameters (i.e., reverberation time (RT), clarity (C80), and lateral fraction (LF)), this study performed acoustic simulation modeling and site measurement with the K Art Hall located in South Korea as a case study. First, in order to meet the acoustic performance of the K Art Hall (target RT: 1.4~1.7 seconds, target C80: -2dB or more +2dB or less, and target LF: 10~35%), the finish materials and shape of the room as an interior acoustic design were determined. Second, the average values of the RT, C80, and LF using the acoustic simulation modeling were estimated at 1.4 second, 1.2~1.6 dB, and 29%, respectively. Third, the average values of the RT, C80, and LF through site measuring were measured at 1.5~1.64 second, 0.07~1.31dB, and 22.22~31.37%, respectively. Thus, the results of both the acoustic simulation modeling and site measuring were analyzed so as to satisfy the target acoustic performance. The results of this study will help the decision-makers (i.e., owner, construction managers, etc.) to plan the classical concert hall in terms of the RT, C80, and LF.

Interrelation of Architectural Concepts and Principles of Artificial Lighting in the Moscow Concert Hall Zaryadye

2019 ◽  
pp. 4-13
Author(s):  
Maria M. Ilyevskaya
Keyword(s):  
Concert Hall ◽  
Distinctive Features ◽  
Artificial Lighting ◽  
Building Type ◽  
Concert Halls ◽  
Architectural Language ◽  
The Creation ◽  
Architectural Planning ◽  
The Individual ◽  
Formal Features

The article is focused on the analysis of the Zaryadye Concert Hall building in Moscow in terms of the significance of artificial lighting for the creation of the imagery and perception of this facility within the typology of entertainment music-oriented buildings. Through the example of modern places of entertainment, the author reveals a number of formal features (typological attributes), which, being common to buildings of this function, constitute the basis of their image and become obvious due to the realized lighting concept. The interpretation of these attributes in the interaction of architectural planning and lighting concepts in the Zaryadye Concert Hall is traced. In conclusion, the distinctive features of the building under consideration are determined. At the same time, they reflect a new understanding of concert halls as a building type, the changes related to the overall development of architecture, as well as the elements of the individual architectural language.

scholarly journals Developments in Concert Hall Acoustics in the 1960s: Theory and Practice

Acoustics ◽  
2019 ◽  
Vol 1 (3) ◽  
pp. 538-548 ◽  
Author(s):  
Mike Barron
Keyword(s):  
New York ◽  
Subjective Effects ◽  
Theory And Practice ◽  
Initial Time ◽  
Directional Sensitivity ◽  
Energy Fraction ◽  
Concert Hall ◽  
Anechoic Chambers ◽  
Concert Halls ◽  
The 1960S

After the war, there was a general understanding of reverberation time (RT), including how to measure it and its significance, as well as its link to a state of diffusion. Reverberation refers to a property of late sound; there was an appreciation that early sound must be significant, but in what way? Research had begun in the 1950s using simulation systems in anechoic chambers, with the Haas effect of 1951 being the most prominent result. Thiele’s Deutlichkeit, or early energy fraction, was important from 1953 and indirectly found expression in Beranek’s initial time delay gap (ITDG) from 1962. The 1960s produced a possible explanation for RTs in halls being shorter than calculations predicted, the importance of early sound for the sense of reverberation (EDT), the nature of directional sensitivity, conditions for echo disturbance, and the importance of early lateral reflections. Much of the research in the 1960s laid the foundations for research investigating the relative importance of the various subjective effects for concert hall listening. Important concert halls built during the period include Philharmonic Hall, New York (1962); Fairfield Hall, Croydon, London (1962); the Philharmonie, Berlin (1963); and De Doelen Hall, Rotterdam (1966). The parallel-sided halls of the past were rarely copied, however, due to architectural fashion. These various halls will be discussed as they make a fascinating group.

scholarly journals How orchestra members influence stage acoustic parameters on five different concert hall stages and orchestra pits

2016 ◽  
Vol 140 (6) ◽  
pp. 4437-4448 ◽  
Author(s):  
R. H. C. Wenmaekers ◽  
C. C. J. M. Hak ◽  
M. C. J. Hornikx
Keyword(s):  
Acoustic Parameters ◽  
Concert Hall

scholarly journals MODERN TRENDS IN THE DESIGN OF CONCERT HALLS

2020 ◽  
Vol 1 (154) ◽  
pp. 192-198
Author(s):  
О. Pekarchuk ◽  
М. Meteliuk
Keyword(s):  
Interior Design ◽  
Three Dimensional ◽  
Low Frequency ◽  
Acoustic Properties ◽  
Interior Space ◽  
Concert Hall ◽  
Concert Halls ◽  
Fire Barrier ◽  
Color Scheme ◽  
Aesthetic Characteristics

Changes in the engineering technologies of concert halls and the choice of finishing materials are discussed in this article. The latest developments and technologies help to enhance the acoustic properties and create a creative, contemporary interior. The acoustics of the hall need to be regulated by the degree of diffuse reflection. Finishing materials are one of the main aspects of the formation of the interior space of a concert hall. In order to ensure optimal sound conditions, special attention should be paid to the decoration of the ceiling space and sidewalls of the room. Various types of mid-to-high frequency, low frequency and wide frequency absorbers are used for this purpose. This paper deals with the physical, mechanical and aesthetic characteristics of sound-absorbing materials and trademark designs that are presented in the Ukrainian market. The quality of sound and light equipment and its correct placement will ensure the maximum service life of the concert hall. Depending on the three-dimensional planning solution, as well as the technical and economic characteristics of the room, you can choose the scheme of air distribution: "bottom-up", "top-down" or multi-zone scheme. It is determined that it is advisable to use infrared heaters to heat the auditoriums. When choosing the furniture of concert halls, it is necessary to take into account the general style of the building and the color scheme of the selected finishing materials. For concert halls, it is advisable to select seats made using modern technologies: triplexing, fire barrier, options, mobility systems, sound absorption and more. The main artistic and aesthetic means of shaping the environment of the concert halls are soft and hard decorations, as well as small stuff. The use of innovative technologies and the use of modern finishing materials increases the attendance rate of these objects and provides comfort to the viewers. Keywords: concert hall, decoration materials, interior design, acoustics.

scholarly journals INVESTIGATION OF DESIGN PARAMETERS FACADE FIRE-FIGHTING EAVES FOR PREVENT THE SPREAD OF FIRES ON FACADE STRUCTURES OF HIGH-RISE BUILDINGS

Fire Safety ◽  
2021 ◽  
Vol 37 ◽  
pp. 16-23
Author(s):  
Ya. Ballo ◽  
R. Yakovchuk ◽  
V. Nizhnyk ◽  
O. Sizikov ◽  
A. Kuzyk
Keyword(s):  
Reference Conditions ◽  
Numerical Algorithms ◽  
Equation System ◽  
Fire Spread ◽  
Fire Fighting ◽  
Design Parameters ◽  
Fire Dynamics ◽  
High Rise ◽  
Building Facades ◽  
Fire Spreading

Purpose. The research based on FDS modeling aims to identify design parameters influence of the façade firefighting eaves at fire compartment border on the prevention of fire spreading in high-rise buildings.Methods. To calculate the temperature in high-rise building model Pyrosim computer system is used which serves as the user's shell application Fire Dynamics Simulator (FDS). This FDS system uses numerical algorithms to solve the complete Navier-Stokes differential equation system to determine the temperature and other hazardous factors during a fire.Results. This article deals with the results of using the FDS modeling to substantiate fire-fighting eaves design parameters, which are extended beyond the facade and are located at fire compartment border along the perimeter of high-rise buildings with a conventional height of more than 73.5 m. A comparative analysis of eaves' design parameters and their effect on the temperature distribution along the building facade during a possible fire was conducted. Comparative dependences of tempera-ture distribution on building facades were constructed, as well as their heating areas were determined.Scientific novelty. According to national and foreign regulations requirement analytical research and information sources on the of high-rise buildings design, fire safety requirements to the high-rise public buildings facades with a conventional height of more than 73.5 m were scientifically substantiated in terms of the requirements formation for limiting the fire spreading, smoke and building facades exterior constructions heating.Practical value. Obtained data was analyzed as a result of FDS modeling under the same reference conditions to provide a conclusion on facade fire-fighting eaves design parameters effectiveness at fire compartment border and further improvement ways of their construction and fire spread prevention in high-rise buildings.

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