scholarly journals The Torah Ark of Arthur Szyk

Arts ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 60
Author(s):  
Susan Nashman Fraiman

This paper discusses the design and symbolism of a hitherto unpublished work by the artist Arthur Szyk (1894–1951), an ark for the Torah which he designed for the Forest Hills Jewish Center of Queens, New York, and which was dedicated in 1949. The Torah Ark is the central focus of all synagogue worship. Szyk’s ark is unique in its multiplicity of symbols and texts, which was at odds with the modernist idiom of post-World War II synagogue architecture. This research, which also brings previously unpublished material, analyzes the possible sources for the work and its distinctive message, which is exceptional in the world of modern contemporary Jewish art.

Author(s):  
Brian Tochterman

With particular attention to E.B. White’s “Here is New York,” this chapter considers the place of the cosmopolitan narrative of New York City in the post-World War II era. White argues that in the new atomic world order, New York must continue to attract migrants from around the country and the world in order to survive. While this narrative of “Cosmopolis” echoes throughout the postwar era, it is drowned out by the image of the dying city until the 1980s.


2019 ◽  
Vol 20 (2) ◽  
pp. 37-41
Author(s):  
Maftuna Sanoqulova ◽  

This article consists of the politics which connected with oil in Saudi Arabia after the World war II , the relations of economical cooperations on this matter and the place of oil in the history of world economics


Author(s):  
John Lie

In the 2010s, the world is seemingly awash with waves of populism and anti-immigration movements. Yet virtually all discussions, owing to the prevailing Eurocentric perspective, bypass East Asia (more accurately, Northeast Asia) and the absence of strong populist or anti-immigration discourses or politics. This chapter presents a comparative and historical account of East Asian exceptionalism in the matter of migration crisis, especially given the West’s embrace of an insider-outsider dichotomy superseding the class- and nation-based divisions of the post–World War II era. The chapter also discusses some nascent articulations of Western-style populist discourses in Northeast Asia, and concludes with the potential for migration crisis in the region.


2021 ◽  
pp. 148-173
Author(s):  
Jason Lustig

This final chapter argues that struggles over archival ownership and the possibility of archival totality continue far beyond the years immediately following World War II. It considers three case studies to consider new forms of total archives being created through virtual collections and digitization: The Center for Jewish History in New York City (formed in 1994/1995 and opened in 2000), the efforts by the YIVO Institute for Jewish Research to digitize materials found in Lithuania and reunite them with their own files, and the Friedberg Genizah Project’s initiative to digitize and join together fragments of the Cairo Genizah found in repositories around the world. These case studies showcase enduring visions of monumentality and indicate how archival construction is not merely the province of the past. Instead, the process of gathering historical materials is a continual process of making and remaking history.


Prima Donna ◽  
2021 ◽  
pp. 89-118
Author(s):  
Paul Wink

This chapter, “An Athenian Interlude,” analyzes a major turning point in Callas’s life associated with her move, at age thirteen, from New York City to Athens. In Athens, she experienced poverty, personal humiliation, and, during the World War II years, threats to her life. But her singing benefited from the strong mentorship she received from Elvira de Hidalgo, which helped launch her operatic career. Callas’s success as a singer with the Greek National Opera fueled resentment among her older and more established colleagues who envied her talent and resented being dethroned by a mere teenager who spoke Greek with an American accent. Poverty and conflicted relations at home with her mother and sister failed to compensate Callas for hostility at work. A significant gain in weight further undermined her self-confidence. Her experiences during the seven years spent in Athens exacerbated the split between Callas, the self-assured artist, and Maria, the vulnerable young woman.


Author(s):  
Neilton Clarke

Gutai Art Association [Gutai Bijutsu Kyōkai] [具体美術協会] was an influential post-World War II Japanese avant-garde collective with an outward-looking mindset. Founded in 1954 in Ashiya, near Osaka, by Japanese artist Jirō Yoshihara (1905–1972), it had fifty-nine members over the course of its eighteen-year lifespan. Gutai—meaning ‘‘embodiment’’ and ‘‘concreteness’’—saw its artists engage a plethora of media and presentation contexts, often beyond gallery walls and frequently with more emphasis upon process than on finished product. A unifying factor among its multifarious tendencies was a spirit of adventure, exemplified by Yoshihara’s oft-cited call to ‘‘do what no one has done before.’’ Embracing performance, theatricality, and outdoor manifestations, with a characteristic impromptu modus operandi, Gutai’s experimental tendencies and liberal ideals breathed new life into art and into a society remaking itself following the cataclysm and repressions of World War II. As Japan entered the 1960s, consolidating its economy and engagement with the rest of the world, the decidedly offbeat stance of Gutai’s earlier years assumed a cooler demeanor, due in part to nation-wide technological advancement, growing internationalism, and an evolving audience base and receptivity. The Gutai group disbanded following Yoshihara’s passing in 1972.


Author(s):  
Graham Cross

Franklin D. Roosevelt was US president in extraordinarily challenging times. The impact of both the Great Depression and World War II make discussion of his approach to foreign relations by historians highly contested and controversial. He was one of the most experienced people to hold office, having served in the Wilson administration as Assistant Secretary of the Navy, completed two terms as Governor of New York, and held a raft of political offices. At heart, he was an internationalist who believed in an engaged and active role for the United States in world. During his first two terms as president, Roosevelt had to temper his international engagement in response to public opinion and politicians wanting to focus on domestic problems and wary of the risks of involvement in conflict. As the world crisis deepened in the 1930s, his engagement revived. He adopted a gradualist approach to educating the American people in the dangers facing their country and led them to eventual participation in war and a greater role in world affairs. There were clearly mistakes in his diplomacy along the way and his leadership often appeared flawed, with an ambiguous legacy founded on political expediency, expanded executive power, vague idealism, and a chronic lack of clarity to prepare Americans for postwar challenges. Nevertheless, his policies to prepare the United States for the coming war saw his country emerge from years of depression to become an economic superpower. Likewise, his mobilization of his country’s enormous resources, support of key allies, and the holding together of a “Grand Alliance” in World War II not only brought victory but saw the United States become a dominant force in the world. Ultimately, Roosevelt’s idealistic vision, tempered with a sound appreciation of national power, would transform the global position of the United States and inaugurate what Henry Luce described as “the American Century.”


1980 ◽  
Vol 22 (4) ◽  
pp. 401-422 ◽  
Author(s):  
Steven Topik

The growth of public enterprise is generally viewed as a product of the post-World War II developmentalist state. In late-developing capitalist countries, however, many important firms already came under state control during preceding liberal regimes. Because of the liberal context in which they operated, such companies frequently adopted policies that differed in important ways from those followed under the developmentalist state. The purpose of this study is to focus on the Banco do Brasil—the single most important publicly controlled firm of Brazil's First Republic (1889-1930) and today the seventh largest bank in the world—in order to examine the nature of state enterprise in a liberal regime.


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