scholarly journals Comparison of Spatial Layout of Tall Buildings Clustered in Circular, Rectangular, and Linear Geographical Areas and Impact on Skyline

Buildings ◽  
2020 ◽  
Vol 10 (4) ◽  
pp. 64
Author(s):  
Ayu Wandira Puspitasari ◽  
Jongwook Kwon

Modern cities with tall building clusters can create powerful and distinctive features on the skyline more so than those with scattered tall buildings. In terms of their role in the city, tall building clusters can improve the image of the city, provide for high population density, and distinguish the urban centers. However, the planning of tall building clusters needs to be conducted using in-depth analysis in response to the spatial context to create an attractive skyline. This research attempts to compare different layouts of tall building clusters organized in circular, rectangular, and linear geographical areas. Their impact on the skyline was determined by analyzing the visibility and height transitions of these tall building clusters. Grasshopper was used to calculate the degree of surface visibility of these tall buildings from observers in urban spaces. To quantify the height transition of the cluster, the obstructed buildings were identified and mapped on the skyline viewed from a specific viewpoint. The results showed that the linear cluster had high visibility, followed by the circular and rectangular clusters. Decreasing the heights from the center to the periphery supported the focal point of the cluster.

2021 ◽  
Author(s):  
◽  
Dylan Kanagaratnam

<p>Architecture provides the platform for the inherent connections between people and their city to flourish. The urban realm naturally invites diverse people to inhabit and interact together, giving city life its vibrancy. Urban spaces encourage spontaneous interactions between people and with architecture, to produce creative acts of play and liberating moments of leisure. It has been suggested that these events encapsulate the everyday performance of the city and are the antithesis to everyday life. It is argued this performance is often ignored in modern urban design. It has been noted that Wellington’s waterfront offers areas where momentary and impotent engagement can be developed into meaningful experiences.  Simultaneously, the importance and potency of sound within urban spaces may be undervalued. It is often argued that modern cities assault our senses with sounds leading to discomfort and distracted inhabitation, contributing to a lack of engagement. Urban sounds are commonly dampened in public spaces to combat this assault, but with more thoughtful design these sounds can be reinterpreted to augment the innate everyday performances. This thesis proposes that controlling how people experience urban sounds through architecture can create a deep sensory performance that increases engagement, awareness and interaction.  This research explores ways to harness the latent sounds of the city to form meaningful connections between people and their city while providing moments of play and leisure. Once isolated and harnessed, the urban sounds’ unique and intrinsic power can aid the development of urban spaces, thus producing greater significance within the urban fabric. There will be focus on the connection between the senses, performance and the urban context. The opportunity to enable the acceptance of the environment and reflection on their city marks an important role within the urban fabric.  Concurrently, this research explores how an intuitive drawing-led process can integrate and challenge the boundaries of both interior and the exterior urban realm. Other interior architectural strategies, together with soundscape design and urban interior principles aid this interdisciplinary exploration.</p>


2010 ◽  
Vol 23 (2) ◽  
pp. 60-76
Author(s):  
Monica Degen ◽  
Gillian Rose ◽  
Begum Basdas

In recent years, the centres of many towns and cities have been reshaped by urban design projects, but little attention has been paid to how these transformations are experienced everyday by users of the city. In other words: how do the users of urban centers, such as shoppers, cleaners, or workers, perceive these changes, as embodied subjects in specific material environments? This paper analyses how bodies in two intensely designed urban spaces–the shopping centre of Milton Keynes, a 1960s new town, and Bedford’s recently redeveloped historic town centre–are affected by elements of the built environment. ’Affected’ is a term borrowed from Latour (2004),and the paper works with, and elaborates, some of his and others’ work on how bodies are effectuated by other entities. Such Latourian work pays a great deal of attention to how bodies are affected by both human and non-human entities of many kinds, and we examine how certain aspects of the built environment in these two towns affect bodies in specific ways. However, we also emphasise the variability in this process, in particular that bodies seem unaware–or ambivalently aware–of many entities’ affordances.


2020 ◽  
Vol 9 (2) ◽  
pp. e021
Author(s):  
Emilio José Luque Azcona

This article analyses aspects related to the development of the paving, lighting, sewerage and cleaning of streets and squares in the city of San Juan de Puerto Rico, during Miguel de la Torre’s government of the island (1823-1837). With this research we intend to offer a new and complementary view to the existing one on the management of this governor, who, along with the Cabildo, had powers in these matters, while at the same time deepening the analysis of the urban history of the city of San Juan for that period. The information on the experience that other relevant urban centers of the period, such as Madrid, Mexico or Havana, had in this type of actions is also included, with the purpose of contextualizing both the measures applied and their scope.


2021 ◽  
Author(s):  
◽  
Dylan Kanagaratnam

<p>Architecture provides the platform for the inherent connections between people and their city to flourish. The urban realm naturally invites diverse people to inhabit and interact together, giving city life its vibrancy. Urban spaces encourage spontaneous interactions between people and with architecture, to produce creative acts of play and liberating moments of leisure. It has been suggested that these events encapsulate the everyday performance of the city and are the antithesis to everyday life. It is argued this performance is often ignored in modern urban design. It has been noted that Wellington’s waterfront offers areas where momentary and impotent engagement can be developed into meaningful experiences.  Simultaneously, the importance and potency of sound within urban spaces may be undervalued. It is often argued that modern cities assault our senses with sounds leading to discomfort and distracted inhabitation, contributing to a lack of engagement. Urban sounds are commonly dampened in public spaces to combat this assault, but with more thoughtful design these sounds can be reinterpreted to augment the innate everyday performances. This thesis proposes that controlling how people experience urban sounds through architecture can create a deep sensory performance that increases engagement, awareness and interaction.  This research explores ways to harness the latent sounds of the city to form meaningful connections between people and their city while providing moments of play and leisure. Once isolated and harnessed, the urban sounds’ unique and intrinsic power can aid the development of urban spaces, thus producing greater significance within the urban fabric. There will be focus on the connection between the senses, performance and the urban context. The opportunity to enable the acceptance of the environment and reflection on their city marks an important role within the urban fabric.  Concurrently, this research explores how an intuitive drawing-led process can integrate and challenge the boundaries of both interior and the exterior urban realm. Other interior architectural strategies, together with soundscape design and urban interior principles aid this interdisciplinary exploration.</p>


Author(s):  
Paul Niell

The Baroque in Ibero-American Architecture and Urbanism, in parts of the Americas formerly comprising the Spanish and Portuguese empires, has been traditionally studied as a question of adherence to or deviation from a Counter-Reformation style promoted primarily by ecclesiastical institutions. This article expands upon what is meant by “Baroque” in the architecture and urbanism of the Iberian empires in the Americas. Through the analysis of urban plans, images of the city, architectural interiors and exteriors, physical urban spaces, and other forms of material culture, this article argues that Ibero-American architecture and urbanism in the age of the Baroque belonged to a phenomenon of ordering and thereby creating the “New World” as ideologically constituted colonial spaces that reified social and political norms. Furthermore, human subjects actively negotiated the spaces created by architecture and the city, making the American Baroque also part of a process of negotiating order and thereby producing American spaces.


2020 ◽  
Vol 13 (1) ◽  
pp. 261
Author(s):  
Christos Petsas ◽  
Marinos Stylianou ◽  
Antonis Zorpas ◽  
Agapios Agapiou

The air quality of modern cities is considered an important factor for the quality of life of humans and therefore is being safeguarded by various international organizations, concentrating on the mass concentration of particulate matter (PM) with an aerodynamic diameter less than 10, 2.5 and 1 μm. However, the different physical and anthropogenic processes and activities within the city contribute to the rise of fine (<1 μm) and coarse (>1 μm) particles, directly impacting human health and the environment. In order to monitor certain natural and anthropogenic events, suspecting their significant contribution to PM concentrations, seven different events taking place on the coastal front of the city of Limassol (Cyprus) were on-site monitored using a portable PM instrument; these included both natural (e.g., dust event) and anthropogenic (e.g., cement factory, meat festival, tall building construction, tire factory, traffic jam, dust road) emissions taking place in spring and summer periods. The violations of the limits that were noticed were attributed mainly to the various anthropogenic activities taking place on-site, revealing once more the need for further research and continuous monitoring of air quality.


2021 ◽  
Vol 10 (4) ◽  
pp. 230
Author(s):  
Onel Pérez-Fernández ◽  
Juan Carlos García-Palomares

Moped-style scooters are one of the most popular systems of micro-mobility. They are undoubtedly good for the city, as they promote forms of environmentally-friendly mobility, in which flexibility helps prevent traffic build-up in the urban centers where they operate. However, their increasing numbers are also generating conflicts as a result of the bad behavior of users, their unwarranted use in public spaces, and above all their parking. This paper proposes a methodology for finding parking spaces for shared motorcycle services using Geographic information system (GIS) location-allocation models and Global Positioning System (GPS) data. We used the center of Madrid and data from the company Muving (one of the city’s main operators) for our case study. As well as finding the location of parking spaces for motorbikes, our analysis examines how the varying distribution of demand over the course of the day affects the demand allocated to parking spaces. The results demonstrate how reserving a relatively small number of parking spaces for scooters makes it possible to capture over 70% of journeys in the catchment area. The daily variations in the distribution of demand slightly reduce the efficiency of the network of parking spaces in the morning and increase it at night, when demand is strongly focused on the most central areas.


2021 ◽  
Vol 5 (2) ◽  
pp. 176-215
Author(s):  
Travis Proctor

The city of Ephesus experienced a marked civic transformation in Late Antiquity. After having centered its settlements and economic fortunes on its proximity to a deep-water harbor for over a millenium, late antique Ephesus gradually shifted to an inland, fortified settlement on Ayasoluk Hill. While several factors undoubtedly informed this civic reorientation, the most commonly cited impetus for Ephesus’s late antique reorientation was the infilling of its deep-water harbor. This article argues that, in addition to this environmental cause, an important cultural shift correspondingly informed Ephesus’s late antique reconfigurations. Namely, the emergence and development of the tomb of John on Ayasoluk Hill, informed by an array of literary legends associating the apostle with the city, increasingly positioned this site as a cultic and economic focal point in Late Antiquity. This article argues that an important early strand in this cultural fabric was the Acts of John, a collection of apocryphal tales that narrate John’s exploits in Ephesus. Significantly, the Acts of John articulates a “counter-cartography” that disassociates Christian identity from prominent Ephesian cultic sites and accentuates the importance of spaces “outside the city” of Ephesus, including and especially the tomb of John. Through its own circulation as well as its influence on later Johannine narratives, the early Acts of John helped inform a shift in the cultural cartographies of Ephesus, where Greco-Roman polytheistic spaces were gradually devalued in favor of Christian sites, the tomb of John on Ayasoluk chief among them.


2007 ◽  
Vol 21 (1) ◽  
pp. 87-99
Author(s):  
Caragh Wells

This article suggests that over recent decades Catalan literary criticism has paid too little attention to the aesthetic attributes of Catalan literature and emphasised the social, political and cultural at the expense of discussions of narrative poetics. Through an analysis of Montserrat Roig’s metaphorical use of the city in her first novel Ramona, adéu, I put forward the view that the aesthetic features of Catalan literature need to be re-claimed. This article provides a critical analysis of the aesthetic importance of Roig’s representation of the city in her first novel and argues that she uses Barcelona as a critical tool through which to explore questions of both female emancipation and aesthetic freedom. Following a detailed discussion of Roig’s descriptions of how her female characters interact with particular urban spaces, I examine how Roig makes subtle shifts in her semantic register during these narrative accounts when her prose moves into the realm of the poetic. I conclude that this technique enables us to read her accounts of urban space as metaphors for aesthetic freedom and are inextricably linked to her wider concerns on the importance of liberating Catalan literature from the discourse of political nationalism.


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