scholarly journals The Sensorial Latency of Urban Spaces

2021 ◽  
Author(s):  
◽  
Dylan Kanagaratnam

<p>Architecture provides the platform for the inherent connections between people and their city to flourish. The urban realm naturally invites diverse people to inhabit and interact together, giving city life its vibrancy. Urban spaces encourage spontaneous interactions between people and with architecture, to produce creative acts of play and liberating moments of leisure. It has been suggested that these events encapsulate the everyday performance of the city and are the antithesis to everyday life. It is argued this performance is often ignored in modern urban design. It has been noted that Wellington’s waterfront offers areas where momentary and impotent engagement can be developed into meaningful experiences.  Simultaneously, the importance and potency of sound within urban spaces may be undervalued. It is often argued that modern cities assault our senses with sounds leading to discomfort and distracted inhabitation, contributing to a lack of engagement. Urban sounds are commonly dampened in public spaces to combat this assault, but with more thoughtful design these sounds can be reinterpreted to augment the innate everyday performances. This thesis proposes that controlling how people experience urban sounds through architecture can create a deep sensory performance that increases engagement, awareness and interaction.  This research explores ways to harness the latent sounds of the city to form meaningful connections between people and their city while providing moments of play and leisure. Once isolated and harnessed, the urban sounds’ unique and intrinsic power can aid the development of urban spaces, thus producing greater significance within the urban fabric. There will be focus on the connection between the senses, performance and the urban context. The opportunity to enable the acceptance of the environment and reflection on their city marks an important role within the urban fabric.  Concurrently, this research explores how an intuitive drawing-led process can integrate and challenge the boundaries of both interior and the exterior urban realm. Other interior architectural strategies, together with soundscape design and urban interior principles aid this interdisciplinary exploration.</p>

2021 ◽  
Author(s):  
◽  
Dylan Kanagaratnam

<p>Architecture provides the platform for the inherent connections between people and their city to flourish. The urban realm naturally invites diverse people to inhabit and interact together, giving city life its vibrancy. Urban spaces encourage spontaneous interactions between people and with architecture, to produce creative acts of play and liberating moments of leisure. It has been suggested that these events encapsulate the everyday performance of the city and are the antithesis to everyday life. It is argued this performance is often ignored in modern urban design. It has been noted that Wellington’s waterfront offers areas where momentary and impotent engagement can be developed into meaningful experiences.  Simultaneously, the importance and potency of sound within urban spaces may be undervalued. It is often argued that modern cities assault our senses with sounds leading to discomfort and distracted inhabitation, contributing to a lack of engagement. Urban sounds are commonly dampened in public spaces to combat this assault, but with more thoughtful design these sounds can be reinterpreted to augment the innate everyday performances. This thesis proposes that controlling how people experience urban sounds through architecture can create a deep sensory performance that increases engagement, awareness and interaction.  This research explores ways to harness the latent sounds of the city to form meaningful connections between people and their city while providing moments of play and leisure. Once isolated and harnessed, the urban sounds’ unique and intrinsic power can aid the development of urban spaces, thus producing greater significance within the urban fabric. There will be focus on the connection between the senses, performance and the urban context. The opportunity to enable the acceptance of the environment and reflection on their city marks an important role within the urban fabric.  Concurrently, this research explores how an intuitive drawing-led process can integrate and challenge the boundaries of both interior and the exterior urban realm. Other interior architectural strategies, together with soundscape design and urban interior principles aid this interdisciplinary exploration.</p>


Buildings ◽  
2020 ◽  
Vol 10 (4) ◽  
pp. 64
Author(s):  
Ayu Wandira Puspitasari ◽  
Jongwook Kwon

Modern cities with tall building clusters can create powerful and distinctive features on the skyline more so than those with scattered tall buildings. In terms of their role in the city, tall building clusters can improve the image of the city, provide for high population density, and distinguish the urban centers. However, the planning of tall building clusters needs to be conducted using in-depth analysis in response to the spatial context to create an attractive skyline. This research attempts to compare different layouts of tall building clusters organized in circular, rectangular, and linear geographical areas. Their impact on the skyline was determined by analyzing the visibility and height transitions of these tall building clusters. Grasshopper was used to calculate the degree of surface visibility of these tall buildings from observers in urban spaces. To quantify the height transition of the cluster, the obstructed buildings were identified and mapped on the skyline viewed from a specific viewpoint. The results showed that the linear cluster had high visibility, followed by the circular and rectangular clusters. Decreasing the heights from the center to the periphery supported the focal point of the cluster.


2018 ◽  
Vol 22 (4) ◽  
pp. 50-56 ◽  
Author(s):  
N. V. Bakaeva ◽  
L. V. Chaykovskaya

One of the fundamental principle of the biosphere compatibility conception of cities and settlements is the principle of inhabitants' satisfaction of rational needs. The most vulnerable group of the city population is invalids, people with carriages, children, who are refered to the disabled population, so these are people, who move and get services and information with difficulties. It is important, that the number of the disabled population grows stably in the recent period. That is why the creation of the comfortable conditions for the disabled population is the main aim of the contemporaneity. During the last 15-20 years the attempts of drawing the disabled population in all the living sphere were undertaken more than once. But nowadays the problem of restriction possibility of disabled oopulation is relevant. "Charity" is the function of the city which reflects the disabled population's extent of satisfactions needs. "Charity" , which takes the main place among all the functions of the settlements , is not fulfilled practically on the territory of the modern cities and settlements. There is an evatuation of the function realization of "Charity" city in the aticle. The function were taken up the territory of the dwelling microdistrict of Kursk city. Also the results of the analysis have been made, the proposals have been shown and directed to solve the problem of the providing the disabled population with the convenience of the city life. The results can be served as the base for the realization of the proposals and recommendations.


Author(s):  
Neil Brenner

The urban condition is today being radically transformed. Urban restructuring is accelerating, new urban spaces are being consolidated, and new forms of urbanization are crystallizing. How can these transformations be deciphered? In this book, critical urban theorist Neil Brenner argues that confronting this challenge requires not only intensive research on urban restructuring but new theories of urbanization. To this end, Brenner proposes an approach that breaks with inherited conceptions of the urban as a bounded settlement unit—the city or the metropolis—and explores the multiscalar constitution, political mediation, and ongoing rescaling of the capitalist urban fabric, from the local and the regional to the national and the planetary. New Urban Spaces offers a paradigmatic account of how rescaling processes are transforming inherited formations of urban life, the role of multiscalar state spatial strategies in animating them, and their variegated consequences for emergent patterns and pathways of urbanization. The book also advances an understanding of critical urban theory as radically revisable: key urban concepts, methods, and cartographies must be continually reinvented in relation to the relentlessly mutating worlds of urbanization they aspire to illuminate.


2013 ◽  
Vol 3 (1) ◽  
pp. 31-37
Author(s):  
M. V SOLODILOV

We consider the question of urban transformation of former industrial areas in modern cities. The legacy of the industrial past, city gets the vast areas not functioning plants, river ports, storage areas, burdened with a dysfunctional environment. The including of these areas in the functioning urban fabric is proposed. From the analysis of foreign experience, we can see that such initiatives can become the main vector of development of modern construction and urban technologies.


Author(s):  
Marta Dischinger ◽  
Vera Helena Moro Bins Ely

In spite of the advances in high technological research creating devices to support spatial orientation of visually impaired persons, they still confront a difficult situation in public urban spaces, which are seldom accessible to them. Design solutions aiming to improve their accessibility means to enhance their perception and understanding of space, to increase their possibilities of orientation and of taking independent decisions, and also to enable them participate in the city life. For a design of this kind it is necessary to understand their rights as citizens, and their particular needs and problems arising from the reduction, or absence of vision. To reach understanding of the problem, from another frame of reference that is not visual, it is essential to develop special research methods to analyse urban spaces, and to obtain first-hand information about spatial experiences of visually impaired persons.


Interiority ◽  
2021 ◽  
Vol 4 (1) ◽  
pp. 5-26
Author(s):  
Alison B Snyder

A most desirable and collectable material object is the ubiquitous book. A bound composite of printed pages with words and images, it contains a microcosm of myriad narrative viewpoints, experiences, and imaginations. Metaphorically, a book compactly conceals a kind of interior space that protects the provocative lives of people, their character, ideas, and explorations, thus communicating different scales of interiority. Book collectors, called bibliophiles, revere and covet books as their object of desire. The bibliophile as seeker-collector-seller partakes of simple and complex transactions that essentially protect the lives of the books. This essay concentrates on two main book browsing locations within the urban context of Istanbul, Turkey, and the everyday interior spaces of the sahaf, the secondhand bookseller, who continues a tradition of selling new, pre-owned or secondhand ordinary or rare books. Its text moves between historic information and first-person narrative based on fieldwork to express and expand views of interiority theory, through reality and metaphor. The many scales of individual and collective impulses found inside the city streets and their inserted passage structures are exemplified by the significant simultaneity of the desire for the hand-held object and its hand-to-hand exchange.


2020 ◽  
Vol 16 (47) ◽  
pp. 229-240
Author(s):  
Julia Buchatskaja ◽  
◽  
Denis Ermolin ◽  

The reviewed monograph is devoted to the ethnology of Odessa in the broadest sense — from the stages of the formation of individual districts of the city and the image of Odessa in fiction, the press and memoirs, to various aspects of contemporary urban life, such as the functioning of markets, festive culture, the virtual image of the city, or the everyday life of sailors’ wives. The authors of the monograph primarily aim to examine the formation and stages of the evolution of Odessa as a multifaceted city with emphasis on certain subjects of urban everyday life. In the opinion of the reviewers, however, there is practically no analysis of urban spaces in the monograph, in spite of the “successful urbanistic model” of Odessa proposed by the authors. It is also important to emphasize that — with the existing insider knowledge and experience of living in Odessa — the authors of the monograph under review did not fully problematize the described social and cultural reality and the range of modern problems that the city and its inhabitants face with varying degrees of intensity. They thus remain within the comfortable captivity of the so-called “Odessa” myth and, to some extent, end up reproducing rather than deconstructing it through the theoretical tools and methods at their disposal.


2021 ◽  
Author(s):  
◽  
Katie Rochow

<p>The idea of rhythm has figured as a key conceptual and empirical motif in current research on (urban) space, place and everyday life. Urban spaces are considered polyrhythmic fields, a compound of varied everyday life and spatial rhythms, which produce a particular, but ever-changing, complex mix of heterogeneous social interactions, mobilities, imaginaries and materialities (Edensor 2010). Music-making in the city therefore constitutes and is constituted by a plurality of urban rhythms including the movement between different locations as well as regular temporal patterns of events, activities, experiences and practices as well as energies, objects, flora and fauna which shape the music-maker’s mundane ‘pathways’ through the city. Based on current ethnographic fieldwork in the urban spaces of Wellington (Aotearoa/New Zealand), and Copenhagen (Denmark) this project proposes a way of capturing, understanding and interpreting the multi-faceted rhythmical layout of urban spaces. It will do so by introducing a rhythmanalytical methodology, which draws on interviews, participant generated photographs and mental maps as analytical tools for capturing the interwovenness of socialities, atmospheres, object, texts and images in people’s everyday lives and in this way affords opportunities for attending to the multiple rhythms underlying music-making in the city. The use of cartographic and photographic means of representing these rhythmical dimensions allows us to better attend to an affective register that is often overlooked in studies of music-making. It makes visible some of the ways in which places, from the home to the studio to the performance venue and points in-between form a connective tissue, which anchors the music-makers to the city as well as lends the city its ambience, and, more importantly, its affective charge. As such, the manner in which mood, feeling, a “sense of place,” is evoked through the visual representation of music-makers’ everyday life suggests how the scenic aspects of the city work to simultaneously frame, mediate and facilitate meaningful experiences of place. Consequently, this study documents, through a unique medley of research methods, the way in which music-making serves as a vehicle for the social production of place and the creation of an affective attachment to that place both individual and collective.</p>


2020 ◽  
Vol 31 (1) ◽  
pp. 167-181
Author(s):  
Macarena Bonhomme

Chile is one of the countries with major destination flows from Latin America. In such a context, new distinctions and racial formations have emerged, establishing different forms of social exclusion and racism that are performed in the everyday interaction and socio-cultural practices that take place in residential neighbourhoods. This research is based on one of the most multicultural boroughs in Santiago, Recoleta, historically located in a territory called ‘La Chimba.’ The aim is to examine the intercultural coexistence in increasingly multicultural neighbourhoods in the context of South-South migration, in order to discuss the emerging social conflict, understanding how housing policies and limited access to decent housing by migrants reproduce everyday racism. Drawing on a larger research project that consisted in a 17-month ethnography, 70 in-depth interviews and two focus groups with migrants and Chileans between 2015 and 2018, this article shows and discusses how public spaces are racialised through social practices and interactions, and how the making of ‘race’ in urban spaces have an impact on the way in which migrants inhabit and navigate urban spaces and negotiate their ‘right to the city’ in the everyday.


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