scholarly journals TAMAN ALUN-ALUN: PRODUKSI RUANG (SOSIAL) DAN KEPUBLIKAN

Jurnal Common ◽  
2017 ◽  
Vol 1 (2) ◽  
Author(s):  
Justito Adiprasetio ◽  
Sandi Jaya Saputra

Since the beginning of revitalization, Taman Alun-alun Bandung is expected to be a public space where people can interact with each other and build a healthy social order. Public space when viewing on the concept of Juergen Habermas, is a space within which there is participation and plural public consolidation and across classes and social structures with an emancipatory agenda. This research is by ethnography method which seeks to examine how so far Taman Alun-alun Bandung carry out its function as a public space of Bandung city residents. This research uses two big concepts namely Public Space from Juergen Habermas and Production of Social Space from Henrik Lafebvre, seeks to describe how social production space and nuance of publicity in the Park Taman Alun-alun Bandung. In the praxis level Taman Alun-alun Bandung can not be said to successfully perform its function as a representational spaces for community participatory activities. Created public spaces become pseudo, considering the imprisonment it makes imagined publicity can fill Taman Alun-alun Bandung not achieved. Sejak awal revitalisasi, Taman Alun-alun Bandung diharapkan dapat menjadi ruang publik tempat di mana masyarakat dapat saling berinteraksi dan membangun tatanan sosial yang sehat. Ruang publik apabila menilik pada konsep Juergen Habermas, adalah ruang yang didalamnya terdapat partisipasi dan konsolidasi publik yang plural dan melintasi kelas serta struktur sosial dengan agenda emansipasi. Penelitian ini mengunakan metode etnografi, yang berupaya memeriksa bagaimana sejauh ini Taman Alun-alun Bandung menjalankan fungsinya sebagai ruang publik warga kota Bandung. Penelitian ini menggunakan dua konsep besar yaitu Ruang Publik dari Juergen Habermas dan Produksi Ruang Sosial dari Henrik Lefebvre, berupaya mendeskripsikan bagaimana ruang produksi sosial dan nuansa kepublikan di Taman Alun-alun Bandung. Dalam tataran praksis Taman Alun-alun Bandung tidak dapat dikatakan berhasil menjalankan fungsinya sebagai representational spaces bagi aktivitas partisipatif masyarakat. Ruang publik yang tercipta menjadi semu, mengingat keberjarakan tersebut membuat kepublikan yang dibayangkan dapat mengisi Taman Alun-alun Bandung tidak tercapai.

2021 ◽  
Author(s):  
◽  
Anna Constable

<p>This thesis aims to investigate, through design, spatial agency within the realm of New York City’s Privately Owned Public Spaces. The notion of agency in architecture is directly linked to social and political power. Starting in 1961, New York’s city planners introduced an incentive zoning scheme (POPS) which encouraged private builders to include public spaces in their developments. Many are in active public use, but others are hard to find, under surveillance, or essentially inaccessible. Within the existing POPS sites, tension is current between the ideals of public space - completely open, accessible - and the limitations imposed by those who create and control it. Designed to be singular, contained, and mono-functional, POPS do not yet allow for newer ideas of public space as multi-functional, not contained/bounded but extending and overlapping outward.  As public-private partnerships become the model for catalyzing urban (re)development in the late 20th century, bonus space is an increasingly common land use type in major cities across the world. The quality and nature of bonus spaces created in exchange for floor area bonuses varies greatly. In many cases, tensions in privately owned space produce a severely constricted definition of the public and public life. Incentive zoning programmes continue to serve as a model for numerous urban zoning regulations, so changing ideas of public space and its design need to be tested in such spaces.  These urban plazas offer a test case through which to examine agency, exploring how social space is also political space, charged with the dynamics of power/ empowerment, interaction/ isolation, control/ freedom. This thesis looks at one such site, the connecting plaza sites along Sixth Avenue between West 47th St and West 51st St. This is an extreme example of concentrated POPS sites in New York City. Here one’s perception and occupation of space is profoundly affected by the underlying design of that space which reflects its private ownership. Privately Owned Public Space can be designed that is capable of/ challenging the notion of the public in public space, and modifying the structure of the city and its social life.</p>


2011 ◽  
Vol 4 (1) ◽  
pp. 54-63 ◽  
Author(s):  
Jekaterina Lavrinec

Reconstructing the mutation of a ‘blind walker’ into the figure of reflexive urban activist, who proposes creative solutions to the problems of de-activated public spaces, urban art interventions are comprehended as a tool for re-inventing and revitalising urban settings while initiating intensive interaction and cooperation between citizens. The idea to arrange ‘emotionally moving situations’ so as to activate reflexive attitude of the citizens toward everyday urban settings was proposed by situationists. By disturbing usual everyday rhythms and trajectories, urban art interventions, flash mobs and urban games establish a reflexive distance from the usual, routine ‘choreography’ of the place and propose alternative scenarios of behaviour in public space. Therefore urban art interventions can be considered as a tool for creative reconceptualization of spatial structures and social order, embedded in urban space. Santrauka Remiantis M. de Certeau pasiūlyta miestelėno „aklumo” metafora, kuri nurodo į nerefleksyvų santykį su kasdiene aplinka, straipsnyje rekonstruojama šios miestelėno figūros transformacija į miesto aktyvistą („miesto kuratorių”), kuris reaguoja į miesto problemas ir ieško kūrybinių šių problemų sprendimų. Aktyvaus santykio su miesto aplinka modelis buvo plėtojamas dar situacionistų (I. Chtcheglovas, G. Debord‘as, A. Kotányi ir kt.), kurie ieškojo kasdienio miesto patyrimo suspendavimo technikų (pavyzdžiui, dreifavimas) ir siūlė reorganizuoti miesto erdves, kad jos imtų produkuoti „emocionaliai paveikias situacijas”. šios paieškos paskatino situacionistus plėtoti „unitarinio urbanizmo” koncepciją. Šiuolaikiniams miestams susiduriant su deaktyvuotų viešųjų erdvių problema, „emocionaliai paveikių situacijų” kūrimo idėja atgimsta nauju pavidalu. Meninės intervencijos į viešąsias erdves, flash-mobai ir miesto žaidimai ardo įprastus elgesio scenarijus, steigia refleksyvųatstumą su rutininiu miesto patyrimu, o taip pat skatina naujųmiesto ritualų atsiradimą bei formuoja emocinį miesto reljefą. Intervencijos į viešąsias erdves gali būti analizuojamos ir kaip refleksijos forma, ir kaip aktualių miesto problemų(viešųjų erdviųdeaktyvavimo) sprendimo būdas.


Author(s):  
Rajjan Man Chitrakar ◽  
Douglas C Baker ◽  
Mirko Guaralda

The lack of management has led to the degrading quality of public space in modern cities around the globe. Contemporary public spaces are facing challenges in terms of maintaining them as a “social space” so that they are accessible and functional for the users. Using Kathmandu as a case study, this paper explores the challenges the contemporary public spaces within urban neighbourhoods are facing in their management. The study reveals that the regulation of use is a major concern of public space management in the new neighbourhoods of Kathmandu as evident in the limited accessibility and utility of public space, due to control and commercialisation. The use of public space has also been affected by the lack of regular maintenance. The root cause of these problems lies in weak urban governance at the neighbourhood level, which has led the local community-based organisations to take a role in neighbourhood management. These findings confirm that the management of public space is a critical issue of urban development with commonalities existing across geographical regions that demand adequate consideration from the stakeholders.


Author(s):  
Fernanda da Silva de Andrade Moreira ◽  
Karen de Nazareth Santos Nogueira

ANALYSIS OF URBAN PUBLIC SPACE: the case of Mangal das Garças ParkANÁLISIS DEL ESPACIO PÚBLICO URBANO: el caso del Parque Mangal das GarçasOs espaços públicos urbanos têm sido objeto de estudos frequentes, pois, são nesses espaços que ocorre a produção social da cidade. Entendem-se como espaços públicos, em seu sentido físico, a praça, a rua, os parques entre outros. O presente estudo tem como objetivo central analisar o espaço do Parque Mangal das Garças, investigando os conceitos de espaços públicos e suas novas formas de exteriorização, no intuito de perceber de que maneira a população de Belém o percebe como espaço público no seu sentido mais amplo: o de instrumento para a promoção do direito à cidade. A metodologia utilizada foi a de entrevista orientada com 20 transeuntes no dia 18 de setembro de 2017 aplicada sob o suporte teórico de estudiosos da área.Palavras-chave: Urbanização; Espaços Públicos; Produção Social; Acessibilidade.ABSTRACTThe urban public spaces have been the object of frequent study, since it is in these spaces that the social production of the city occurs. They are understood as public spaces, in their physical sense, the square, the street, the parks among others. This study aims to analyze the space of Mangal das Garças Park, investigating the concepts of public spaces, and their new forms of exteriorization, in order to understand how the population of Belém perceives it as a public space in its broadest sense the instrument for the promotion of the right to the city. The methodology used was an interview with 20 passers-by on September 18, 2017 applied to the theoretical support of scholars in the area.Keywords: Urbanization; Public Spaces; Social Production; Accessibility.RESUMENLos espacios públicos urbanos han sido objeto de estudio frecuente, pues, son en esos espacios que ocurre la producción social de la ciudad. Se entiende como espacios públicos, en su sentido físico, la plaza, la calle, los parques entre otros. Este estudio tiene como objetivo central analizar el espacio del Parque Mangal das Garças, investigando los conceptos de espacios públicos, y sus nuevas formas de exteriorización, con el fin de percibir de qué manera la población de Belén lo percibe como espacio público en su sentido más amplio : el de instrumento para la promoción del derecho a la ciudad. La metodología utilizada fue la de entrevista orientada con 20 transeúntes el día 18 de septiembre de 2017 aplicada al soporte teórico de estudiosos del área.Palabras clave: Urbanización; Espacios Públicos; Producción Social; Accesibilidad.


Author(s):  
Elżbieta Gaweł-Luty ◽  

Social structures include specific entities marked by both institutionalized social norms and by their own individual reflections on their role in society. Social structures are not a permanent phenomenon, because society is constantly restructuring itself. The basis of a social order is the standardization of the actions of individuals, when these activities are subject to typification, institutionalism is created. Thus, institutions define requirements for the way people function in the social space. Individuals also undertake professional roles with existing social structures, the performance of which is likewise determined by social norms.For the proper functioning of society, therefore, social and professional identities of individuals and of groups are both needed.


Author(s):  
Karin I. Tehve ◽  

This paper proposes an analysis of New York City’s Interior Privately owned Public Spaces (INT POPS) and the quality of public space they generate. Intersectionality here is a methodology to examine key attributes of INT POPS simultaneously. This method offers opportunities to question prevailing typologies of the term public that are oppositional in nature; this opposition serves to occlude the mutually dependent nature of the types. INT POPS are vaguely programmed, bounded, enclosed and enable proximity, and generate a social space recognizable as an essential characteristic of urban life: a visible aggregation of individuals prior to definition as a collective. Without a simultaneous examination of the physical spaces themselves and the rules, laws and codes that govern them these spaces a false image of a universally accessible space is produced.


2021 ◽  
Author(s):  
◽  
Anna Constable

<p>This thesis aims to investigate, through design, spatial agency within the realm of New York City’s Privately Owned Public Spaces. The notion of agency in architecture is directly linked to social and political power. Starting in 1961, New York’s city planners introduced an incentive zoning scheme (POPS) which encouraged private builders to include public spaces in their developments. Many are in active public use, but others are hard to find, under surveillance, or essentially inaccessible. Within the existing POPS sites, tension is current between the ideals of public space - completely open, accessible - and the limitations imposed by those who create and control it. Designed to be singular, contained, and mono-functional, POPS do not yet allow for newer ideas of public space as multi-functional, not contained/bounded but extending and overlapping outward.  As public-private partnerships become the model for catalyzing urban (re)development in the late 20th century, bonus space is an increasingly common land use type in major cities across the world. The quality and nature of bonus spaces created in exchange for floor area bonuses varies greatly. In many cases, tensions in privately owned space produce a severely constricted definition of the public and public life. Incentive zoning programmes continue to serve as a model for numerous urban zoning regulations, so changing ideas of public space and its design need to be tested in such spaces.  These urban plazas offer a test case through which to examine agency, exploring how social space is also political space, charged with the dynamics of power/ empowerment, interaction/ isolation, control/ freedom. This thesis looks at one such site, the connecting plaza sites along Sixth Avenue between West 47th St and West 51st St. This is an extreme example of concentrated POPS sites in New York City. Here one’s perception and occupation of space is profoundly affected by the underlying design of that space which reflects its private ownership. Privately Owned Public Space can be designed that is capable of/ challenging the notion of the public in public space, and modifying the structure of the city and its social life.</p>


Author(s):  
Yulita Titik Sunarimahingsih ◽  
Yustina Trihoni Nalesti Dewi ◽  
Heribertus Hermawan Pancasiwi

Beside having significant values that would enrich the Indonesian nation, tribal, cultural, and religious diversity brought seeds of conflicts that could potentially disrupt social order and threaten national unity. The conflicts that occurred in Ambon from 1999 to 2004 were conflict examples that were caused by religious plurality that had appeared many societal problems that could not be fully resolved until today. The trust among Ambon's plural communities had not returned well and it was even worsened by settlement segregation separating Muslim and Christian communities that factually brought potential for further conflicts. In the present life of Ambon’s segregated societ today public spaces inspired by brotherhood and “unity in diversity” spirits thatt could be meeting and socializing means of the communities and to reduce the social polarization were to be absolutely necessary. Unfortunately, the existing public spaces in Ambon for the time being served only as stages of activities and they did not connect with the communities’ social spectrums so that the public spaces remained meaningless. A public space here served just as a witness, not as a means of socializing in accordance with the communities’ cultures and characters. This paper would discuss how to integrate the communities’ cultures and characters into a public space design that had significant meaning in overcoming the polarization of Ambon’s segregated communities. The public space would be designed by taking into account a location choice where two segregated communities could easily meet. In the public space a macro space concept where the sea as the front page of Ambon communities should be applied and even forwarded since such a concept tended to be forgotten. Beside the spatial format, the public space should also be designed by facilitating various cultural-based activities so that the communities’ characteristics that were integrated in the urban culture and daily activities would appear in the public spaces.


2020 ◽  
pp. 33-50
Author(s):  
Barbara Konecka-Szydłowska

Public space of the Morasko Campus in Poznań in the opinion of students Public spaces are an important part of urban space. The paper presents the results of the research on the assessment of the public space of the Morasko Campus situated in the northern part of Poznan. The analysis covers the years 2006 and 2017 and uses the semantic differential method worked out by Osgood, Succi and Tannenbaum in 1957. The study of public space was conducted in terms of five basic categories of spatial order: (1) town-planning – architectural order, (2) functional order, (3) aesthetic order, (4) social order and (5) ecological order. The obtained results show that, in the opinion of students, the Morasko space obtained a higher assessment in all the categories over the study period (an increase in the average assessment from 3.9 to 4.8). In 2017, ecological order was the category assessed highest , and functional order the one assessed lowest,. In the studied years the Campus space was assessed lowest by the students of the Faculty of Geographical and Geological Sciences, which was caused by its peripheral location. Due to the great importance of the natural values of the Campus, their detailed description is presented at the end of the study. Zarys treści: Ważną częścią przestrzeni miejskiej są przestrzenie publiczne. W opracowaniu zaprezentowano wyniki badań na temat oceny przestrzeni Kampusu Morasko, położonego w północnej części Poznania. Zakres czasowy analizy obejmuje zasadniczo lata 2006 i 2017. W opracowaniu posłużono się metodą dyferencjału semantycznego opracowaną przez Osgooda, Succiego i Tannenbauma w 1957 r. Badanie przestrzeni publicznej przeprowadzono w odniesieniu do pięciu podstawowych kategorii ładu przestrzennego: 1) ładu urbanistyczno-architektonicznego, 2) ładu funkcjonalnego, 3) ładu estetycznego, 4) ładu społecznego oraz 5) ładu ekologicznego. Uzyskane wyniki pozwalają stwierdzić, że zdaniem studentów w badanym okresie nastąpił wzrost oceny przestrzeni Kampusu Morasko we wszystkich kategoriach (wzrost średniej oceny syntetycznej z 3,9 do 4,8). W 2017 r. zdecydowanie najwyżej ocenianą kategorią był ład ekologiczny, a najniżej ład funkcjonalny. W badanych latach najgorzej przestrzeń Kampusu oceniali studenci Wydziału Nauk Geograficznych i Geologicznych, co spowodowane było peryferyjną lokalizacją tego wydziału. Ze względu na duże znaczenie walorów przyrodniczych Kampusu w końcowej części pracy przeprowadzono ich pogłębioną charakterystykę.


Land ◽  
2021 ◽  
Vol 10 (12) ◽  
pp. 1327
Author(s):  
Wioletta Kamińska ◽  
Mirosław Mularczyk

The purpose of this article is to evaluate the attractiveness of centrally located public spaces (main squares) in select new small towns in Poland. The evaluation was conducted from the spatial order perspective. Spatial order is composed of five elements: architectural and urban planning, functional, aesthetic, social, and “green” orders. The new small towns included in this analysis are settlement units, which in 2020 were populated by up to 20,000 inhabitants and received municipal rights in the 21st century. We used the point bonitation method in our research based on the source material collected during a field study. A total of 286 inventory cards of buildings and nine cards of town squares were compiled. The analysis demonstrated that the main squares in the towns studied are characterised by low or average levels of attractiveness from the spatial order perspective. The architectural–urban planning order in the towns in question was related to the number of inhabitants as well as the period over which a given settlement unit had municipal rights. A larger number of inhabitants had a positive influence on the functional diversification of the central squares and their development, whereas a small number limited both the functional diversification and the number of small architectural elements found at the square. The social order in the given towns was not connected to the number of inhabitants. The elements of social order were assessed favourably, both in larger towns that revitalised their central squares and in smaller settlements. The aesthetic and green orders were strongly related to the revitalisation of public space.


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