scholarly journals Przestrzeń publiczna Kampusu Morasko w Poznaniu w opinii studentów

2020 ◽  
pp. 33-50
Author(s):  
Barbara Konecka-Szydłowska
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Social Order ◽  
Public Spaces ◽  
Differential Method ◽  
Town Planning ◽  
The Public ◽  
Peripheral Location ◽  
The One ◽  
Geological Sciences

Public space of the Morasko Campus in Poznań in the opinion of students Public spaces are an important part of urban space. The paper presents the results of the research on the assessment of the public space of the Morasko Campus situated in the northern part of Poznan. The analysis covers the years 2006 and 2017 and uses the semantic differential method worked out by Osgood, Succi and Tannenbaum in 1957. The study of public space was conducted in terms of five basic categories of spatial order: (1) town-planning – architectural order, (2) functional order, (3) aesthetic order, (4) social order and (5) ecological order. The obtained results show that, in the opinion of students, the Morasko space obtained a higher assessment in all the categories over the study period (an increase in the average assessment from 3.9 to 4.8). In 2017, ecological order was the category assessed highest , and functional order the one assessed lowest,. In the studied years the Campus space was assessed lowest by the students of the Faculty of Geographical and Geological Sciences, which was caused by its peripheral location. Due to the great importance of the natural values of the Campus, their detailed description is presented at the end of the study. Zarys treści: Ważną częścią przestrzeni miejskiej są przestrzenie publiczne. W opracowaniu zaprezentowano wyniki badań na temat oceny przestrzeni Kampusu Morasko, położonego w północnej części Poznania. Zakres czasowy analizy obejmuje zasadniczo lata 2006 i 2017. W opracowaniu posłużono się metodą dyferencjału semantycznego opracowaną przez Osgooda, Succiego i Tannenbauma w 1957 r. Badanie przestrzeni publicznej przeprowadzono w odniesieniu do pięciu podstawowych kategorii ładu przestrzennego: 1) ładu urbanistyczno-architektonicznego, 2) ładu funkcjonalnego, 3) ładu estetycznego, 4) ładu społecznego oraz 5) ładu ekologicznego. Uzyskane wyniki pozwalają stwierdzić, że zdaniem studentów w badanym okresie nastąpił wzrost oceny przestrzeni Kampusu Morasko we wszystkich kategoriach (wzrost średniej oceny syntetycznej z 3,9 do 4,8). W 2017 r. zdecydowanie najwyżej ocenianą kategorią był ład ekologiczny, a najniżej ład funkcjonalny. W badanych latach najgorzej przestrzeń Kampusu oceniali studenci Wydziału Nauk Geograficznych i Geologicznych, co spowodowane było peryferyjną lokalizacją tego wydziału. Ze względu na duże znaczenie walorów przyrodniczych Kampusu w końcowej części pracy przeprowadzono ich pogłębioną charakterystykę.

Mocking Parades and the Place of Pagan Statuary in Late Antique Alexandria

2020 ◽  
Vol 24 (2) ◽  
pp. 270-288
Author(s):  
Jonathan Stutz
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Religious Communities ◽  
Late Antique ◽  
Mob Violence ◽  
Visual Contact ◽  
The Public ◽  
Sacred Objects ◽  
The One ◽  
The City

AbstractWith the present paper I would like to discuss a particular form of procession which we may term mocking parades, a collective ritual aimed at ridiculing cultic objects from competing religious communities. The cases presented here are contextualized within incidents of pagan/Christian violence in Alexandria between the 4th and 5th centuries, entailing in one case the destruction of the Serapeum and in another the pillaging of the Isis shrine at Menouthis on the outskirts of Alexandria. As the literary accounts on these events suggest, such collective forms of mockery played an important role in the context of mob violence in general and of violence against sacred objects in particular. However, while historiographical and hagiographical sources from the period suggest that pagan statues underwent systematic destruction and mutilation, we can infer from the archaeological evidence a vast range of uses and re-adaptation of pagan statuary in the urban space, assuming among other functions that of decorating public spaces. I would like to build on the thesis that the parading of sacred images played a prominent role in the discourse on the value of pagan statuary in the public space. On the one hand, the statues carried through the streets became themselves objects of mockery and violence, involving the population of the city in a collective ritual of exorcism. On the other hand, the images paraded in the mocking parades could also become a means through which the urban space could become subject to new interpretations. Entering in visual contact with the still visible vestiges of the pagan past, with the temples and the statuary of the city, the “image of the city” became affected itself by the images paraded through the streets, as though to remind the inhabitants that the still-visible elements of Alexandria’s pagan topography now stood as defeated witnesses to Christianity’s victory.

Analysis on Building Readable Image of Urban Public Spaces

2013 ◽  
Vol 409-410 ◽  
pp. 883-886
Author(s):  
Bo Xuan Zhao ◽  
Cong Ling Meng
Keyword(s):  
New York ◽  
Public Space ◽  
Urban Space ◽  
Public Spaces ◽  
Urban Life ◽  
Space Images ◽  
Urban Public Space ◽  
Good Image ◽  
The Public ◽  
The City

City, is consisting of a series continuous or intermittent public space images, and every image for each of our people living in the city is varied: may be as awesome as forbidden city Meridian Gate, like Piazza San Marco as a cordial and pleasant space and might also be like Manhattan district of New York, which makes people excited and enthusiastic. To see why, people have different feelings because the public urban space ultimately belongs to democratic public space, people live and have emotions in it. In such domain, people can not only be liberated, free to enjoy the pleasures of urban public space, but also enjoy urban life which is brought by the city's charm through highlighting the vitality of the city with humanism atmosphere. To a conclusion, no matter how ordinary the city is, a good image of urban space can also bring people pleasure.

scholarly journals FROM A ‘BLIND WALKER’ TO AN ‘URBAN CURATOR’: INITIATING ‘EMOTIONALLY MOVING SITUATIONS’ IN PUBLIC SPACES / NUO KASDIENIO MIESTELĖNŲ „AKLUMO” IKI MIESTO AKTYVIZMO: INICIJUOJANT „EMOCIONALIAI PAVEIKIAS SITUACIJAS” VIEŠOSIOSE ERDVĖSE

2011 ◽  
Vol 4 (1) ◽  
pp. 54-63 ◽  
Author(s):  
Jekaterina Lavrinec
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Social Order ◽  
Public Spaces ◽  
Spatial Structures ◽  
Urban Settings ◽  
Urban Art ◽  
Creative Solutions ◽  
Alternative Scenarios

Reconstructing the mutation of a ‘blind walker’ into the figure of reflexive urban activist, who proposes creative solutions to the problems of de-activated public spaces, urban art interventions are comprehended as a tool for re-inventing and revitalising urban settings while initiating intensive interaction and cooperation between citizens. The idea to arrange ‘emotionally moving situations’ so as to activate reflexive attitude of the citizens toward everyday urban settings was proposed by situationists. By disturbing usual everyday rhythms and trajectories, urban art interventions, flash mobs and urban games establish a reflexive distance from the usual, routine ‘choreography’ of the place and propose alternative scenarios of behaviour in public space. Therefore urban art interventions can be considered as a tool for creative reconceptualization of spatial structures and social order, embedded in urban space. Santrauka Remiantis M. de Certeau pasiūlyta miestelėno „aklumo” metafora, kuri nurodo į nerefleksyvų santykį su kasdiene aplinka, straipsnyje rekonstruojama šios miestelėno figūros transformacija į miesto aktyvistą („miesto kuratorių”), kuris reaguoja į miesto problemas ir ieško kūrybinių šių problemų sprendimų. Aktyvaus santykio su miesto aplinka modelis buvo plėtojamas dar situacionistų (I. Chtcheglovas, G. Debord‘as, A. Kotányi ir kt.), kurie ieškojo kasdienio miesto patyrimo suspendavimo technikų (pavyzdžiui, dreifavimas) ir siūlė reorganizuoti miesto erdves, kad jos imtų produkuoti „emocionaliai paveikias situacijas”. šios paieškos paskatino situacionistus plėtoti „unitarinio urbanizmo” koncepciją. Šiuolaikiniams miestams susiduriant su deaktyvuotų viešųjų erdvių problema, „emocionaliai paveikių situacijų” kūrimo idėja atgimsta nauju pavidalu. Meninės intervencijos į viešąsias erdves, flash-mobai ir miesto žaidimai ardo įprastus elgesio scenarijus, steigia refleksyvųatstumą su rutininiu miesto patyrimu, o taip pat skatina naujųmiesto ritualų atsiradimą bei formuoja emocinį miesto reljefą. Intervencijos į viešąsias erdves gali būti analizuojamos ir kaip refleksijos forma, ir kaip aktualių miesto problemų(viešųjų erdviųdeaktyvavimo) sprendimo būdas.

scholarly journals La recuperación del espacio público y la evolución del patrimonio común: prácticas colaborativas a través de la agencia cultural / Restoring the public space and the evolution of common patrimony: collaborative practices via cultural agency

2017 ◽  
pp. 465
Author(s):  
Salvador Leetoy ◽  
Diego Zavala Scherer
Keyword(s):  
Public Space ◽  
Urban Studies ◽  
Public Spaces ◽  
Cultural Consumption ◽  
Capital Social ◽  
Collective Identities ◽  
Instrumental Reason ◽  
The Public ◽  
The One ◽  
Cultural Agency

Resumen: Este artículo revisa el uso de prácticas creativas promovidas por agentes culturales que compiten discursivamente con la racionalidad instrumental imperante en las sociedades modernas contemporáneas. Particularmente, los casos que aquí se exploran son acciones colaborativas llevadas a cabo por dos asociaciones de la ciudad mexicana de Guadalajara: el despacho de urbanismo CUADRA y Fundación CEDAT. Se analizan, por un lado, iniciativas de intervención artística a través del grafiti como forma de creación de identidad; y por el otro, la exposición y comunicación realizada a través del documental como herramientas de reactivación y socialización de espacios públicos.Palabras clave: agencia cultural, consumo cultural, capital social, espacio público.Abstract: This article offers a critical route for studying creative practices challenging instrumental reason in contemporary modern societies. Particularly, this article explores a couple of cultural agency strategies undertaken by civic associations in Guadalajara, Mexico: the urban studies agency CUADRA and CEDAT Foundation.  On the one hand, a discussion is held with regard to the revitalization of collective identities through the production of collaborative graffiti paintings. On the other hand, it presents an analysis about the strategic use of video documentaries for communicating participatory civic actions and its function to restore public spaces. Keywords: Cultural Agency, Cultural Consumption, Social Capital, Public Space.

scholarly journals FENOMENA DINAMIKA KEPUBLIKAN DALAM HIRARKI RUANG KAWASAN PUBLIK KOTA

2021 ◽  
Vol 1 (1) ◽  
pp. 16
Author(s):  
Ully Irma Maulina Hanafiah ◽  
Doddy Friestya Asharsinyo
Keyword(s):  
Economic Growth ◽  
Public Space ◽  
Urban Space ◽  
Urban Areas ◽  
Rapid Development ◽  
Public Spaces ◽  
The Public ◽  
Public Area ◽  
The City ◽  
Empirical Condition

The public area of the city in general is currently experiencing rapid development due to economic growth and the influence of globalization. The public space is formed based on economic, social, political cultural interests, as well as developments and changes that occur in the current public space, making it limited and cannot be accessed optimally by the wider community. This is caused by the hierarchy of public spaces that are formed based on the functions that surround them. The purpose of this study is to reveal the phenomenon of public hierarchy in urban space in the context of its changes. This research is descriptive-analytical and based on theoretical and empirical elaboration. This approach is used to read public spaces in urban areas to get a reference for the interpretation of theoretical relationships from an empirical condition.

Citoyens, piété et démocratie. Réflexions sur l’occultation des corps croyants, l’intimité et le droit au secret

2018 ◽  
Vol 65 (2) ◽  
pp. 168-186 ◽  
Author(s):  
Valérie Amiraux
Keyword(s):  
Public Space ◽  
General Framework ◽  
Religious Affiliation ◽  
Muslim Women ◽  
Public Spaces ◽  
The Other ◽  
Double Bind ◽  
The Public ◽  
The One

This article is based on ongoing fieldwork conducted in France and Quebec with Muslim women who stopped wearing a headscarf. It offers a puzzle for reflection: what is achieved when a sign of religious affiliation disappears (in this instance, wearing a headscarf)? The first part of the article describes the general framework in which public conversations about the visible piety expressed by Muslim women has been discussed in public spaces. The second part looks at the double bind in which Muslim women have been placed by being asked, on the one hand, to be as discrete as possible when expressing their religiosity and, on the other, to behave in full transparency. How and under which conditions can these women ‘find a place’ in the public space (Joseph, 1995) of secular societies? To conclude, the article invites reflection on the role of secrecy, the impossibility as well as the necessity of the secret in society in order to be able to consider the proper room available for pious female citizens in democratic secular societies.

scholarly journals Public space without the public: State and individuals in courtyard space in Dashilar, Beijing

2021 ◽  
pp. 2057150X2110273
Author(s):  
Alin Li
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Social Life ◽  
Public Life ◽  
Public Spaces ◽  
The State ◽  
Social Significance ◽  
Public And Private ◽  
The Public ◽  
The Individual

This article discusses the meaning of public space and the problem of public reconstruction by means of sociological intervention through an experimental study of community formation and courtyard space rearrangement in the old neighborhood of Dashilar in Beijing. In the West, scholars regard public space as part of public life with political or social significance. In the courtyards of Dashilar, however, residents understand public space as important as a shared property of neighboring families that is separate from public life, as they are often acquainted with but alienated from one another. To grasp this different understanding of public space, this article first looks into the historical transformation of property rights in Dashilar. The courtyards in Dashilar have clearly been defined as state-owned urban space since the 1980s but have remained neglected in administration. Therefore, residents gradually encroached upon these courtyards that were owned by the state and divided them for private use. As this act of encroaching was rooted in the relationship between the state and the individual, the courtyards were not merely changed into privatized properties with specific functions, but became places for interactions between various actors. To reveal the complexity of these courtyards as public spaces, we discuss the expansion of private space by individuals in their daily life and the “public disturbances” initiated by temporary coalitions in space construction. This complexity of courtyards as public spaces can be well illustrated by two experiments of space rearrangement conducted in Dashilar. Both experiments introduced strong social interventions into space rearrangement: one attempted to rebuild social life in a courtyard, and the other worked on the public and private boundaries in a courtyard. The former experiment ended in failure while the latter was a success. The results of these two experiments tell us that public reconstruction is not just about rebuilding social interactions between people, but also about adjusting the state–individual relationship and establishing the rules of living together in public space.

scholarly journals The Evaluation of the Equipment and Quality of the Public Space of Poznań

2016 ◽  
Vol 24 (2) ◽  
pp. 25-33
Author(s):  
Waldemar W. Budner
Keyword(s):  
Quality Of Life ◽  
Public Space ◽  
Urban Space ◽  
Landscape Architecture ◽  
Public Spaces ◽  
The Public ◽  
Research Activities ◽  
Public Toilets ◽  
Insufficient Number

Abstract The article defines the notion of public space and attempts to explain its forms and roles. The article realizes two cognitive goals: the evaluation of the equipment of public spaces in Poznań with the selected elements of landscape architecture and the quality of those spaces. Empirical research was conducted in the form of a survey addressed at 300 respondents. The research activities conducted in the course of work allow for the formulation of the following conclusions: the quality of life in a city depends on the condition of equipment of public space; the elements of landscape architecture make the public space of Poznań more attractive (contribute to its functionality, increase the aesthetics of urban space); the condition of the equipment of public space with landscape architecture is evaluated as good; the users of the public space in Poznań pointed out the problem of advertising pillars, advertisements and signboards, public toilets and the insufficient number of seats.

scholarly journals TRANSFORMATION OF PUBLIC SPACES BASED ON THE SYMBOLIC INTERPRETATION OF ELEMENTS OF THE URBAN ENVIRONMENT

2021 ◽  
Vol 6 (9) ◽  
pp. 56-63
Author(s):  
M. Gavrilova ◽  
A. Gavrilov
Keyword(s):  
Urban Environment ◽  
Public Space ◽  
Urban Space ◽  
Environmental Sustainability ◽  
Public Spaces ◽  
The Public ◽  
New Public ◽  
Symbolic Interpretation ◽  
Vegetation Water ◽  
Public Environment

One of the important design topics is the formation of the urban environment based on modern comfort requirements, considering the historical content and identifying the special uniqueness of the place. The use of symbolic interpretation of characteristic elements of the environment: such as the earth's surface, various forms of relief, vegetation, water structures and small architectural forms when creating urban open areas allows to create a bright expressive image of public space. The application of this principle contributes to the strengthening of the information content of the historical urban environment and the creation of a special memorability of the transformed space. The use of symbolic compositions in urban space increases the figurative characteristics of the environment, revealing its individuality and consolidating its identity. The methods of transmitting certain information using signs and symbols to create stable visual priorities in the public environment are identified. It is noted that the methods of transformation of public spaces presented in the study provides increasing the figurative characteristics of environments without significant urban planning changes, to reveal its identity and to increase the environmental sustainability of urban space. Examples of the use of symbolic interpretation in the Russian and foreign experience of creating new public urban spaces are given.

scholarly journals Enculturation of Ambon’s Public Spaces as a Tool of Building Inclusivity of Segregated Communities

2017 ◽  
Vol 11 (1) ◽  
pp. 15
Author(s):  
Yulita Titik Sunarimahingsih ◽  
Yustina Trihoni Nalesti Dewi ◽  
Heribertus Hermawan Pancasiwi
Keyword(s):  
Public Space ◽  
Social Order ◽  
Public Spaces ◽  
Front Page ◽  
National Unity ◽  
The Public ◽  
Christian Communities ◽  
Space Design ◽  
Religious Plurality ◽  
Societal Problems

Beside having significant values that would enrich the Indonesian nation, tribal, cultural, and religious diversity brought seeds of conflicts that could potentially disrupt social order and threaten national unity. The conflicts that occurred in Ambon from 1999 to 2004 were conflict examples that were caused by religious plurality that had appeared many societal problems that could not be fully resolved until today. The trust among Ambon's plural communities had not returned well and it was even worsened by settlement segregation separating Muslim and Christian communities that factually brought potential for further conflicts. In the present life of Ambon’s segregated societ today public spaces inspired by brotherhood and “unity in diversity” spirits thatt could be meeting and socializing means of the communities and to reduce the social polarization were to be absolutely necessary. Unfortunately, the existing public spaces in Ambon for the time being served only as stages of activities and they did not connect with the communities’ social spectrums so that the public spaces remained meaningless. A public space here served just as a witness, not as a means of socializing in accordance with the communities’ cultures and characters. This paper would discuss how to integrate the communities’ cultures and characters into a public space design that had significant meaning in overcoming the polarization of Ambon’s segregated communities. The public space would be designed by taking into account a location choice where two segregated communities could easily meet. In the public space a macro space concept where the sea as the front page of Ambon communities should be applied and even forwarded since such a concept tended to be forgotten. Beside the spatial format, the public space should also be designed by facilitating various cultural-based activities so that the communities’ characteristics that were integrated in the urban culture and daily activities would appear in the public spaces.

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