scholarly journals An Analysis of Tess of the D’Urbervilles from the Tragedy of Tess

2020 ◽  
Vol 9 (S1-Dec2020) ◽  
pp. 21-25
Author(s):  
Desheng Chen ◽  
Xuewei Shi
Keyword(s):  
Thomas Hardy ◽  
Great Influence ◽  
Moral Value ◽  
Dual Nature ◽  
Tess Of The D'urbervilles ◽  
Poor Peasant ◽  
Victorian Age

Thomas Hardy was a very famous and the last important novelist of the Victorian age in England, his novels and poems have a great influence in the literature in 20 century. Tess of the D’Urbervilles is the most influential one among his works. This novel describes a miserable and hard life of one beautiful and pure girl named Tess after being seduced. The article reveals the society environment, the peasant poverty family, the inequality of gender and the false moral value at that time by describing Tess’ life. Tess’ tragic life is caused by many factors and it’s the result of the burden of society. Except this, her own weakness in character cannot be separated from her tragedy, because she obviously has the dual nature — resistance and compromise, which seems like the nature of many women. As a poor peasant girl, Tess once tried to fight with destiny, but she failed. In the end, she turned out to be a murderer and also the victim of society like all other things which disobey the rules at that time. Eventually, she was separated from her lover and hanged. A beautiful and pure girl came to such a miserable life and tragic ending.

Clothing in Context — Nineteenth-Century Dress and Textiles in the Thomas Hardy Archive

Costume ◽  
2018 ◽  
Vol 52 (2) ◽  
pp. 261-284 ◽  
Author(s):  
Lucy Johnston
Keyword(s):  
Nineteenth Century ◽  
Working Class ◽  
Thomas Hardy ◽  
Famous People ◽  
Tess Of The D'urbervilles ◽  
Textiles And Clothing ◽  
Insight Into

This article will consider how dress, textiles, manuscripts and images in the Thomas Hardy Archive illuminate his writing and reveal the accuracy of his descriptions of clothing in novels including Far from the Madding Crowd and Tess of the D'Urbervilles. Rural clothing, fashionable styles, drawings and illustrations will shed new light on his writing through providing an insight into the people's dress he described so eloquently in his writing. The textiles and clothing in the Archive are also significant as nineteenth-century working-class dress is relatively rare. Everyday rural clothing does not tend to survive, so a collection belonging to Hardy's family of country stonemasons provides new opportunities for research in this area. Even more unusual is clothing reliably provenanced to famous people or writers, and such garments that do exist tend to be from the middle or upper classes. This article will show how the combination of surviving dress, biographical context and literary framework enriches understanding of Hardy's words and informs research into nineteenth-century rural dress.

Thomas Hardy, Tess of the d'Urbervilles, from ‘The Old Saloon'

2021 ◽  
pp. 257-267
Author(s):  
Joanne Shattock ◽  
Joanne Wilkes ◽  
Katherine Newey ◽  
Valerie Sanders
Keyword(s):  
Thomas Hardy ◽  
Tess Of The D'urbervilles

The Telegraphic Principle in Nineteenth-Century Fiction

2020 ◽  
pp. 21-52
Author(s):  
David Trotter
Keyword(s):  
Nineteenth Century ◽  
Signal To Noise Ratio ◽  
Thomas Hardy ◽  
Daniel Deronda ◽  
Figures Of Speech ◽  
Effective Implementation ◽  
Tess Of The D'urbervilles ◽  
System P ◽  
Blue Eyes ◽  
Jude The Obscure

This chapter concerns the attitudes, practices, and figures of speech that during the course of the nineteenth century prepared the way for the eventual separation of the idea of the signal from that of the sign. It has to do with the emergence of the telegraphic principle (initially by means of the Napoleonic-era optical telegraph) as a thrillingly effective implementation of remote intimacy. Its main focus is on the intimacies developed remotely, by signal rather than sign, in George Eliot’s Daniel Deronda, and in novels by Thomas Hardy: in particular, A Pair of Blue Eyes, The Return of the Native, A Laodicean, Two on a Tower, Tess of the d’Urbervilles, Jude the Obscure, and The Well-Beloved. In Hardy’s fiction, sexual desire expresses itself in, or as, an adjustment of signal-to-noise ratio. The Wessex the novels map is at times less a terrain than the basis for a telecommunications system.

First Translation and Retranslation in the Historical, Social and Cultural Context: A case study of two Chinese versions of Tess of the D'Urbervilles

Babel ◽  
2012 ◽  
Vol 58 (4) ◽  
pp. 457-470 ◽  
Author(s):  
Xiang Rengdong
Keyword(s):  
Cultural Context ◽  
Thomas Hardy ◽  
Special Role ◽  
Translation Strategies ◽  
English Novel ◽  
Tess Of The D'urbervilles ◽  
Historical Figures ◽  
The Social ◽  
Analyse Comparative

The case study examined in depth is a comparison analysis of the classical English novel Tess of the D’Urbervilles by Thomas Hardy, which has been translated into Chinese seven times, with seven versions preserving the novel form of the original. The present study will elaborate on the differences between two Chinese versions of Tess of the D’Urbervilles, one is Zhang Guruo’s version translated in 1934, and the other is Sun Zhili’s version translated in 1999, with regard to language style, literature, concept, acceptance of context, as well as the different translation strategies translators adopted in different historical, social and cultural contexts. The study also examines the special role played in the process by the two translations. The present paper thus contributes both to translation studies and to literary theory. The comparison is carried out by answering the following questions: – What are the social cultural impacts on the first translation and the retranslation? – What kind of selection tendencies do the two translators have? – What are the specific translation strategies adopted by the translators in the field of social customs, history and religion, literature and art, Bible and other allusions, literature and historical figures? Why? Résumé L’etude de cas examinee en detail est une analyse comparative du roman anglais classique Tess of the D’Ubervilles de Thomas Hardy, qui a ete traduit sept fois en chinois, avec sept versions preservant la forme originale du roman. Cette etude exposera dans le detail les differences entre deux versions chinoises de Tess of the D’ Ubervilles, l’une etant la version de Zhang Guro traduite en 1934 et l’autre celle de Sun Zhili traduite en 1999, en ce qui concerne le style de la langue, la litterature, le concept, l’acceptation du contexte, ainsi que les differentes strategies de traduction que les traducteurs ont adoptees dans differents contextes historiques, sociaux et culturels. L’etude examine egalement le role special joue dans le processus par les deux traductions. Par consequent, cet article contribue tant a la traductologie qu’ a la theorie litteraire. La comparaison est effectuee en repondant aux questions suivantes : – Quels sont les impacts socio-culturels sur la premiere traduction et la retraduction ? – Quel type de tendances de selection les deux traducteurs ont-ils ? – Quelles sont les strategies de traduction specifiques, adoptees par les traducteurs dans le domaine des coutumes sociales, de l’histoire et de la religion, de la litterature et de l’art, de la bible et d’autres allusions, des personnages litteraires et historiques ? Pourquoi ?

IN THE EYE OF THE BEHOLDER: VICTORIAN AGE CONSTRUCTION AND THE SPECULAR SELF

2006 ◽  
Vol 34 (1) ◽  
pp. 27-45 ◽  
Author(s):  
Kay Heath
Keyword(s):  
Thomas Hardy ◽  
Victorian Age ◽  
Complete Poems

AT AGE FIFTY-TWO, THOMAS HARDYwas beginning to feel uneasy about aging. On October 11, 1892, he wrote to his friend Arthur Blomfield: “Hurt my tooth at breakfast-time. I look in the glass. Am conscious of the humiliating sorriness of my earthly tabernacle…. Why should a man's mind have been thrown into such close, sad, sensational, inexplicable relations with such a precarious object as his own body!” (F. Hardy 13–14). This moment of specular disgust was ultimately recorded in a poem: I look into my glass,And view my wasting skin,And say, “Would God it came to passMy heart had shrunk as thin!”For then, I, undistrestBy hearts grown cold to me,Could lonely wait my endless restWith equanimity.But Time, to make me grieve,Part steals, lets part abide;And shakes this fragile frame at eveWith throbbings of noontide. (T. Hardy,Complete Poems81)

scholarly journals MORAL ORIENTATIONS OF STUDENTS᾿ PROFESSIONAL FORMATION

2021 ◽  
pp. 117-130
Author(s):  
Roman Khavula
Keyword(s):  
Professional Development ◽  
Moral Development ◽  
Great Influence ◽  
Self Determination ◽  
Necessary Condition ◽  
Moral Value ◽  
Individual Property ◽  
Human Needs ◽  
Professional Self ◽  
The Individual

Abstract. The article considers the moral sphere of the individual as a necessary condition for the existence and effective functioning of man in society. It is emphasized that moral norms regulate interpersonal interaction, which is associated with professional activities, and morality is the basis for effective interaction between people. Moral guidelines as a basis of maturity from the standpoint of the system-subject approach are analyzed. It is noted that moral values are formed on the basis of human needs, and value in general is formed in relation to the object that is able to meet human needs. Moral judgments are seen as a process of social decision-making based on numerous factors. The generalization of the views of researchers dealing with the moral sphere of personality, allowed within the concept of moral development of personality, to distinguish three stages of moral development of the individual: pre-moral, conventional (guided by most members of society) and post-conventional, which requires the following factors: social contacts, high level intelligence, independence from authorities. It is determined that morality is an individual property of the individual, based on the norms of morality. For the formation of morality it necessary to determine the following basic foundations of morality: biological, spiritual, social, pragmatic. It is established that the highest level of personal and professional self-determination is the moral, value-semantic level, which has a great influence on professional self-determination and professional development of a person. It is emphasized that moral guidelines as a tool of social regulation are a necessary prerequisite and resource for successful professional development and play a crucial role in the course of professional development and the effectiveness of professional activity. It is noted that the key stage of professional development in the study of moral guidelines is the acquisition of higher education. It was found that in the process of learning in adolescents, moral guidelines reflect the general ethical values accepted in society and serve as a basis for the formation of specific professional values  adopted in the profession, which is mastered by the student.

scholarly journals ‘The return of the native by Thomas Hardy: Eustacia Vye or the bovarysme embodied in Wessex”

2017 ◽  
Vol 26 (53) ◽  
Author(s):  
Thierry Goater
Keyword(s):  
Short Stories ◽  
Thomas Hardy ◽  
Female Characters ◽  
Western Literature ◽  
Victorian Era ◽  
Madame Bovary ◽  
Tess Of The D'urbervilles ◽  
Jude The Obscure ◽  
Shed Light

Thomas Hardy (1840-1928) is one of the great English novelists of the late Victorian era. Far from the Madding Crowd, The Return of the Native, The Mayor of Casterbridge, Tess of the d’Urbervilles and Jude the Obscure are among his most famous novels. If he was not directly influenced by Gustave Flaubert’s aesthetics, Hardy was very much inspired by the heroine of Madame Bovary. Indeed, quite a few of Hardy’s female characters, whether in his novels or in his short stories, suffer with varying degrees from “bovarysme’, the disease of imagination and affectivity which is one of Emma Bovary’s central features. This paper aims to shed light on the posterity of Flaubert’s character through Eustacia Vye, the heroine of The Return of the Native, to show to what extent she represents not a pale imitation but an original variation on an essential model of Western literature. 

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