scholarly journals Tenth Annual Meeting of the American Council for the Study of Islamic Societies

1993 ◽  
Vol 10 (4) ◽  
pp. 571-573
Author(s):  
Yushau Sadiq
Keyword(s):  
Popular Culture ◽  
Annual Meeting ◽  
Arab World ◽  
Historical Account ◽  
The Balkans ◽  
American Council ◽  
The World ◽  
Egyptian Culture ◽  
Heated Debate ◽  
Dickinson College

The general theme, "Islam and Muslim Issues around the World ," wasdiscussed in six two-hour sessions. After the welcome address b y MichaelBishku, the conference coordinator, the first session began withdiscussion on "Nationalism in the Balkans." Pet ya Nitzova presented apaper on theMuslims of Bulgaria. Nedzib Sacirbey outlined the historical causes ofthe problems of Bosnian Muslims and said that what is now happeningin Bosnia is a preplanned anti-Muslim policy dating back to 1917. EdwardDamich (George Mason University, Fairfax, VA), who focused on theCroats, disagreed. Both papers generated a heated debate."Islam in the Arab World" was the topic of the second session. DavidCommins (Dickinson College, Carlisle, PA) talked about the Muslim Bmthersand Egyptian popular culture. He gave a historical account of howthis movement was founded by Hasan al Banna and how it incorporatedand adapted elements of Egyptian culture, especially the Sufi culture, intoits program. Ibrahim Abu Rabi' (Hartford Seminary, West Hartford, cr)enlightened the audience with his presentation "Reading the IntellectualHistory of the Modem Arab World: The Islamic Factor." He explainedhow Islamic ideologies influenced the thoughts of some of Arab intellectuals,especially Sayyid Qutub ...

TV Series in Turkish Foreign Policy: Aspects of Hegemony and Resistance

2018 ◽  
Vol 8 (1) ◽  
Author(s):  
Constantinos Constantinou ◽  
Zenonas Tziarras
Keyword(s):  
Foreign Policy ◽  
Popular Culture ◽  
North Africa ◽  
Pop Culture ◽  
Soap Operas ◽  
The Balkans ◽  
Turkish Foreign Policy ◽  
The World ◽  
Tv Shows ◽  
The Impact

This article examines the ways in which (pop or) popular culture may fall within the context of foreign policy. More specifically, it situates our analysis against such backdrop by delving into how Turkey effectively exports pop culture, propaganda and positive images of itself via the use of television (TV) shows. To that end, notable Turkish soap operas market its ancient glorious past. Admittedly, these telenovelas form a salient cultural product export for Turkey as they reach diverse and far-away audiences – from Latin America to Russia, Central Asia, North Africa, the Middle East, and the Balkans, to merely name a few. Paradoxically, the frenzy has even reached places like Greece. Not to mention, Serbia or Israel, with the latter’s phenomenal success accompanied also with some backlash. Therefore, the current study seeks to better understand the magnitude alongside the impact of Turkey’s achievement given how it comprises a multi-million-dollar industry, by partially unearthing what makes Turkish TV series so powerful the world over. Further, this research firstly presents an analysis of the hegemonic efforts before presenting the limitations to its success by thoroughly covering the empirical data while, theoretically framing it.  

Sindbad's Ocean: Reframing the Market in the Middle East

2016 ◽  
Vol 48 (4) ◽  
pp. 754-757
Author(s):  
Johan Mathew
Keyword(s):  
Popular Culture ◽  
Middle East ◽  
Indian Ocean ◽  
Arab World ◽  
Middle Eastern ◽  
Gulliver's Travels ◽  
The World ◽  
Cultural Markers ◽  
The Indian Ocean ◽  
Indian Ocean World

There are few figures as universally beloved and yet recognizably “Middle Eastern” as Sindbad. The text of Sindbad's seven voyages travel easily across continents and languages and many of the tales blur imperceptibly into those of Homer'sThe Odysseyand Swift'sGulliver's Travels. Yet this swashbuckling adventurer is also firmly situated in the world of Abbasid Iraqandthe Indian Ocean world. Sindbad is clearly identified as a good Muslim and respected Baghdadi merchant, and while fantastical, there are recognizable geographic and cultural markers that locate his voyages within the Indian Ocean world. This iconic character of Arab popular culture pushes us to contemplate how easily the Arab world flows into that of the Indian Ocean.

Understanding Suicide Terrorism

2017 ◽  
Vol 36 (04) ◽  
pp. 245-250
Author(s):  
A. Speckhard
Keyword(s):  
Western Europe ◽  
Field Research ◽  
Suicide Terrorism ◽  
Terrorist Organizations ◽  
Global Migration ◽  
The Balkans ◽  
Single Region ◽  
Extensive Field ◽  
The World ◽  
Terrorist Groups

SummaryAs a terror tactic, suicide terrorism is one of the most lethal as it relies on a human being to deliver and detonate the device. Suicide terrorism is not confined to a single region or religion. On the contrary, it has a global appeal, and in countries such as Syria, Iraq, Afghanistan, and Pakistan it has come to represent an almost daily reality as it has become the weapon of choice for some of the most dreaded terrorist organizations in the world, such as ISIS and al-Qaeda. Drawing on over two decades of extensive field research in five distinct world regions, specifically the Middle East, Western Europe, North America, Russia, and the Balkans, the author discusses the origins of modern day suicide terrorism, motivational factors behind suicide terrorism, its global migration, and its appeal to modern-day terrorist groups to embrace it as a tactic.

Between High Culture and Low Culture; and also The Difference Between Popular Culture and Folk Culture

2019 ◽  
Vol 7 (8) ◽  
pp. 12
Author(s):  
Kunal Debnath
Keyword(s):  
Popular Culture ◽  
Folk Culture ◽  
Common People ◽  
High Culture ◽  
The World ◽  
The Common ◽  
The Difference ◽  
Low Culture

High culture is a collection of ideologies, beliefs, thoughts, trends, practices and works-- intellectual or creative-- that is intended for refined, cultured and educated elite people. Low culture is the culture of the common people and the mass. Popular culture is something that is always, most importantly, related to everyday average people and their experiences of the world; it is urban, changing and consumeristic in nature. Folk culture is the culture of preindustrial (premarket, precommodity) communities.

Redefinisi Fungsi Desa dalam Manga Naruto dan Bande Dessinée Astérix: Sebuah Kajian Komparasi Budaya Populer

Metahumaniora ◽  
2017 ◽  
Vol 7 (3) ◽  
pp. 293
Author(s):  
Tania Intan
Keyword(s):  
Popular Culture ◽  
Rural Environment ◽  
Cultural Comparison ◽  
Structural Element ◽  
Legal Entity ◽  
Bande Dessinee ◽  
Spare Time ◽  
Popular Medium ◽  
The World ◽  
The Village

AbstrakSecara alamiah, manusia membutuhkan sarana untuk mengisi waktu luangnyasetelah bekerja keras. Satu media yang murah, mudah dijangkau, dan digemari oleh semuakalangan di seluruh dunia adalah cerita bergambar atau komik yang merupakan bagiandari budaya populer. Pada umumnya, karya paraliteratur-visual ini memang bersifat fiktifdan hanya merupakan peniruan dari kenyataan yang digambarkan secara berlebihan(grotesque). Namun demikian, di dalam komik, sering ditemukan nilai-nilai kehidupanyang bersifat universal dan abadi sehingga dianggap layak sebagai bahan kajian budaya.Naruto, salah satu manga Jepang, dan Astérix, bande dessinée dari Prancis, akan ditelitisebagai representasi dunia Timur dan Barat. Latar sebagai unsur struktural dalam karyakaryafiksi ini ternyata juga menunjukkan kesamaan mendasar, yaitu keberadaan desasebagai tempat hidup para tokohnya. Dalam tulisan ini, akan dibahas pemaknaan lainterhadap lingkungan rural tersebut, yang memiliki andil dalam pembentukan karakterpara tokoh dari kedua komik. Metode kajian komparasi budaya akan digunakan denganpenerapan teori-teori yang relevan. Penelitian singkat ini bertujuan untuk melengkapistudi mengenai komik yang belum banyak dilakukan di Indonesia.Kata kunci: Desa, komik, Naruto, Astérix, Komparasi BudayaAbstractNaturally, humans need a way to fill their spare time after working hard. Acheap, accessible and popular medium by all circles around the world is a picture or comicstory, which is part of popular culture. McCloud (1993:7) defines comics as drawings andembossed symbols in a particular order, aimed at providing information or achievingaesthetic responses from the reader. In general, this visual-paraliterature work isindeed fictitious and merely an imitation of grotesque reality. However, in the comics, itis often found that values of life that are universal and eternal so comics are consideredappropriate as a material of cultural studies. Naruto, one of the Japanese manga, andAstérix, the bande dessinée of France, are examined as a representation of the East andWest. The background as a structural element in these works of fiction also shows the basicsimilarity of the existence of the village as the place of life of the characters. According toKartohadikoesoemo (1984:16), the village is a legal entity, in which a ruling society livesits own government. In this paper, other meanings of the rural environment, which hascontributed in the character formation of the characters from both comics are discussed.The method of cultural comparative is used with the application of relevant theories. Thisbrief study aims to complete the study of comics which is still very limited in Indonesia.Keywords: Village, Comic, Naruto, Astérix, Cultural Comparison

The dilemmas of the Israeli reality and the choice of war

2019 ◽  
Vol 2 (4) ◽  
pp. 151
Author(s):  
Bashir Hadi Abdul Razak
Keyword(s):  
Negative Impact ◽  
Arab World ◽  
External Factors ◽  
Political Movement ◽  
World Today ◽  
The World ◽  
Arab Israeli Conflict ◽  
Internal And External Factors

The Arab-Israeli conflict is among the longest and most complex conflicts in the world today, a conflict that transcends borders or a difference of influence. It is a struggle for existence in every sense. Since the establishment of Israel in 1948, one of the regional forces whose political movement is determined by the Arab world has become the result of the internal and external factors and changes that affect it. This entity is hostile to the Arabs, Which would have a negative impact on the regional strategic situation.

Princes and Parliaments in the Arab World

2004 ◽  
Vol 58 (3) ◽  
pp. 367-384 ◽  
Author(s):  
Michael Herb
Keyword(s):  
Arab World ◽  
Authoritarian Regimes ◽  
Political Life ◽  
The Political ◽  
The World

Several Arab monarchies have held reasonably free elections to parliaments, though all remain authoritarian. This article compares the Arab monarchies with parliaments in other parts of the world, including both those that became democracies, and those that did not. From this I derive a set of prerequisites, potential pitfalls, and expected stages in the monarchical path toward democracy. This helps us to understand not only the democratic potential of the parliamentary experiments in the Arab monarchies, but also the role these parliaments play in the political life of these authoritarian regimes.

Translation as Resistance

2017 ◽  
Author(s):  
Joanna Rzepa
Keyword(s):  
Cultural Identity ◽  
Paradise Lost ◽  
Historical Account ◽  
Cultural Transfer ◽  
Polish Literature ◽  
Political Sovereignty ◽  
Epic Poem ◽  
Complex Modes ◽  
The World ◽  
The Rich

This chapter offers a historical account of the presence of Paradise Lost in translation and Polish literature, especially how the poem’s reception in Poland has been shaped by complex modes of linguistic and cultural transfer. The chapter explores the historical and political contexts in which Paradise Lost was translated into Polish, discusses the most important actors involved in its publication, and analyses the strategies employed by the translators. It demonstrates that the eighteenth- and nineteenth-century translators of Milton, who worked at a time when Poland had lost its political sovereignty, focused specifically on the form of the poem, presenting models for a modern Polish epic poem that could help sustain Polish cultural identity. The focus of the twentieth-century translators, who lived through the world wars, shifted from the form to the rich imagery of Milton’s poem, in particular his exploration of the themes of vanity, destruction, and exile.

East Asian Exceptionalism to Western Populism and Migration Crisis

2018 ◽  
pp. 196-210
Author(s):  
John Lie
Keyword(s):  
World War Ii ◽  
East Asia ◽  
East Asian ◽  
Northeast Asia ◽  
Historical Account ◽  
World War ◽  
Post World War Ii ◽  
The World ◽  
Migration Crisis ◽  
And Migration

In the 2010s, the world is seemingly awash with waves of populism and anti-immigration movements. Yet virtually all discussions, owing to the prevailing Eurocentric perspective, bypass East Asia (more accurately, Northeast Asia) and the absence of strong populist or anti-immigration discourses or politics. This chapter presents a comparative and historical account of East Asian exceptionalism in the matter of migration crisis, especially given the West’s embrace of an insider-outsider dichotomy superseding the class- and nation-based divisions of the post–World War II era. The chapter also discusses some nascent articulations of Western-style populist discourses in Northeast Asia, and concludes with the potential for migration crisis in the region.

The Great Eastern Crisis (1875–1878) as a global humanitarian moment

2021 ◽  
pp. 1-26
Author(s):  
Adrian Ruprecht
Keyword(s):  
Civil Society ◽  
Institutional Arrangements ◽  
Red Cross ◽  
Colonial India ◽  
The Balkans ◽  
Governmental Organizations ◽  
Non Governmental Organizations ◽  
The World ◽  
Global Spread ◽  
Global Movement

Abstract This article explores the global spread of the Red Cross and Red Crescent movement to colonial India. By looking at the Great Eastern Crisis (1875–78) and the intense public ferment the events in the Balkans created in Britain, Switzerland, Russia and India, this article illustrates how humanitarian ideas and practices, as well as institutional arrangements for the care for wounded soldiers, were appropriated and shared amongst the different religious internationals and pan-movements from the late 1870s onwards. The Great Eastern Crisis, this article contends, marks a global humanitarian moment. It transformed the initially mainly European and Christian Red Cross into a truly global movement that included non-sovereign colonial India and the Islamic religious international. Far from just being at the receiving end, non-European peoples were crucial in creating global and transnational humanitarianism, global civil society and the world of non-governmental organizations during the last third of the nineteenth century.

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