scholarly journals FINNISH AMERICAN IDENTITY AND STRATEGIES FOR ITS DETERMINATION IN FINNISH AMERICAN CONTEMPORARY LITERATURE

2021 ◽  
Vol 15 (4) ◽  
pp. 642-653
Author(s):  
Irina Vasilyevna Morozova
Keyword(s):  
Science Fiction ◽  
American Literature ◽  
Collective Memory ◽  
Ethnic Diversity ◽  
The United States ◽  
Collective Trauma ◽  
Poetic Imagination ◽  
The Two Cultures ◽  
Definition Of ◽  
Archetypal Images

The article focuses on one of the pressing problems of modern humanitarian knowledge - the problem of self-identification of hybrid cultures, in particular, the culture of the Finnish Americans. The ethnic diversity of the United States leads to a constant intersection of various cultures, giving rise to the uniqueness of contemporary American literary life. National, cultural, personal identity associated with the revision of the traditions that were assimilated in their diaspora acts as the main problem of multiculturalism - the ideology of plurality and diversity. Self-identification strategies may include the definition of one's religious, ethnic, gender determination. Very often, the community's collective trauma and collective memory of the historical past can act as a strategy. The main strategies of ethnic and cultural self-identification of Finnish American literature are represented by the collective memory, collective trauma, “Finnishness”, and the national Finnish epic “Kalevala”, which is used as a source of archetypal images and poetic imagination. Basing on a number of works by Finnish American writers of the second half of the 20 and 21 centuries in different genres (science fiction, historical novel, short stories), the article examines the creative application of the Finnish epic “Kalevala”, integrated into the experience of American existence as one of the main strategies for self-identification of its own culture, which is built on the dialogical interaction of the Anglo-Saxon and Finnish cultures. The article actualizes the problems of the interrelations of the two cultures, the transformation of archetypal images, the reflection of collective memory in the works of contemporary Finnish American writers.

scholarly journals Contemporary Jewish Prose in the USA

2021 ◽  
pp. 100-134
Author(s):  
Olga B. Karasik-Updike
Keyword(s):  
American Literature ◽  
Collective Memory ◽  
Multicultural Literature ◽  
The United States ◽  
Young Generation ◽  
Jewish Literature ◽  
Jewish American ◽  
Two Generations ◽  
The Usa ◽  
Definition Of

The essay presents an overview of Jewish American prose of the second half of the 20th — first two decades of the 21st century within the context of multicultural literature of the USA. The definition of Jewish literature remains a matter of debate. The author of the essay based on the opinions of critics concludes on the criterion for assigning a writer to Jewish literature. It is the artistic embodiment of the personal Jewish experience and identity in the works of literature, the view “from inside,” the perspective of collective memory and the connection to history and culture. Jewish literature today is one of the most developed ethnic segments of multicultural American literature. Writers under study are recognized throughout the world, their works have been translated into many languages, including Russian, they are known to readers and have already become the subject of study by literary scholars. Today, Jewish American literature is represented by two generations of writers. “Senior” generation includes the authors born in the 1920s–30s who began their literary careers in the 60s when there was a generational change in national literature. “Young” generation is represented by the writers who began their literary careers in the 2000s. On the example of the works of the most famous authors of both generations, the author of the essay talks about the factors determining the specific features of Jewish American prose and its characteristic themes, problems, and motives: the search for identity and roots, the representation and rethinking of the Holocaust, ethnic stereotypes, the image of the Jewish family, and the traditions of Jewish humor. The study of the works of modern Jewish writers in the United States allows us to draw conclusions about the display of border consciousness, national and ethnic identity, and collective memory in fiction.

Multiculturalism in American Public Opinion

2001 ◽  
Vol 31 (2) ◽  
pp. 247-275 ◽  
Author(s):  
JACK CITRIN ◽  
DAVID O. SEARS ◽  
CHRISTOPHER MUSTE ◽  
CARA WONG
Keyword(s):  
Los Angeles ◽  
Ethnic Diversity ◽  
Los Angeles County ◽  
General Social Survey ◽  
Social Background ◽  
The United States ◽  
Social Survey ◽  
Testing Hypotheses ◽  
Definition Of

Multiculturalism has emerged to challenge liberalism as an ideological solution in coping with ethnic diversity in the United States. This article develops a definition of political multiculturalism which refers to conceptions of identity, community and public policy. It then analyses the 1994 General Social Survey and a 1994 survey of Los Angeles County to assess the contours of mass support and opposition to multiculturalism, testing hypotheses concerning the role of social background, liberalism–conservatism and racial hostility. The main conclusions are that ‘hard’ versions of multiculturalism are rejected in all ethnic groups, that a liberal political self-identification boosts support for multiculturalism, and that racial hostility is a consistent source of antagonism to the new ethnic agenda of multiculturalism. There is strong similarity in the results in both the national and Los Angeles samples.

The Literatures of America—A Comparative Discipline

1991 ◽  
Author(s):  
Paul Lauter
Keyword(s):  
United States ◽  
American Literature ◽  
The United States ◽  
Normative Model ◽  
Writers Of Color ◽  
Female Authors ◽  
Anglo American ◽  
American Society ◽  
Definition Of ◽  
And Behavior

An image has long haunted the study of American culture. It limits our thought, shapes our values. We speak of the “mainstream,” and we imply by that term the existence of other work, minor rills and branches. In prose, the writing of men like Franklin, Emerson, Thoreau, Hawthorne, Melville, James, Eliot, Hemingway, Faulkner, Bellow—to name some of the central figures—constituted the “mainstream.” Others—writers of color, most women writers, “regional” or “ethnic” male and female authors—might, we said, be assimilated into the mainstream, though probably they would continue to constitute tributaries, interesting and often sparkling, but finally of less importance. They would, we tacitly assumed, be judged by the standards and aesthetic categories we had developed for the canonical writers. At best, we acknowledged that including in the canon writers like Wharton, Cather, Chopin, and Ellison might change somewhat our definition of the mainstream, but the intellectual model imposed by that mainstream image, this Great River theory of American letters, has persisted even among mildly revisionist critics. Such critics have continued to focus on a severely limited canon of “major” writers based on historical and aesthetic categories from this slightly augmented mainstream. The problem we face is that the model itself is fundamentally misleading. The United States is a heterogeneous society whose cultures, while they overlap in significant respects, also differ in critical ways. A normative model presents those variations from the mainstream as abnormal, deviant, lesser, perhaps ultimately unimportant. That kind of standard is no more helpful in the study of culture than is a model, in the study of gender differences, in which the male is considered the norm, or than are paradigms, in the study of minority or ethnic social organization and behavior based on Anglo-American society. What we need, rather, is to pose a comparativist model for the study of American literature. It is true that few branches of academe in the United States have been so self-consciously indifferent to comparative study as has been the field we call “American literature.”

Music after the Fall

2017 ◽  
Author(s):  
Tim Rutherford-Johnson
Keyword(s):  
New Media ◽  
Contemporary Music ◽  
The United States ◽  
Art Music ◽  
Sound Art ◽  
Musical Composition ◽  
Western Art ◽  
Wide Range ◽  
Definition Of ◽  
The Cold War

By the start of the 21st century many of the foundations of postwar culture had disappeared: Europe had been rebuilt and, as the EU, had become one of the world’s largest economies; the United States’ claim to global dominance was threatened; and the postwar social democratic consensus was being replaced by market-led neoliberalism. Most importantly of all, the Cold War was over, and the World Wide Web had been born. Music After The Fall considers contemporary musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing on theories from the other arts, in particular art and architecture, it expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter considers a wide range of composers, performers, works, and institutions are considered critically to build up a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from South American electroacoustic studios to pianos in the Australian outback. A new approach to the study of contemporary music is developed that relies less on taxonomies of style and technique, and more on the comparison of different responses to common themes, among them permission, fluidity, excess, and loss.

The Obesity Epidemic in Chinese American Youth?: A Literature Review and Pilot Study

2008 ◽  
Vol 6 (1) ◽  
pp. 31-42 ◽  
Author(s):  
Robyn Matloff ◽  
Angela Lee ◽  
Roland Tang ◽  
Doug Brugge
Keyword(s):  
Asian Americans ◽  
Ethnic Diversity ◽  
Large Scale ◽  
Community Health Center ◽  
Chinese American ◽  
The United States ◽  
Overweight And Obesity ◽  
Waiting Room ◽  
Obesity Epidemic ◽  
American Children

Despite nearly 12 million Asian Americans living in the United States and continued immigration, this increasingly substantial subpopulation has consistently been left out of national obesity studies. When included in national studies, Chinese-American children have been grouped together with other Asian Americans, Pacific Islanders or simply as “other,” yielding significantly lower rates of overweight and obesity compared to non-Asians. There is a failure to recognize the ethnic diversity of Asian Americans as well as the effect of acculturation. Results from smaller studies of Chinese American youth suggest that they are adopting lifestyles less Chinese and more Americans and that their share of disease burden is growing. We screened 142 children from the waiting room of a community health center that serves primarily recent Chinese immigrants for height, weight and demographic profile. Body Mass Index was calculated and evaluated using CDC growth charts. Overall, 30.1 percent of children were above the 85th we found being male and being born in the U .S. to be statistically significant for BMI > 85th percentile (p=0.039, p=0.001, respectively). Our results suggest that being overweight in this Chinese American immigrant population is associated with being born in the U.S. A change in public policy and framework for research are required to accurately assess the extent of overweight and obesity in Chinese American children. In particular, large scale data should be stratified by age, sex, birthplace and measure of acculturation to identify those at risk and construct tailored interventions.

Evolution of Germany’s Stance Regarding the Three Seas Initiative

2019 ◽  
Vol 17 (3) ◽  
pp. 65-77
Author(s):  
Martin Dahl
Keyword(s):  
Foreign Policy ◽  
The United States ◽  
Great Powers ◽  
The European Union ◽  
Global Game ◽  
New Instrument ◽  
Law And Justice ◽  
Definition Of ◽  
The Baltic ◽  
Polish Foreign

When the political camp centred on the Law and Justice party (PiS) came to power in 2015, it led to a change in priorities in Polish foreign policy. The Three Seas Initiative (TSI), understood as closer cooperation between eastern states of the European Union in the area between the Baltic, Adriatic, and Black seas, has become a new instrument of foreign policy. The initiative demonstrates the growing importance of Central and Eastern Europe in the global game of great powers. The region has become a subject of rivalry, not only between the United States and Russia but also China. Therefore, the main objective of this article is to try to describe the importance of the region to Germany and how Germany’s stance on the TSI has evolved. The article consists of three parts, an introduction to the issues, the genesis of the TSI, and the definition of goals set by the states participating in this initiative, as well as analysis of the German stance towards the initiative since its development in 2015. The theories of geopolitics and neorealism are used as the theoretical basis for the analysis.

A STRATEGY FOR MONITORING THE IMPACTS OF COMBINED SEWER OVERFLOWS ON THE OHIO RIVER

1994 ◽  
Vol 30 (1) ◽  
pp. 167-175
Author(s):  
Alan H. Vicory ◽  
Peter A. Tennant
Keyword(s):  
National Policy ◽  
The United States ◽  
Ohio River ◽  
Combined Sewer Overflows ◽  
Treatment Technology ◽  
Design Storm ◽  
Combined Sewer ◽  
Sewer Overflows ◽  
Definition Of ◽  
And Control

With the attainment of secondary treatment by virtually all municipal discharges in the United States, control of water pollution from combined sewer overflows (CSOs) has assumed a high priority. Accordingly, a national strategy was issued in 1989 which, in 1993, was expanded into a national policy on CSO control. The national policy establishes as an objective the attainment of receiving water quality standards, rather than a design storm/treatment technology based approach. A significant percentage of the CSOs in the U.S. are located along the Ohio River. The states along the Ohio have decided to coordinate their CSO control efforts through the Ohio River Valley Water Sanitation Commission (ORSANCO). With the Commission assigned the responsibility of developing a monitoring approach which would allow the definition of CSO impacts on the Ohio, research by the Commission found that very little information existed on the monitoring and assessment of large rivers for the determination of CSO impacts. It was therefore necessary to develop a strategy for coordinated efforts by the states, the CSO dischargers, and ORSANCO to identify and apply appropriate monitoring approaches. A workshop was held in June 1993 to receive input from a variety of experts. Taking into account this input, a strategy has been developed which sets forth certain approaches and concepts to be considered in assessing CSO impacts. In addition, the strategy calls for frequent sharing of findings in order that the data collection efforts by the several agencies can be mutually supportive and lead to technically sound answers regarding CSO impacts and control needs.

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