scholarly journals Comparative analysis of the Angular 10 and Vue 3.0 frameworks

2021 ◽  
Vol 20 ◽  
pp. 205-209
Author(s):  
Piotr Lipski ◽  
Jarosław Kyć ◽  
Beata Pańczyk
Keyword(s):  
Comparative Analysis ◽  
Variable Number ◽  
Number Of Components ◽  
Disk Space ◽  
The Moment

The aim of this article is to perform a comparative analysis of the Angular v10 and Vue v3.0 frameworks. The basis of the comparison is the performance tested with two applications that are similar in terms of functionality. The view with a variable number of displayed elements was examined, and the time was measured from the moment the number of components was indicated to the end of rendering. The amount of disk space occupied by the final applications and application segments was also compared in relation to the method of implementing their functionality. The results of the research allowed to formulate the conclusions that Vue is more efficient than Angular and additionally the Vue application takes up less disk space.

Italy on Fifth Ave: From the Museum of Modern Art to the Olivetti Showroom

Modern Italy ◽  
2017 ◽  
Vol 23 (1) ◽  
pp. 103-122 ◽  
Author(s):  
Jim Carter
Keyword(s):  
New York ◽  
Comparative Analysis ◽  
Modern Art ◽  
Museum Of Modern Art ◽  
Art World ◽  
Corporate Marketing ◽  
Cultural Legitimacy ◽  
The Moment

The 1952 MoMA exhibitionOlivetti: Design in Industryhas come to mark the moment when the established art world recognized the cultural legitimacy of mass-produced goods. This article contests such an interpretation by showing how the exhibition was organised and paid for by the Olivetti company. This enables a comparative analysis of the MoMA exhibition with a second New York space, the Olivetti showroom. Located on Fifth Ave, less than a half kilometre from the museum, the Olivetti showroom sold the company’s products to the same American public. The article concludes that the MoMA exhibition and the New York Olivetti showroom must be understood together as a clever case of corporate marketing.

Comparison of Reduced and Conventional Two-Phase Flash Calculations

SPE Journal ◽  
2014 ◽  
Vol 20 (02) ◽  
pp. 294-305 ◽  
Author(s):  
S.E.. E. Gorucu ◽  
R.T.. T. Johns
Keyword(s):  
Variable Number ◽  
Binary Interaction ◽  
Binary Interaction Parameter ◽  
Computational Time ◽  
Compositional Simulation ◽  
Two Phase ◽  
Number Of Components ◽  
Speed Up ◽  
Conventional Methods ◽  
Two Parameter

Summary Phase-equilibrium calculations become computationally intensive in compositional simulation as the number of components and phases increases. Reduced methods were developed to address this problem, where the binary-interaction-parameter (BIP) matrix is approximated either by spectral decomposition (SD), as performed by Hendriks and van Bergen (1992), or with the two-parameter BIP formula of Li and Johns (2006). Several authors have recently stated that the SD method—and by reference all reduced methods—is not as fast as previously reported in the literature. In this paper we present the first study that compares all eight reduced and conventional methods published to date by use of optimized code and compilers. The results show that the SD method and its variants are not as fast as other reduced methods, and can be slower than the conventional approach when fewer than 10 components are used. These conclusions confirm the findings of recently published papers. The reason for the slow speed is the requirement that the code must allow for a variable number of eigenvalues. We show that the reduced method of Li and Johns (2006) and its variants, however, are faster because the number of reduced parameters is fixed to six, which is independent of the number of components. Speed up in flash calculations for their formula is achieved for all fluids studied when more than six components are used. For example, for 10-component fluids, a speed up of 2–3 in the computational time for Newton-Raphson (NR) iterations is obtained compared with the conventional method modeled after minimization of Gibbs energy. The reduced method modeled after the linearized approach of Nichita and Graciaa (2011), which uses the two-parameter BIP formula of Li and Johns (2006), is also demonstrated to have a significantly larger radius of convergence than other reduced and conventional methods for five fluids studied.

scholarly journals Bankruptcy as an exit mechanism for systems with a variable number of components

2004 ◽  
Vol 344 (1-2) ◽  
pp. 8-13 ◽  
Author(s):  
Domenico Delli Gatti ◽  
Corrado Di Guilmi ◽  
Edoardo Gaffeo ◽  
Mauro Gallegati
Keyword(s):  
Variable Number ◽  
Number Of Components ◽  
Exit Mechanism

scholarly journals Perret & Piacentini. Análisis comparativo de dos arquitecturas paralelas

2017 ◽  
Vol 4 (1) ◽  
pp. 1
Author(s):  
José Ramón Alonso Pereira
Keyword(s):  
Comparative Analysis ◽  
Le Corbusier ◽  
Historical Time ◽  
Single Family ◽  
The Moment ◽  
Family Models

<p><em>It is very common to understand the home of the masters of architecture as a manifesto of their respective architectures. Nevertheless, those houses are usually identified with single-family models, relegating collective examples. Only the apartment-atelier that Le Corbusier elevated in Porte Molitor (1930-33) is saved from this oblivion. However, there are at the same time two other examples of house-studio by two masters of the moment: Perret and Piacentini. Both are parallel in their vital dynamics and in their programs: The Roman house-studio of Piacentini in Lungotevere Tor di Nona (1929-31) and the Parisian building of Raynouard (1929-33), where Perret established his home and his agence (office). The coincidence of theme and the parallelism of place facilitate the comparative analysis in a common historical time, with their debates between tradition and vanguard.</em></p>

scholarly journals FOLKLORE TRADITIONS OF KANASHSKY, YANTIKOVSKY AND URMARSKY DISTRICTS OF THE CHUVASH REPUBLIC: GENRE COMPOSITION

2020 ◽  
pp. 41-50
Author(s):  
Галина Геннадьевна Ильина ◽  
Алексей Анатольевич Александров
Keyword(s):  
Comparative Analysis ◽  
Life Events ◽  
Literary Character ◽  
The Family ◽  
Wedding Songs ◽  
Chuvash Republic ◽  
The Moment ◽  
Local Traditions

В статье рассматривается жанровое разнообразие песен некоторых деревень Канашского, Янтиковского и Урмарского районов Чувашской Республики. Рассмотрение выбранных нами автохтонных локальных традиций продиктовано тем, что именно из этих районов в разное время произошло переселение чувашей в Сибирь. Нами планируется сравнительное изучение фольклора переселенцев на новых территориях, которое будет проведено позже. Изучение локальных традиций позволит нам провести дальнейшее исследование. Фольклор рассматриваемых районов чрезвычайно богат и сложен. В ходе работы выявлены песни, исполняемые в этих районах в обрядовой и необрядовой сфере жизни чувашей. К обрядовой песне принято относить песни, исполняемые во время календарных праздников, и семейно-бытовые песни. Широко бытовали и бытуют в указанных районах календарные песни. Записаны здесь песни новогоднего цикла Шерни / Кăшарни / Кĕшерни юррисем, çăварни (масленичные), рет юррисем (букв. ‘песни родни’), исполняемые во время Мункун. Из семейно-бытовых песен широко распространенными являются туй (свадебные) юррисем, салтак юррисем (рекрутские песни и причитания). В ходе исследования не обнаружены записи пытару/пумилкке/асăну юррисем (похоронно-поминальных песен). Неполно представлен детский фольклор. Судя по материалу, активно исполнялись в этом ареале молодежные лирические песни. Вăйă юррисем (хороводные песни) схожи с улах (посиделочными) песнями, которые сопровождались ташă такмакĕсем, шÿтлĕ (шуточными) и игровыми песнями. Тăлăх-турат юррисем (сиротские песни) по мотиву расставания схожи с песнями хĕр йĕрри - плачами невесты, рекрута и çĕн çĕре каякансен юрри (переселенцев). Ĕç юррисем (трудовые песни) представлены пока неполно. В песенном творчестве указанных районов имеется множество сюжетных песен пейĕт, для которых характерными являются событийное изображение фактов жизни и психологическое переживание героя. Многочисленными являются записи ĕçкĕ-çикĕ юррисем (пирушечные песни) с разновидностями: кĕреке (застольные), хăна (гостевые) юррисем. The article considers the genre diversity of the songs in a number of villages Kanashsky, Yantikovsky, Urmarsky districts of the Chuvash Republic. The authors have chosen these autochthonous local traditions because the Chuvash people migrated to Siberia from these particular districts at different times. The authors are planning to make a comparative analysis of the folklore of the Chuvash migrants. The study of the local traditions will allow the authors to make further research. The folklore of the considered districts is very rich and complicated. The research revealed the songs related to ritual and non-ritual spheres life of the Chuvash people in those districts. Ritual songs are considered to be family and genre songs and the ones, which were used during calendar festivals. Calendar songs were widely performed in the mentioned districts and are still being performed at the moment. The authors have recorded the songs related to the New Year’s season - Sherni/Kesharni/Kesherni songs, shchevarni (Maslenitsa songs), ret yurresem songs (lit. songs of family and relatives) that were performed on Munkun. As for the family and genre songs, tuy yurrisem (wedding songs) and saltak yurrisem (recruitment songs and lamentation) are widely spread. During the research the records of pytaru/pumilkke/asanu yurissem (funeral songs) have not been found. Child folklore is partially presented. According to the material, youth lyric songs were actively performed in this area. Vaiyayurrisem (round songs) resemble ulakh (gathering songs) and accompanied by shutle / tasha takmakesem (humorous songs) and playing songs. Talakh-turat yurrisem (orphan’s songs) resemble kher yerri (bride lamentation), recruit and schen schere kayakansen (migrants’ songs) in terms of the theme. Esch yurrisem (labour songs) are partially presented. There are a lot of peyet (narrative songs) among the songs of the considered districts, which represent life events and emotions of the literary character. There are also a lot of records of eschke-schike yurrisem (feast songs) and its variations: kereke (drinking songs), khana yurrisem (guest songs).

scholarly journals An Analysis of the EU Experience in Constructing a System of Controller Relationships with MFIs in the Field of AML / CFT and its Application in the Russian Federation

2018 ◽  
Vol 3 (2) ◽  
pp. 15
Author(s):  
M. Bogdanova ◽  
E. Gorshkov ◽  
N. Kabanova
Keyword(s):  
Comparative Analysis ◽  
Interest Rates ◽  
Russian Federation ◽  
Downward Trend ◽  
Rf System ◽  
The Russian Federation ◽  
Financing Of Terrorism ◽  
The Moment ◽  
Primary Measure ◽  
The Eu

The article deals with the experience of regulating the issues of countering the laundering (legalization) of proceeds from crime and financing of terrorism (hereinafter AML / CFT) in microfinance organizations (hereinafter referred to as MFIs) using the example of the EU. The downward trend in the MFI market in Russia is largely due to the violation of AML / CFT legislation. In this connection, there arises the problem of regulating MFIs in this field. A comparative analysis of the system of relations between MFIs and the regulator in the Russian Federation and the EU allows us to conclude that it is impossible to apply the EU experience in the RF system at the moment. The primary measure is to revise interest rates used by MFIs to approach the understanding of MFIs in the EU. Keywords: microfinance organization, AML / CFT, EU experience, regulator.

scholarly journals ROBOTIC THEATRE: COMPARATIVE ANALYSIS OF HUMAN AND MECHANIZED ACTIVITIES IN THE CREATIVE PROCESS

2021 ◽  
Vol 14 (2) ◽  
pp. 295-306
Author(s):  
Tetiana Sovhyra
Keyword(s):  
Artificial Intelligence ◽  
Comparative Analysis ◽  
Creative Process ◽  
Human Interaction ◽  
Threat Perception ◽  
Uncanny Valley ◽  
Methodological Basis ◽  
Artificial Intelligence Technology ◽  
The Moment ◽  
Methods Analytical

The article systematizes and analyzes the existing experience of organizing the creative process in a robotic theater. The author explores the robotic theater phenomenon, the artificial intelligence technology possibilities to function in the stage space. The article provides a comparative analysis of human and mechanized interaction in the stage space. The methodological basis of the research is a combination of several methods: analytical – for accounting for historical and fictional literature; theoretical and conceptual method – for analyzing the conceptual and terminological system of research and identifying the specifics of introducing the artificial intelligence technology in creative process; comparative-typological – to compare the peculiarities of the functioning of mechanized “actors” with the acting skills of human performers. The article explores the threat perception and uncanny valley concepts to study the perception of a robot–actor by an audience. The author examines the process of human interaction with a robotic body: from the moment of interest, interaction to the moment of rejection of the robot by a person (audience).

scholarly journals Comparative Analysis of Media. The Transformation of Relations between Script and Image - from Analogue Media to Interactive Environment

2017 ◽  
pp. 251-263
Author(s):  
Agnieszka Smaga
Keyword(s):  
Comparative Analysis ◽  
Feedback Loop ◽  
The Other ◽  
Graphical Interface ◽  
Specific Question ◽  
Other Hand ◽  
Interactive Environment ◽  
The Moment ◽  
The One

A digital communiqué operates with GUI not to depict, describe or structure the meanings but, above all, to transfer them. At the moment of clicking, that is, when a specific question is being asked by the user (customer), specific semiotically varied content is downloaded and displayed on the screen in accordance with the pre-designed, graphic template. Thus, graphical interface treats writing and image on the one hand as heterogeneous units – stored in databases, in a way that makes them quick and easy to find; on the other hand – heteronomous, that is, affecting each other at the level of presentation and manipulation of the message. Graphical edition skillfully combines the expectations of recipients concerning the access to the message: on the one hand – precise (along the lines of the language), on the other – economic, reducing (iconic), and it merges in this way two structures of reception, considered in our culture to be different. Pragmatic functionality of digital message is understood as accurate and synthetic mediation, which results in further analogous features from the level of semiotics and semantics, where the highlighted three planes of the communiqué circulate in the feedback loop.

THE MODEL OF THE FORMATION OF RISKS IN THE FINANCIAL PYRAMID

2021 ◽  
Vol 2 (2) ◽  
pp. 60-66
Author(s):  
G. P. FOMIN ◽  
◽  
I. V. SUKHORUKOVA ◽  
D. A. MAKSIMOV ◽  
I. F. ALESHINA ◽  
...  
Keyword(s):  
Comparative Analysis ◽  
Economic Model ◽  
Third Parties ◽  
The Internet ◽  
Urgent Problem ◽  
Train Station ◽  
The Press ◽  
The Moment ◽  
Financial Losses ◽  
At Home

The article is devoted to the urgent problem of preventing financial losses and risks associated with fraudulent actions of third parties. An analysis of various circumstances and situations of fraudulent actions is given. A comparative analysis of various schemes and algorithms used in the construction of financial pyra-mids has been carried out. The importance and necessity of informational and methodological warning of the population about possible risks are shown: on the street, in an apartment, by phone and on the Internet, at home (uninvited guest), in the market, in a store, in transport, at a train station, in the press, with bank cards (phishing, skimming, phantom ATM). The economic recommendations for preventing financial losses for the affected citizens are presented. Particular attention is paid to the concept of building financial pyramids. An economic model of risk formation has been developed using the example of the famous MMM financial pyra-mid. The calculation of the moment when the depositor exits the fraudulent scheme without financial losses and, importantly, with a profit, has been performed.

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