scholarly journals The specifics of formation of the late modern architectural style in Odessa

1970 ◽  
Vol 13 (1) ◽  
pp. 52-56
Author(s):  
Olga Polonskaya

The paper set out to analyze the architecture of three Revenue Houses built in Odessa in the early 20th century, in the Late Modern period by L.M. Chernigov, the architect, on request of A.P. Russov. The analysis’ results show the process of forming of the late Modern style based on the single rational planning by means of an eclectic façade designing technique, decorating the buildings in the early decorative Modern style up till the late Rational Modern, when the rational planning type corresponded to the rational façade design.

Author(s):  
E. Y. Emel'yаnov ◽  
E. V. Sitnikova

The paper considers the development of modernism in the wooden architecture in the city of Tomsk in the context of national trends. The paper studies design features and specificity of wooden decoration of buildings made in the modern style or with the use of architectural elements performed in accordance with the variation of the neo-Russian style and “northern mo dernity”. The originality of the author's interpretations of style trends and those of the professional architects is described.The relevance of the study is stipulated by preserving wooden buildings in the cities of Russia and Siberia and the loss of valuable decorations of buildings, in particular. Despite the wide range of works involved in studying modernism in the architecture of Russian cities, not all aspects and trends of phenomena observed in Tomsk architecture in the early 20th century have been investigated so far.The purpose of this paper is to study the wooden buildings of Tomsk made in the modern style or with architectural elements of this style.The paper uses the methods of comparative and architectural analyses. It is considered how modernist-style wooden buildings have been designed and built in the in the cities of Siberia, and in particular, the city of Tomsk.It is shown that by the beginning of the 20th century, the folk traditions are combined with the works of professional architects. Wooden buildings, made in the modernist style, are distinguished by complex compositional solutions. This is evident by the mansions designed mainly for a circular view. The attitude to the wood has changed, not only in terms of building and finishing material, but also as a means of a new architectural and artistic embodiment of the independent artist idea.


2020 ◽  
Vol 36 (2) ◽  
Author(s):  
Nguyen Le Thu ◽  
Tran Tung Ngoc

Nationalism is, among ideologies, an ideology penetrating into not only Korea but also East Asian nations in the modern period at the end of 19th century and in the early 20th century. Nationalism is also a very influencial ideological movement throughout the historical and cultural course of Korea. The paper aims to review the acceptance process of and views on nationalism under oustanding Korean intellectuals and scholars’ eyes in the early 20th century. Additionally, the study identifies the characteristics of nationalist ideology and its effects on social life in terms of patriotic struggle, trends toward research and national education as well as artistic and creative literature aspects.


Author(s):  
Maureen Perrie

The concept of ‘peasant wars’ in 17th- and 18th-century Russia was borrowed by Soviet historians from Friedrich Engels’ work on the Peasant War in Germany. The four peasant wars of the early modern period were identified as the uprisings led by Ivan Bolotnikov (1606-1607), Sten’ka Razin (1667-1671), Kondratiy Bulavin (1707-1708) and Emel’ian Pugachev (1773-1775). Following a debate in the journal Voprosy istorii in 1958-1961, the ‘first peasant war’ was generally considered to encompass the period c.1603-1614 rather than simply 1606- 1607. This approach recognised the continuities in the events of the early 17th century, and it meant that the chronological span of the ‘first peasant war’ was virtually identical to that of the older concept of the ‘Time of Troubles’. By the 1970s the term, ‘civil wars of the feudal period’ (based on a quotation from Lenin) was sometimes used to define ‘peasant wars’. It was recognised by Soviet historians that these civil wars were very complex in their social composition, and that the insurgents did not exclusively (or even primarily) comprise peasants, with Cossacks playing a particularly significant role. Nevertheless the general character of the uprisings was seen as ‘anti-feudal’. From the 1980s, however, R.G. Skrynnikov and A.L. Stanislavskiy discarded the view that the events of the ‘Time of Troubles’ constituted an anti-feudal peasant war. They preferred the term ‘civil war’, and stressed vertical rather than horizontal divisions between the two armed camps. Western historians, with the notable exception of the American historian Paul Avrich, generally rejected the application of the term ‘peasant wars’ to the Russian uprisings of the early modern period, regarding them as primarily Cossack-led revolts. From the 1960s, however, Western scholars such as Teodor Shanin (following the American anthropologist Eric Wolf) began to use the term ‘peasant wars’ in relation to the role played by peasants in 20th-century revolutionary events such as those in Russia and China. Some of these Western historians, including Avrich and Wolf, used the term not only for peasant actions in the Russian revolutions of 1905 and 1917, but also for peasant rebellions against the new Bolshevik regime (such as the Makhnovshchina and the Antonovshchina) that Soviet scholars considered to be counter-revolutionary banditry. The author argues that, in relation to the ‘Time of Troubles’ in early 20th-century Russia, the term ‘peasant war’ is not entirely suitable to describe peasant actions against the agrarian relations of the old regime in 1905 and 1917, since these were generally orderly and non-violent. The term is more appropriate for the anti-Bolshevik uprisings of armed peasant bands in 1918-1921, as suggested by the British historian Orlando Figes.


Author(s):  
Milla Ardiani

Cimahi is a city in West Java that owns many relics of the Dutch architectural heritage built in the early 20th century. The majority of buildings are military buildings that have a hierarchy according to the military rank, seen from the styles presented at the army's military housing. The building style has no longer presented either Indische empire style or modern colonial style. The architectural style in the transitional period at that time adapted the tropical climate of Indonesia with the visible formation of the Dutch. This paper is the result of research done by observation and a survey at the Army Military Housing, Cimahi, West Java. Data were analyzed quantitatively to analyze the number of houses and ornaments dismantled and its original form. In addition, qualitative methods are also used to analyze the demolitions done by the building occupants. 


Sign in / Sign up

Export Citation Format

Share Document