scholarly journals Sounding an Idol: The Television as Imagetext in Don DeLillo’s White Noise

2021 ◽  
pp. 69-95
Author(s):  
Simon Pritchard
Keyword(s):  
Twentieth Century ◽  
White Noise ◽  
Critical Distance ◽  
The Novel ◽  
Jean Baudrillard ◽  
Postmodern Theory ◽  
The Past ◽  
Radical Scepticism ◽  
The Relationship ◽  
Contemporary Context

The response of critics to Don DeLillo’s seminal novel White Noise has centred on the connections that can be drawn between this work and the critical context that surrounded it upon its publication in 1984, namely the climate of radical scepticism ushered in by critics like Jean Baudrillard. This article attempts to argue that the relationship between the novel and this critical climate is far more antagonistic than has been acknowledged previously. Drawing upon the critic W.J.T. Mitchell’s reading of Friedrich Nietzsche’s concept of the “sounding”, as opposed to the iconoclastic smashing, of idols, the article will “sound” the idol which is at the centre of DeLillo’s novel: the television. This will show the critical distance that DeLillo deliberately established between his text and the texts of postmodern theory that were fashionable throughout the later twentieth century (particularly at the time White Noise was published) and will place DeLillo in a more contemporary context, his face turned not only to the past, but to the critical horizons ahead of him.

Oleanolic Acid Derived from Plants: Synthesis and Pharmacological Properties of A-ring Modified Derivatives

2020 ◽  
Vol 17 (9) ◽  
pp. 1084-1101
Author(s):  
Tingjuan Wu ◽  
Xu Yao ◽  
Guan Wang ◽  
Xiaohe Liu ◽  
Hongfei Chen ◽  
...  
Keyword(s):  
Drug Design ◽  
Oleanolic Acid ◽  
Water Solubility ◽  
Future Application ◽  
The Novel ◽  
Pharmacological Effects ◽  
Framework Structure ◽  
Design And Synthesis ◽  
The Past ◽  
The Relationship

Background: Oleanolic Acid (OA) is a ubiquitous product of triterpenoid compounds. Due to its inexpensive availability, unique bioactivities, pharmacological effects and non-toxic properties, OA has attracted tremendous interest in the field of drug design and synthesis. Furthermore, many OA derivatives have been developed for ameliorating the poor water solubility and bioavailability. Objective: Over the past few decades, various modifications of the OA framework structure have led to the observation of enhancement in bioactivity. Herein, we focused on the synthesis and medicinal performance of OA derivatives modified on A-ring. Moreover, we clarified the relationship between structures and activities of OA derivatives with different functional groups in A-ring. The future application of OA in the field of drug design and development also was discussed and inferred. Conclusion: This review concluded the novel achievements that could add paramount information to the further study of OA-based drugs.

A Judaism of Ethics in a Post-Holocaust World: The Interplay of Literature and Theology in Cynthia Ozick's Messiah of Stockholm

AJS Review ◽  
2021 ◽  
pp. 1-20
Author(s):  
Claire E. Sufrin
Keyword(s):  
The Novel ◽  
Jewish Literature ◽  
Harold Bloom ◽  
The Past ◽  
Jewish Thought ◽  
Literary Theories ◽  
Literature And Theology ◽  
Relationship Of ◽  
Bruno Schulz ◽  
The Relationship

This article suggests that bringing Jewish literature and Jewish thought into conversation can deepen our understanding of each. As an illustration of this interdisciplinary methodology, I offer a reading of Cynthia Ozick's 1987 Messiah of Stockholm. I claim that Ozick has embedded an argument about the relationship of post-Holocaust Jewry to the past into the literary features of her novel. Her argument draws in particular upon Leo Baeck's account of Judaism as focused on the present and future in contrast to the worshipful approach to the past characteristic of other religions. At the same time, I offer a more nuanced take on the fear of idolatry so often noted in analyses of Ozick's work and situate that fear in relationship to the literary theories of her predecessor Bruno Schulz, who plays a key role in the novel, and her contemporary Harold Bloom.

On Violation

2020 ◽  
pp. 13-34
Author(s):  
Christopher Pizzino
Keyword(s):  
Twentieth Century ◽  
Comic Books ◽  
Complex Relationship ◽  
The Novel ◽  
Reading Experience ◽  
Cultural Status ◽  
The Relationship

This chapter discusses the relationship between the marginalized cultural status of comics and the phenomenology of comics reading. When anti-comics discourse was most influential in the middle of the twentieth century, it targeted aspects of the comics reading experience—particularly comic books’ complex relationship to the reader’s body—that strongly distinguished this experience from that of reading conventional print literature. Such differences remain resonant today, and help to explain how and why comics, as a medium that is especially phenomenologically reactive, do not generally evince the same relationship between form and legitimacy that has typified the novel as a genre.

‘Quivering yet still’: Virginia Woolf, Roger Fry and the Aesthetics of Attention

2020 ◽  
pp. 33-75
Author(s):  
Claudia Tobin
Keyword(s):  
Twentieth Century ◽  
Virginia Woolf ◽  
Life Writing ◽  
Communication Technologies ◽  
Still Life ◽  
The Past ◽  
Non Fiction ◽  
Physical Presence ◽  
The Relationship

When Virginia Woolf sought to evoke Roger Fry’s qualities as an art critic, she reached for the image of him as a humming-bird hawk-moth, ‘quivering yet still’ in his absorbed attention to Post-Impressionist paintings. This chapter argues that modes of ‘active’ stillness and receptive, vibratory states of being were crucial to Woolf’s experience and representation of art. It traces ‘quivering’ as a talismanic word across a range of her fiction and non-fiction, and explores the pervasive figure of the insect in Woolf’s re-imagining of the human sensorium, with particular focus on her essay Walter Sickert: A Conversation (1934), and on Sketch of the Past (1939). The second half of the chapter addresses Woolf’s underexplored biography of Roger Fry and her confrontation with the problem of ‘writing’ Fry under the imperative not to ‘fix’ her subject, but rather to register his ‘vibratory’ non-physical presence. It considers the role of vibration more widely in Woolf’s life-writing and in Fry’s art theory, in the context of twentieth-century spiritualism, Quakerism and new communication technologies. It proposes that by examining the different functions and meanings of still life (visual and verbal) in Woolf’s and Fry’s work, we can further illuminate their approach to the relationship between art and life.

scholarly journals Hourly Relationship between Reference Evapotranspiration and Shoot Shrinkage in Walnut Trees and Pomegranate under Deficit Irrigation

Plants ◽  
2021 ◽  
Vol 11 (1) ◽  
pp. 31
Author(s):  
Eduardo Salgado ◽  
Nieggiorba Livellara ◽  
Esteban Chaigneau ◽  
Fernando Varas ◽  
Italo F. Cuneo
Keyword(s):  
Water Potential ◽  
Deficit Irrigation ◽  
Reference Evapotranspiration ◽  
The Novel ◽  
The Past ◽  
Slope Analysis ◽  
Daily Scale ◽  
Relationship Of ◽  
The Relationship ◽  
Better Than

Diameter fluctuations of branches, shoots, or fruits are related to plant transpiration and water potential. In the past, several models have related dendrometric variables and evapotranspiration on a daily scale. However, trunk–branch shrinkage occurs only between dawn and midday, while evapotranspiration occurs most of the day from sunrise to sunset. Previous models have failed to incorporate this key fact. The objective of the present study was to assess the relationship of hourly daily shrinkage (HDS) between dawn and the next 4 h to the hourly reference evapotranspiration (EToh) of the same period in walnut trees and pomegranate plants under different irrigation regimes. Our data show that the relationship between EToh and HDS is much better than several previous models that included maximum daily shrinkage (MDS) and reference evapotranspiration (ETo). The novel slope analysis of the relationship between HDS versus time used here corresponds to the velocity at which the HDS occurs, which depends on the ETo intensity at that moment. This new method of analyzing this type of data calls for a revision of these models and sets a new baseline for future analysis.

scholarly journals Poetic Frameworks and Narrative Procedures of Bosnia and Herzegovina Novels about Kulin Ban

2021 ◽  
Vol 6 (4(17)) ◽  
pp. 57-72
Author(s):  
Melida Travančić
Keyword(s):  
Past History ◽  
The Other ◽  
The Novel ◽  
Historical Events ◽  
Narrative Texts ◽  
The Past ◽  
Historical Figures ◽  
The One ◽  
The Relationship ◽  
The Way

This paperwork presents the literary constructions of Kulin Ban's personality in contemporary Bosnian literature on the example of three novels: Zlatko Topčić Kulin (1994), Mirsad Sinanović Kulin (2007), and Irfan Hrozović Sokolarov sonnet (2016). The themes of these novels are real historical events and historical figures, and we try to present the way(s) of narration and shape the image of the past and the way the past-history-literature triangle works. Documentary discourse is often involved in the relationship between faction and fiction in the novel. Yet, as can be seen from all three novels, it is a subjective discourse on the perception of Kulin Ban today and the period of his reign, a period that could be characterized as a mimetic time in which great, sudden, and radical changes take place. If the poetic extremes of postmodernist prose are on the one hand flirting with trivia, and on the other sophisticated meta- and intertextual prose, then the Bosnian-Herzegovinian romance of the personality of Kulina Ban fully confirms just such a range of stylistic-narrative tendencies of narrative texts of today's era.

Investing in Fictions: Faith, Abstraction and Materiality in Paul Murray’s The Mark and the Void

2021 ◽  
Vol 51 (2) ◽  
pp. 263-281
Author(s):  
Eoin Flannery
Keyword(s):  
Financial Burden ◽  
Literary Form ◽  
The Novel ◽  
Credit Crisis ◽  
Celtic Tiger ◽  
The Past ◽  
The Future ◽  
Finance Capitalism ◽  
The Relationship

One of the central contentions of this essay is that Paul Murray's novel, The Mark and the Void, addresses questions of faith, fictionality, literary form and the relationship between abstract finance and material sociality. The novel engages with and exposes the arcane vernaculars of finance capitalism, while at the same time registering the inalienable materiality of their effects in terms of impoverishment, displacement and terminal indebtedness. As we shall detail, for Murray, the purpose of ‘finance fiction’ is neither to confirm nor further mythologize the transcendental fictionality of high finance. In crafting such a literary critique of Celtic Tiger Ireland, Murray invokes an increasingly common trope – the zombie. In doing so, The Mark and The Void partakes of a figuration that acknowledges ‘the deadliness of financialized debt and credit crisis’. In a sense, enlisting the metonymic figure of the zombie speaks to the undead nature of indebtedness, and it is an apt figuration of the past that continues to haunt in the present and into the future. As the narrative suggests, debt is the financial burden that refuses to die, and the literary zombie represents communities of Celtic Tiger debtors metonymically.

Epilogue: ending the journey

2017 ◽  
Author(s):  
Sharif Gemie ◽  
Brian Ireland
Keyword(s):  
Twentieth Century ◽  
Historical Analysis ◽  
Ethical Implications ◽  
Political Message ◽  
The Relationship ◽  
Contemporary Context

The chapter begins by considering how to construct a historical analysis of the trail. It then debates the contemporary context: why would someone wish to remember the trail now? It points to a bitterness felt by many travellers. No clear political message comes from the experience of the trail, but there are some ethical implications. Did the travellers provoke a long-term hostility in the countries they visited? The chapter ends by considering the relationship between the travellers and nineteenth- and twentieth-century Orientalists.

Rewriting the memory of immigration: Samuel Zaoui’s Saint Denis bout du monde

2018 ◽  
pp. 212-231
Author(s):  
Mireille Le Breton
Keyword(s):  
Twentieth Century ◽  
First Generation ◽  
The Novel ◽  
North African ◽  
First Generation Immigrants ◽  
Migrant Literature ◽  
The Past ◽  
African Immigration ◽  
Economic Boom

This article reflects on the memory of North-African immigration in twentieth-century France, and focuses more particularly on the fate of the chibanis, the first generation of immigrants who came from Algeria to work in France during the economic boom of the post WWII era. Grounded in the works of historians of memory Nora and Ricoeur, this chapter analyzes how Samuel Zaoui’s novel Saint Denis Bout du monde portrays first-generation immigrants in a new light. Indeed, moving away from the traditional, largely negative, stories of loss, the novel partakes of new narratives of regaining and repairing, what Susan Ireland calls ‘a kind of Narrative recovery.’ The novel can be read as the story of the forgotten generation, which repairs collective amnesia as it regains memory, in order to reconcile itself with the past. This article goes further to show how a new narrative of reconciliation is able to trigger the shift in the episteme of migrant literature.

The hidden historiography of migration and Australian schooling

2019 ◽  
Vol 48 (2) ◽  
pp. 142-155
Author(s):  
Helen Proctor
Keyword(s):  
Twentieth Century ◽  
Design Methodology ◽  
Settler Colonialism ◽  
Reading Practice ◽  
Content Type ◽  
Minority Studies ◽  
Academic Reading ◽  
The Past ◽  
Migration History ◽  
The Relationship

Purpose Despite Australia’s history as an exemplary migrant nation, there are gaps in the literature and a lack of explicit conceptualisation of either “migrants” or “migration” in the Australian historiography of schooling. The purpose of this paper is to seek out traces of migration history that nevertheless exist in the historiography, despite the apparent silences. Design/methodology/approach Two foundational yet semi-forgotten twentieth-century historical monographs are re-interpreted to support a rethinking of the relationship between migration and settler colonialism in the history and historiography of Australian schooling. Findings These texts, from their different school system (state/Catholic) orientations, are, it is argued, replete with accounts of migration despite their apparent gaps, if read closely. Within them, nineteenth-century British migrants are represented as essentially entitled constituents of the protonation. This is a very different framing from twentieth century histories of migrants as minority or “other”. Originality/value Instead of an academic reading practice that dismisses and simply supersedes old work, this paper proposes that fresh engagements with texts from the past can yield new insights into the connections between migration, schooling and colonialism. It argues that the historiography of Australian schooling should not simply be expanded to include or encompass the stories of “migrants” within a “minority studies” framework, although there is plenty of useful work yet to be accomplished in that area, but should be re-examined as having been about migration all along.

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