scholarly journals Emine Işınsu's "Aktopraklar" Idioms Composed of Actuals in the Title

2018 ◽  
pp. 111-120
Author(s):  
Assist. Teacher Alaa Falah Hasan
Keyword(s):  
Older People ◽  
First Person ◽  
The Novel ◽  
Second Person ◽  
The Third ◽  
Turn On ◽  
Idiomatic Expressions ◽  
The One ◽  
Turkish Language

Expressions (idiomatic) is a reductive words are expressing certain state / Related topics cases traditionally the older people in Western societies and that the similarity of our fairly close proverbs in Arabic. And idiomatic expressions of the two words at a minimum and consist of up to seven words but often loses its meaning if it increased his words more than that and can not be an expression because the expression idiomatic as we have is a set of words that indicate aggregating does not make sense is signified by its vocabulary Severally. If the one-word then called metaphorical expressions. This is the focus of our research is marked ) Idioms consisting of Verbs in The “Ak Topraklar (White territory)” Novel  By Emine Işınsu) where we worked to extract expressions consisting of actions in the novel mentioned and we classified these terms by the time the formulas in the Turkish language, which is divided in turn on two formats news and request formats or Tammany also classified as scientists in the Turkish language. This is what distinguishes the idiomatic expressions of the sayings that the parables take suffixes discharge of an actor first person and the second and third and the second person and the third about the format of the matter, and the idiomatic expressions, it shows the actor in all cases or three people for an actor without the need for suffixes drainage and be in the form of sentence.

scholarly journals Emine Işınsu's "Aktopraklar" Idioms Composed of Actuals in the Title

2018 ◽  
Vol 226 (1) ◽  
pp. 111-120
Author(s):  
Assist. Teacher Alaa Falah Hasan
Keyword(s):  
Older People ◽  
First Person ◽  
The Novel ◽  
Second Person ◽  
The Third ◽  
Turn On ◽  
Idiomatic Expressions ◽  
The One ◽  
Turkish Language

Expressions (idiomatic) is a reductive words are expressing certain state / Related topics cases traditionally the older people in Western societies and that the similarity of our fairly close proverbs in Arabic. And idiomatic expressions of the two words at a minimum and consist of up to seven words but often loses its meaning if it increased his words more than that and can not be an expression because the expression idiomatic as we have is a set of words that indicate aggregating does not make sense is signified by its vocabulary Severally. If the one-word then called metaphorical expressions. This is the focus of our research is marked ) Idioms consisting of Verbs in The “Ak Topraklar (White territory)” Novel  By Emine Işınsu) where we worked to extract expressions consisting of actions in the novel mentioned and we classified these terms by the time the formulas in the Turkish language, which is divided in turn on two formats news and request formats or Tammany also classified as scientists in the Turkish language. This is what distinguishes the idiomatic expressions of the sayings that the parables take suffixes discharge of an actor first person and the second and third and the second person and the third about the format of the matter, and the idiomatic expressions, it shows the actor in all cases or three people for an actor without the need for suffixes drainage and be in the form of sentence.

The use of second person pronouns in a literary work

2014 ◽  
Vol 43 (2) ◽  
Author(s):  
Helen de Hoop ◽  
Lotte Hogeweg
Keyword(s):  
Literary Work ◽  
First Person ◽  
The Novel ◽  
Main Character ◽  
Second Person ◽  
Person Pronoun

AbstractFor this study we investigated all occurrences of Dutch second person pronoun subjects in a literary novel, and determined their interpretation. We found two patterns that can both be argued to be functionally related to the de-velopment of the story. First, we found a decrease in the generic use of second person, a decrease which we believe goes hand in hand with an increased distancing of oneself as a reader from the narrator/main character. Second, we found an increase in the use of the descriptive second person. The increased descriptive use of second person pronouns towards the end of the novel is very useful for the reader, because the information provided by the first person narrator himself becomes less and less reliable. Thus, the reader depends more strongly on information provided by other characters and what these characters tell the narrator about himself.

scholarly journals Between Kantian Rationalism and Moral Mysticism: The Search for the Grounding of Morality in the Philosophy of A. Jokubaitis

Politologija ◽  
2020 ◽  
pp. 73-94
Author(s):  
Aistė Noreikaitė
Keyword(s):  
Political Philosophy ◽  
Moral Philosophy ◽  
Practical Reason ◽  
First Person ◽  
The Third ◽  
Person Perspective ◽  
Moral Subject ◽  
First Person Perspective ◽  
The One ◽  
Implicit Normativity

Although it is common to associate the thought of A. Jokubaitis with political philosophy, this article argues that his texts also allow us to talk about a specific moral philosophy of A. Jokubaitis. At the center of it we find an attempt to articulate and discuss the grounding ideas of morality. The article argues that the first two ideas – an idea of unconditional character of morality and an idea of ontological grounding – are related to Kant’s influence on A. Jokubaitis philosophy. These two ideas allow us to explain morality as an autonomous part of reality, which is different from the empirical one but nonetheless real. This part of reality is grounded in the first-person perspective of a moral subject and can be characterized by implicit normativity and unconditionality. The first-person perspective structures a radically different relation to our reality, which allows us to be agents, not simply spectators. Such an interpretation of Kant allows to associate A. Jokubaitis with his contemporary Kantians, such as Ch. Korsgaard, B. Herman, O. O’Neill, and A. Reath. However, the third idea, the one of a person, which becomes more visible in his book Politinis idiotas, transcends the Kantian conception of practical reason and encourages to perceive morality and its grounding in a much wider context. The concept of a person allows A. Jokubaitis to distance himself from Kantian rationalism and integrate social and mystical aspects of morality, which he has always found important.

Comparative Postcolonialisms: Storytelling and Community in Sholem Aleichem and Chinua Achebe

2015 ◽  
Vol 3 (1) ◽  
pp. 55-77 ◽  
Author(s):  
Ato Quayson
Keyword(s):  
First Person ◽  
Chinua Achebe ◽  
Imagined Community ◽  
Cultural Traditions ◽  
The Third ◽  
Third Person ◽  
Things Fall Apart ◽  
The One ◽  
Central Characters ◽  
The Third Person

This paper compares Sholem Aleichem’s Tevye the Dairyman and Chinua Achebe’s Arrow of God. Despite all their obvious differences in terms of cultural traditions and historical moments, the two authors’ fundamental commitment to modes of storytelling allows us to draw parallels and counterpoints between them. In both works storytelling is shaped by the essential polysemy of orality (such as the collocation of proverbs, gnomic statements, and anecdotes as crucial aspects of the stories being told), as well as an orientation toward ritual (in terms of the formal repetition of storytelling motifs and devices). In the Tevye stories, the first-person narration is addressed to various explicit and implied addressees and gives the impression of an immediate orality, whereas in Arrow of God the third-person narrator is coextensive with the one we encounter in Things Fall Apart in its quasi-ethnographic orientation. In both texts, storytelling and orality are mediums for identifying with an imagined community. Imagined implies a nonideal relationship to existing communities, something that is made clear in the agonistic infrastructure of the two central characters’ minds. The paper argues for seeing this agonistic infrastructure as a form of “contexture,” that is to say, a way to provide texture to the historical contexts in which they were written and to which their referential relays point us to.

scholarly journals ANALISIS DEIKSIS DALAM BAHASA GORONTALO

2021 ◽  
Vol 22 (1) ◽  
pp. 68-80
Author(s):  
Aryati Hamzah ◽  
William I. S. Mooduto ◽  
Imam Mashudi
Keyword(s):  
First Person ◽  
Second Person ◽  
Person Plural ◽  
The Third ◽  
Third Person ◽  
First Person Plural ◽  
Two Stages ◽  
The Third Person

This research aims to describe the use of deixis in Gorontalo Language. This research was conducted in two stages namely the stage of preparation and implementation of the research. This research was conducted for 1 year. The result of the research showed that the form and meaning of deixis are person deixis, time and place. Persona deixis is divided into several types is deixis of first-person singular (wa’u ‘1sg’, watiya ‘1sg’), deixis of the first person plural (ami ‘1pl.excl’), deixis of the second person singular (yi’o ‘2sg’, tingoli ‘2sg’), deixis of the second person plural (tingoli ‘2pl’, timongoli ‘2pl’), and deixis of the third person singular (tio ‘3sg’) and timongolio ‘3pl’ as a deixis of the third person plural. Whereas, deixis of place are teye, teyamai ‘here’, tetomota ‘there’ this means to show the location of the room and the place of conversation or interlocutor. Deixis time among others yindhie ‘today’, lombu ‘tomorrow’, olango ‘yesterday’, dumodupo ‘morning’, mohulonu ‘afternoon’, hui ‘night’ which have the meaning to show the time when the speech or sentence is being delivered.

scholarly journals BENTUK DAN PENGGUNAAN PRONOMINA PERSONA BAGI MAHASISWA STKIP BANJARMASIN (THE FORM AND USE OF PERSONAL PRONOUNS BY STKIP STUDENT IN BANJARMASIN)

Kadera Bahasa ◽  
2018 ◽  
Vol 8 (2) ◽  
Author(s):  
Eka Suryatin
Keyword(s):  
Short Form ◽  
First Person ◽  
Personal Pronouns ◽  
Second Person ◽  
Person Plural ◽  
The Third ◽  
Full Form ◽  
Third Person ◽  
First Person Plural ◽  
The Third Person

This study discusses the forms and variations in the use of personal pronouns by STKIP students in Banjarmasin. The purpose of this study is to describe the forms and variations in the use personal pronouns by STKIP students in Banjarmasin. This research is a qualitative descriptive study. The data collection is obtained by observation techniques, see, and record. Research data are in the form the speech used by STKIP students in Banjarmasin, Department of PBSID (Local or Indonesian Language and Literature Education). The results show that the using personal pronouns are three forms, namely the first person, second person, and third person. Based on the type of reference personal pronoun used by STKIP students in Banjarmasin are singular and plural pronoun.When it is viewed from the morphological distribution, there are a full form and a short form. The short forms are usually used in proclitic (appears before its host) and also enclitic (appear after its host). Personal pronouns used by the students in their speech are varied. Although they are in Banjar, they do not only use personal pronouns in Banjar language, a part of the students use the first person singular pronoun gue ‘aku’. Personal pronouns in Banjar language used by the STKIP students in Banjarmasin are the first person singular pronoun, ulun, unda, sorang, saurang and aku. First person singular pronoun aku has some variations –ku and ku- that are bound morpheme. First person plural is kami and kita. The second person pronouns are pian, ikam, nyawa, and kamu. Meanwhile, the third person singular pronouns are Inya and Sidin. The third person plural pronoun is bubuhannya. The use of personal pronouns by STKIP students in Banjarmasin are dominantly consist of five speech components only that are based on the situation, the partner, the intent, the content of the message, and how the speaker tells the speech.

scholarly journals ANALISIS BENTUK DAN FUNGSI REFERENSI PERSONAL DALAM NOVEL REMBULAN TENGGELAM DIWAJAHMU KARYA TERE LIYE

2017 ◽  
Vol 2 (1) ◽  
pp. 32
Author(s):  
Muh Ali Imran ◽  
Nur Resky Evawanti
Keyword(s):  
The Novel ◽  
Second Person ◽  
Form And Function ◽  
The Third ◽  
The Face ◽  
Research Procedure ◽  
Third Person ◽  
And Function ◽  
The Third Person ◽  
Planning Action

AbstractThe main problem in this research  how to find out about the form and function of personal references in the novel Rembulan Tenggelam di Wajahmu in order to determine the differences contained in the novel especially those on personal references contained therein. This research was a literature review of research that contains one topic that contains some ideas or propositions related and must be supported by the data obtained from literature sources. This research procedure included planning, action and analysis. Subjects in this study was the novel of  Rembulan Tenggelam di Wajahmu. The results showed that the observation of novel moon sinking in the face are analyzed on personal references indicate that there are a lot of words including personal references such as personal pronoun first (referring to himself), pronouns second person (referring to the speaker) , and the third person pronoun (which refers to the person in question). Based on these results above, it can be concluded that the words include references persona there are differences both in writing and in speech.Keywords: Novel, personal referencesAbstrakMasalah utama dalam penelitian ini yaitu bagaimana mengetahui tentang bentuk dan fungsi referensi personal di dalam novel Rembulan Tenggelam di Wajahmu dengan tujuan untuk mengetahui perbedaan yang terdapat di dalam novel tersebut terkhusus pada referensi personal yang terdapat di dalamnya. Jenis penelitian ini adalah penelitian kajian pustaka yang berisi satu topik yang memuat beberapa gagasan atau proposisi yang berkaitan dan harus didukung oleh data yang diperoleh dari sumber pustaka. Prosedur penelitian ini meleputi perencanaan, pelaksanaan tindakan, dan analisis. Subjek dalam penelitian ini adalah novel rembulan tenggelam di wajahmu. Hasil penelitian menunjukkan bahwa pada pengamatan terhadap novel rembulan tenggelam di wajahmu yang menganalisis tentang referensi personal menunjukkan bahwa terdapat banyak kata-kata yang termasuk referensi personal seperti pronomina persona pertama( yang mengacu pada diri sendiri), pronomina persona kedua (yang mengacu pada lawan bicara), dan pronomina persona ketiga (yang mengacu pada orang yang dibicarakan). Berdasarkan hasil penelitian tersebut diatas, dapat disimpulkan bahwa kata-kata yang mencakup referensi persona terdapat perbedaan baik didalam penulisan maupun didalam tuturan.  Kata kunci: Novel,referensi personal

scholarly journals Pensamiento crítico versus razón arrogante

2005 ◽  
pp. 11-27
Author(s):  
Carlos Pereda
Keyword(s):  
Point Of View ◽  
The Other ◽  
First Person ◽  
Critical Thought ◽  
Ethical Implications ◽  
The Third ◽  
Third Person ◽  
Multiple Levels ◽  
The One ◽  
The Third Person

In this article, several levels in which can be proposed/presented the old dilemma of liberty and determinism are discussed and which is the task of critical thought or, particularly, of this critical thought that is philosophy. On the one hand, this dilemma is confronted in its metaphysical side. On the other, its epistemological and ethical implications are considered. Along this multiple levels I particularly consider the crash between the point of view of the first person and the third person.

scholarly journals Narrar e ser: a pessoalidade do narrador de Eu receberia as piores notícias de seus lindos lábios / Narrating and Being: The Us Narrator’s Personality Eu receberia as piores notícias de seus lindos lábios

2021 ◽  
Vol 30 (1) ◽  
pp. 170
Author(s):  
Netanias Mateus De Souza Castro
Keyword(s):  
Point Of View ◽  
First Person ◽  
The Novel ◽  
Safe Distance ◽  
History Of The Novel ◽  
The Third ◽  
The Us ◽  
Third Person ◽  
History Of ◽  
The Third Person

Resumo: A história do romance viu, diante de si, formas diversas de narrar, conforme aponta os escritos de Theodor W. Adorno, por exemplo. Desde narradores impessoais, mantendo a distância segura que lhe confere a narrativa em terceira pessoa até os casos em que o que se narra é algo diretamente relacionado ao próprio narrador. Esse parece ser o caso do romance de Marçal Aquino, Eu receberia as piores notícias de seus lindos lábios, que conta o envolvimento amoroso de Cauby e Lavínia a partir do olhar do próprio Cauby. Esse narra de um modo cuja relação de si mesmo com a narrativa fica explícita, tamanha é sua passionalidade em relação às suas vivências e ao ato de narrar. Isso se manifesta tanto na linguagem, em termos de escolhas narrativas, quanto nas ações do narrador-personagem-protagonista que narra e vive aquilo que narra. Suas características mais notáveis são a passionalidade, a capacidade de registrar fotograficamente detalhes da narrativa e o rompimento com técnicas narrativas tradicionais.Palavras-chave: narrador; primeira pessoa; romance brasileiro contemporâneo; Eu receberia as piores notícias de seus lindos lábios.Abstract: The history of the novel saw, before it, different ways of narrating, as pointed out by the writings of Theodor W. Adorno, for example. From impersonal narrators, maintaining the safe distance that the third person narrative gives him until the cases in which what is narrated is something directly related to the narrator himself. This seems to be the case with Marçal Aquino’s novel I would receive the worst news from his beautiful lips, which tells of Cauby and Lavínia’s loving involvement from the point of view of Cauby himself. He narrates in a way whose relationship with himself and the narrative is explicit, such is his passion for his experiences and the act of narrating. This manifests itself both in language, in terms of narrative choices, and in the actions of the narrator-character-protagonist who narrates and experiences what he narrates. Its most notable characteristics are passionality, the ability to photographically record details of the narrative and break with traditional narrative techniques.Keywords: narrator; first person; contemporary Brazilian romance; Eu receberia as piores notícias de seus lindos lábios.

scholarly journals The Analysis of Deixis in the Novel The Fault In Our Stars by John Green

HUMANIS ◽  
2018 ◽  
pp. 697
Author(s):  
Artika Putri ◽  
Made Budiarsa ◽  
I Gede Putu Sudana
Keyword(s):  
First Person ◽  
The Novel ◽  
Second Person ◽  
Speech Event ◽  
Language Structure ◽  
Observation Methods ◽  
Spatial Deixis ◽  
Third Person ◽  
The Third Person ◽  
Descriptive Method

This research  entitled The Analysis of Deixis in The Novel The Fault in Our Stars by John Green. Deixis is a study to describe the relation between language and contexts in language structure itself. The objectives of this study are (1) to find out and identify types of deixis in the novel The Fault in Our Stars (2) to analyze the function of each deixis type found in the novel The Fault in Our Stars. The data were collected using documentation and observation methods using the reading and note taking techniwques. Qualitative method was used to analyze the data and the method were done by descriptive technique. The method of presenting the result of data analysis was the descriptive method and was done by argumentative technique. The result of the research shows that there are three types of deixis found in the novel The Fault in Our Stars by John Green, namely person deixis, spatial deixis and temporal deixis. Person deixis consists of first person, second person and third person. The first person deixis is used to identify the speaker. The second person deixis is used to show the addressee. The third person deixis is used to show the referent not identified as the speaker or the addressee. The spatial deixis is used to describe a location participant in speech event. Temporal deixis is used to point a certain period of time.

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