scholarly journals Toward Theatrical Communitas

2021 ◽  
Vol 70 (3) ◽  
pp. 15-56
Author(s):  
Dorota Sajewska
Keyword(s):  
First Century ◽  
Multiple Forms ◽  
Experimental Theater ◽  
Transformative Potential ◽  
The Common ◽  
Market Driven ◽  
Sarah Kane ◽  
The Aesthetic ◽  
Ron Athey ◽  
Jerzy Grotowski

The term communitas, introduced into anthropological discourse by Victor Turner in the late 1960s, returned to humanist debates at the threshold of the twenty-first century by way of Roberto Esposito. Referring to Esposito’s concept of communitas, this essay brings out the anthropological tradition in thinking about the common, which Esposito had marginalized. The present author emphasized the importance of processuality and antistructural dimensions of egalitarian forms of togetherness, along with their potential to liberate human capacities of creativity. Examining the relation between munus and ludus, she shows theatricality residing immanently in the root of communitas. Focusing on the aesthetic and creative dimensions of togetherness helps in detecting multiple forms of commonality, and indicates various models of theatrical communitas. Exploring a nonnormative, transformative potential in experimental theater (Jerzy Grotowski, Sarah Kane, Ron Athey, Krzysztof Garbaczewski), she emphasizes collective, temporal, and excessive natures of theater that eschews the market-driven economy, along with the importance of a transversal communitas where the human being is only one of many actors. Some threads of the argumentation are expanded upon in a conversation with Leszek Kolankiewicz, included as an appendix.

scholarly journals Desiderata for Controlled Medical Vocabularies in the Twenty-First Century

1998 ◽  
Vol 37 (04/05) ◽  
pp. 394-403 ◽  
Author(s):  
J. J. Cimino
Keyword(s):  
Medical Informatics ◽  
First Century ◽  
Medical Informatics Applications ◽  
Formal Definitions ◽  
The Common ◽  
Twenty First Century ◽  
Multiple Granularities ◽  
Do So

AbstractBuilders of medical informatics applications need controlled medical vocabularies to support their applications and it is to their advantage to use available standards. In order to do so, however, these standards need to address the requirements of their intended users. Overthe past decade, medical informatics researchers have begun to articulate some of these requirements. This paper brings together some of the common themes which have been described, including: vocabulary content, concept orientation, concept permanence, nonsemantic concept identifiers, polyhierarchy, formal definitions, rejection of “not elsewhere classified” terms, multiple granularities, mUltiple consistent views, context representation, graceful evolution, and recognized redundancy. Standards developers are beginning to recognize and address these desiderata and adapt their offerings to meet them.

scholarly journals QUEER CRITICISM AS A POST-MODERNIST APPROACH

2015 ◽  
Vol 1 (1) ◽  
pp. 132
Author(s):  
Hamdi Hameed Yousif
Keyword(s):  
Literary Criticism ◽  
Literary Work ◽  
First Century ◽  
Critical Approach ◽  
The Social ◽  
Late Twentieth ◽  
The Common ◽  
Characteristic Features ◽  
The One ◽  
Late Twentieth Century

One of the post-modernist approaches to literary criticism is the queer criticism which has not been evaluated properly. Queer criticism can refer to any piece of literary criticism that interprets a text from a non-straight perspective. Therefore, it includes both lesbian and gay criticism. The aim of this paper, therefore, is to trace the social and political reasons behind the emergence of Queer criticism in the late twentieth century till it acquired momentum in the twenty-first century. After trying to define the terms related to the Queer criticism, the paper tries to examine the poetics of queer (gay and lesbian) literary works and to point out the main characteristic features of this critical approach by identifying the criteria and the textual evidence by which a literary work is labeled queer. It, also tries to shed light on the common features between queer criticism and feminism, on the one hand, and queer criticism and the deconstructuralist approach on the other hand. The final section of the study is a critique which points out the negative aspects of this approach.

ON THE ISSUE OF THE “ROCK POETRY WORD” IN CONTEMPORARY RUSSIAN NOVEL. THE WORLD OF BORIS GREBENSHCHIKOV IN THE WORLD OF “DREAMS SWIMMER” BY LEV NAUMOV

2021 ◽  
pp. 96-111
Author(s):  
Yurii V. Domanskii ◽  
Keyword(s):  
Common Denominator ◽  
Russian Novel ◽  
The World ◽  
The Common ◽  
The Aesthetic ◽  
Modern Russian

The article deals with references to the work of Boris Grebenshchikov in the “Dreams Swimmer” by Lev Naumov “The swimmer of dreams” (2021). The common denominator of the system of these references is the aesthetic character of the hero’s understanding of himself in the world and the world in relation to himself, which, if not directly leads the hero to the idea of his own chosenness, then at least is a symptom of the emergence of this idea. As a result, the system of references to the songs of “Aquarium” in Naumov’s novel makes it possible to interpret the character’s worldview as a worldview based on the aesthetic concept of understanding reality. The example of the appeal of a modern Russian novel to the “word of rock” considered in the article allows us to make sure that such an inclusion contributes to the disclosure of the specifics of the character’s worldview, and the analysis of this appeal brings one closer to a deeper understanding of the text.

Moving Forward with an Eye on the Past

2017 ◽  
pp. 112-128
Author(s):  
Jerome C. Bush
Keyword(s):  
Professional Development ◽  
Teacher Research ◽  
Historical Perspective ◽  
First Century ◽  
Past Century ◽  
Research Projects ◽  
The Past ◽  
Transformative Potential ◽  
New Models ◽  
Potential Benefits

Teacher research has become a well-known term in professional development circles, yet it is still often misunderstood. This chapter seeks to facilitate those who are interested in teacher research by providing a historical perspective. Understanding the development of teacher research over that past century will allow interested parties to move forward with greater insight of the potential benefits and drawbacks inherent in teacher research. Such an analysis may lead to increased success for teacher research projects as the twenty-first century unfolds. Although teacher research can be a challenging form of professional development, it has incredible transformative potential. It has the potential to enhance the entire profession of teaching as well as the knowledge, skills and abilities of individual teachers. A call is made for teachers and academics to move forward by forming an alliance to explore new models and methods of teacher research.

scholarly journals Soviet Colonial Modernity and the Everyday in Twenty-First Century Latvian Literature

2020 ◽  
Vol 24 (2) ◽  
pp. 408-422
Author(s):  
Benedikts Kalnačs
Keyword(s):  
World Literature ◽  
First Century ◽  
Contemporary Fiction ◽  
History And Memory ◽  
Colonial Modernity ◽  
Everyday Practices ◽  
The Everyday ◽  
Socialist Realist ◽  
The Common ◽  
The Baltic

This paper intends to discuss the case of Latvia in comparison with other European postcolonial situations and to trace the problems which determine the complexity of self-consciousness of the inhabitants of the country from postcolonial and post-Soviet perspective. The focus of this investigation is on the series of novels which deal with twentieth-century history and memory in Latvia. Due to the fact that the chosen texts attempt an evaluation of the Soviet past, an attention is paid to those aspects of representation of the everyday which considerably distinguish contemporary fiction from literary works created during the period of socialist realist dominance. The importance of history and of different everyday practices in forming specific features of national identity is also seen in the context of the attempts of contemporary authors to discover and define themselves as part of today’s global community as they try to position themselves within world literature. In this perspective, the contemporary as well as the historical experience of the Baltic nations testifies to the common roots of European society helping to build bridges between different ethnic and social groups and their members.

The Paradox of the Easy Yoke: A Survey of χρηστός in Greek Literature and the Interpretational Implications for Matthew 11:30

2019 ◽  
Vol 131 (1) ◽  
pp. 9-19
Author(s):  
Clark Bates
Keyword(s):  
New Testament ◽  
Old Testament ◽  
First Century ◽  
Greek Literature ◽  
Word Study ◽  
Greco Roman ◽  
Roman Literature ◽  
The New Testament ◽  
The Common ◽  
Apostolic Fathers

Matthew 11:30 could easily be considered one of the most recognizable passages of the New Testament. Many find comfort and fortitude in the words of Jesus, and warm to the idea that his ‘yoke’; is ‘easy’ and ‘burden’, ‘light’. However recognized and familiar this passage may be, it has not gone unnoticed throughout scholarship as a persistent word study in need of incessant explanation. While copious amounts of ink have been spilt discussing the nature of the ‘yoke’ in Matthew 11:30, it is the position of this article that the author of Matthew, had no intention of creating such a mystery. Rather, that the emphasis is to be found in the nature of the yoke itself and the attributive use of χρηστός in Greco-Roman literature, including that of the Greek Old Testament, and the writings of the first-century Christians. This article seeks to demonstrate that the use of χρηστός in the Matthean Gospel does not mean ‘easy’ by English standards, nor was this what the audience of this Gospel would have taken it to mean, given the common use of the term. This is accomplished through an engagement of the text and message of Matthew, followed by an examination of the word’s use in Classical Greek compositions and the Apostolic Fathers, as well as its use in the LXX and the New Testament.

Age 55 or Better

2011 ◽  
Vol 37 (6) ◽  
pp. 952-974 ◽  
Author(s):  
Judith Ann Trolander
Keyword(s):  
City Planning ◽  
Physical Planning ◽  
First Century ◽  
Common Interest ◽  
Golf Course ◽  
Gated Community ◽  
Social Planning ◽  
Adult Age ◽  
The Common ◽  
Planning Concepts

Active adult, age-restricted communities are significant to urban history and city planning. As communities that ban the permanent residence of children under the age of nineteen with senior zoning overlays, they are unique experiments in social planning. While they do not originate the concept of the common interest community with its shared amenities, the residential golf course community, or the gated community, Sun Cities and Leisure Worlds do a lot to popularize those physical planning concepts. The first age-restricted community, Youngtown, AZ, opened in 1954. Inspired by amenity-rich trailer courts in Florida, Del Webb added the “active adult” element when he opened Sun City, AZ, in 1960. Two years later, Ross Cortese opened the first of his gated Leisure Worlds. By the twenty-first century, these “lifestyle” communities had proliferated and had expanded their appeal to around 18 percent of retirees, along with influencing the design of intergenerational communities.

A Queer Sequence: Comics as a Disruptive Medium

PMLA ◽  
2019 ◽  
Vol 134 (3) ◽  
pp. 588-594 ◽  
Author(s):  
Ramzi Fawaz
Keyword(s):  
Family History ◽  
Physical Disability ◽  
Visual Art ◽  
First Century ◽  
Art Spiegelman ◽  
Graphic Narratives ◽  
Long Form ◽  
The Aesthetic ◽  
Teenage Sexuality ◽  
The Way

At first glance, Hillary Chute's Why Comics? presents itself as a chronicle of the heroic deeds of a Pantheon of creative gods. Across ten chapters, Chute tracks the aesthetic achievements of more than twelve world-renowned comics artists whose innovations in sequential visual art represent a range of human experiences, from wartime violence to teenage sexuality to queer family history to living with cognitive and physical disability. In Chute's narrative, such luminaries as Alison Bechdel, Art Spiegelman, Daniel Clowes, Joe Sacco, Lynda Barry, and Marjane Satrapi rise up from the vast landscape of comics production as artists whose bodies of work testify to comics's aesthetic diversity and sophistication. These typically erudite cartoonists work at a distance from mainstream comics and produce adult-oriented, long-form graphic narratives considered aesthetic masterpieces. “Although comics of all kinds are flourishing in the twenty-first century,” Chute explains early on in Why Comics?, “there has been a dramatic uptick” in the kind of “auteurist comics” produced by these cartoonists (18), who relish, in Clowes's words, the way the medium allows them to “control absolutely everything and make it … exactly what you're seeing in your own head” (qtd. in Why? 18). For Chute, it is this “singular intimacy of one person's vision”—best displayed in comics produced by sophisticated adult cartoonists writing and drawing for other adults–that underscores that comics are also for grown-ups (18). By now, we all should know this, but we have not learned the lesson well enough (or perhaps some just refuse to listen).

Anti-Imperial Rhetoric in the New Testament

2011 ◽  
Vol 10 (1) ◽  
pp. 9-52 ◽  
Author(s):  
Judy Diehl
Keyword(s):  
Roman Empire ◽  
New Testament ◽  
First Century ◽  
Christian Communities ◽  
Biblical Scholarship ◽  
Interpretive Methods ◽  
The New Testament ◽  
The Common ◽  
Book Of Acts ◽  
Common Era

The first of a series of three articles, this essay introduces current scholarship concerned with the use of anti-imperial rhetoric in the New Testament Gospels and the book of Acts. In the first century of the Common Era, if the powerful Roman Emperor was considered a god, what did that mean for the earliest Christians who committed loyalty to ‘another’ God? Was it necessary for the NT authors to employ subversive language, words and symbols, to conceal their true meanings from the imperial authorities in their communications to the first Christian communities? The answers to such key questions can give us a clearer picture of the culture, society and setting in which the NT was written. The purpose of this complex study is to observe how current biblical scholarship views anti-imperial rhetoric and anti-emperor implications found in the NT, assuming such rhetoric exists at all. This initial article reviews recent scholarship with respect to the background of the Roman Empire, current interpretive methods and research concerning anti-imperial rhetoric found in the NT Gospels and Acts.

Tragedy in Twentieth and Twenty-first Century Theatre Production

2016 ◽  
Author(s):  
Bridget Escolme
Keyword(s):  
Psychological Problems ◽  
First Century ◽  
Human Relations ◽  
Tragic Hero ◽  
Theatre Architecture ◽  
The Social ◽  
Theatre Production ◽  
The Common ◽  
Twenty First Century ◽  
The Relationship

This chapter discusses the relationship between actor and scenography in twentieth and twenty-first century productions of Hamlet and King Lear, particularly the common theatrical trope of realist acting on abstract stage sets. It argues that whilst in some productions the notion of tragic hero as common man reduces the plays to a set of psychological problems, in others, contrasts and tensions between acting style and scenography or theatre architecture have created what the author calls a ‘politics of intimacy’. These productions have made it possible for detailed, realist acting on non-naturalistic stage sets to pose potent questions about the social and political meanings of human relations in the plays. They have allowed for an audience experience that involves both psychological intimacy and ideological critique.

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