scholarly journals الحوادث التى تقع يوم القيامة وتذكر في القرآن الكريم

At-Tuhfah ◽  
2018 ◽  
Vol 7 (2) ◽  
pp. 59-68
Author(s):  
Malia Fransisca
Keyword(s):  

Doomsday is divided into two: Sughro Doomsday and Kubro. Sughro doomsday like death, accidents, illness, etc. Kubro doomsday happen when the earth is shaken with fierce, all of the material the earth out, destroyed all of the universe. After that there is no life in the world. because life is actually going to happen in the hereafter. At the end of days coming, people running around like flying white ant. They are confused don’t know where they are going. The sky split. The ocean overflows. The mountains were destroyed all the way to dust. They are afraid of this terrible situation. They left and forget all valuable things, because at the time that can only help them is charity of their deeds, not possessions or property the other in the form of earthly.

1961 ◽  
Vol 54 (3) ◽  
pp. 131-140
Author(s):  
H. J. Rose

When, at an unknown but manifestly early period, speculation regarding the duration and destiny of the world began, the thinkers of those days had two analogies to guide them, and consequently two divergent conclusions were reached. The first was the recurrent cycle of the seasons; the second, the growth, maturity, decay and death of the human and all other animal bodies. Reasoning from the one, some arrived at the conclusion that the world, at least the earth and mankind, had passed and would always continue to pass through a series of epochs, limited in number, which when they had ended would recommence, and so on indefinitely. From the other datum the result was reached that as a man dies and does not come to life again (for even the fairly wide-spread and early doctrine of reincarnation supposed only that the soul would be given a new earthly body of some kind, not that the whole individual would return), so the earth, or the universe generally, would grow old and die and that would be the end of it. It is the purpose of this paper to examine these two ideas and one or two offshoots of them as they are known to have appeared in the two classical civilizations of Europe, and especially in Greece, and if possible to draw some tentative conclusions as to which, if either, can be found more characteristic of native thought.


2018 ◽  
Vol 11 ◽  
pp. 179-196
Author(s):  
Jakub Żmidziński

FOKA SZUMEJOWY'S JOURNEYS TO THE SOURCE. THE NAVEL OF THE EARTH AS PRESENTED BY STANISŁAW VINCENZContinuing Jacek Kolbuszewski’s exegesis of the spatial orders in Stanisław Vincenz’s Na wysokiej połoninie On the High Mountain Pastures, the author of the article attempts to recreate the “philosophy of space” as formulated by the Homer of the Hutsuls. He carries out a detailed analysis of two fragments of the Hutsul epic: Maksym the seer’s story of a rock church from Barwinkowy wianek Periwinkle Wreath and Foka Szumejowy’s expedition to the navel of the earth described in Zwada Squabble. In both case inspirations from Dante’s Divine Comedy can be seen primarily in the expansion of space: on the one hand to include the world of the dead and on the other — the universe understood in Platonic terms. Both journeys also have many characteristics testifying to their initiation-related nature. Particularly important in this respect is the expedition undertaken by Foka and his friends to the source of the Cheremosh River deep inside the Palenica Mountain, on top of which Wincenty Pol placed the point where the borders of three countries — Poland, Hungary and Romania — met. Although in the light of modern research such a location of the old border between the three states is wrong, this is precisely where Vincenz places the navel of the earth. It appear as a distant echo of the omphalos stone from Delphi; a mystical place marked by extraordinarily dense symbolism: centre of the world, bringing together the heavenly and the earthly orders, the living and the dead, and annihilating the temporal dimension. The interpretation of the symbolism of Vincenz’s navel of the world is complemented by Klucz Key, which opens Zwada and in which the author suggests a universal dimension of the history of culture, and, at the same time, mystery-like nature of art, especially literature.]]>


Author(s):  
Vladimir N. Dubrovsky

The universe as a whole can be shown to consist of two worlds: the real world and the transcendental world. The real world is a multitude of passing things in a gravitational field: it is the world of nature, every unit of which is born (from the transcendental world), develops, degrades and dies (that is, it returns to the transcendental world). The transcendental world is the world of the integrated, nonpassing, unborn and undying, internally functioning Unity, which is the other side of the real world (so to speak) as roots to a tree and its branches in relation to the surface of the Earth. The fundamental science of the real world is theoretical physics. The transcendental world is also a 'physical' but energyless world. In this paper, I outline characteristics of the real world, and the basic characteristics of the transcendental world which are essential for constructing a theory about the functioning of the cosmological vacuum.


2018 ◽  
Vol 8 (1) ◽  
pp. 49-66
Author(s):  
Monika Szuba

The essay discusses selected poems from Thomas Hardy's vast body of poetry, focusing on representations of the self and the world. Employing Maurice Merleau-Ponty's concepts such as the body-subject, wild being, flesh, and reversibility, the essay offers an analysis of Hardy's poems in the light of phenomenological philosophy. It argues that far from demonstrating ‘cosmic indifference’, Hardy's poetry offers a sympathetic vision of interrelations governing the universe. The attunement with voices of the Earth foregrounded in the poems enables the self's entanglement in the flesh of the world, a chiasmatic intertwining of beings inserted between the leaves of the world. The relation of the self with the world is established through the act of perception, mainly visual and aural, when the body becomes intertwined with the world, thus resulting in a powerful welding. Such moments of vision are brief and elusive, which enhances a sense of transitoriness, and, yet, they are also timeless as the self becomes immersed in the experience. As time is a recurrent theme in Hardy's poetry, this essay discusses it in the context of dwelling, the provisionality of which is demonstrated in the prevalent sense of temporality, marked by seasons and birdsong, which underline the rhythms of the world.


1993 ◽  
Vol 10 (2) ◽  
pp. 165-177
Author(s):  
Karen Harding

Ate appearances deceiving? Do objects behave the way they do becauseGod wills it? Ate objects impetmanent and do they only exist becausethey ate continuously created by God? According to a1 Ghazlli, theanswers to all of these questions ate yes. Objects that appear to bepermanent are not. Those relationships commonly tefemed to as causalare a result of God’s habits rather than because one event inevitably leadsto another. God creates everything in the universe continuously; if Heceased to create it, it would no longer exist.These ideas seem oddly naive and unscientific to people living in thetwentieth century. They seem at odds with the common conception of thephysical world. Common sense says that the universe is made of tealobjects that persist in time. Furthermore, the behavior of these objects isreasonable, logical, and predictable. The belief that the univetse is understandablevia logic and reason harkens back to Newton’s mechanical viewof the universe and has provided one of the basic underpinnings ofscience for centuries. Although most people believe that the world is accutatelydescribed by this sort of mechanical model, the appropriatenessof such a model has been called into question by recent scientificadvances, and in particular, by quantum theory. This theory implies thatthe physical world is actually very different from what a mechanicalmodel would predit.Quantum theory seeks to explain the nature of physical entities andthe way that they interact. It atose in the early part of the twentieth centuryin response to new scientific data that could not be incorporated successfullyinto the ptevailing mechanical view of the universe. Due largely ...


2020 ◽  
Vol 19 (4) ◽  
pp. 330-334
Author(s):  
Octavio A. Chon Torres

AbstractThere is a record of the positive effects of astrobiological research for the natural sciences and eventually for their technological use on Earth. However, on the philosophical effects, this is not as visible as the other sciences, which is why it can be assumed that it is a waste of time speculating on astrobioethics or also on the philosophy of astrobiology. This is the reason why this work seeks to identify and sustain the philosophical utility of astrobioethics. To achieve this, this article focuses on three essential aspects: teloempathy, education and astrotheology. Russell's argument about the value of philosophy will be used as a fundamental basis for the usefulness of astrobioethics.


Among the celestial bodies the sun is certainly the first which should attract our notice. It is a fountain of light that illuminates the world! it is the cause of that heat which main­tains the productive power of nature, and makes the earth a fit habitation for man! it is the central body of the planetary system; and what renders a knowledge of its nature still more interesting to us is, that the numberless stars which compose the universe, appear, by the strictest analogy, to be similar bodies. Their innate light is so intense, that it reaches the eye of the observer from the remotest regions of space, and forcibly claims his notice. Now, if we are convinced that an inquiry into the nature and properties of the sun is highly worthy of our notice, we may also with great satisfaction reflect on the considerable progress that has already been made in our knowledge of this eminent body. It would require a long detail to enumerate all the various discoveries which have been made on this subject; I shall, therefore, content myself with giving only the most capital of them.


Laws ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 46
Author(s):  
Esther Salmerón-Manzano

New technologies and so-called communication and information technologies are transforming our society, the way in which we relate to each other, and the way we understand the world. By a wider extension, they are also influencing the world of law. That is why technologies will have a huge impact on society in the coming years and will bring new challenges and legal challenges to the legal sector worldwide. On the other hand, the new communications era also brings many new legal issues such as those derived from e-commerce and payment services, intellectual property, or the problems derived from the use of new technologies by young people. This will undoubtedly affect the development, evolution, and understanding of law. This Special Issue has become this window into the new challenges of law in relation to new technologies.


Popular Music ◽  
2019 ◽  
Vol 38 (03) ◽  
pp. 481-497
Author(s):  
Olivia R. Lucas

AbstractThis article presents a case study of ecocritical black metal, delving into the apocalypticism of the California-based black metal band Botanist, who conjures a world in which plants have violently destroyed human civilisation. It first contextualises Botanist amidst the broader current of environmentalism in extreme metal as well as within wider cultural explorations of plants as subjective beings capable of violence. The article then examines how Botanist taps into the logic of apocalyptic environmentalism, as the music presents the essential narrative of apocalyptic bioterrorism: humanity, with wanton hubris, has sown the seeds of its own destruction, and earned whatever horrors befall it on the way to elimination. With its bleak outlook and strident sound world, Botanist's music threatens to destabilise listeners’ assumptions about their place in the world and offers an example of what apocalyptic ecological urgency in music could sound like.


Author(s):  
Jennifer Gurley

AbstractAgainst anti-realist readings of the Emersonian self, perhaps most influentially Cavell’s reading, this essay argues that Emerson is a devotional writer. Emerson’s notion of subjectivity is based in two complementary modes of action - one receptive and the other expressive - as one works to “align” oneself with the larger forces that constitute and order the universe. How the world is and how we humans make our way through it are not the same and must not be confused. Such confusion is the decisive mistake the anti-realist critic of Emerson makes. The Emersonian subject must experience the laws of reality directly, on one’s own, rather than “secondhand.” Emerson is a dramatist telling the story of how we come to ideas and learn to judge and to act: of how, that is, we come to have experience. Emerson seeks an unshifting ground through a moment of receptivity and a moment of activity. That he often rarely achieves insight does not make him an anti-realist. This essay demonstrates how, by showing - albeit briefly - that Emersonian experience is fundamentally religious: a work of devotion rather than aversion.


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